Songs like Cornfake Girl by Jem
Based on a tempo of (+/- 10%) and a similar genre
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Suzanne Vega
Streets of Laredo
132 bpm • G Maj • 03:45 • -15.56db
17% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sabrina Nspositi
Blub
132 bpm • E Maj • 04:35 • -8.84db
29% Popularity • 40% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 40% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Williams
That Lucky Old Sun
132 bpm • C Maj • 02:38 • -17.14db
9% Popularity • 42% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 10% Positiveness
9% Popularity • 42% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 10% Positiveness
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Grace Slick
Garden of Man
132 bpm • G min • 06:33 • -12.28db
9% Popularity • 26% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 26% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Julie Covington
Only Women Bleed
132 bpm • D Maj • 04:18 • -13db
17% Popularity • 38% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
17% Popularity • 38% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
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Sinéad O'Connor
Mind Games - 2009 Remaster
131 bpm • D# Maj • 05:26 • -10.04db
20% Popularity • 40% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 40% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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The La La La's
59th Street Bridge Song (Feelin' Groovy)
131 bpm • F# Maj • 01:38 • -12.89db
21% Popularity • 64% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 64% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Fairground Attraction
Mystery Train
133 bpm • G# Maj • 01:58 • -29.68db
9% Popularity • 60% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 60% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Kim Carnes
Just to See You Smile (Acoustic Version)
133 bpm • F Maj • 04:00 • -8.45db
19% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Annie Haslam
Moonlight Shadow
131 bpm • C# min • 03:32 • -9.81db
10% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Julie Covington
(I Want To See The) Bright Lights
131 bpm • D# Maj • 03:41 • -5.17db
8% Popularity • 61% Danceability • 87% Energy • 6% Liveness
15% Instrumentalness • 80% Positiveness
8% Popularity • 61% Danceability • 87% Energy • 6% Liveness
15% Instrumentalness • 80% Positiveness
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Cris Williamson
Wild Things
133 bpm • D min • 04:29 • -18.1db
14% Popularity • 32% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 32% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Crane
Allowing Love
133 bpm • D Maj • 04:09 • -11.08db
17% Popularity • 37% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 37% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Fairground Attraction
Home To The Heartache - Live
131 bpm • D Maj • 04:30 • -7.75db
14% Popularity • 52% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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Harvey Andrews
Margarita
131 bpm • E Maj • 05:42 • -14.5db
9% Popularity • 47% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
9% Popularity • 47% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
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The Tubes
Don't Touch Me There
134 bpm • F Maj • 03:27 • -10.75db
24% Popularity • 52% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 41% Positiveness
24% Popularity • 52% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 41% Positiveness
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Kirsty Clinch
Still Beautiful
130 bpm • C# Maj • 03:04 • -8.58db
15% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Bailey & Tallula Tzuke
Oh My Love
130 bpm • G Maj • 03:23 • -9.13db
8% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Southern Shadows
Enough
134 bpm • A Maj • 03:29 • -18.97db
10% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
10% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Jem
One (Naughty Grime Mix)
134 bpm • B min • 04:20 • -9.52db
0% Popularity • 81% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
0% Popularity • 81% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Buffy Sainte-Marie
I'm Going Home
130 bpm • A# Maj • 03:24 • -18.01db
10% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ralph McTell
Dreams of You
134 bpm • A# Maj • 03:10 • -11.15db
17% Popularity • 43% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 43% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Mitchells Theatre
Meet Me in the Moonlight
134 bpm • C Maj • 03:04 • -12.05db
13% Popularity • 69% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 69% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Morris Lewis
Victory In Struggle
129 bpm • F# min • 04:05 • -13db
23% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Beck Eddie
The Last
135 bpm • G Maj • 03:22 • -10.83db
20% Popularity • 69% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 69% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Procol Harum
Eight Days a Week
129 bpm • E Maj • 03:05 • -8db
13% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Finlay Everly
World Full of Light
135 bpm • D# Maj • 03:34 • -12.08db
20% Popularity • 45% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 45% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Williams
Old Souls
135 bpm • C# Maj • 02:45 • -6.79db
14% Popularity • 39% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 39% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jennifer Warnes
Song of Bernadette - Digitally Remastere...
130 bpm • A# Maj • 03:54 • -14db
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 34% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Marc Tewksbury
Complicated Love
135 bpm • F# Maj • 04:31 • -8.56db
9% Popularity • 43% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 43% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Buffy Sainte-Marie
Up Where We Belong
135 bpm • C Maj • 04:32 • -14.96db
19% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Micky Dolenz
Good Morning Good Morning
135 bpm • D Maj • 02:54 • -9.91db
8% Popularity • 69% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
8% Popularity • 69% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
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Jem
I'll Never Fall In Love Again
135 bpm • A Maj • 03:05 • -14.02db
0% Popularity • 56% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 56% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Heidi Elgaard
I'm on My Way
135 bpm • F# Maj • 03:54 • -10.72db
25% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Howard/Johnson & Friends
Ms. Shively
129 bpm • C Maj • 02:51 • -8.75db
10% Popularity • 54% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 54% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
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Joan Armatrading
All The Way From America
136 bpm • E Maj • 04:51 • -15.22db
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Suzanne Vega
Story Of Isaac
136 bpm • D# Maj • 04:06 • -16.61db
22% Popularity • 53% Danceability • 22% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
22% Popularity • 53% Danceability • 22% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
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Nancy Sinatra
Something
136 bpm • G Maj • 03:13 • -8.85db
16% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jem
Talk Of The Town
136 bpm • B min • 03:25 • -6.52db
0% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Fox
Love Letters
136 bpm • A# Maj • 02:55 • -7.41db
3% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Ann Kirt
Hold Me Down To The Ground
128 bpm • A min • 04:45 • -11db
17% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Heidi Elgaard
No Tomorrow
136 bpm • C# min • 03:36 • -13.64db
22% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Deidra Ann
When the Sun Goes Down
128 bpm • G# Maj • 04:14 • -6.58db
12% Popularity • 62% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 62% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Jennifer Warnes
If It Be Your Will - Reprise
136 bpm • F# Maj • 03:08 • -16.88db
20% Popularity • 43% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 43% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Gary Shearston
I Get a Kick out of You
136 bpm • D Maj • 03:40 • -13.99db
27% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Edie Brickell
Green
136 bpm • G Maj • 03:21 • -15.75db
25% Popularity • 35% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 35% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Coughlan
Double Cross
128 bpm • G Maj • 03:50 • -9.62db
26% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Grace Slick
Do it the Hard Way
128 bpm • D Maj • 04:59 • -10.83db
9% Popularity • 36% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 36% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Fanny
Let's Spend The Night Together
127 bpm • C Maj • 03:32 • -9.39db
7% Popularity • 76% Danceability • 92% Energy • 4% Liveness
51% Instrumentalness • 86% Positiveness
7% Popularity • 76% Danceability • 92% Energy • 4% Liveness
51% Instrumentalness • 86% Positiveness
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Dolly Parton
Turn, Turn, Turn (To Everything There Is...
127 bpm • A# Maj • 04:25 • -10.74db
16% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Peter, Paul and Mary
Stewball
127 bpm • G# Maj • 03:12 • -14.69db
31% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Flying Pickets
Factory
137 bpm • F# Maj • 01:49 • -7.65db
18% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Jennifer Warnes
A Singer Must Die - Digitally Remastered
127 bpm • B min • 04:52 • -14.98db
20% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Eric Andersen
Blue River
127 bpm • F Maj • 04:45 • -14.43db
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
19% Popularity • 41% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 14% Positiveness
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Rachel Rea
My Eyes Shine for You
137 bpm • A Maj • 02:43 • -16.63db
19% Popularity • 38% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Kim Carnes
Runaway
127 bpm • D min • 04:57 • -10.11db
10% Popularity • 54% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 54% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Holly Near
Imagine My Surprise
137 bpm • A min • 03:36 • -10.23db
7% Popularity • 49% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 49% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Suzi Quatro
Born To Run
138 bpm • A Maj • 04:00 • -7.04db
29% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Grace Slick
Full Moon Man
126 bpm • G# Maj • 05:07 • -11.85db
9% Popularity • 31% Danceability • 51% Energy • 19% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 31% Danceability • 51% Energy • 19% Liveness
1% Instrumentalness • 21% Positiveness
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Ivana Raymonda van der Veen
The Ultimate Love
138 bpm • C Maj • 02:59 • -12.21db
0% Popularity • 56% Danceability • 33% Energy • 30% Liveness
36% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 33% Energy • 30% Liveness
36% Instrumentalness • 48% Positiveness
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Marti Jones
Follow You All over the World
126 bpm • A Maj • 04:03 • -19.29db
14% Popularity • 61% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 61% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Christine Lavin
Venus Kissed The Moon
126 bpm • A min • 03:41 • -23.25db
7% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Cry Cry Cry
Fall On Me
126 bpm • F# min • 02:56 • -7.95db
23% Popularity • 56% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 56% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jem
One (MTV Mix)
126 bpm • B min • 06:38 • -27.1db
0% Popularity • 64% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
0% Popularity • 64% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Rachel Sailsbury
Look Here
138 bpm • D# Maj • 03:54 • -11.07db
22% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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John Stewart
Daydream Believer
126 bpm • D Maj • 03:33 • -12.34db
15% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Joan Armatrading
Heaven
139 bpm • E Maj • 04:41 • -11.95db
26% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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John Wesley Harding
Like a Prayer
125 bpm • F Maj • 03:33 • -13.31db
9% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mitchell Hunter
All I Ever Need
125 bpm • G min • 03:55 • -11.51db
10% Popularity • 57% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 57% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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Kim Carnes
Swept Me Off My Feet
125 bpm • C Maj • 03:20 • -10.99db
8% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kiki Dee
Song for Adam
139 bpm • G# Maj • 05:23 • -7.88db
8% Popularity • 53% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 53% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Jane Wiedlin
Our Lips Are Sealed
125 bpm • C Maj • 02:47 • -14.36db
13% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Barbara Redford
I'm In Love With You
140 bpm • C Maj • 03:27 • -7.39db
12% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Elton John
I'm Your Man
124 bpm • A min • 04:08 • -7.73db
14% Popularity • 75% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Donovan
Lady Of The Stars
140 bpm • G Maj • 04:38 • -16.37db
9% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Lloyd David Cadigan
One Last Time
124 bpm • D Maj • 04:11 • -22.11db
12% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ferron
Our Purpose Here
140 bpm • D Maj • 04:04 • -17.18db
15% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bonnie Raitt
Baby Come Back - 2008 Remaster
124 bpm • F Maj • 02:48 • -6.8db
7% Popularity • 77% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ian & Sylvia
You Were On My Mind
140 bpm • F Maj • 02:47 • -13.21db
28% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Jem
Rainy Days and Mondays
140 bpm • E min • 03:32 • -18.41db
0% Popularity • 25% Danceability • 17% Energy • 10% Liveness
24% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 10% Liveness
24% Instrumentalness • 15% Positiveness
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Nicolette Larson
French Waltz
140 bpm • D# Maj • 04:22 • -16.07db
14% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie Merchant
Learning the Game
141 bpm • D Maj • 03:27 • -10.83db
11% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Young@Heart Chorus
Long May You Run
141 bpm • D Maj • 02:16 • -8.69db
10% Popularity • 48% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 48% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Crosby, Stills, Nash & Young
Our House - 2021 Remaster
141 bpm • A Maj • 03:00 • -15db
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Williams
Loneliness
141 bpm • E Maj • 03:23 • -8.92db
14% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jem
Scarborough Fair
124 bpm • E Maj • 03:03 • -10.62db
0% Popularity • 44% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
0% Popularity • 44% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jennifer Warnes
Love Hurts
142 bpm • C Maj • 03:18 • -11.16db
15% Popularity • 27% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 27% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Ferron
Misty Mountain
141 bpm • F# min • 05:09 • -11.91db
14% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Ian & Sylvia
Circle Game
142 bpm • D Maj • 03:01 • -15.88db
17% Popularity • 49% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 49% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
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Jennifer Snowden
Paper Chain
123 bpm • C# Maj • 04:35 • -6.42db
11% Popularity • 66% Danceability • 69% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
11% Popularity • 66% Danceability • 69% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
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Big Daddy
Dancing in the Dark
123 bpm • A Maj • 03:20 • -15.23db
14% Popularity • 72% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 72% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Jackson Browne
Oh, My Love
142 bpm • A Maj • 02:39 • -12.1db
17% Popularity • 50% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 50% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Janis Ian
Miracle Row
123 bpm • A# Maj • 02:14 • -11.4db
17% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Dee Flan
Be By Your Side
142 bpm • G Maj • 04:07 • -11.39db
41% Popularity • 24% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 24% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Flying Pickets
Psycho Killer
123 bpm • C# min • 04:35 • -9.5db
11% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Naga Jerry
Sunshine Night
122 bpm • F Maj • 02:21 • -17.68db
19% Popularity • 78% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
19% Popularity • 78% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Christine Lavin
The Kind Of Love You Never Recover From
122 bpm • A# Maj • 04:37 • -21db
11% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
