Songs like Consequences by Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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MAYUKO
ボッジ戦闘態勢
75 bpm • F Maj • 01:33 • -10.07db
23% Popularity • 61% Danceability • 41% Energy • 8% Liveness
72% Instrumentalness • 54% Positiveness
23% Popularity • 61% Danceability • 41% Energy • 8% Liveness
72% Instrumentalness • 54% Positiveness
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Kenichiro Suehiro
Toki no kizuato
75 bpm • C# min • 04:03 • -16.96db
17% Popularity • 42% Danceability • 14% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 42% Danceability • 14% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Kohei Tanaka
サンジの本心
75 bpm • C min • 01:58 • -11.93db
28% Popularity • 12% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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梶浦 由記
Ⅱ into the light
75 bpm • C min • 07:16 • -12.76db
23% Popularity • 11% Danceability • 27% Energy • 18% Liveness
37% Instrumentalness • 7% Positiveness
23% Popularity • 11% Danceability • 27% Energy • 18% Liveness
37% Instrumentalness • 7% Positiveness
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Audio Highs
これまでのなが~いあらす...
75 bpm • F min • 01:25 • -10.76db
19% Popularity • 44% Danceability • 44% Energy • 28% Liveness
88% Instrumentalness • 10% Positiveness
19% Popularity • 44% Danceability • 44% Energy • 28% Liveness
88% Instrumentalness • 10% Positiveness
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Keiji Inai
Raging Blood
76 bpm • C Maj • 02:09 • -9.28db
17% Popularity • 31% Danceability • 51% Energy • 13% Liveness
87% Instrumentalness • 13% Positiveness
17% Popularity • 31% Danceability • 51% Energy • 13% Liveness
87% Instrumentalness • 13% Positiveness
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Takashi Ohmama
Eri
76 bpm • F Maj • 01:21 • -27.31db
31% Popularity • 30% Danceability • 0% Energy • 10% Liveness
72% Instrumentalness • 20% Positiveness
31% Popularity • 30% Danceability • 0% Energy • 10% Liveness
72% Instrumentalness • 20% Positiveness
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光宗信吉
切なる願い
76 bpm • A min • 01:33 • -21.53db
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Kotaro Nakagawa
The Ruins as They Were
73 bpm • A Maj • 01:51 • -14.26db
31% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Frying-Pan
Endless Firmament
73 bpm • C# Maj • 01:54 • -9db
20% Popularity • 15% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
20% Popularity • 15% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
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Yasuharu Takanashi
Shougun
77 bpm • G Maj • 02:06 • -12db
8% Popularity • 56% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
8% Popularity • 56% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Yutaka Yamada
戦鬼
73 bpm • B Maj • 03:50 • -13.82db
32% Popularity • 57% Danceability • 62% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Kenichiro Suehiro
Konigoroshi monogatari
74 bpm • A min • 03:24 • -15db
18% Popularity • 14% Danceability • 34% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 34% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Keiji Inai
Prelude
73 bpm • D min • 00:56 • -9.59db
29% Popularity • 25% Danceability • 16% Energy • 15% Liveness
78% Instrumentalness • 44% Positiveness
29% Popularity • 25% Danceability • 16% Energy • 15% Liveness
78% Instrumentalness • 44% Positiveness
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KATE
THIS ILLUSION_UBW Extended Instrumental
73 bpm • D min • 02:42 • -17.63db
28% Popularity • 12% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
28% Popularity • 12% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Harry Gregson-Williams
Metal Gear Solid Main Theme〜The World ...
78 bpm • A Maj • 05:47 • -12.57db
36% Popularity • 32% Danceability • 66% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 66% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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いとうかなこ
非線形ジェニアック - Instrument...
78 bpm • C Maj • 04:17 • -7.83db
9% Popularity • 17% Danceability • 49% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 49% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Akira Senju
Laws of Alchemy
79 bpm • F min • 01:27 • -14db
34% Popularity • 44% Danceability • 33% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
34% Popularity • 44% Danceability • 33% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Kenichiro Suehiro
THE QUEEN
77 bpm • A min • 03:10 • -4.95db
22% Popularity • 34% Danceability • 87% Energy • 19% Liveness
92% Instrumentalness • 16% Positiveness
22% Popularity • 34% Danceability • 87% Energy • 19% Liveness
92% Instrumentalness • 16% Positiveness
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Michiru
出撃せよ!
71 bpm • A# Maj • 01:53 • -12.05db
31% Popularity • 41% Danceability • 35% Energy • 19% Liveness
41% Instrumentalness • 22% Positiveness
31% Popularity • 41% Danceability • 35% Energy • 19% Liveness
41% Instrumentalness • 22% Positiveness
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芳賀 敬太
運命 ～GRAND BATTLE～
79 bpm • E min • 02:17 • -8.38db
31% Popularity • 25% Danceability • 61% Energy • 29% Liveness
94% Instrumentalness • 28% Positiveness
31% Popularity • 25% Danceability • 61% Energy • 29% Liveness
94% Instrumentalness • 28% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (Witch o...
79 bpm • F min • 03:17 • -10db
25% Popularity • 12% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 12% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 11% Positiveness
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Keiji Inai
Distant Longing
79 bpm • A# Maj • 02:29 • -12.45db
14% Popularity • 12% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 46% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Sam B Music
One Piece and Kung Fu Panda
79 bpm • A# Maj • 02:09 • -10.75db
9% Popularity • 28% Danceability • 63% Energy • 42% Liveness
88% Instrumentalness • 29% Positiveness
9% Popularity • 28% Danceability • 63% Energy • 42% Liveness
88% Instrumentalness • 29% Positiveness
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Kotaro Nakagawa
Aura
79 bpm • A# Maj • 01:30 • -12db
20% Popularity • 30% Danceability • 21% Energy • 21% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 21% Energy • 21% Liveness
17% Instrumentalness • 4% Positiveness
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Kenji Kawai
俺は仮面ライダークローズだ!
79 bpm • F# min • 02:27 • -10.66db
3% Popularity • 40% Danceability • 49% Energy • 33% Liveness
97% Instrumentalness • 31% Positiveness
3% Popularity • 40% Danceability • 49% Energy • 33% Liveness
97% Instrumentalness • 31% Positiveness
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Michiru Oshima
追想
79 bpm • D min • 04:23 • -13.62db
31% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
31% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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帆足圭吾
邪神ハンター
80 bpm • D Maj • 01:08 • -7.2db
14% Popularity • 31% Danceability • 88% Energy • 16% Liveness
76% Instrumentalness • 30% Positiveness
14% Popularity • 31% Danceability • 88% Energy • 16% Liveness
76% Instrumentalness • 30% Positiveness
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Falcom Sound Team jdk
Lacrimosa of Dana -Opening Ver.-
80 bpm • E min • 02:48 • -8.69db
36% Popularity • 20% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
36% Popularity • 20% Danceability • 40% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Ken Arai
JUSTICE
80 bpm • A# Maj • 03:16 • -13.85db
22% Popularity • 24% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
Special Fire Force Company 8
80 bpm • G Maj • 02:53 • -9db
30% Popularity • 50% Danceability • 52% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
30% Popularity • 50% Danceability • 52% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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Kenji Kawai
最後一戰 (Instrumental)
71 bpm • F min • 07:43 • -13.1db
21% Popularity • 14% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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A V I A N D
Sousou no Frieren (Frieren The Slayer Th...
80 bpm • G min • 01:37 • -11.78db
37% Popularity • 35% Danceability • 80% Energy • 39% Liveness
87% Instrumentalness • 9% Positiveness
37% Popularity • 35% Danceability • 80% Energy • 39% Liveness
87% Instrumentalness • 9% Positiveness
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加藤達也
STONE WORLD
81 bpm • E Maj • 03:27 • -7.79db
35% Popularity • 8% Danceability • 56% Energy • 28% Liveness
4% Instrumentalness • 11% Positiveness
35% Popularity • 8% Danceability • 56% Energy • 28% Liveness
4% Instrumentalness • 11% Positiveness
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Kotaro Nakagawa
Boy from Britannia
69 bpm • A min • 01:15 • -13.65db
34% Popularity • 28% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Pharozen
Saber Alter vs. Rider - Epic Version
82 bpm • C min • 03:39 • -12.27db
33% Popularity • 34% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 38% Positiveness
33% Popularity • 34% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 38% Positiveness
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Frying-Pan
Wings of Hope
82 bpm • A Maj • 01:24 • -9db
24% Popularity • 46% Danceability • 87% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
24% Popularity • 46% Danceability • 87% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Kenji Kawai
偽アンク
81 bpm • D min • 02:19 • -8.59db
1% Popularity • 28% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
1% Popularity • 28% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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CRA
The Last Wolf Suite ～志々雄真実�...
82 bpm • E min • 01:44 • -6.83db
21% Popularity • 37% Danceability • 62% Energy • 11% Liveness
76% Instrumentalness • 51% Positiveness
21% Popularity • 37% Danceability • 62% Energy • 11% Liveness
76% Instrumentalness • 51% Positiveness
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Nobuko Toda
METAL GEAR SOLID PEACE WALKER MEDLEY (Pe...
82 bpm • F min • 09:39 • -13.77db
32% Popularity • 11% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 11% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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梶浦 由記
the four rings
82 bpm • G# Maj • 04:11 • -8.63db
31% Popularity • 33% Danceability • 77% Energy • 9% Liveness
35% Instrumentalness • 10% Positiveness
31% Popularity • 33% Danceability • 77% Energy • 9% Liveness
35% Instrumentalness • 10% Positiveness
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Shigeaki Saegusa
AXCIS
82 bpm • F min • 02:16 • -12.05db
17% Popularity • 15% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
17% Popularity • 15% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Audio Highs
さらばダチ公
82 bpm • C min • 03:10 • -16.44db
13% Popularity • 16% Danceability • 11% Energy • 15% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 15% Liveness
77% Instrumentalness • 4% Positiveness
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Kenji Kawai
Final Mission - Quantum Burst
82 bpm • C Maj • 08:11 • -13.14db
30% Popularity • 45% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 58% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Yasuharu Takanasha
Isamashige
83 bpm • G Maj • 02:43 • -11.47db
10% Popularity • 47% Danceability • 74% Energy • 19% Liveness
79% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 74% Energy • 19% Liveness
79% Instrumentalness • 46% Positiveness
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Shiro SAGISU
Gods Message =3EM02=
68 bpm • B min • 03:32 • -7.72db
29% Popularity • 32% Danceability • 77% Energy • 35% Liveness
75% Instrumentalness • 13% Positiveness
29% Popularity • 32% Danceability • 77% Energy • 35% Liveness
75% Instrumentalness • 13% Positiveness
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梶浦 由記
tragedy and fate
68 bpm • B min • 01:50 • -13.38db
33% Popularity • 21% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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KOHTA YAMAMOTO
大奥 THE STORIES
68 bpm • A min • 04:10 • -10.86db
17% Popularity • 9% Danceability • 61% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 9% Danceability • 61% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Frying-Pan
Start a Fire Inside
83 bpm • D Maj • 01:21 • -9.7db
15% Popularity • 42% Danceability • 72% Energy • 20% Liveness
91% Instrumentalness • 19% Positiveness
15% Popularity • 42% Danceability • 72% Energy • 20% Liveness
91% Instrumentalness • 19% Positiveness
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Kenji Kawai
エニグマバトル
83 bpm • G Maj • 04:49 • -10.33db
2% Popularity • 42% Danceability • 67% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
2% Popularity • 42% Danceability • 67% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
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高梨康治
Sudden Attack
68 bpm • D Maj • 02:13 • -11.61db
12% Popularity • 36% Danceability • 70% Energy • 27% Liveness
98% Instrumentalness • 31% Positiveness
12% Popularity • 36% Danceability • 70% Energy • 27% Liveness
98% Instrumentalness • 31% Positiveness
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Shiro SAGISU
3EM02_C17B_Nu_test02
68 bpm • B min • 02:00 • -7.81db
30% Popularity • 27% Danceability • 68% Energy • 31% Liveness
58% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 68% Energy • 31% Liveness
58% Instrumentalness • 14% Positiveness
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光宗信吉
千年の力(Re-arranged)
67 bpm • E Maj • 02:09 • -10.37db
15% Popularity • 39% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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KOHTA YAMAMOTO
立ち上がる民
84 bpm • G min • 03:04 • -9.76db
18% Popularity • 9% Danceability • 35% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 9% Danceability • 35% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Shigeaki Saegusa
DESTINY
84 bpm • F Maj • 03:09 • -11.21db
17% Popularity • 21% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Kenji Kawai
Future (Aeolia's Dream)
67 bpm • C# Maj • 01:29 • -20.03db
8% Popularity • 10% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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TADAYOSHI MAKINO
Main Theme - Stars At Our Backs
67 bpm • D Maj • 04:31 • -11.8db
38% Popularity • 20% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
38% Popularity • 20% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
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Yutaka Yamada
果て無き世界 END OF THE PROLOGUE
85 bpm • D Maj • 03:54 • -8.87db
36% Popularity • 21% Danceability • 71% Energy • 5% Liveness
55% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 71% Energy • 5% Liveness
55% Instrumentalness • 4% Positiveness
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藤間 仁
一進一退
85 bpm • G min • 09:09 • -5.98db
13% Popularity • 28% Danceability • 66% Energy • 5% Liveness
48% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 66% Energy • 5% Liveness
48% Instrumentalness • 12% Positiveness
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KOHTA YAMAMOTO
An Ordinary Day
85 bpm • G# Maj • 05:43 • -12.05db
38% Popularity • 10% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Takashi Ohmama
Happy Birthday to You
66 bpm • D min • 03:41 • -13.74db
29% Popularity • 31% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
29% Popularity • 31% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
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Shigeaki Saegusa
NEO ZION
84 bpm • G min • 04:01 • -12db
20% Popularity • 13% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 13% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Keiji Inai
Heroic Duel - Battle Ver.
66 bpm • C Maj • 02:56 • -9.56db
24% Popularity • 35% Danceability • 57% Energy • 35% Liveness
75% Instrumentalness • 29% Positiveness
24% Popularity • 35% Danceability • 57% Energy • 35% Liveness
75% Instrumentalness • 29% Positiveness
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Kotaro Nakagawa
After the War
65 bpm • F Maj • 02:10 • -13.2db
19% Popularity • 17% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Shiro SAGISU
this is the dream, beyond belief...
65 bpm • G# Maj • 03:50 • -12.28db
25% Popularity • 8% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Frying-Pan
Invisible Barrier
87 bpm • B min • 02:05 • -12db
18% Popularity • 26% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Takashi Ohmama
Quiet Zero
66 bpm • E min • 03:22 • -11.43db
26% Popularity • 21% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Toshihiko Sahashi
Kakusei Shinn Asuka
65 bpm • D min • 01:49 • -8.74db
32% Popularity • 45% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 12% Positiveness
32% Popularity • 45% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 12% Positiveness
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Takayuki Hattori
Loum no Akai Suisei
87 bpm • A# Maj • 02:29 • -10.04db
19% Popularity • 39% Danceability • 71% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
19% Popularity • 39% Danceability • 71% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
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Shigeaki Saegusa
N GUNDAM
88 bpm • C min • 04:31 • -10db
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
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Masaru Yokoyama
The Soul of Orphans
87 bpm • D min • 03:17 • -12.74db
17% Popularity • 9% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Kenji Kawai
Restart
88 bpm • C Maj • 03:16 • -10.55db
13% Popularity • 46% Danceability • 74% Energy • 24% Liveness
77% Instrumentalness • 36% Positiveness
13% Popularity • 46% Danceability • 74% Energy • 24% Liveness
77% Instrumentalness • 36% Positiveness
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Kow Otani
Zero no Densetsu -XXXG-OOWO
88 bpm • E min • 01:37 • -7.35db
19% Popularity • 28% Danceability • 62% Energy • 16% Liveness
94% Instrumentalness • 28% Positiveness
19% Popularity • 28% Danceability • 62% Energy • 16% Liveness
94% Instrumentalness • 28% Positiveness
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Takashi Ohmama
Asticassia
89 bpm • E Maj • 03:37 • -14.95db
28% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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高田龍一
Uzu
90 bpm • G# Maj • 02:05 • -15.01db
15% Popularity • 22% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Tsutomu Narita
Granblue Fantasy: Relink Main Theme - Pa...
88 bpm • C min • 03:04 • -16.17db
28% Popularity • 22% Danceability • 18% Energy • 12% Liveness
79% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 18% Energy • 12% Liveness
79% Instrumentalness • 5% Positiveness
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Vanguard Sound
The War Has Begun
90 bpm • D Maj • 01:34 • -19db
42% Popularity • 60% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
42% Popularity • 60% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Kenji Kawai
Alarm Bell
90 bpm • C# Maj • 02:59 • -17.81db
14% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Hideakira Kimura
Hero on the Brink
90 bpm • F Maj • 01:43 • -9.24db
22% Popularity • 38% Danceability • 93% Energy • 26% Liveness
74% Instrumentalness • 64% Positiveness
22% Popularity • 38% Danceability • 93% Energy • 26% Liveness
74% Instrumentalness • 64% Positiveness
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Shiro SAGISU
The Final Decision We All Must Take
90 bpm • D min • 04:14 • -5.84db
37% Popularity • 46% Danceability • 77% Energy • 15% Liveness
90% Instrumentalness • 30% Positiveness
37% Popularity • 46% Danceability • 77% Energy • 15% Liveness
90% Instrumentalness • 30% Positiveness
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Kenichiro Suehiro
Hakaiyoku
90 bpm • B min • 02:39 • -6.58db
9% Popularity • 41% Danceability • 80% Energy • 28% Liveness
88% Instrumentalness • 41% Positiveness
9% Popularity • 41% Danceability • 80% Energy • 28% Liveness
88% Instrumentalness • 41% Positiveness
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Kohei Tanaka
ビッグ・マム覚醒
90 bpm • C# Maj • 02:24 • -8.2db
21% Popularity • 34% Danceability • 65% Energy • 13% Liveness
98% Instrumentalness • 13% Positiveness
21% Popularity • 34% Danceability • 65% Energy • 13% Liveness
98% Instrumentalness • 13% Positiveness
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甲田雅人
魂の躍動
91 bpm • A# min • 01:40 • -10.89db
12% Popularity • 37% Danceability • 46% Energy • 30% Liveness
95% Instrumentalness • 20% Positiveness
12% Popularity • 37% Danceability • 46% Energy • 30% Liveness
95% Instrumentalness • 20% Positiveness
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YUKO KOMIYAMA
Succession of Light
92 bpm • D Maj • 03:45 • -15.95db
33% Popularity • 16% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 16% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Hideakira Kimura
GUNDAM SELTSAM
90 bpm • A min • 01:54 • -12.31db
18% Popularity • 53% Danceability • 60% Energy • 30% Liveness
53% Instrumentalness • 54% Positiveness
18% Popularity • 53% Danceability • 60% Energy • 30% Liveness
53% Instrumentalness • 54% Positiveness
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MAYUKO
私はあなたを守れます
92 bpm • A min • 02:58 • -8.47db
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
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Masaru Yokoyama
Fate/Apocrypha
91 bpm • D min • 04:37 • -8db
39% Popularity • 32% Danceability • 84% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
39% Popularity • 32% Danceability • 84% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Yutaka Yamada
ノルマンニ
93 bpm • C min • 04:00 • -9db
30% Popularity • 28% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
30% Popularity • 28% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
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Falcom Sound Team jdk
Sora No Kiseki
93 bpm • E Maj • 03:19 • -7.79db
20% Popularity • 13% Danceability • 41% Energy • 6% Liveness
75% Instrumentalness • 6% Positiveness
20% Popularity • 13% Danceability • 41% Energy • 6% Liveness
75% Instrumentalness • 6% Positiveness
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Audio Highs
鎮魂曲
93 bpm • A# Maj • 02:13 • -9.88db
12% Popularity • 23% Danceability • 49% Energy • 36% Liveness
87% Instrumentalness • 41% Positiveness
12% Popularity • 23% Danceability • 49% Energy • 36% Liveness
87% Instrumentalness • 41% Positiveness
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Kenichiro Suehiro
Warrior's Requiem
95 bpm • C min • 02:28 • -3.95db
9% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Takashi Ohmama
Get Ready for the Duel
94 bpm • A Maj • 02:19 • -11.32db
23% Popularity • 20% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Rasmus Faber
The Strain of Asterisk
95 bpm • E min • 02:07 • -13.12db
8% Popularity • 45% Danceability • 65% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
8% Popularity • 45% Danceability • 65% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Takayuki Hattori
MOBILE SUIT GUNDAM THE ORIGIN Main Theme
96 bpm • A# Maj • 03:22 • -9db
21% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
21% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Hideakira Kimura
Re:RISE
96 bpm • G min • 02:15 • -11db
25% Popularity • 48% Danceability • 70% Energy • 23% Liveness
95% Instrumentalness • 56% Positiveness
25% Popularity • 48% Danceability • 70% Energy • 23% Liveness
95% Instrumentalness • 56% Positiveness
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Kohei Tanaka
世界で最もふざけた能力
96 bpm • G# Maj • 01:40 • -6.54db
31% Popularity • 54% Danceability • 78% Energy • 36% Liveness
44% Instrumentalness • 42% Positiveness
31% Popularity • 54% Danceability • 78% Energy • 36% Liveness
44% Instrumentalness • 42% Positiveness
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Frying-Pan
The Big Rock
96 bpm • D# Maj • 01:16 • -10db
24% Popularity • 51% Danceability • 71% Energy • 23% Liveness
86% Instrumentalness • 23% Positiveness
24% Popularity • 51% Danceability • 71% Energy • 23% Liveness
86% Instrumentalness • 23% Positiveness
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Kenji Kawai
終章(エピローグ)・追想
98 bpm • C Maj • 03:41 • -14.97db
1% Popularity • 29% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
1% Popularity • 29% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness