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Coming Back
Songs like
Coming Back
by
Madison Cunningham
Based on a tempo of (+/- 10%) and a similar genre
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Bedouine
Thirteen
102 bpm • A# Maj • 03:04 • -11db
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny O.
Psychedelic Love
102 bpm • E min • 03:14 • -7.79db
7% Popularity • 68% Danceability • 50% Energy • 12% Liveness
24% Instrumentalness • 43% Positiveness
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Wild Child
Ride With Me
102 bpm • B min • 03:25 • -6.26db
20% Popularity • 68% Danceability • 74% Energy • 30% Liveness
10% Instrumentalness • 76% Positiveness
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Madison Cunningham
Coming Back
102 bpm • C Maj • 02:23 • -5.21db
10% Popularity • 53% Danceability • 59% Energy • 11% Liveness
31% Instrumentalness • 83% Positiveness
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Ondara
A Blackout In Paris
103 bpm • G Maj • 03:42 • -15.32db
27% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Fruit Bats
A Lingering Love
101 bpm • D Maj • 03:36 • -9db
52% Popularity • 62% Danceability • 79% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
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Birdtalker
Nothing Ever Stays
101 bpm • A Maj • 03:42 • -9.7db
16% Popularity • 54% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Chastity Brown
Wonderment
101 bpm • F# min • 04:39 • -9.47db
11% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Glitterfox
Married to the Ground
101 bpm • D min • 03:41 • -9.57db
34% Popularity • 74% Danceability • 35% Energy • 12% Liveness
14% Instrumentalness • 20% Positiveness
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Christian Lee Hutson
Get The Old Band Back Together
101 bpm • E Maj • 03:08 • -6.56db
24% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Humbird
Pharmakon - Reimagined
101 bpm • E min • 02:28 • -13.19db
34% Popularity • 73% Danceability • 34% Energy • 11% Liveness
28% Instrumentalness • 24% Positiveness
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Sir Woman
Making Love (OurVinyl Sessions)
104 bpm • G# min • 03:55 • -8db
28% Popularity • 72% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Bahamas
Modern Man
100 bpm • F Maj • 03:04 • -11db
28% Popularity • 47% Danceability • 30% Energy • 9% Liveness
11% Instrumentalness • 27% Positiveness
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Josiah Johnson
Nobody Knows
100 bpm • C Maj • 03:52 • -7.03db
8% Popularity • 51% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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I'm With Her
Hannah Hunt - Recorded At Spotify Studio...
104 bpm • A Maj • 04:38 • -15db
40% Popularity • 71% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Sweet Alibi
Confetti
100 bpm • B Maj • 03:31 • -7.59db
12% Popularity • 77% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Katie Toupin
Someone to You
100 bpm • E Maj • 04:21 • -8.25db
10% Popularity • 59% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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Jenny Lewis
Rabbit Hole - Demo
100 bpm • A# Maj • 03:28 • -7.29db
7% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Staves
Good Woman
100 bpm • C# Maj • 03:17 • -12.51db
42% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Parker Millsap
It Was You
104 bpm • F Maj • 03:41 • -7.05db
9% Popularity • 63% Danceability • 49% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Whitney
Crying, Laughing, Loving, Lying
100 bpm • G Maj • 02:59 • -12.32db
26% Popularity • 68% Danceability • 35% Energy • 11% Liveness
22% Instrumentalness • 28% Positiveness
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River Whyless
Heaven and Light
100 bpm • G Maj • 03:15 • -6.99db
26% Popularity • 59% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Madison Cunningham
Plain Letters - Reimagined
104 bpm • A# min • 04:33 • -14db
30% Popularity • 68% Danceability • 38% Energy • 11% Liveness
73% Instrumentalness • 32% Positiveness
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Molly Tuttle
You Don't Get Me High Anymore
100 bpm • G min • 03:35 • -11.28db
12% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Hutchinson
Life After Life
99 bpm • A Maj • 04:45 • -6.33db
11% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Parker Millsap
Rolling
100 bpm • E Maj • 02:31 • -5.78db
13% Popularity • 76% Danceability • 66% Energy • 12% Liveness
9% Instrumentalness • 82% Positiveness
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Side 4 Collective
Desperate Days
99 bpm • C Maj • 02:55 • -8db
10% Popularity • 57% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Aoife O'Donovan
More Than We Know
105 bpm • C# min • 03:10 • -15.65db
24% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Josiah Johnson
World's Not Gonna End
105 bpm • G Maj • 03:27 • -6.88db
8% Popularity • 55% Danceability • 84% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Kyshona
Rise the Tide
105 bpm • A min • 04:05 • -6.51db
8% Popularity • 63% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Laura Marling
Strange Girl
99 bpm • D Maj • 03:21 • -9.89db
42% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Sarah Jarosz
Johnny
99 bpm • B Maj • 03:59 • -8.67db
40% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kishi Bashi
Cascades
105 bpm • D min • 03:56 • -12.23db
23% Popularity • 52% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Ashton
Time After Time
106 bpm • D Maj • 03:26 • -9.21db
18% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Margaret Glaspy
Without Him
106 bpm • G Maj • 03:37 • -8.74db
7% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Hush Kids
What's Your Hurry
106 bpm • C Maj • 03:55 • -6.34db
21% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jamie Drake
Blue
106 bpm • F min • 03:08 • -9.04db
10% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Elizabeth Moen
Tell Me When
98 bpm • A min • 03:52 • -7.18db
13% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mountain Man
Hot Knife
106 bpm • A Maj • 02:23 • -15.23db
17% Popularity • 85% Danceability • 14% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
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The Bygones
Secondhand Store
98 bpm • A Maj • 03:09 • -9.16db
24% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Carmanah
As I See You
98 bpm • B Maj • 03:21 • -7.96db
11% Popularity • 61% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Katie Pruitt
Wishful Thinking
107 bpm • G Maj • 05:10 • -10.53db
31% Popularity • 38% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Lilly Hiatt
Been
107 bpm • F Maj • 03:53 • -6.34db
10% Popularity • 70% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Anaïs Mitchell
Morning Glory (Bonus Track)
107 bpm • D Maj • 02:21 • -10.96db
15% Popularity • 65% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Madison Cunningham
Anywhere
97 bpm • B min • 03:48 • -9.97db
37% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Vagabon
In A Bind - Strings Version
97 bpm • D# min • 03:43 • -11.76db
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Christian Lee Hutson
Single For The Summer
97 bpm • D# Maj • 03:57 • -9.44db
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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The Wild Reeds
Get Better
97 bpm • A Maj • 02:51 • -8.36db
9% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jamie Drake
Allison
97 bpm • G Maj • 03:17 • -12.17db
14% Popularity • 38% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Wild Child
Dear John
108 bpm • D Maj • 03:14 • -4.89db
27% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Madison Cunningham
John Wayne
107 bpm • G# Maj • 04:55 • -15.63db
13% Popularity • 46% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Fruit Bats
Baby Bluebird - Waltz Demo
108 bpm • E Maj • 02:29 • -12db
21% Popularity • 72% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Whitehorse
Play It Safe
108 bpm • A# Maj • 03:13 • -6.33db
8% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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jeremy messersmith
Fast Times in Minnesota
108 bpm • A# Maj • 03:39 • -9.05db
16% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Margaret Glaspy
Killing What Keeps Us Alive
108 bpm • B Maj • 03:18 • -8.76db
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Yola
Love Is Light
96 bpm • D Maj • 03:15 • -7.44db
24% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Griffin Swank
Madness
96 bpm • C# Maj • 03:56 • -9.97db
21% Popularity • 79% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Dolly Valentine
Michigan, 1997
96 bpm • D Maj • 04:19 • -9.91db
8% Popularity • 64% Danceability • 52% Energy • 10% Liveness
49% Instrumentalness • 53% Positiveness
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Alana Henderson
Anyone
96 bpm • C Maj • 03:06 • -8.38db
16% Popularity • 74% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Elle Cordova
Bernadette
96 bpm • F# Maj • 02:45 • -10.55db
36% Popularity • 79% Danceability • 36% Energy • 14% Liveness
32% Instrumentalness • 56% Positiveness
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Flyte
Under The Skin - Demo Version
109 bpm • D# Maj • 03:28 • -13.92db
9% Popularity • 55% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 48% Positiveness
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The Sea The Sea
Fall Before The Climb
108 bpm • A# Maj • 03:33 • -14.77db
24% Popularity • 53% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Madison Cunningham
Poses
96 bpm • C Maj • 04:45 • -11db
12% Popularity • 58% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Theo Katzman
Good to Be Alone
109 bpm • A# Maj • 03:41 • -10.82db
41% Popularity • 77% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Jenny Lewis
Joy'All
109 bpm • C Maj • 03:44 • -10.38db
37% Popularity • 79% Danceability • 55% Energy • 6% Liveness
38% Instrumentalness • 43% Positiveness
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Seth Avett
Good Morning Coffee
95 bpm • G Maj • 03:46 • -7.81db
27% Popularity • 81% Danceability • 62% Energy • 64% Liveness
5% Instrumentalness • 63% Positiveness
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Anna Ash
Stalemate
109 bpm • D Maj • 02:43 • -10.85db
28% Popularity • 62% Danceability • 74% Energy • 11% Liveness
16% Instrumentalness • 24% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
54% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Raye Zaragoza
He Calls Me River
95 bpm • F# Maj • 03:27 • -10db
24% Popularity • 53% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Kishi Bashi
Those Days Are Gone
110 bpm • B min • 03:48 • -13.31db
13% Popularity • 50% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 61% Positiveness
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Matt Costa
Slow
110 bpm • G Maj • 03:21 • -7.49db
12% Popularity • 69% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rainbow Girls
Free Wine
95 bpm • C# Maj • 03:01 • -9db
23% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Charlotte Cornfield
You Can Have It All
95 bpm • B Maj • 03:48 • -7.77db
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
77% Instrumentalness • 85% Positiveness
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Flyte
I Still Believe In You
95 bpm • F Maj • 02:23 • -6.86db
27% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Samantha Crain
Holding to the Edge of Night
110 bpm • G# Maj • 04:43 • -11.86db
23% Popularity • 47% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Kishi Bashi
Wait for Springtime
95 bpm • C Maj • 04:00 • -13.65db
22% Popularity • 58% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Julianna Zachariou
church st.
110 bpm • G# Maj • 02:59 • -10.59db
32% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie Drake
When the Tide Comes In
110 bpm • G# Maj • 04:28 • -9.77db
11% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Madison Cunningham
To Another Land
110 bpm • A# Maj • 03:21 • -7.49db
21% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Oshima Brothers
Wilderness
110 bpm • G Maj • 02:26 • -7.14db
27% Popularity • 78% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Caroline Spence
Who’s Gonna Make My Mistakes
110 bpm • C# Maj • 02:36 • -6.7db
27% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lizzie No
Birthday Party
110 bpm • E Maj • 02:15 • -11.77db
14% Popularity • 88% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Julianna Zachariou
The Bad Guy
110 bpm • C Maj • 03:53 • -9.08db
12% Popularity • 76% Danceability • 40% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Fruit Bats
Without Any Airs
110 bpm • A min • 02:38 • -8db
31% Popularity • 74% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Ritter
Waiting on You
94 bpm • G Maj • 03:34 • -5.27db
13% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Wild Child
My Favorite Picture of You
94 bpm • C Maj • 02:53 • -11db
24% Popularity • 62% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Whitehorse
I Wanna Make Promises (That I Can't Keep...
94 bpm • C Maj • 04:51 • -6.56db
17% Popularity • 51% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Brigitte DeMeyer
Salt of the Earth
94 bpm • C min • 03:08 • -9.68db
8% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Oshima Brothers
Colorblind
111 bpm • C# min • 03:27 • -7.08db
27% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Sunny War
She Just Don't Care
111 bpm • F min • 03:01 • -18.08db
17% Popularity • 71% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sir Woman
Highroad (OurVinyl Sessions)
94 bpm • F Maj • 03:50 • -6.19db
17% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Katy Kirby
Bad Man
94 bpm • G Maj • 03:38 • -9db
27% Popularity • 55% Danceability • 60% Energy • 12% Liveness
20% Instrumentalness • 61% Positiveness
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Taylor Janzen
New Mercies
94 bpm • D Maj • 04:42 • -6.2db
18% Popularity • 35% Danceability • 80% Energy • 19% Liveness
10% Instrumentalness • 11% Positiveness
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Bonny Light Horseman
Magpie's Nest
93 bpm • A Maj • 04:58 • -8.25db
29% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Madison Cunningham
No One Else To Blame
94 bpm • G min • 03:02 • -11.44db
22% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ondara
A Witch And A Saint
112 bpm • G Maj • 02:59 • -15.73db
24% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dallas Ugly
Anyone New
93 bpm • B Maj • 03:06 • -12.21db
15% Popularity • 74% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Lilly Hiatt
Peach
112 bpm • G# min • 02:52 • -8.8db
18% Popularity • 63% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 30% Positiveness
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Sir Woman
Can't Stay Mad
112 bpm • B min • 02:59 • -8.18db
28% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
54% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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