Songs like Corpcore - Kingdom Remix by Fatima Al Qadiri
Based on a tempo of (+/- 10%) and a similar genre
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Fatima Al Qadiri
Corpcore
130 bpm • G Maj • 03:23 • -7db
5% Popularity • 46% Danceability • 96% Energy • 35% Liveness
86% Instrumentalness • 30% Positiveness
5% Popularity • 46% Danceability • 96% Energy • 35% Liveness
86% Instrumentalness • 30% Positiveness
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Deena Abdelwahed
Tawa
130 bpm • F# min • 03:50 • -13db
18% Popularity • 63% Danceability • 65% Energy • 34% Liveness
85% Instrumentalness • 33% Positiveness
18% Popularity • 63% Danceability • 65% Energy • 34% Liveness
85% Instrumentalness • 33% Positiveness
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Dali Muru & The Polyphonic Swarm
My Boar
130 bpm • A# min • 03:36 • -19.2db
17% Popularity • 73% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
17% Popularity • 73% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Lotic
Distribution of Care
130 bpm • C Maj • 03:48 • -6.95db
8% Popularity • 67% Danceability • 67% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
8% Popularity • 67% Danceability • 67% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
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Astrid Sonne
Ephemeral III
130 bpm • C# min • 06:15 • -11.94db
7% Popularity • 27% Danceability • 75% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
7% Popularity • 27% Danceability • 75% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Lafawndah
You, at the End
131 bpm • C# Maj • 04:12 • -16.66db
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Bendik Giske
High
130 bpm • D min • 04:05 • -11.35db
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Carla dal Forno
Italian Cinema
129 bpm • F# Maj • 01:50 • -19db
22% Popularity • 43% Danceability • 77% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
22% Popularity • 43% Danceability • 77% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Debit
1st Day
129 bpm • C Maj • 02:21 • -27db
17% Popularity • 30% Danceability • 1% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 1% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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LEYA
Some Better
129 bpm • A min • 02:50 • -15db
21% Popularity • 20% Danceability • 18% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
21% Popularity • 20% Danceability • 18% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
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alva noto
Uni Sub - Fatima Al Qadiri Remix
131 bpm • F# min • 04:13 • -14.75db
6% Popularity • 31% Danceability • 45% Energy • 35% Liveness
88% Instrumentalness • 4% Positiveness
6% Popularity • 31% Danceability • 45% Energy • 35% Liveness
88% Instrumentalness • 4% Positiveness
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Pan Daijing
The Goat
129 bpm • C min • 03:46 • -22.36db
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Actress
R.I.P.
132 bpm • A Maj • 01:16 • -12.69db
38% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
38% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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James K
I Can Not Remember
132 bpm • F min • 04:56 • -12.09db
17% Popularity • 16% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Loraine James
Glitch Bitch
132 bpm • C Maj • 03:12 • -13db
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Fatima Al Qadiri
D-medley
132 bpm • A min • 06:51 • -8.25db
10% Popularity • 40% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 46% Positiveness
10% Popularity • 40% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 46% Positiveness
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Kara-Lis Coverdale
Informant
128 bpm • D Maj • 07:06 • -15.18db
8% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pan Daijing
Act Of The Empress
132 bpm • G Maj • 04:58 • -10.69db
13% Popularity • 18% Danceability • 65% Energy • 35% Liveness
80% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 65% Energy • 35% Liveness
80% Instrumentalness • 12% Positiveness
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Tomaga
The Inexorable Sadness of Pencils
133 bpm • A min • 04:37 • -10.2db
13% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
13% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Flora Yin-Wong
Bitterness
127 bpm • D min • 03:56 • -18.06db
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Sky H1
Silk
127 bpm • D# min • 02:53 • -17.44db
21% Popularity • 26% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
21% Popularity • 26% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
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Eartheater
Angel Path
133 bpm • F min • 04:10 • -10db
23% Popularity • 21% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Lyra Pramuk
Fountain (ars amatoria)
127 bpm • F Maj • 07:27 • -7.3db
7% Popularity • 32% Danceability • 61% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
7% Popularity • 32% Danceability • 61% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
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Croatian Amor
With Eyes Unclouded By Longing
127 bpm • E Maj • 02:45 • -12.88db
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Fatima Al Qadiri
Hip Hop Spa
127 bpm • C# min • 04:24 • -8.53db
21% Popularity • 72% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 54% Positiveness
21% Popularity • 72% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 54% Positiveness
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Flora Yin-Wong
Tirta Empul
127 bpm • G# min • 04:00 • -20.61db
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Flutter
133 bpm • F min • 04:21 • -15db
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
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Ana Roxanne
Venus
127 bpm • F Maj • 07:57 • -19.63db
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Lafawndah
The Stillness
127 bpm • D# min • 08:06 • -27.41db
7% Popularity • 49% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 49% Danceability • 16% Energy • 21% Liveness
91% Instrumentalness • 14% Positiveness
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Kaitlyn Aurelia Smith
Understanding Body Messages
133 bpm • C# min • 01:24 • -24db
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
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Pan Daijing
Let
134 bpm • G Maj • 04:49 • -15.42db
11% Popularity • 30% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
11% Popularity • 30% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Dylan Henner
We're So Young That We'll Never Grow Old
126 bpm • F min • 05:04 • -19.68db
22% Popularity • 24% Danceability • 19% Energy • 37% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 19% Energy • 37% Liveness
78% Instrumentalness • 4% Positiveness
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Cucina Povera
Anarkian kuvajainen
126 bpm • C Maj • 04:58 • -18.16db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Lafawndah
You, at the End - Laurel Halo Version
134 bpm • D min • 11:14 • -25.56db
9% Popularity • 16% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Läuten der Seele
Millionen Nachtigallen schlagen
126 bpm • D Maj • 01:14 • -8.57db
22% Popularity • 25% Danceability • 79% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 25% Danceability • 79% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James K
Sokit to me Baby
134 bpm • C Maj • 03:48 • -19.26db
15% Popularity • 42% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
15% Popularity • 42% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Samuel Organ
Guidance
135 bpm • C min • 03:42 • -21.52db
33% Popularity • 53% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 53% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Sky H1
Labyrinth
135 bpm • A min • 06:54 • -27db
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Space Afrika
Lose You Beau
135 bpm • D# min • 02:00 • -15.18db
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
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Croatian Amor
LA Hills Burn At The Peak Of Winter
125 bpm • A min • 07:28 • -17.64db
33% Popularity • 20% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Koreless
Yonder
125 bpm • F# Maj • 01:41 • -12db
18% Popularity • 24% Danceability • 11% Energy • 9% Liveness
50% Instrumentalness • 15% Positiveness
18% Popularity • 24% Danceability • 11% Energy • 9% Liveness
50% Instrumentalness • 15% Positiveness
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Lucrecia Dalt
Seca
125 bpm • F# Maj • 02:18 • -21.16db
21% Popularity • 28% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
21% Popularity • 28% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
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Aïsha Devi
Inner State of Alchemy
136 bpm • F# Maj • 03:25 • -10.39db
9% Popularity • 36% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 12% Positiveness
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Lafawndah
Joseph
135 bpm • C min • 04:01 • -15.94db
14% Popularity • 31% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
14% Popularity • 31% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 16% Positiveness
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Lorenzo Senni
Canone Infinito
136 bpm • F# Maj • 04:59 • -12.5db
34% Popularity • 63% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
34% Popularity • 63% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Croatian Amor
Vigil
125 bpm • C# min • 04:48 • -11.18db
19% Popularity • 42% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
19% Popularity • 42% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Huerco S.
Plonk VI
124 bpm • C min • 09:24 • -14.11db
19% Popularity • 60% Danceability • 45% Energy • 30% Liveness
73% Instrumentalness • 26% Positiveness
19% Popularity • 60% Danceability • 45% Energy • 30% Liveness
73% Instrumentalness • 26% Positiveness
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Space Afrika
Indigo Grit
136 bpm • G Maj • 01:52 • -15.58db
22% Popularity • 28% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 28% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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Aïsha Devi
Two Serpents
136 bpm • G Maj • 06:19 • -9.91db
9% Popularity • 73% Danceability • 56% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 73% Danceability • 56% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Valentina Magaletti
Body in a Room
137 bpm • A# Maj • 05:15 • -12.1db
17% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
17% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Tirzah
Crepuscular Rays - Lafawndah Remix
137 bpm • B Maj • 07:04 • -19.5db
11% Popularity • 25% Danceability • 9% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 9% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Kelly Moran
Interlude 1 - WXAXRXP Session
137 bpm • C min • 01:20 • -14.7db
23% Popularity • 26% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 26% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Bendik Giske
Matter (part 3)
137 bpm • C min • 06:12 • -15.73db
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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LEYA
Win Some
123 bpm • C# Maj • 05:12 • -17.9db
17% Popularity • 18% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Aïsha Devi
Aetherave
136 bpm • F min • 04:00 • -12.2db
7% Popularity • 41% Danceability • 41% Energy • 22% Liveness
18% Instrumentalness • 15% Positiveness
7% Popularity • 41% Danceability • 41% Energy • 22% Liveness
18% Instrumentalness • 15% Positiveness
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Pan Daijing
Clean
123 bpm • G Maj • 03:08 • -16.12db
16% Popularity • 39% Danceability • 44% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
16% Popularity • 39% Danceability • 44% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
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Kaitlyn Aurelia Smith
Labyrinth XII
123 bpm • C Maj • 00:58 • -19.16db
36% Popularity • 24% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 24% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Valentina Magaletti
Per Strada
138 bpm • D min • 02:10 • -18.85db
20% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
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Croatian Amor
Transit
138 bpm • A min • 05:44 • -21.82db
18% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
18% Popularity • 26% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Holly Herndon
Fear, Uncertainty, Doubt
122 bpm • D# min • 03:11 • -13.39db
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Aïsha Devi
Unborn Yet Alive
123 bpm • A# Maj • 03:07 • -14.13db
15% Popularity • 33% Danceability • 41% Energy • 45% Liveness
83% Instrumentalness • 5% Positiveness
15% Popularity • 33% Danceability • 41% Energy • 45% Liveness
83% Instrumentalness • 5% Positiveness
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Tomaga
Fist to Fist
122 bpm • D Maj • 02:59 • -9db
25% Popularity • 53% Danceability • 98% Energy • 27% Liveness
69% Instrumentalness • 67% Positiveness
25% Popularity • 53% Danceability • 98% Energy • 27% Liveness
69% Instrumentalness • 67% Positiveness
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Eartheater
Mint
139 bpm • C min • 03:24 • -15.32db
20% Popularity • 24% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Huerco S.
Cubist Camouflage
121 bpm • F# Maj • 02:40 • -17.93db
33% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Space Afrika
Solemn
140 bpm • A min • 01:15 • -20.14db
38% Popularity • 17% Danceability • 28% Energy • 12% Liveness
55% Instrumentalness • 42% Positiveness
38% Popularity • 17% Danceability • 28% Energy • 12% Liveness
55% Instrumentalness • 42% Positiveness
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Holly Herndon
Godmother
122 bpm • C# Maj • 02:30 • -10.78db
13% Popularity • 80% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Klein
Hope Dealers
140 bpm • A# Maj • 05:52 • -13.56db
9% Popularity • 14% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Tomaga
The King of Naples
139 bpm • A# min • 05:15 • -7.65db
14% Popularity • 41% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 6% Positiveness
14% Popularity • 41% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 6% Positiveness
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Astrid Sonne
Mirror Behaviour
140 bpm • A min • 03:05 • -10.36db
23% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
23% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
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Lucrecia Dalt
Atmospheres Touch
140 bpm • G# Maj • 03:29 • -16.4db
11% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Sky H1
Land
140 bpm • A min • 03:45 • -10.89db
10% Popularity • 51% Danceability • 56% Energy • 16% Liveness
59% Instrumentalness • 22% Positiveness
10% Popularity • 51% Danceability • 56% Energy • 16% Liveness
59% Instrumentalness • 22% Positiveness
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Holly Herndon
Chorus
122 bpm • G Maj • 05:54 • -15.68db
20% Popularity • 65% Danceability • 40% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
20% Popularity • 65% Danceability • 40% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
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Lotic
Phlegm
140 bpm • C# Maj • 04:04 • -6.36db
8% Popularity • 64% Danceability • 69% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
8% Popularity • 64% Danceability • 69% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
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Loke Rahbek
Scarlett
140 bpm • A# Maj • 08:04 • -9.02db
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
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Ana Roxanne
- - -
140 bpm • D Maj • 05:15 • -21.34db
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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ML Buch
Stone Bridge
121 bpm • G Maj • 02:12 • -17.72db
28% Popularity • 18% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Sky H1
Air
140 bpm • C Maj • 04:02 • -8.49db
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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SSIEGE
Nebbia Spugna
120 bpm • A min • 03:13 • -28db
34% Popularity • 39% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 39% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Eartheater
Sigil Life
120 bpm • A# min • 02:36 • -17.83db
19% Popularity • 41% Danceability • 41% Energy • 9% Liveness
47% Instrumentalness • 33% Positiveness
19% Popularity • 41% Danceability • 41% Energy • 9% Liveness
47% Instrumentalness • 33% Positiveness
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Dali Muru & The Polyphonic Swarm
Witch Wisent
120 bpm • C Maj • 02:51 • -16db
24% Popularity • 80% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 47% Positiveness
24% Popularity • 80% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 47% Positiveness
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oqbqbo
The Way of Tea
120 bpm • C# min • 02:18 • -20.97db
20% Popularity • 24% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
20% Popularity • 24% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Sky H1
Night/Fall/Dream
140 bpm • F Maj • 03:58 • -10.96db
13% Popularity • 59% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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DJ Lostboi
The Voyager
120 bpm • G min • 03:34 • -23.17db
18% Popularity • 37% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 37% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Malibu
Held
120 bpm • E min • 06:21 • -22.23db
30% Popularity • 26% Danceability • 28% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 28% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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Dali Muru & The Polyphonic Swarm
Silver Shining Bones
120 bpm • E min • 03:05 • -13.86db
17% Popularity • 68% Danceability • 39% Energy • 10% Liveness
75% Instrumentalness • 74% Positiveness
17% Popularity • 68% Danceability • 39% Energy • 10% Liveness
75% Instrumentalness • 74% Positiveness
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Kara-Lis Coverdale
Ad_renaline
120 bpm • F min • 04:29 • -14.5db
11% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
11% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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Sofie Birch
Loph
141 bpm • C min • 04:32 • -12.42db
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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LI YILEI
WEI / 未
120 bpm • F# min • 02:13 • -15db
36% Popularity • 74% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 74% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 4% Positiveness
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Croatian Amor
Power Corrupts
120 bpm • F min • 04:21 • -5.39db
17% Popularity • 58% Danceability • 93% Energy • 18% Liveness
56% Instrumentalness • 53% Positiveness
17% Popularity • 58% Danceability • 93% Energy • 18% Liveness
56% Instrumentalness • 53% Positiveness
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Mr. Mitch
Sleep
120 bpm • F# min • 04:56 • -16.71db
19% Popularity • 72% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
19% Popularity • 72% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Dali Muru & The Polyphonic Swarm
Shapeshifting
120 bpm • C# Maj • 05:15 • -15.21db
13% Popularity • 49% Danceability • 41% Energy • 12% Liveness
46% Instrumentalness • 39% Positiveness
13% Popularity • 49% Danceability • 41% Energy • 12% Liveness
46% Instrumentalness • 39% Positiveness
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Dylan Henner
The Lake Was Covered In Lilypads
120 bpm • C Maj • 05:24 • -15.09db
16% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Maral
lavender's love
120 bpm • G Maj • 02:40 • -10db
30% Popularity • 83% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 81% Positiveness
30% Popularity • 83% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 81% Positiveness
