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Commit A Crime
Songs like
Commit A Crime
by
Clifford Curry
Based on a tempo of (+/- 10%) and a similar genre
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The Satintones
Motor City - Single Version
74 bpm • D# Maj • 02:33 • -7.38db
15% Popularity • 60% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Clifford Curry
Commit A Crime
74 bpm • F Maj • 04:09 • -9.55db
0% Popularity • 44% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Barbara Banks
River Of Tears
75 bpm • F Maj • 02:15 • -6.58db
9% Popularity • 44% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 95% Positiveness
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Jackie Wilson
No Pity (In The Naked City)
75 bpm • G Maj • 03:32 • -9.66db
17% Popularity • 50% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Olympics
Baby Do the Philly Dog
75 bpm • D# Maj • 02:20 • -6.57db
16% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Little Anthony & The Imperials
Gonna Fix You Good (Everytime You're Bad...
76 bpm • D Maj • 02:31 • -8.3db
22% Popularity • 52% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 85% Positiveness
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Tamala Lewis
You Won't Say Nothing
72 bpm • A Maj • 02:24 • -8.53db
12% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Frankie Beverly And The Butlers
Because Of My Heart
77 bpm • F Maj • 02:43 • -6.7db
12% Popularity • 42% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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The Velours
I'm Gonna Change
77 bpm • G# Maj • 02:58 • -5.95db
9% Popularity • 52% Danceability • 69% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Richard Temple
That Beatin' Rhythm
72 bpm • C Maj • 02:16 • -7.58db
27% Popularity • 58% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Jackie Wilson
Soul Galore
78 bpm • C Maj • 02:46 • -8.79db
11% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Butler
I'll Bet You
78 bpm • A# Maj • 02:56 • -10.3db
10% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Clifford Curry
Love Recession
78 bpm • A# Maj • 04:35 • -8.59db
0% Popularity • 41% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Flirtations
Change My Darkness into Light
70 bpm • C Maj • 02:56 • -13.02db
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Bobby Paris
Night Owl
79 bpm • C Maj • 02:22 • -7db
28% Popularity • 47% Danceability • 79% Energy • 65% Liveness
0% Instrumentalness • 83% Positiveness
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Mamie Galore
It Ain't Necessary
79 bpm • D Maj • 02:12 • -10db
15% Popularity • 57% Danceability • 66% Energy • 16% Liveness
4% Instrumentalness • 97% Positiveness
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Robert Parker
Let's Go Baby
69 bpm • B min • 02:24 • -10.43db
14% Popularity • 80% Danceability • 50% Energy • 16% Liveness
11% Instrumentalness • 69% Positiveness
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Bill Bush
I'm Waiting
69 bpm • C min • 02:14 • -8.25db
15% Popularity • 50% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Clifford Curry
My Grandmomma
78 bpm • D Maj • 03:50 • -11.44db
0% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Lou Johnson
Magic Potion
81 bpm • F Maj • 03:10 • -6db
17% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Spencer Wiggins
The Power of a Woman
81 bpm • C Maj • 03:34 • -8.25db
19% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jerry Fuller
Double Life
81 bpm • C Maj • 02:57 • -7db
8% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Inez & Charlie Foxx
Hurt By Love
82 bpm • A Maj • 02:19 • -6.11db
8% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Big Maybelle
Quittin' Time
81 bpm • D Maj • 01:57 • -5.52db
14% Popularity • 58% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Clifford Curry
I Don't Need You
79 bpm • E min • 03:05 • -15.16db
0% Popularity • 52% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Freddie Scott
I'll Be Gone
84 bpm • D# Maj • 02:08 • -9.74db
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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H. B. Barnum
It Hurts Too Much to Cry
66 bpm • C Maj • 02:13 • -6.94db
7% Popularity • 51% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Shorty Long
Out To Get You
84 bpm • F Maj • 02:10 • -11.45db
9% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Olympics
Mine Exclusively
84 bpm • G# Maj • 02:27 • -6db
12% Popularity • 56% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Wilson
The Who Who Song (Nobody But My Sweet Ba...
85 bpm • B Maj • 02:50 • -6.95db
23% Popularity • 63% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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The Dells
Wear It On Our Face
85 bpm • A min • 03:25 • -14db
25% Popularity • 37% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Tina Britt
The Real Thing
88 bpm • G min • 02:23 • -9db
14% Popularity • 65% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 76% Positiveness
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Darrell Banks
I'm Gonna Hang My Head and Cry
88 bpm • A min • 02:47 • -8.38db
8% Popularity • 55% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Beverly And The Butlers
She Kissed Me
88 bpm • C Maj • 02:30 • -5.06db
25% Popularity • 47% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
19% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Wilson
You Left The Fire Burning
86 bpm • F Maj • 02:33 • -9.13db
11% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Garnet Mimms
It Was Easier To Hurt Her
91 bpm • E Maj • 02:50 • -11.99db
12% Popularity • 56% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Clarence Carter
Doin' Our Thing
93 bpm • D# Maj • 02:28 • -14.52db
23% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Hot Sauce
Bring It Home (And Give It To Me)
92 bpm • D# Maj • 03:20 • -9.19db
11% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Freddie Scott
Are You Lonely For Me?
93 bpm • F# Maj • 03:20 • -10.88db
26% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Nolan Chance
She's Gone (And She Won't Be Back)
93 bpm • G# Maj • 02:59 • -9db
8% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Clifford Curry
Slow Dance To The Blues
95 bpm • E Maj • 03:31 • -9.66db
0% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Linda Jones
You Hit Me Like T.N.T.
93 bpm • E Maj • 02:16 • -7.32db
1% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Barbara Lynn
Can't Buy My Love
97 bpm • G Maj • 01:55 • -7.02db
17% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Roosevelt Matthews
You Got Me Diggin' You
96 bpm • F# min • 01:53 • -11.88db
12% Popularity • 60% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
16% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Ollie & The Nightingales
I've Got A Sure Thing
98 bpm • B min • 02:40 • -10.06db
8% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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James Carr
I'm a Fool for You
100 bpm • A# Maj • 02:00 • -7.48db
11% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Spencer Wiggins
I'll Be True to You
100 bpm • G Maj • 02:36 • -7db
12% Popularity • 64% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Mable John
It's Catching
100 bpm • C Maj • 02:38 • -10db
18% Popularity • 75% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Jeanne & The Darlings
It's Unbelievable (How You Control My So...
100 bpm • C# Maj • 02:13 • -7.93db
10% Popularity • 68% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
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Veda Brown
Short Stopping
101 bpm • A# Maj • 02:19 • -9.09db
17% Popularity • 91% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 95% Positiveness
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Ollie & The Nightingales
You're Leaving Me
100 bpm • E Maj • 02:52 • -13.74db
12% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Garnet Mimms & The Enchanters
My Baby
102 bpm • D Maj • 03:09 • -10.32db
13% Popularity • 46% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 73% Positiveness
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Clydie King
I'll Never Stop Loving You - Remastered
104 bpm • F Maj • 02:14 • -13db
20% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Spencer Wiggins
Take Me Just as I Am
104 bpm • F Maj • 02:44 • -7.42db
8% Popularity • 61% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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The Mad Lads
Patch My Heart
105 bpm • C# Maj • 02:31 • -12.64db
28% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
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Jimmy James & The Vagabonds
Ain't No Big Thing
106 bpm • F# min • 02:41 • -7.95db
10% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Inez & Charlie Foxx
Don't Do It No More
107 bpm • F Maj • 03:00 • -8db
9% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Shirley Wahls
Why Am I Crying?
107 bpm • F Maj • 02:17 • -7.46db
9% Popularity • 59% Danceability • 67% Energy • 59% Liveness
48% Instrumentalness • 86% Positiveness
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Johnny Maestro
I'm Stepping Out Of The Picture
108 bpm • G Maj • 02:25 • -11.34db
8% Popularity • 58% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Chandler
Gonna Be Good Times
107 bpm • C# Maj • 02:20 • -9db
10% Popularity • 41% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Barbara Lynn
Multiplying Pain
108 bpm • G min • 02:42 • -10.33db
10% Popularity • 82% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Inez & Charlie Foxx
Broken Hearted Fool
108 bpm • E Maj • 02:17 • 0.78db
10% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Lou Johnson
Rock Me Baby
109 bpm • C Maj • 02:15 • -10.7db
18% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Clifford Curry
The Provider
108 bpm • A Maj • 03:53 • -9.16db
0% Popularity • 72% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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The Mad Lads
She's the One
109 bpm • A# Maj • 02:04 • -11.22db
18% Popularity • 80% Danceability • 46% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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The Ovations
I Believe I'll Go Back Home
109 bpm • A# Maj • 02:28 • -9db
14% Popularity • 60% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Mable John
Wait You Dog
109 bpm • D Maj • 02:07 • -12.41db
16% Popularity • 74% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Allen Toussaint
How to Pick a Winner - Remastered
109 bpm • G# Maj • 02:38 • -5.8db
21% Popularity • 81% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Virgil Henry
You Ain't Saying Nothin' New
110 bpm • A Maj • 02:51 • -10.01db
9% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Clifford Curry
We're Gonna Hate Ourselves In the Mornin...
109 bpm • A Maj • 02:18 • -19.16db
3% Popularity • 55% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 71% Positiveness
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Judy Clay
It Ain't Long Enough
110 bpm • B Maj • 03:20 • -8.77db
12% Popularity • 58% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Wade Flemons
That Other Place
110 bpm • E min • 02:27 • -12.93db
11% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Mable John
Sweet Devil
109 bpm • G# Maj • 02:28 • -9.69db
14% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Garnet Mimms
Look Away
110 bpm • A Maj • 02:33 • -13.23db
15% Popularity • 62% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Gene Chandler
(I'm Just A) Fool For You
111 bpm • D Maj • 02:40 • -10db
10% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Clifford Curry
Beulah
109 bpm • D# min • 03:04 • -12.02db
0% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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James Carr
Pouring Water on a Drowning Man
111 bpm • C Maj • 02:43 • -7.77db
12% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
29% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Clarence Carter
Think About It
112 bpm • C Maj • 02:45 • -14.55db
9% Popularity • 68% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby McClure
Peak Of Love
112 bpm • D Maj • 02:55 • -10.88db
7% Popularity • 76% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Ben E. King
Get in a Hurry
112 bpm • D min • 02:59 • -9.78db
14% Popularity • 71% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Clifford Curry
She Stop Till She Drop
110 bpm • B min • 03:19 • -8.08db
0% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Fred Hughes
Oo Wee Baby, I Love You
112 bpm • F min • 02:25 • -13.53db
14% Popularity • 51% Danceability • 45% Energy • 11% Liveness
17% Instrumentalness • 45% Positiveness
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The Lyrics
So Hard to Get Along
112 bpm • G min • 02:04 • -9db
8% Popularity • 72% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Fantastic Four
Can't Stop Looking For My Baby
112 bpm • F min • 02:38 • -6.35db
9% Popularity • 72% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Clarence Carter
I Can't Leave Your Love Alone
113 bpm • F# Maj • 02:36 • -13.97db
23% Popularity • 69% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Moore & The Rhythm Aces
Try My Love Again
113 bpm • A Maj • 02:04 • -9.53db
28% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Clifford Curry
Soul Ranger
112 bpm • A# min • 03:23 • -11.34db
1% Popularity • 57% Danceability • 72% Energy • 48% Liveness
0% Instrumentalness • 61% Positiveness
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Bobby Marchan
You Won't Do Right
113 bpm • G min • 02:32 • -10.01db
8% Popularity • 65% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Dells
(Your Love Has Lifted Me) Higher And Hig...
114 bpm • D# Maj • 02:36 • -14.76db
10% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ben E. King
Cry No More
114 bpm • F Maj • 02:52 • -10.31db
8% Popularity • 63% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Clarence Carter
Thread the Needle
114 bpm • C# Maj • 02:37 • -14.46db
13% Popularity • 81% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Clark
From Head To Toe
114 bpm • E Maj • 02:31 • -11.09db
9% Popularity • 72% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Clifford Curry
Soldier in The Army of Love
112 bpm • B Maj • 03:37 • -8.19db
0% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Garnet Mimms & The Enchanters
Keep On Smilin'
114 bpm • A Maj • 02:51 • -12db
15% Popularity • 62% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Carla Thomas
I Like What You're Doing (To Me)
114 bpm • E Maj • 02:58 • -17.2db
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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David Ruffin
It's Gonna Take A Whole Lot Of Doin' - B...
115 bpm • C Maj • 02:53 • -8.49db
9% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Commit A Crime