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Comfortable in This Skin
Songs like
Comfortable in This Skin
by
Mark McKinney
Based on a tempo of (+/- 10%) and a similar genre
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Mark McKinney
Given up on Giving Up
109 bpm • C Maj • 03:56 • -4.64db
3% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Zane Williams
Little Too Late
109 bpm • G# min • 04:37 • -6.31db
36% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Dalton Domino
Find Us Alone
109 bpm • G Maj • 03:47 • -8.14db
19% Popularity • 60% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Cooder Graw
King of the Dairy Queen
109 bpm • D Maj • 03:26 • -4.74db
21% Popularity • 64% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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DERYL DODD
New Tony Lamas
109 bpm • D Maj • 03:47 • -6.34db
33% Popularity • 62% Danceability • 64% Energy • 94% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Eason
Tonight We Ride
110 bpm • C Maj • 03:00 • -6.11db
20% Popularity • 62% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Mark McKinney
Comfortable in This Skin
109 bpm • C Maj • 07:58 • -7.05db
0% Popularity • 58% Danceability • 81% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
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Kyle Park
Turn That Crown Upside Down
108 bpm • G Maj • 02:57 • -4.2db
33% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Kevin Fowler
Don't Touch My Willie
110 bpm • G Maj • 04:25 • -4.35db
35% Popularity • 58% Danceability • 73% Energy • 74% Liveness
0% Instrumentalness • 55% Positiveness
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Cooder Graw
Whiskey Bent & Hell Bound
107 bpm • G Maj • 03:27 • -5.27db
23% Popularity • 59% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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DERYL DODD
Things Are Fixin' to Get Real Good
110 bpm • G Maj • 03:28 • -7.22db
36% Popularity • 55% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 45% Positiveness
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Brandon Jenkins
Hearts Don't Breakeven
111 bpm • C# min • 03:54 • -4.98db
13% Popularity • 66% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Mark McKinney
Comfortable in This Skin
109 bpm • D Maj • 03:43 • -4.51db
3% Popularity • 60% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Bleu Edmondson
Not Afraid to Be Alone
111 bpm • E Maj • 02:33 • -7.21db
13% Popularity • 90% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Cameran Nelson
Shotgun
111 bpm • G Maj • 02:44 • -4.66db
15% Popularity • 59% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Jamie Richards
Older the Bull
107 bpm • G Maj • 03:07 • -4.64db
13% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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DERYL DODD
That's How I Got To Memphis
110 bpm • F# Maj • 03:14 • -6.28db
28% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dolly Shine
Rattlesnake
107 bpm • E Maj • 03:56 • -8db
29% Popularity • 49% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Mark McKinney
Bonfire
110 bpm • G Maj • 09:19 • -7.86db
0% Popularity • 60% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Jenkins
Down in Flames
111 bpm • A Maj • 03:42 • -6.09db
22% Popularity • 60% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Rhyder
Before I Knew Your Name - Studio Track
107 bpm • E Maj • 03:47 • -6.96db
14% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Max Stalling
The Pila Song
112 bpm • G Maj • 03:46 • -9db
31% Popularity • 74% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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No Justice
Never Gonna Be Enough
112 bpm • A Maj • 03:44 • -4.94db
21% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Dolly Shine
Blackbird
112 bpm • F min • 03:43 • -6.28db
13% Popularity • 56% Danceability • 82% Energy • 43% Liveness
1% Instrumentalness • 45% Positiveness
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Mark McKinney
The Truth
112 bpm • G Maj • 04:01 • -5.13db
0% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Kevin Fowler
Beer, Bait and Ammo
112 bpm • A Maj • 05:15 • -7.23db
40% Popularity • 63% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 74% Positiveness
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DERYL DODD
One Ride in Vegas
106 bpm • A Maj • 04:13 • -9.19db
26% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lost Immigrants
Weather Of You
105 bpm • A Maj • 03:36 • -7.18db
12% Popularity • 59% Danceability • 64% Energy • 93% Liveness
0% Instrumentalness • 45% Positiveness
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No Justice
Red Dress
112 bpm • F Maj • 05:15 • -7.35db
11% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dolly Shine
Her Name Was Trouble
106 bpm • F Maj • 03:52 • -3.91db
23% Popularity • 44% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Six Market Blvd.
Misery in Me
112 bpm • G Maj • 03:46 • -7.42db
19% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Mark McKinney
Why Haven't You Left yet?
110 bpm • C Maj • 04:11 • -3.68db
3% Popularity • 55% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Ryan Beaver
Under the Neons
113 bpm • A# Maj • 04:00 • -8.09db
27% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Caldwell
What Cowboys Do
113 bpm • C min • 03:06 • -7.21db
11% Popularity • 66% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 91% Positiveness
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Brandon Rhyder
That's Just Me
113 bpm • G Maj • 04:31 • -5db
21% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Dolly Shine
Trail of Tears
113 bpm • E min • 04:39 • -7.99db
12% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kyle Park
Fit for the King
113 bpm • E Maj • 03:22 • -4.98db
32% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Mark McKinney
As Good as It Gets
108 bpm • F Maj • 04:27 • -4.56db
0% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Mark David Manders
Telephone Song
113 bpm • G Maj • 03:15 • -8.16db
10% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Dirt Drifters
I'll Shut up Now
105 bpm • G Maj • 04:03 • -5.14db
14% Popularity • 64% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Phil Hamilton
Hold on Tight
105 bpm • E Maj • 04:20 • -7.26db
12% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Drew Fish Band
Playin' With a Flame
105 bpm • A min • 04:48 • -8db
26% Popularity • 57% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Stoney LaRue
Oklahoma Breakdown
105 bpm • A Maj • 05:04 • -4.72db
29% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Mark McKinney
She's With the Band (Studio Outtake)
110 bpm • D Maj • 03:52 • -7.42db
0% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Max Stalling
Long Way to Get
105 bpm • A Maj • 02:56 • -7.44db
20% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Dolly Shine
Waitin' to Rain
114 bpm • B Maj • 04:09 • -8.96db
13% Popularity • 58% Danceability • 41% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
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Curtis Grimes
Swampy Tonkin'
114 bpm • C# Maj • 03:40 • -5.09db
17% Popularity • 62% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Eason
Black Horse Mesa
114 bpm • E min • 03:39 • -6.03db
8% Popularity • 53% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Stoney LaRue
Down In Flames
113 bpm • A# Maj • 03:52 • -4.01db
38% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Mark McKinney
Drink Too Much
114 bpm • E Maj • 04:44 • -5db
21% Popularity • 62% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Max Stalling
Beautiful Texas Sunshine
114 bpm • G Maj • 03:13 • -5.68db
15% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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JB and the Moonshine Band
Beer For Breakfast
114 bpm • E Maj • 02:16 • -5.28db
33% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Tommy Alverson
Texas Woman
104 bpm • D Maj • 04:11 • -8.38db
19% Popularity • 40% Danceability • 68% Energy • 37% Liveness
3% Instrumentalness • 49% Positiveness
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Curtis Grimes
The Cowboy Kind
114 bpm • B Maj • 03:18 • -4db
27% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Stoney LaRue
Texas Moon
114 bpm • F Maj • 04:10 • -4.04db
27% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Mark McKinney
Bridge
114 bpm • E min • 04:06 • -5.31db
12% Popularity • 64% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Dolly Shine
Twist the Knife
104 bpm • E Maj • 03:45 • -7.28db
20% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Max Stalling
Runnin' Buddy
105 bpm • D Maj • 04:04 • -8db
30% Popularity • 72% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Tommy Alverson
Upside Down
114 bpm • B Maj • 03:31 • -8db
32% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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No Justice
Red Dress
115 bpm • F Maj • 03:37 • -7.85db
28% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bleu Edmondson
$50 Dollars and a Flask of Crown
115 bpm • E Maj • 03:25 • -7.76db
38% Popularity • 75% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Mark McKinney
Home
106 bpm • F Maj • 04:02 • -4.5db
1% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dolly Shine
Walkin' to New Orleans
115 bpm • E min • 05:42 • -9.05db
14% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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John Slaughter
Stay for a While
115 bpm • F# Maj • 03:44 • -6.22db
16% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Brandon Rhyder
Man Of Conviction
115 bpm • G Maj • 03:48 • -3db
26% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Damn Quails
Better Place to Stop
115 bpm • G Maj • 03:21 • -5.64db
34% Popularity • 52% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Six Market Blvd.
14 Miles From Home
103 bpm • G Maj • 04:15 • -7db
43% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Mark McKinney
Bonfire
112 bpm • G Maj • 05:09 • -3.28db
8% Popularity • 57% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Cooder Graw
Willie's Guitar
103 bpm • E Maj • 02:48 • -5.86db
27% Popularity • 73% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Abbott Band
Hell's Gates on Fire
116 bpm • G Maj • 04:15 • -5.77db
21% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Brandon Rhyder
Rock Angel
115 bpm • E Maj • 03:39 • -7db
13% Popularity • 55% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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The Damn Quails
So So Long
116 bpm • C Maj • 04:00 • -4.84db
29% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Beaver
I Shoulda Kissed You
116 bpm • F min • 04:04 • -7.31db
12% Popularity • 58% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Mark McKinney
Start With Tonight
112 bpm • E min • 03:42 • -3.88db
2% Popularity • 57% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dolly Shine
Spinning My Wheels
116 bpm • E Maj • 03:38 • -8db
29% Popularity • 51% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Owen Temple
Me and Maria
102 bpm • C min • 03:43 • -8db
12% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mike McClure
Outlaw's Prayer
102 bpm • C# min • 03:46 • -11.06db
26% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Curtis Grimes
Put My Money on That
102 bpm • C min • 03:05 • -5db
32% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Allsup
Some Days
102 bpm • A min • 03:00 • -6db
13% Popularity • 85% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mark McKinney
She Ain't Leavin
114 bpm • C Maj • 03:50 • -4.98db
5% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Slaughter
Don't Drink My Whiskey
102 bpm • E Maj • 03:24 • -5db
13% Popularity • 56% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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The Damn Quails
Another Story
116 bpm • G Maj • 03:34 • -5.54db
29% Popularity • 59% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 55% Positiveness
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Max Stalling
If Only the Good Die Young
102 bpm • C Maj • 03:48 • -5.59db
15% Popularity • 64% Danceability • 61% Energy • 9% Liveness
4% Instrumentalness • 63% Positiveness
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Jarrod Birmingham
Best I Can
102 bpm • E Maj • 04:21 • -6.87db
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Zane Williams
Kansas City Sunrise
102 bpm • C Maj • 04:00 • -8.42db
21% Popularity • 37% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mark McKinney
Reckless in Texas
114 bpm • A# Maj • 04:05 • -6.34db
2% Popularity • 60% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Six Market Blvd.
White Goose
117 bpm • A Maj • 03:13 • -6.05db
8% Popularity • 71% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Callahan Divide
Happy
117 bpm • C# Maj • 04:21 • -5.52db
19% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Max Stalling
I Ain't Drinking Alone
117 bpm • C Maj • 03:56 • -6.68db
19% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Jesse Raub Jr.
She'll Put The Hurt On You
117 bpm • D Maj • 03:11 • -5.47db
21% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Stoney LaRue
First One To Know
101 bpm • F Maj • 04:36 • -7.59db
28% Popularity • 55% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
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Mark McKinney
Perfect Day
114 bpm • G Maj • 03:16 • -6.39db
0% Popularity • 75% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Brandon Jenkins
The Whole World's Gone Crazy
117 bpm • G Maj • 03:24 • -6.27db
27% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Kyle Park
Don't Look
118 bpm • A Maj • 03:38 • -8.1db
27% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Dalton Domino
Mine Again (I'd Be a Fool)
101 bpm • E Maj • 03:34 • -7.28db
25% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Fish Band
Sounds Like a Plan
118 bpm • E Maj • 03:54 • -6.46db
13% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Stoney LaRue
Easy She Comes
118 bpm • A# Maj • 03:31 • -4.61db
21% Popularity • 63% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Mark McKinney
Story of My Life
116 bpm • D Maj • 03:54 • -4.48db
0% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dolly Shine
Should've Known
118 bpm • E Maj • 04:32 • -8.25db
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Bleu Edmondson
Last Last Time
118 bpm • E Maj • 03:37 • -6.76db
26% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Comfortable in This Skin