Songs like Concierto Madrigal: IV. Pastorcico Tú Que Vas by Joaquín Rodrigo
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Jules Massenet
Elegie: O doux printemps d'autrefois
114 bpm • C min • 04:09 • -18db
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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William Wilson
Lakmé: Flower Duet
114 bpm • B Maj • 01:28 • -23db
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Evocacion
114 bpm • E min • 01:36 • -28db
43% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
43% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Salvador Bacarisse
Concertino for Guitar and Orchestra in A...
116 bpm • A Maj • 06:16 • -16.3db
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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JoaquÃn Rodrigo
Concierto Andaluz for 4 Guitars and Orch...
116 bpm • A Maj • 07:48 • -19db
13% Popularity • 47% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
13% Popularity • 47% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
45% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
32% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
32% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
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Isaac Albéniz
Granada
111 bpm • E Maj • 05:02 • -23db
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Ignacy Jan Paderewski
Piano Concerto in A Minor, Op. 17: II. R...
111 bpm • C Maj • 09:18 • -26db
17% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Il Giustino, RV 717, Act 1: "Ve...
118 bpm • G# min • 05:37 • -14.3db
35% Popularity • 36% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 16% Positiveness
35% Popularity • 36% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 16% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez: I. Allegro con sp...
112 bpm • G Maj • 06:33 • -23.57db
15% Popularity • 60% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 41% Positiveness
15% Popularity • 60% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 41% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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JoaquÃn Rodrigo
Elogio de la guitarra: II. Andantino
117 bpm • E min • 03:59 • -33.52db
1% Popularity • 53% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
1% Popularity • 53% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
42% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Johann Sebastian Bach
Harpsichord Concerto No. 5 in F Minor, B...
119 bpm • F min • 03:02 • -32.47db
34% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
34% Popularity • 50% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Jorge Augusto Dias Cardoso
24 Piezas sudamericanas: Milonga
110 bpm • D min • 04:46 • -30db
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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JoaquÃn Rodrigo
Concierto andaluz: Tempo di bolero
111 bpm • A Maj • 08:01 • -20.89db
7% Popularity • 55% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
7% Popularity • 55% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Narciso Yepes
Jeux interdits (Romance)
109 bpm • A min • 02:23 • -26.93db
30% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
30% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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JoaquÃn Rodrigo
Fantasia para un Gentilhombre: IV. Alleg...
118 bpm • C Maj • 02:05 • -17db
18% Popularity • 70% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 65% Positiveness
18% Popularity • 70% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 65% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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JoaquÃn Rodrigo
En Aranjuez Con Tu Amor - Based On The S...
110 bpm • A min • 05:26 • -15.21db
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Pablo de Sarasate
Airs Espagnols, Op. 18 (version for viol...
108 bpm • A Maj • 09:45 • -23db
7% Popularity • 45% Danceability • 9% Energy • 12% Liveness
53% Instrumentalness • 37% Positiveness
7% Popularity • 45% Danceability • 9% Energy • 12% Liveness
53% Instrumentalness • 37% Positiveness
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Royal Philharmonic Orchestra
Concertino In A Minor: Romanza
107 bpm • A Maj • 05:52 • -21.98db
5% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
5% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Camerata Transylvanica
Thais: Thais, Act II: Meditation
121 bpm • E min • 04:43 • -23.22db
26% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
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Enrique Granados
12 Danzas españolas: No. 2, Oriental
107 bpm • C min • 03:52 • -25db
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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JoaquÃn Rodrigo
En los trigales: En Los Trigales
110 bpm • C min • 03:47 • -29.97db
1% Popularity • 34% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
1% Popularity • 34% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
107 bpm • D Maj • 01:19 • -17.56db
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
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Dmitri Shostakovich
Suite No. 2 for Jazz Orchestra: VII. Wal...
107 bpm • C min • 02:14 • -18db
32% Popularity • 32% Danceability • 20% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
32% Popularity • 32% Danceability • 20% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
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Jean-Philippe Rameau
Rameau: Hippolyte et Aricie, RCT 43, Act...
107 bpm • C min • 01:40 • -26db
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
23% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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JoaquÃn Rodrigo
Recital de Guitarra: En los trigales
108 bpm • D# Maj • 03:35 • -12.17db
7% Popularity • 55% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
7% Popularity • 55% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 33% Positiveness
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Manuel Ponce
Intermezzo No. 1 in E Minor
106 bpm • E min • 02:54 • -25db
26% Popularity • 31% Danceability • 10% Energy • 71% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 31% Danceability • 10% Energy • 71% Liveness
86% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 ʻFür Elis...
122 bpm • A min • 03:23 • -37.11db
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Chick Corea
Spain
123 bpm • B min • 05:37 • -10.17db
4% Popularity • 62% Danceability • 47% Energy • 6% Liveness
94% Instrumentalness • 54% Positiveness
4% Popularity • 62% Danceability • 47% Energy • 6% Liveness
94% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
108 bpm • A min • 09:01 • -26.34db
14% Popularity • 37% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 15% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 15% Positiveness
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![Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
► Preview
Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
► Preview
JoaquÃn Rodrigo
Concierto Madrigal for 2 Guitars and Orc...
105 bpm • G min • 02:00 • -22.68db
12% Popularity • 64% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
12% Popularity • 64% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
► Preview
Bedřich Smetana
Má vlast: The Moldau
105 bpm • A# min • 10:08 • -21db
20% Popularity • 32% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
► Preview
Wolfgang Amadeus Mozart
Klavierkonzert Nr. 21 C-Dur, K. 467, "El...
126 bpm • F Maj • 06:43 • -29db
36% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
36% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
JoaquÃn Rodrigo
Concierto de Aranjuez for Guitar and Orc...
121 bpm • D Maj • 06:09 • -21.46db
14% Popularity • 64% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 37% Positiveness
14% Popularity • 64% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 37% Positiveness
► Preview
Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
32% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
28% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
121 bpm • D min • 02:04 • -23db
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
23% Popularity • 69% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
102 bpm • B Maj • 02:39 • -20db
36% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
36% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
102 bpm • D Maj • 06:34 • -26.64db
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez: I. Allegro con sp...
123 bpm • G Maj • 06:09 • -22db
9% Popularity • 56% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 35% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
101 bpm • C Maj • 05:58 • -17.38db
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier: Book I, BWV 8...
129 bpm • C Maj • 02:17 • -42db
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Jules Massenet
"Méditation" from Thaïs
129 bpm • E min • 05:15 • -14.11db
17% Popularity • 23% Danceability • 27% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 27% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
129 bpm • G Maj • 02:54 • -23db
9% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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JoaquÃn Rodrigo
Rodrigo: Concierto de Aranjuez: I. Alleg...
125 bpm • G Maj • 06:02 • -17.74db
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez for Guitar and Orc...
126 bpm • D Maj • 05:58 • -20.19db
18% Popularity • 52% Danceability • 17% Energy • 27% Liveness
75% Instrumentalness • 37% Positiveness
18% Popularity • 52% Danceability • 17% Energy • 27% Liveness
75% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
40% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
40% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Alessandro Scarlatti
Toccata in G Minor (Arr. E. Netzer for H...
100 bpm • C min • 05:16 • -23db
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
