Songs like Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo by Charles Avison
Based on a tempo of (+/- 10%) and a similar genre
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
123 bpm • B min • 03:17 • -18db
49% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
49% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
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Nicola Matteis
Matteis: Ballo dei Bagatellieri
123 bpm • G# min • 07:10 • -17.3db
12% Popularity • 32% Danceability • 22% Energy • 15% Liveness
11% Instrumentalness • 19% Positiveness
12% Popularity • 32% Danceability • 22% Energy • 15% Liveness
11% Instrumentalness • 19% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
123 bpm • E Maj • 03:21 • -18db
25% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
25% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Accademia Bizantina
Concerto No. 10 In B Minor RV 580: I. Al...
123 bpm • A# min • 03:26 • -18.31db
12% Popularity • 42% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 51% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
123 bpm • G# min • 01:29 • -12.97db
16% Popularity • 60% Danceability • 58% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
124 bpm • C Maj • 07:01 • -32.39db
28% Popularity • 26% Danceability • 2% Energy • 13% Liveness
72% Instrumentalness • 33% Positiveness
28% Popularity • 26% Danceability • 2% Energy • 13% Liveness
72% Instrumentalness • 33% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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George Frideric Handel
Solomon HWV 67 / Act 3: The Arrival of t...
123 bpm • A Maj • 03:02 • -14.66db
20% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
20% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
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Charles Avison
Concerto Grosso No. 1 in A Major (after ...
124 bpm • G# Maj • 04:26 • -20.04db
7% Popularity • 43% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
7% Popularity • 43% Danceability • 18% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
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Bach Collegium Japan
Overture (Suite) No. 2 In B minor, BWV 1...
124 bpm • A# min • 01:47 • -28.87db
21% Popularity • 61% Danceability • 11% Energy • 14% Liveness
15% Instrumentalness • 96% Positiveness
21% Popularity • 61% Danceability • 11% Energy • 14% Liveness
15% Instrumentalness • 96% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
123 bpm • A min • 03:47 • -11.1db
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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Jean-Baptiste Lully
Armide: Passacaille
122 bpm • F min • 03:56 • -25db
14% Popularity • 25% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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George Frideric Handel
Concerto Grosso in B Minor, Op. 6, No. 1...
122 bpm • A# min • 02:55 • -18.85db
18% Popularity • 51% Danceability • 24% Energy • 28% Liveness
12% Instrumentalness • 75% Positiveness
18% Popularity • 51% Danceability • 24% Energy • 28% Liveness
12% Instrumentalness • 75% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
125 bpm • A# min • 03:33 • -22.65db
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins in G Major, RV ...
125 bpm • D# min • 03:36 • -27.21db
27% Popularity • 56% Danceability • 13% Energy • 6% Liveness
68% Instrumentalness • 28% Positiveness
27% Popularity • 56% Danceability • 13% Energy • 6% Liveness
68% Instrumentalness • 28% Positiveness
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Georg Matthias Monn
Concerto pour Violoncelle, Cordes et Cla...
121 bpm • D Maj • 04:44 • -20db
12% Popularity • 50% Danceability • 20% Energy • 13% Liveness
56% Instrumentalness • 50% Positiveness
12% Popularity • 50% Danceability • 20% Energy • 13% Liveness
56% Instrumentalness • 50% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Ouverture "Wassermusik" in C Major, TWV ...
121 bpm • B Maj • 07:56 • -17db
27% Popularity • 36% Danceability • 32% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
27% Popularity • 36% Danceability • 32% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 6 in ...
125 bpm • A Maj • 05:30 • -21.21db
33% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
33% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto en si mineur pour 4 violons, vi...
125 bpm • B min • 03:06 • -16.78db
19% Popularity • 46% Danceability • 26% Energy • 10% Liveness
53% Instrumentalness • 63% Positiveness
19% Popularity • 46% Danceability • 26% Energy • 10% Liveness
53% Instrumentalness • 63% Positiveness
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Arcangelo Corelli
Sonata da chiesa a tre in D Major, Op. 3...
121 bpm • C Maj • 01:02 • -18.38db
4% Popularity • 30% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 30% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Georg Philipp Telemann
Quintet (Sinfonia spirituosa) In D Major...
125 bpm • C# Maj • 02:55 • -16.05db
14% Popularity • 37% Danceability • 17% Energy • 9% Liveness
8% Instrumentalness • 40% Positiveness
14% Popularity • 37% Danceability • 17% Energy • 9% Liveness
8% Instrumentalness • 40% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
126 bpm • G min • 01:00 • -23.47db
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Concerto con 2 violini e viola da gamba,...
125 bpm • F# min • 03:50 • -13.23db
16% Popularity • 51% Danceability • 28% Energy • 12% Liveness
66% Instrumentalness • 20% Positiveness
16% Popularity • 51% Danceability • 28% Energy • 12% Liveness
66% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
126 bpm • G# Maj • 08:18 • -18.97db
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
42% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
42% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Frederick the Great
Flute Sonata in E Minor: II. Allegro ass...
120 bpm • D# min • 02:49 • -25db
32% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
32% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
120 bpm • C Maj • 02:46 • -16.59db
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
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Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
120 bpm • G# min • 03:07 • -20.69db
7% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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George Frideric Handel
Concerto Grosso in B-Flat Major, Op. 3, ...
120 bpm • G min • 01:24 • -17.94db
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
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Accademia Bizantina
Concerto No. 2 In G Minor RV 578: II. Al...
120 bpm • F# min • 02:29 • -17.52db
23% Popularity • 41% Danceability • 30% Energy • 48% Liveness
66% Instrumentalness • 48% Positiveness
23% Popularity • 41% Danceability • 30% Energy • 48% Liveness
66% Instrumentalness • 48% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
29% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
29% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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Charles Avison
Concerto in D Minor, Op. 6 No. 3: IV. Al...
127 bpm • C# min • 02:08 • -15.53db
6% Popularity • 64% Danceability • 47% Energy • 7% Liveness
47% Instrumentalness • 73% Positiveness
6% Popularity • 64% Danceability • 47% Energy • 7% Liveness
47% Instrumentalness • 73% Positiveness
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Marin Marais
La Sonnerie de Sainte-Geneviève du mont...
119 bpm • G# min • 07:48 • -17.22db
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
127 bpm • A Maj • 06:03 • -20.99db
14% Popularity • 49% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 67% Positiveness
14% Popularity • 49% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 67% Positiveness
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Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: S...
119 bpm • E min • 02:30 • -23db
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Charles Avison
Concerto Grosso No. 12 in D Major: II. A...
127 bpm • C# Maj • 03:37 • -19.25db
2% Popularity • 46% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
2% Popularity • 46% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Werner Erhardt
Violin Concerto in B flat major: I. Alle...
127 bpm • A Maj • 04:47 • -19db
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 01:40 • -15db
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
50% Popularity • 57% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 75% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Concerto for Violin and Strings in D , O...
127 bpm • C# Maj • 02:17 • -20.92db
1% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Charles Avison
Concerto in D Minor, Op. 6 No. 3: I. Lar...
119 bpm • C# min • 01:27 • -16.79db
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Henry Purcell
King Arthur, Z. 628, Act I: No. 1, Overt...
119 bpm • C# min • 02:05 • -17.65db
11% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 23% Liveness
18% Instrumentalness • 34% Positiveness
► Preview
Daniel Purcell
Sonata sesta for violino solo: I. Adagio
128 bpm • E min • 01:57 • -22.24db
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
► Preview
Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
► Preview
Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 4 in A Minor (after ...
127 bpm • F# Maj • 04:36 • -22.19db
5% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: II....
118 bpm • G min • 02:21 • -16.52db
32% Popularity • 68% Danceability • 33% Energy • 19% Liveness
94% Instrumentalness • 68% Positiveness
32% Popularity • 68% Danceability • 33% Energy • 19% Liveness
94% Instrumentalness • 68% Positiveness
► Preview
Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
► Preview
Johann Sebastian Bach
Suite in C Minor, BWV 997 (Arr. for Lute...
128 bpm • B min • 06:35 • -22.11db
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 5% Energy • 15% Liveness
81% Instrumentalness • 74% Positiveness
► Preview
Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 7 in G Minor (after ...
118 bpm • F# min • 03:08 • -18.57db
4% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
George Frideric Handel
Sonata a 5 in B-Flat Major, HWV 288: II....
128 bpm • G Maj • 01:27 • -24.38db
3% Popularity • 24% Danceability • 3% Energy • 26% Liveness
11% Instrumentalness • 4% Positiveness
3% Popularity • 24% Danceability • 3% Energy • 26% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in D Minor, Op. 5 No. 7: I...
128 bpm • C min • 01:41 • -23.04db
1% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 4 in G Major, B...
128 bpm • D min • 03:39 • -27.89db
41% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Luigi Boccherini
Guitar Quintet No. 7 in E Minor, G. 451:...
118 bpm • D# min • 07:29 • -19.81db
22% Popularity • 40% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
22% Popularity • 40% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Charles-Auguste de Bériot
9 Studies: No. 1. Allegro agitato
129 bpm • G Maj • 01:38 • -22db
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
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George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G major, B...
129 bpm • F Maj • 04:41 • -18.11db
19% Popularity • 47% Danceability • 54% Energy • 35% Liveness
76% Instrumentalness • 85% Positiveness
19% Popularity • 47% Danceability • 54% Energy • 35% Liveness
76% Instrumentalness • 85% Positiveness
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Giovanni Battista Sammartini
Sinfonia in A Major: I. Presto
117 bpm • A Maj • 02:28 • -16db
37% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness
37% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness
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Georg Philipp Telemann
Concerto pour violon "Les Rainettes", en...
117 bpm • G# Maj • 05:29 • -22db
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
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Matthew Locke
The Tempest: Galliard
117 bpm • F# min • 01:18 • -15.35db
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
49% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
49% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Passion selon Saint-Matthieu, BWV 244: "...
118 bpm • E min • 06:09 • -17db
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Quartet in D major K285: I Allegro
129 bpm • A Maj • 07:08 • -24.2db
3% Popularity • 41% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 34% Positiveness
3% Popularity • 41% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Ouvert...
117 bpm • F min • 02:59 • -16db
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles Suites de Pièces de C...
117 bpm • F Maj • 03:49 • -16.6db
15% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Arcangelo Corelli
Sonata da chiesa a tre in A Major, Op. 1...
130 bpm • G Maj • 01:32 • -18.75db
2% Popularity • 46% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 46% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Wolfgang Amadeus Mozart
Quartet in D major K285: III Rondeau
130 bpm • D Maj • 04:28 • -23.81db
2% Popularity • 40% Danceability • 8% Energy • 11% Liveness
45% Instrumentalness • 55% Positiveness
2% Popularity • 40% Danceability • 8% Energy • 11% Liveness
45% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
Zoroastre, RCT 62, Acte III, Scène VII:...
116 bpm • G# min • 02:13 • -22.16db
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Anonymous
Estampie (Medieval Violin)
116 bpm • G Maj • 01:20 • -32.7db
5% Popularity • 52% Danceability • 1% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 52% Danceability • 1% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
131 bpm • F# Maj • 05:39 • -19db
27% Popularity • 46% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
