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Common People - Full Length Version
Songs like
Common People - Full Length Version
by
Pulp
Based on a tempo of (+/- 10%) and a similar genre
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The Boo Radleys
Wake up Boo!
145 bpm • F# Maj • 03:37 • -7db
46% Popularity • 47% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jamie T
Zombie
145 bpm • E Maj • 04:06 • -4.34db
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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The Wannadies
You And Me Song
145 bpm • D Maj • 02:49 • -8.23db
53% Popularity • 32% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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The Stone Roses
She Bangs the Drums - Remastered
145 bpm • A Maj • 03:52 • -5db
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Joy Division
Shadowplay - 2007 Remaster
145 bpm • A Maj • 03:53 • -7.86db
57% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
80% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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David Bowie
Moonage Daydream - 2012 Remaster
144 bpm • B min • 04:39 • -11.21db
68% Popularity • 56% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Kate Bush
Hounds Of Love
146 bpm • F Maj • 03:03 • -13.99db
56% Popularity • 55% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Supergrass
Alright
146 bpm • E min • 03:00 • -4.81db
75% Popularity • 47% Danceability • 96% Energy • 30% Liveness
20% Instrumentalness • 70% Positiveness
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Pulp
Seconds
146 bpm • A min • 04:19 • -6.79db
29% Popularity • 48% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
49% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Iggy Pop
Real Wild Child (Wild One)
146 bpm • E Maj • 03:38 • -11.75db
60% Popularity • 59% Danceability • 85% Energy • 15% Liveness
10% Instrumentalness • 97% Positiveness
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Bruce Springsteen
Born to Run
146 bpm • E Maj • 04:29 • -4.2db
71% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Siouxsie and the Banshees
Hong Kong Garden
147 bpm • C Maj • 02:55 • -8.96db
56% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
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The Cardigans
My Favourite Game
143 bpm • F min • 03:40 • -6.19db
71% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Pulp
Acrylic Afternoons
143 bpm • A min • 04:09 • -9.54db
34% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Sex Pistols
God Save The Queen
147 bpm • A Maj • 03:19 • -7.76db
60% Popularity • 30% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Joy Division
Love Will Tear Us Apart - 2020 Remaster
147 bpm • D Maj • 03:28 • -7.46db
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Pulp
Monday Morning
147 bpm • F# min • 04:18 • -7.95db
39% Popularity • 35% Danceability • 70% Energy • 7% Liveness
8% Instrumentalness • 76% Positiveness
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The The
Uncertain Smile
143 bpm • B min • 06:49 • -11.93db
49% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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R.E.M.
Drive
143 bpm • G Maj • 04:31 • -12db
64% Popularity • 47% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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David Bowie
Suffragette City - 2012 Remaster
143 bpm • D Maj • 03:28 • -9.16db
60% Popularity • 46% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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The Cure
Inbetween Days
143 bpm • A Maj • 02:57 • -6.32db
69% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
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The Clash
Lost in the Supermarket - Remastered
148 bpm • E Maj • 03:46 • -11.24db
59% Popularity • 61% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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Pulp
Mis-Shapes
148 bpm • D Maj • 03:46 • -6.73db
47% Popularity • 32% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Kaiser Chiefs
Modern Way
148 bpm • C# min • 04:03 • -5.17db
48% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Morrissey
Suedehead - 2011 Remaster
142 bpm • D Maj • 03:55 • -4.5db
61% Popularity • 53% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
60% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Blind Melon
No Rain
148 bpm • A Maj • 03:37 • -9.34db
76% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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The Smashing Pumpkins
Tonight, Tonight - Remastered 2012
148 bpm • F# Maj • 04:14 • -9.38db
66% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Pulp
Common People - Single Version
141 bpm • C Maj • 04:07 • -4.28db
41% Popularity • 34% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The The
This Is the Day
142 bpm • A# Maj • 04:56 • -10.91db
60% Popularity • 58% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
81% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Babyshambles
Delivery
141 bpm • F Maj • 02:41 • -4.2db
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 04:13 • -6.04db
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Pulp
Last Day Of The Miners Strike
141 bpm • D# Maj • 05:55 • -6.8db
13% Popularity • 44% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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The Cure
Lovesong - Remastered
140 bpm • A min • 03:28 • -7.7db
70% Popularity • 61% Danceability • 79% Energy • 22% Liveness
86% Instrumentalness • 86% Positiveness
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Morrissey
Irish Blood, English Heart
140 bpm • A min • 02:37 • -5.24db
51% Popularity • 57% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Future Islands
Seasons (Waiting on You)
140 bpm • A# Maj • 03:46 • -5.23db
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
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Siouxsie and the Banshees
The Passenger
140 bpm • D min • 05:09 • -4.54db
59% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
47% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Courteeners
Not Nineteen Forever
140 bpm • D Maj • 04:01 • -2.95db
55% Popularity • 41% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Supergrass
Sun Hits the Sky
150 bpm • A# Maj • 04:55 • -6.91db
45% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
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The Cult
She Sells Sanctuary
139 bpm • D Maj • 04:12 • -8.68db
69% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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The Jam
Start!
139 bpm • C Maj • 02:29 • -8.9db
49% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Echo & the Bunnymen
The Cutter
139 bpm • G Maj • 03:52 • -5db
50% Popularity • 47% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Stranglers
No More Heroes - 1996 Remaster
151 bpm • C Maj • 03:27 • -8db
50% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
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The Clash
I Fought the Law
151 bpm • D Maj • 02:43 • -6.82db
61% Popularity • 53% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The Jesus and Mary Chain
Head On
139 bpm • C Maj • 04:11 • -5db
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
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Elvis Costello & The Attractions
Pump It Up - 2021 Remaster
139 bpm • B Maj • 03:16 • -6.12db
60% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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The Cure
Just Like Heaven
151 bpm • A Maj • 03:32 • -6.95db
73% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Morrissey
Back on the Chain Gang
152 bpm • A Maj • 03:51 • -7.45db
47% Popularity • 49% Danceability • 84% Energy • 12% Liveness
13% Instrumentalness • 72% Positiveness
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Blur
Parklife - 2012 Remaster
139 bpm • E Maj • 03:05 • -6.09db
63% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Libertines
Time for Heroes
152 bpm • D Maj • 02:40 • -4db
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Elastica
Waking Up
138 bpm • A min • 03:15 • -4db
42% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
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Blondie
Hanging On The Telephone - Remastered
152 bpm • F min • 02:22 • -5.77db
56% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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The Kinks
You Really Got Me
137 bpm • G# Maj • 02:13 • -3.82db
73% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Pulp
Razzamatazz
137 bpm • A min • 03:40 • -4.16db
39% Popularity • 46% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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The Kooks
She Moves In Her Own Way
153 bpm • G Maj • 02:49 • -5.36db
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Vaccines
Post Break-Up Sex
137 bpm • F Maj • 02:54 • -4db
57% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Joy Division
Transmission - 2020 Digital Remaster
154 bpm • G Maj • 03:38 • -6.51db
57% Popularity • 50% Danceability • 85% Energy • 10% Liveness
57% Instrumentalness • 65% Positiveness
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Richard Ashcroft
A Song For The Lovers
154 bpm • A min • 05:26 • -6.67db
52% Popularity • 39% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Elton John
Rocket Man (I Think It's Going To Be A L...
137 bpm • A# Maj • 04:41 • -9.12db
82% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Pulp
This Is Hardcore
154 bpm • A min • 06:23 • -7.84db
46% Popularity • 34% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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The Kinks
All Day and All of the Night
136 bpm • G Maj • 02:22 • -5.06db
68% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Smiths
There Is a Light That Never Goes Out - 2...
136 bpm • E Maj • 04:04 • -5.86db
81% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Foo Fighters
Learn to Fly
136 bpm • E Maj • 03:55 • -4.03db
77% Popularity • 46% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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New Order
Crystal
136 bpm • F# Maj • 06:50 • -5.03db
49% Popularity • 52% Danceability • 89% Energy • 7% Liveness
50% Instrumentalness • 25% Positiveness
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Pulp
F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
136 bpm • A min • 06:01 • -10.41db
40% Popularity • 40% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Ash
Girl from Mars
155 bpm • A Maj • 03:30 • -7.72db
53% Popularity • 25% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The Stone Roses
Mersey Paradise - Remastered
136 bpm • G Maj • 02:46 • -3.18db
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Pixies
Debaser
136 bpm • F min • 02:51 • -9.15db
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
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The Psychedelic Furs
Pretty in Pink
136 bpm • D Maj • 03:58 • -5.96db
57% Popularity • 39% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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The Killers
Human
135 bpm • A# Maj • 04:05 • -8.48db
74% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
79% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Pulp
Lipgloss
135 bpm • C Maj • 03:34 • -5db
42% Popularity • 30% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Common People - Full Length Version