Songs like Concerto Grosso No. 1 in A Major (after D. Scarlatti): II. Allegro by Charles Avison
Based on a tempo of (+/- 10%) and a similar genre
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Nicola Fiorenza
Concerto in A Minor for 3 Violins, Viola...
124 bpm • G# min • 01:23 • -19db
18% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
18% Popularity • 64% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
124 bpm • E Maj • 05:30 • -16.61db
7% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
7% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
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Charles Avison
Concerto Grosso No. 1 in A Major (after ...
124 bpm • G# Maj • 04:26 • -20.04db
7% Popularity • 43% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
7% Popularity • 43% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
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Georg Philipp Telemann
Concerto for Two Violas in G Major, TWV ...
125 bpm • F# Maj • 01:37 • -18.23db
10% Popularity • 52% Danceability • 29% Energy • 20% Liveness
80% Instrumentalness • 91% Positiveness
10% Popularity • 52% Danceability • 29% Energy • 20% Liveness
80% Instrumentalness • 91% Positiveness
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Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Tomaso Albinoni
Sinfonia in G Minor, T. Si 7: I. Allegro
123 bpm • G min • 02:08 • -16.15db
12% Popularity • 58% Danceability • 31% Energy • 38% Liveness
34% Instrumentalness • 78% Positiveness
12% Popularity • 58% Danceability • 31% Energy • 38% Liveness
34% Instrumentalness • 78% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: IV. Pres...
123 bpm • B Maj • 01:44 • -17.87db
15% Popularity • 42% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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George Frideric Handel
Concerto grosso in F Major, Op. 6, No. 9...
125 bpm • E Maj • 03:33 • -20.14db
26% Popularity • 60% Danceability • 16% Energy • 22% Liveness
26% Instrumentalness • 50% Positiveness
26% Popularity • 60% Danceability • 16% Energy • 22% Liveness
26% Instrumentalness • 50% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Benedetto Marcello
Concerto in E Minor: I. Adagio e staccat...
123 bpm • D# min • 02:08 • -21db
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
125 bpm • A min • 02:35 • -18.43db
21% Popularity • 54% Danceability • 10% Energy • 14% Liveness
23% Instrumentalness • 34% Positiveness
21% Popularity • 54% Danceability • 10% Energy • 14% Liveness
23% Instrumentalness • 34% Positiveness
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Louis-Nicolas Clérambault
Sonata No. 7 in E Minor "La magnifique":...
125 bpm • D min • 01:32 • -20db
18% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
18% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Antonio Vivaldi
Violin Concerto in E Major, RV 265: I. A...
125 bpm • D# Maj • 03:10 • -18.17db
7% Popularity • 46% Danceability • 24% Energy • 7% Liveness
28% Instrumentalness • 64% Positiveness
7% Popularity • 46% Danceability • 24% Energy • 7% Liveness
28% Instrumentalness • 64% Positiveness
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Alessandro Scarlatti
Il Giardino d'Amore: Sinfonia
123 bpm • C# Maj • 04:18 • -16.96db
11% Popularity • 52% Danceability • 30% Energy • 8% Liveness
20% Instrumentalness • 41% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 8% Liveness
20% Instrumentalness • 41% Positiveness
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Johann Stamitz
Symphony in G Major, Op. 3 No. 1, WolS G...
125 bpm • F# Maj • 04:15 • -23db
12% Popularity • 34% Danceability • 3% Energy • 9% Liveness
12% Instrumentalness • 13% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 9% Liveness
12% Instrumentalness • 13% Positiveness
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George Frideric Handel
Theodora, HWV 68, Overture: Courante
123 bpm • F# min • 01:12 • -15.34db
14% Popularity • 57% Danceability • 37% Energy • 39% Liveness
95% Instrumentalness • 88% Positiveness
14% Popularity • 57% Danceability • 37% Energy • 39% Liveness
95% Instrumentalness • 88% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Michel Blavet
6 Sonates meleese de pieces, Op. 2: I. S...
122 bpm • G Maj • 02:54 • -15db
18% Popularity • 57% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 85% Positiveness
18% Popularity • 57% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 85% Positiveness
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Giuseppe Torelli
Concerto grosso in C Major, op. 8, No. 1...
125 bpm • C# Maj • 01:34 • -11.97db
11% Popularity • 52% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
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Evaristo Felice Dall'Abaco
Concerti a più istrumenti in G Major, O...
126 bpm • F# Maj • 01:53 • -15.26db
14% Popularity • 46% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
14% Popularity • 46% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: I. Lar...
126 bpm • G Maj • 02:23 • -20.16db
12% Popularity • 28% Danceability • 14% Energy • 19% Liveness
48% Instrumentalness • 24% Positiveness
12% Popularity • 28% Danceability • 14% Energy • 19% Liveness
48% Instrumentalness • 24% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Joseph Bodin de Boismortier
First Sonata, in D Major: I. Sicilienne
122 bpm • C Maj • 02:29 • -23.66db
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Johann David Heinichen
Concerto a 7 in G Major - 2 Oboes, 2 Vio...
122 bpm • F# Maj • 02:34 • -17db
9% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
9% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
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Johann Pachelbel
Partie 3 en mi bémol majeur: Allemand
121 bpm • D Maj • 02:09 • -18.02db
15% Popularity • 29% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 29% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 01:12 • -20.39db
27% Popularity • 39% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
27% Popularity • 39% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
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Giovanni Battista Sammartini
Symphony in D Major, J-C 16: III. Presto
122 bpm • C# Maj • 01:23 • -19.33db
25% Popularity • 64% Danceability • 22% Energy • 14% Liveness
31% Instrumentalness • 74% Positiveness
25% Popularity • 64% Danceability • 22% Energy • 14% Liveness
31% Instrumentalness • 74% Positiveness
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Unico Wilhelm van Wassenaer
Concerto Armonico No. 1 in G Major: Alle...
121 bpm • F# Maj • 02:22 • -19.02db
19% Popularity • 59% Danceability • 18% Energy • 8% Liveness
11% Instrumentalness • 70% Positiveness
19% Popularity • 59% Danceability • 18% Energy • 8% Liveness
11% Instrumentalness • 70% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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James Oswald
Airs for the Winter: Golden Rod: II. Mus...
127 bpm • F# min • 01:03 • -11.02db
27% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
27% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
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Frederick the Great
Flute Concerto in G Major: III. Allegro ...
127 bpm • G Maj • 06:34 • -21.17db
11% Popularity • 44% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 61% Positiveness
11% Popularity • 44% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 61% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
24% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
24% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
121 bpm • F# Maj • 03:02 • -24.22db
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music, Suite No. 3 en sol majeur, ...
127 bpm • G Maj • 02:38 • -16.29db
14% Popularity • 65% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
14% Popularity • 65% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Leonardo Vinci
Oratorio Maria dolorata: Sinfonia
121 bpm • F# min • 04:27 • -19.18db
15% Popularity • 38% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
15% Popularity • 38% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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James Oswald
Airs for the Autumn: Marvel of Peru: II....
121 bpm • F# Maj • 01:07 • -15.29db
19% Popularity • 57% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 57% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Avison
Concerto in D Minor, Op. 6 No. 3: II. Al...
121 bpm • G# min • 03:11 • -16.23db
10% Popularity • 57% Danceability • 33% Energy • 10% Liveness
60% Instrumentalness • 73% Positiveness
10% Popularity • 57% Danceability • 33% Energy • 10% Liveness
60% Instrumentalness • 73% Positiveness
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Nicola Matteis
Preludio in fantasia
128 bpm • D# min • 01:16 • -16.68db
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Johan Helmich Roman
Violin Concerto in F Minor, BeRI 52: I. ...
128 bpm • F min • 03:07 • -22.39db
16% Popularity • 44% Danceability • 8% Energy • 14% Liveness
48% Instrumentalness • 36% Positiveness
16% Popularity • 44% Danceability • 8% Energy • 14% Liveness
48% Instrumentalness • 36% Positiveness
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John Blow
Chacony in G
120 bpm • F# Maj • 04:35 • -18db
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
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Antonio Caldara
Sinfonia No. 1 in re maggiore (Il martir...
128 bpm • F Maj • 01:51 • -12.19db
24% Popularity • 48% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 76% Positiveness
24% Popularity • 48% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 76% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 3, Op. 7: III. All...
120 bpm • A Maj • 02:02 • -13.09db
19% Popularity • 57% Danceability • 33% Energy • 33% Liveness
80% Instrumentalness • 85% Positiveness
19% Popularity • 57% Danceability • 33% Energy • 33% Liveness
80% Instrumentalness • 85% Positiveness
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Charles Avison
Concerto Grosso No. 4 in A Minor (after ...
127 bpm • F# Maj • 04:36 • -22.19db
5% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Theodora, HWV 68, Overture: Grave - Alle...
128 bpm • F# min • 03:10 • -14.32db
16% Popularity • 34% Danceability • 46% Energy • 26% Liveness
93% Instrumentalness • 41% Positiveness
16% Popularity • 34% Danceability • 46% Energy • 26% Liveness
93% Instrumentalness • 41% Positiveness
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Pietro Locatelli
Concerto Grosso in E-Flat Major, Op. 7 N...
120 bpm • C min • 03:29 • -16.51db
13% Popularity • 28% Danceability • 12% Energy • 16% Liveness
35% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 16% Liveness
35% Instrumentalness • 22% Positiveness
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Johann Bernhard Bach
Overture In G Minor: I. Ouverture
128 bpm • G Maj • 04:36 • -28.52db
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
128 bpm • B min • 01:56 • -23.28db
11% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
11% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
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Nicola Matteis
Suite in C Minor: III. Borre
120 bpm • B Maj • 02:13 • -19.15db
13% Popularity • 46% Danceability • 17% Energy • 29% Liveness
75% Instrumentalness • 71% Positiveness
13% Popularity • 46% Danceability • 17% Energy • 29% Liveness
75% Instrumentalness • 71% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
120 bpm • F# Maj • 01:12 • -23.79db
15% Popularity • 50% Danceability • 2% Energy • 14% Liveness
38% Instrumentalness • 49% Positiveness
15% Popularity • 50% Danceability • 2% Energy • 14% Liveness
38% Instrumentalness • 49% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in C Minor, Op. 3, No. 1...
120 bpm • C min • 02:04 • -20db
27% Popularity • 60% Danceability • 9% Energy • 7% Liveness
69% Instrumentalness • 69% Positiveness
27% Popularity • 60% Danceability • 9% Energy • 7% Liveness
69% Instrumentalness • 69% Positiveness
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Alessandro Scarlatti
Serenata "Venere e Amore": Sinfonia
120 bpm • D Maj • 04:15 • -19.81db
13% Popularity • 35% Danceability • 18% Energy • 30% Liveness
2% Instrumentalness • 24% Positiveness
13% Popularity • 35% Danceability • 18% Energy • 30% Liveness
2% Instrumentalness • 24% Positiveness
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Evaristo Felice Dall'Abaco
Concerti a più istrumenti in F Major, O...
128 bpm • B Maj • 02:20 • -15.28db
11% Popularity • 48% Danceability • 32% Energy • 17% Liveness
69% Instrumentalness • 65% Positiveness
11% Popularity • 48% Danceability • 32% Energy • 17% Liveness
69% Instrumentalness • 65% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
120 bpm • G# min • 03:07 • -20.69db
6% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Organ Concerto in G Major, BWV 592 (Exce...
120 bpm • F# Maj • 02:37 • -17.87db
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 70% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 70% Positiveness
► Preview
Benedetto Marcello
Cello Sonata in F Major, Op. 1, No. 1: I...
128 bpm • E Maj • 01:35 • -17.27db
27% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Arcangelo Corelli
Sonata a violono e violone e cimbalo, Op...
120 bpm • C# Maj • 02:19 • -12db
11% Popularity • 46% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 46% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Pietro Locatelli
Concerto grosso in B-Flat Major, Op. 1 N...
120 bpm • A Maj • 01:40 • -14.99db
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
James Oswald
Airs for the Spring: Ranunculus: III. Te...
120 bpm • A Maj • 01:24 • -13.55db
25% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
25% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
► Preview
Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: V...
129 bpm • F# min • 01:17 • -16.75db
11% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 15, "The Bea...
129 bpm • B Maj • 01:54 • -20.99db
14% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
14% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Georg Philipp Telemann
Sonata in E Minor, TWV 50:4: III. Air
119 bpm • A# min • 01:40 • -22.87db
15% Popularity • 58% Danceability • 15% Energy • 24% Liveness
11% Instrumentalness • 69% Positiveness
15% Popularity • 58% Danceability • 15% Energy • 24% Liveness
11% Instrumentalness • 69% Positiveness
► Preview
Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
119 bpm • B min • 01:04 • -24.45db
15% Popularity • 41% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Nicola Porpora
Cello Concerto in G Major, INP 18: II. A...
119 bpm • F# Maj • 04:54 • -17.43db
8% Popularity • 41% Danceability • 33% Energy • 16% Liveness
74% Instrumentalness • 54% Positiveness
8% Popularity • 41% Danceability • 33% Energy • 16% Liveness
74% Instrumentalness • 54% Positiveness
► Preview
François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
Charles Avison
Concerto in D Minor, Op. 6 No. 3: I. Lar...
119 bpm • C# min • 01:27 • -16.79db
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
21% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: Vi...
129 bpm • F# Maj • 02:25 • -19db
17% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
17% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
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Henry Purcell
King Arthur, Z. 628, Act I: No. 1, Overt...
119 bpm • C# min • 02:05 • -17.65db
10% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
10% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
130 bpm • C# Maj • 08:07 • -14.91db
9% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
9% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
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Johann Friedrich Fasch
Concerto in D Major
119 bpm • D Maj • 01:26 • -12.58db
13% Popularity • 20% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
13% Popularity • 20% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 2...
130 bpm • B Maj • 02:04 • -18db
17% Popularity • 61% Danceability • 16% Energy • 23% Liveness
3% Instrumentalness • 72% Positiveness
17% Popularity • 61% Danceability • 16% Energy • 23% Liveness
3% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Oboe Concerto in B-Flat Major, Op. 9 No....
118 bpm • A# Maj • 02:59 • -14.16db
15% Popularity • 60% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
15% Popularity • 60% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
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Georg Philipp Telemann
Sey tausenmahl willkommen, TWV 13: 9a
119 bpm • G Maj • 03:07 • -21.7db
30% Popularity • 40% Danceability • 18% Energy • 21% Liveness
19% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 18% Energy • 21% Liveness
19% Instrumentalness • 49% Positiveness
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A Nanut
Concerto In F For Organ, Op 4 No 4: Alle...
118 bpm • F Maj • 04:00 • -29db
19% Popularity • 46% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 68% Positiveness
19% Popularity • 46% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 68% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: II. Alle...
118 bpm • C# min • 01:16 • -22db
18% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 1...
130 bpm • C# Maj • 01:37 • -17db
15% Popularity • 51% Danceability • 28% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
15% Popularity • 51% Danceability • 28% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Georg Philipp Telemann
Telemann: Nouveaux quatuors "Paris Quart...
130 bpm • C# min • 02:11 • -25.06db
7% Popularity • 22% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Charles Avison
Concerto Grosso No. 7 in G Minor (after ...
118 bpm • F# min • 03:08 • -18.57db
4% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part I: Symphon...
118 bpm • A Maj • 01:56 • -29.91db
15% Popularity • 20% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più istrumenti, Op. 6, Conc...
130 bpm • F# Maj • 03:26 • -18.27db
9% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
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Pietro Locatelli
Il pianto d'Arianna in E-Flat Major, Op....
130 bpm • B min • 01:39 • -10.96db
15% Popularity • 31% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 31% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
18% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
18% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Georg Philipp Telemann
Ouverture-Suite in C Major, TWV 55:C6: I...
118 bpm • B Maj • 01:44 • -14.66db
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
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Francesco Geminiani
Violin Sonata Op. 1 No. 1 in G Major: II...
131 bpm • C# Maj • 01:53 • -17.56db
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
89% Instrumentalness • 53% Positiveness
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
89% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
131 bpm • A Maj • 03:37 • -17.53db
7% Popularity • 39% Danceability • 18% Energy • 26% Liveness
51% Instrumentalness • 34% Positiveness
7% Popularity • 39% Danceability • 18% Energy • 26% Liveness
51% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8 ...
131 bpm • G min • 01:22 • -16.44db
27% Popularity • 31% Danceability • 14% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
27% Popularity • 31% Danceability • 14% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
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Charles Avison
Concerto grosso No. 9 in C Major (after ...
131 bpm • D# Maj • 03:43 • -19.63db
3% Popularity • 42% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 42% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
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Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: I...
131 bpm • F# min • 01:19 • -21.97db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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![Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai cover art](https://i.scdn.co/image/ab67616d00001e02c74e406aadce9d2cde053efb)
Evaristo Felice Dall'Abaco
Dall'Abaco : Concerti a quattro da chies...
117 bpm • E Maj • 02:26 • -15.9db
11% Popularity • 57% Danceability • 31% Energy • 6% Liveness
95% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 6% Liveness
95% Instrumentalness • 76% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
131 bpm • F# Maj • 01:02 • -19db
27% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
27% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
