Songs like Corridors by Martin X. Petz
Based on a tempo of (+/- 10%) and a similar genre
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Kids TV 123
At the Zoo
117 bpm • A Maj • 02:42 • -9.75db
15% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Barton
Eve of Destruction
117 bpm • E Maj • 03:38 • -10.29db
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Alain Bashung
Nights In White Satin
117 bpm • D min • 04:49 • -10db
28% Popularity • 58% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 5% Positiveness
28% Popularity • 58% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 5% Positiveness
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Big Star
Thirteen
117 bpm • C min • 02:34 • -14.37db
57% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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One More Weekend
Lost at Sea
117 bpm • D Maj • 04:47 • -20.29db
9% Popularity • 58% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 58% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Petty and the Heartbreakers
Blue Sunday
117 bpm • F Maj • 02:56 • -7.58db
19% Popularity • 63% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 63% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Interference
Gold
117 bpm • E Maj • 03:59 • -10.21db
37% Popularity • 31% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 31% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Martin X. Petz
Be What You Want
117 bpm • E min • 04:04 • -13.71db
0% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Neil Young
Campaigner
117 bpm • F Maj • 04:19 • -15.67db
25% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 58% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ad Vanderveen
Rise in Love
116 bpm • C Maj • 02:50 • -8.82db
18% Popularity • 30% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 30% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Izzy Stradlin
feelin allright
118 bpm • D Maj • 03:35 • -8.36db
12% Popularity • 56% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 56% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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67 Special
Scar
116 bpm • G Maj • 04:16 • -8.56db
13% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jakob Dylan
Something Good This Way Comes
116 bpm • A Maj • 03:37 • -9.66db
35% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Martin X. Petz
Get It Right
118 bpm • F# Maj • 02:25 • -18.87db
0% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Neil Young
Campaigner - 2017 Remaster
118 bpm • F Maj • 03:30 • -10.7db
29% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Eric Hutchinson
Never Ever Over You - Unplugged
116 bpm • B Maj • 03:22 • -9.48db
11% Popularity • 73% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 73% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Van Andrew
Orange Chicken and Miso
116 bpm • B min • 01:36 • -12.89db
14% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rosendo
Misfit Zoo
116 bpm • D Maj • 03:41 • -7.65db
15% Popularity • 78% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
15% Popularity • 78% Danceability • 56% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Lobo
Me and You and a Dog Named Boo - Acousti...
116 bpm • F Maj • 03:25 • -5.6db
10% Popularity • 71% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 71% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Martin X. Petz
Heart and Home
118 bpm • C Maj • 03:42 • -4.45db
0% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 59% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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The Other Favorites
Roses & Gloom
116 bpm • G Maj • 04:22 • -9.69db
19% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dale Sutton
One Headlight - Acoustic
116 bpm • C Maj • 04:11 • -8.62db
26% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bob Marley & The Wailers
Redemption Song
116 bpm • G Maj • 03:53 • -10.74db
75% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 67% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Dylan
Lone Pilgrim
116 bpm • D Maj • 02:43 • -17.96db
18% Popularity • 52% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 52% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Elliott Murphy
Johnny boy gone
116 bpm • C# min • 05:50 • -9.62db
17% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Martin X. Petz
They Say (You'll Know)
118 bpm • G Maj • 02:38 • -4.76db
0% Popularity • 63% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 63% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
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Daniel Lanois
The Unbreakable Chain
116 bpm • E Maj • 04:19 • -13.14db
19% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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World Party
Sweet Soul Dream (Interview) - Radio App...
119 bpm • A Maj • 08:44 • -13.62db
8% Popularity • 55% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 55% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Big Star
Thirteen - Alternate Mix
115 bpm • C min • 02:44 • -13.82db
15% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The High Road
Until You
115 bpm • A# min • 03:52 • -8db
17% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Martin X. Petz
Count
118 bpm • C Maj • 02:12 • -5.51db
0% Popularity • 84% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 84% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Wishgarden
In Fifty Years
119 bpm • A min • 03:36 • -7.87db
11% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Trailplayer Stew
First Day of Summer
119 bpm • D Maj • 02:53 • -17.35db
14% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ad Vanderveen
Days that Used to Be
119 bpm • G Maj • 03:03 • -7.35db
9% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mono Meadow
Way of Salvation
115 bpm • G Maj • 01:38 • -13.79db
30% Popularity • 48% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 48% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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No-No Boy
Pilgrims
119 bpm • C Maj • 04:23 • -10.94db
8% Popularity • 66% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 66% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Martin X. Petz
This Love
119 bpm • G Maj • 03:38 • -5.3db
0% Popularity • 74% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 74% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Andy Hawk & the Train Wreck Endings
Prettier Song
115 bpm • D Maj • 04:17 • -9.27db
17% Popularity • 64% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 64% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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George Murphy
Van Diemen's Land
115 bpm • F Maj • 03:46 • -14.92db
12% Popularity • 55% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 55% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Roddy Frame
Mixed Up Love
115 bpm • D Maj • 03:13 • -10.99db
10% Popularity • 58% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 49% Positiveness
10% Popularity • 58% Danceability • 39% Energy • 20% Liveness
2% Instrumentalness • 49% Positiveness
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Ed Gumbrecht
Make Us Wise
115 bpm • D Maj • 04:39 • -23.37db
8% Popularity • 68% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 68% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Mantlepiece
A Week of Yesterdays
115 bpm • C Maj • 04:58 • -12.37db
7% Popularity • 27% Danceability • 29% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
7% Popularity • 27% Danceability • 29% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Martin X. Petz
Noble Blues
115 bpm • G Maj • 03:26 • -4.79db
0% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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BabyJake
The Fisherman
119 bpm • D Maj • 02:22 • -10.43db
16% Popularity • 50% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 50% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Colbert Barnard
You Can Collect Stones
115 bpm • E Maj • 03:11 • -10.07db
26% Popularity • 47% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 47% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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steve the trailplayer
with their own eyes
119 bpm • D Maj • 02:01 • -8.68db
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Those Who Know the Son
I Got Nothin'
119 bpm • D Maj • 01:30 • -14.05db
26% Popularity • 52% Danceability • 11% Energy • 12% Liveness
35% Instrumentalness • 23% Positiveness
26% Popularity • 52% Danceability • 11% Energy • 12% Liveness
35% Instrumentalness • 23% Positiveness
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Kevin Coyne
World Is Full Of Fools
115 bpm • A min • 03:13 • -20.04db
13% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Dave Boutette
A Place for My Love
115 bpm • F Maj • 02:49 • -9.59db
26% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Country Risque
Sing About You
114 bpm • F# min • 07:49 • -9.79db
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ziggy Marley
Cry Cry Cry
114 bpm • A Maj • 04:03 • -11.31db
43% Popularity • 64% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Son Of The Velvet Rat
Southbound Plane
120 bpm • D# Maj • 03:31 • -14.49db
17% Popularity • 44% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 44% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Hurley
Hoot Owls
120 bpm • C Maj • 04:51 • -10.41db
12% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 74% Positiveness
12% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 74% Positiveness
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Ewan Currie
The Stranger
120 bpm • C Maj • 01:39 • -9db
16% Popularity • 63% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 63% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Martin Purvis
On the Frontier
120 bpm • F min • 04:07 • -13.91db
13% Popularity • 77% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 77% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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Allan Taylor
Don't Stop - Thinking About Tomorrow
114 bpm • D Maj • 02:55 • -12.63db
9% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Teley Irons
Broken Dreams & Barstools
120 bpm • B Maj • 04:58 • -6.68db
11% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Herman Düne
This Would Never Happen
114 bpm • G Maj • 03:39 • -9db
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Larry Bagby
Counting My Lucky Stars
120 bpm • E Maj • 03:53 • -7.04db
18% Popularity • 59% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Saney Boy
Natural Disaster
120 bpm • C Maj • 02:45 • -15.69db
15% Popularity • 70% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 70% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Isbell and the 400 Unit
Chaos And Clothes
120 bpm • F Maj • 03:34 • -15db
15% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Southwind
500 Miles
114 bpm • G Maj • 02:27 • -10.3db
9% Popularity • 70% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 70% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lars Palmér
Talented Guy
120 bpm • A Maj • 02:25 • -6.98db
14% Popularity • 82% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 82% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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T Bone Burnett
Any Time At All
120 bpm • G Maj • 03:02 • -11.86db
12% Popularity • 68% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Neil Young
Forever
113 bpm • C Maj • 10:32 • -15.87db
13% Popularity • 64% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
13% Popularity • 64% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Bob Seger
Jody Girl
121 bpm • C# Maj • 03:38 • -12.11db
25% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Pigram Brothers
Kids Of Yesterday
121 bpm • A# Maj • 04:29 • -8.8db
14% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Mister Valentine
Most of All
121 bpm • E Maj • 02:16 • -14.6db
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Todd Snider
Horseshoe Lake - Purple Version
113 bpm • C Maj • 05:39 • -11.64db
19% Popularity • 75% Danceability • 24% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 75% Danceability • 24% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Diane Leiser
Bridge Not Wall
121 bpm • E min • 04:20 • -10.29db
21% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Neil Young
Thrasher - 2016 Remaster
121 bpm • D Maj • 05:39 • -14.05db
45% Popularity • 54% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 54% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Martin X. Petz
We All Deserve
122 bpm • G Maj • 02:59 • -14.8db
0% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Dwayne Jarrell and the Truer Sound
Legend (Keys Version)
113 bpm • C min • 02:52 • -12.37db
17% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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54-40
In Your Image
113 bpm • D Maj • 03:51 • -10.69db
10% Popularity • 56% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
10% Popularity • 56% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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Blair Adams
No Stone Unturned
122 bpm • E Maj • 02:55 • -6.18db
13% Popularity • 43% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 43% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Aspens Pyramid
glorious day
122 bpm • G Maj • 01:49 • -9db
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
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Barenaked Ladies
Have You Seen My Love
122 bpm • C Maj • 02:53 • -10.81db
14% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Martin X. Petz
Want You For Nothing
113 bpm • A Maj • 02:48 • -13.14db
0% Popularity • 59% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 59% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Neil Nathan
Do Ya
122 bpm • D Maj • 03:55 • -12.11db
24% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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MountainHouse
In the Mountains
112 bpm • E min • 02:05 • -15.22db
25% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Saney Boy
Fantasy Lover Remastered
112 bpm • A Maj • 03:46 • -15.01db
15% Popularity • 77% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 77% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Dylan
Two Soldiers
112 bpm • D Maj • 05:42 • -15.85db
19% Popularity • 38% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 38% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Runrig
Forever Eyes of Blue
122 bpm • A Maj • 04:09 • -17.62db
22% Popularity • 76% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 76% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Martin X. Petz
Our Love
112 bpm • E min • 02:21 • -8.17db
0% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bryant Roses
My Friends over You
122 bpm • G Maj • 03:22 • -7.75db
22% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Glenn Murphy
My Dad and Me
112 bpm • G Maj • 05:40 • -10.4db
11% Popularity • 38% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Csiszar
Sylvia
112 bpm • G Maj • 04:22 • -18.17db
9% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dale Sutton
When You Were Young(Acoustic)
122 bpm • G Maj • 03:49 • -8.56db
9% Popularity • 66% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 66% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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The Cuban Cowboys
The First Time You Said Hi to Me
112 bpm • C Maj • 05:37 • -8db
29% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Martin X. Petz
Chained
112 bpm • C Maj • 04:28 • -7.67db
0% Popularity • 70% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 70% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Conrad Galsworthy
Crazy Blue Sky
122 bpm • D Maj • 04:12 • -14.61db
23% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Bhi Bhiman
Ballerina
122 bpm • G Maj • 04:14 • -5.74db
18% Popularity • 44% Danceability • 59% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 44% Danceability • 59% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Calvary Power and Light
He Reigns Everywhere
122 bpm • C Maj • 01:26 • -11.88db
30% Popularity • 39% Danceability • 24% Energy • 15% Liveness
6% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 24% Energy • 15% Liveness
6% Instrumentalness • 31% Positiveness
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Neil Diamond
No Words
123 bpm • C Maj • 04:48 • -10.43db
14% Popularity • 59% Danceability • 52% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
14% Popularity • 59% Danceability • 52% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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The Walkabouts
Satisfied Mind
123 bpm • C Maj • 04:47 • -13.15db
18% Popularity • 60% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 28% Positiveness
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Martin X. Petz
Hold You
122 bpm • A min • 03:01 • -10.19db
0% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Chuck Ragan
Sound of a Gun
111 bpm • G Maj • 02:42 • -7.74db
15% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
