Songs like Concerto for Oboe and Strings: 1. Rondo Pastorale by Ralph Vaughan Williams
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Bohuslav Martinů
Oboe Concerto: 1. Moderato
81 bpm • A# Maj • 04:57 • -19.5db
11% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
81 bpm • A Maj • 03:34 • -20.09db
0% Popularity • 24% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
0% Popularity • 24% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 34 in C, K.338: 2. Andante ...
81 bpm • F Maj • 08:43 • -33.11db
10% Popularity • 16% Danceability • 2% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 1, Slow (Arr. ...
81 bpm • F Maj • 02:13 • -26db
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Gerald Finzi
Romance for String Orchestra, Op. 11
80 bpm • G# Maj • 07:16 • -23db
14% Popularity • 14% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 1...
81 bpm • D min • 04:53 • -27db
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Pavane, Op.50 (Arr. For Oboe d'amore & O...
80 bpm • A min • 05:54 • -20db
17% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia On Greensleeves
81 bpm • C min • 04:44 • -24db
10% Popularity • 8% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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George Frideric Handel
Concerto Grosso in G Major, Op. 6, No. 1...
82 bpm • E min • 02:31 • -23.37db
18% Popularity • 21% Danceability • 13% Energy • 15% Liveness
22% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 13% Energy • 15% Liveness
22% Instrumentalness • 11% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
III. Allegro
82 bpm • F min • 03:16 • -19.67db
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
Symphony No. 3 - 'Pastoral Symphony': I....
81 bpm • A min • 10:28 • -23.49db
17% Popularity • 12% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 25 in G Minor, K. 183: I. A...
80 bpm • G min • 07:40 • -13.76db
60% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
60% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Frederick Delius
On hearing the first Cuckoo in Spring
80 bpm • G Maj • 05:46 • -27.28db
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 2. Larghetto
80 bpm • D Maj • 07:10 • -27.08db
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
5 Mystical Songs: IV. The Call
81 bpm • G# min • 01:54 • -18.92db
1% Popularity • 30% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Aaron Copland
Appalachian Spring: II. Allegro
82 bpm • F Maj • 02:42 • -13db
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
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Academy of St. Martin in the Fields
Holberg Suite, opus 40:Gavotte (Allegret...
80 bpm • G Maj • 03:25 • -19.13db
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
82 bpm • C# min • 04:42 • -39.12db
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
26% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
26% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Basta, vincesti… Ah, non lasci...
83 bpm • D# Maj • 07:28 • -22.93db
7% Popularity • 24% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Norfolk Rhapsody No. 1 in E minor
80 bpm • E min • 10:42 • -26db
23% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 3 in D Ma...
79 bpm • D Maj • 04:19 • -15.06db
10% Popularity • 58% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 64% Positiveness
10% Popularity • 58% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 64% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
38% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 2, Gaily, But ...
83 bpm • D Maj • 02:04 • -20.06db
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Symphony No. 5 in D Major: III. Romanza:...
82 bpm • A min • 11:20 • -22.33db
15% Popularity • 12% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Giovanni Punto
Punto: Horn Concerto No. 5 in F Major: I...
83 bpm • F min • 05:20 • -24.02db
1% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
John Ireland
A Downland Suite (Arr. for String Orches...
79 bpm • D# Maj • 06:04 • -27db
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Symphony No. 1, "a Sea Symphony": II. On...
82 bpm • C Maj • 10:25 • -22.32db
8% Popularity • 8% Danceability • 4% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 4% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Claude Debussy
Beau Soir
79 bpm • E Maj • 02:14 • -23.97db
25% Popularity • 21% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
30% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
The House of Life: Silent Noon
80 bpm • F Maj • 04:36 • -27db
13% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Walton
Walton: Henry V: Passacaglia "Death of F...
79 bpm • E min • 02:55 • -27.29db
21% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 4:...
83 bpm • C Maj • 03:14 • -35db
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 1: No. 2, ...
84 bpm • E Maj • 03:11 • -19.19db
6% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
6% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Concerto accademico (Concerto for violin...
82 bpm • C Maj • 06:43 • -24db
12% Popularity • 10% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
78 bpm • G# Maj • 03:28 • -22db
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
35% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Germaine Tailleferre
Sonata for Solo Harp: I. Allegretto
84 bpm • C# Maj • 03:16 • -28db
21% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: I. Prélu...
78 bpm • E min • 03:22 • -24db
15% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
The Lark Ascending
83 bpm • E min • 15:33 • -32.3db
56% Popularity • 9% Danceability • 1% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
56% Popularity • 9% Danceability • 1% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Franz von Suppé
Suppé: Dichter und Bauer: Overture
78 bpm • A# Maj • 05:25 • -17.4db
3% Popularity • 27% Danceability • 24% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
3% Popularity • 27% Danceability • 24% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda
83 bpm • F min • 02:59 • -39.45db
14% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: 2 Elegiac Melodies, Op. 34: No. 2...
84 bpm • G Maj • 04:59 • -21.81db
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
31% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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William Boyce
Symphony in B-Flat Major, Op. 2 No. 1: I...
84 bpm • G min • 02:24 • -25db
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Symphony No. 6 in E Mi...
83 bpm • C Maj • 10:17 • -47.78db
7% Popularity • 8% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 5. Rigaudon (Alle...
78 bpm • G Maj • 03:42 • -16db
5% Popularity • 27% Danceability • 21% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
5% Popularity • 27% Danceability • 21% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
84 bpm • B Maj • 07:53 • -27db
45% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
III. Danza pastorale. Allegro
78 bpm • E Maj • 04:06 • -16.94db
32% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Credo
78 bpm • C Maj • 06:52 • -27db
11% Popularity • 17% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
