Songs like Could Have Been County by The 2 Johnnies
Based on a tempo of (+/- 10%) and a similar genre
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The 2 Johnnies
Could Have Been County
154 bpm • F Maj • 03:10 • -5.55db
39% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dave Henson
Song for Leicester City - Heroes in Blue...
154 bpm • D Maj • 04:13 • -8db
13% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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White Hart Laners
Ole' Ole' Ole' - Extended Version
154 bpm • A# Maj • 03:01 • -8.48db
10% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 49% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Eimhear Ni Ghlacain
Reo Hatate Song
154 bpm • A Maj • 01:49 • -6.52db
29% Popularity • 72% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 72% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Rhythm & Sticks
Back to the Craic
153 bpm • A# Maj • 03:24 • -6.67db
38% Popularity • 65% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 65% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Louis Dunford
Summer in the Manor
155 bpm • E Maj • 03:23 • -8.76db
33% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The 2 Johnnies
The Lights of Cork City
155 bpm • G# Maj • 03:25 • -6.46db
39% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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JigJam
The Boys of Offaly
156 bpm • C Maj • 04:33 • -6.47db
38% Popularity • 55% Danceability • 56% Energy • 73% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 55% Danceability • 56% Energy • 73% Liveness
0% Instrumentalness • 78% Positiveness
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The Voice Of Spurs
I'm Loving Big Ange Instead
152 bpm • D Maj • 02:55 • -10.81db
28% Popularity • 26% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 26% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
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The Keltic Knights Band
Discoland
156 bpm • D Maj • 03:49 • -11.88db
23% Popularity • 50% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 50% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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JAMIE WEBSTER
Out On The Street
156 bpm • B Maj • 03:12 • -4.63db
30% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Richie Kavanagh
Me Granny Was A Plucker
156 bpm • G Maj • 02:44 • -7.68db
17% Popularity • 79% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 79% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 98% Positiveness
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Peat and Diesel
Watchakapheep
151 bpm • F# min • 03:16 • -4.01db
23% Popularity • 40% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 40% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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Cammy Barnes
Beauty In These Streets
157 bpm • B min • 03:47 • -7.59db
29% Popularity • 54% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 54% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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The 2 Johnnies
Small Town Heroes
157 bpm • E Maj • 03:07 • -4.47db
38% Popularity • 62% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 62% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Conleth Mc Geary
Ireland - Acoustic Version
157 bpm • E Maj • 03:14 • -13.1db
24% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Two Degrees
Caroline
158 bpm • A Maj • 02:33 • -11.93db
25% Popularity • 53% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 53% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Richie Kavanagh
Everybody Wants My Fanny
158 bpm • F# min • 02:12 • -12.85db
22% Popularity • 78% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 78% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Rory & The Island
Mad Dog Coll
150 bpm • A min • 04:46 • -7.46db
17% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Mick Konstantin
Celbridge
150 bpm • E Maj • 03:31 • -14.26db
14% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The 2 Johnnies
Tommy - Live Acoustic from The Shamrock ...
158 bpm • B Maj • 03:53 • -5.26db
36% Popularity • 74% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 74% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Kennedy
The Tractor Lad
150 bpm • C Maj • 03:37 • -5.91db
21% Popularity • 70% Danceability • 86% Energy • 96% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 70% Danceability • 86% Energy • 96% Liveness
0% Instrumentalness • 80% Positiveness
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Marc Kenny
Trent Alexander Arnold (Corner Taken Qui...
150 bpm • C Maj • 02:46 • -7db
31% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Ceol
Those Were the Days
149 bpm • D Maj • 03:05 • -8.45db
22% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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BOSS Night
Divock Origi
149 bpm • B min • 01:56 • -4.78db
39% Popularity • 68% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 68% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Danny Byrne Band
If I Die Young
149 bpm • D Maj • 02:51 • -4.09db
43% Popularity • 66% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 66% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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The 2 Johnnies
The Streets of San Francisco
150 bpm • D Maj • 03:54 • -3.63db
38% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Rangers Football Club
We Are the Rangers Fans (AKA Part of the...
160 bpm • D Maj • 02:31 • -8.85db
9% Popularity • 79% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 79% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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The Coronas
Grace, Dont Wait
160 bpm • F# min • 03:25 • -3.99db
25% Popularity • 28% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 28% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Seamus Moore
Tinkers' Potcheen
160 bpm • C Maj • 02:57 • -13.79db
30% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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TG Lurgan
Luascadh Luascadh Leis Na BuachaillÃ
148 bpm • G Maj • 02:52 • -7.33db
23% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Ruaile Buaile
Maniac 2000
148 bpm • B min • 03:29 • -7.24db
45% Popularity • 69% Danceability • 82% Energy • 96% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 69% Danceability • 82% Energy • 96% Liveness
0% Instrumentalness • 53% Positiveness
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The 2 Johnnies
Sinéad
160 bpm • E Maj • 03:44 • -5db
44% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 49% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Rhythm & Sticks
Travelin’ soldier
148 bpm • D Maj • 04:26 • -3.74db
21% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Coronas
Addicted to Progress
148 bpm • B min • 02:53 • -3.99db
38% Popularity • 50% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 50% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Two Degrees
Coffee
160 bpm • B Maj • 03:40 • -5.01db
12% Popularity • 43% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 43% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Richie Kavanagh
Stay Wut Her Johnny (I Am A Rally Driver...
161 bpm • F# Maj • 03:06 • -6db
36% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Ruaile Buaile
Wagon Wheel
146 bpm • G Maj • 04:09 • -10db
19% Popularity • 63% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 63% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Peat and Diesel
Dirty Old Town
146 bpm • G Maj • 04:12 • -3db
30% Popularity • 31% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 31% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Marty Mone
Rice's Army
146 bpm • A Maj • 04:06 • -5.07db
30% Popularity • 54% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 54% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Dylan John Thomas
Up in the Air
163 bpm • F min • 02:40 • -6.92db
34% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Jersey Budd
When You're Smiling
145 bpm • C Maj • 03:12 • -8db
23% Popularity • 44% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 44% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Richie Kavanagh
The N.C.T. Test
162 bpm • G Maj • 02:42 • -10db
25% Popularity • 60% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 60% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Phil Coulter
Ireland's Call
145 bpm • C# Maj • 03:06 • -11.91db
29% Popularity • 72% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 72% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Danny Byrne Band
Everytime We Touch
145 bpm • F# min • 03:17 • -3.34db
31% Popularity • 66% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Jim Daly
92 English League Clubs In One Song 2022...
145 bpm • F# Maj • 03:53 • -15.05db
15% Popularity • 80% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 80% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Michael Maloney
Feeling Heaven Everytime
145 bpm • B Maj • 03:03 • -6db
29% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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BOSS Night
Allez Allez Allez
145 bpm • G# min • 03:10 • -4.73db
41% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Welsh Whisperer
Cân yr Hambon
144 bpm • C# min • 02:19 • -6.63db
8% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Braw
A Long Time Coming (We're Going to the E...
144 bpm • C Maj • 03:44 • -10.73db
9% Popularity • 59% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 59% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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The 2 Johnnies
I'm Grand
165 bpm • C Maj • 03:16 • -4.62db
36% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Danny Byrne Band
How Do Ya Like Me Now?
166 bpm • D Maj • 03:24 • -6.73db
36% Popularity • 53% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 53% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Ruaile Buaile
Dirty Old Town
166 bpm • D Maj • 02:50 • -10.62db
23% Popularity • 37% Danceability • 63% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
23% Popularity • 37% Danceability • 63% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
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Rhuvaal
The Harbour
142 bpm • D Maj • 03:53 • -5db
22% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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TG Lurgan
An Laoch Geronimo
142 bpm • C Maj • 03:37 • -7.83db
16% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Peat and Diesel
Calum Dan's Transit Van
142 bpm • B min • 03:27 • -3.82db
32% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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JAMIE WEBSTER
Living For Yesterday
167 bpm • C# Maj • 03:36 • -6.36db
40% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Conleth Mc Geary
Castles
142 bpm • G# Maj • 04:09 • -14.08db
28% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Tide Lines
The Young and the Restless
141 bpm • C# Maj • 03:52 • -8.41db
37% Popularity • 34% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 34% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Dolan
All My Reasons
168 bpm • E Maj • 03:27 • -9.87db
16% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Caden MacDonald
Back Pocket Plugger
168 bpm • C Maj • 03:40 • -8.6db
13% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peat and Diesel
Stornoway
142 bpm • B min • 03:26 • -3.75db
31% Popularity • 38% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 38% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Claudia Buckley
Diane
141 bpm • E Maj • 03:32 • -5.63db
30% Popularity • 56% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Aldoc
Takaka Rain
141 bpm • C# min • 06:18 • -10.48db
29% Popularity • 38% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 13% Positiveness
29% Popularity • 38% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 13% Positiveness
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The 2 Johnnies
When I Play For The County - Live From E...
169 bpm • A Maj • 03:30 • -4.05db
21% Popularity • 39% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 39% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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The Villa Decree
Aston Villa That's Who
140 bpm • G Maj • 03:44 • -9.05db
18% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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JAMIE WEBSTER
What's Wrong?
169 bpm • F# Maj • 02:52 • -3.32db
29% Popularity • 37% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 37% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Maloney
Mad One
140 bpm • F min • 03:43 • -6.04db
29% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 62% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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BOSS Night
We Won It Six Times
140 bpm • D Maj • 01:42 • -4.54db
40% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Walker
High Tower
140 bpm • A Maj • 04:08 • -8.76db
13% Popularity • 64% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
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The 2 Johnnies
When I Play for the County
169 bpm • A Maj • 03:09 • -9.13db
43% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 63% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Junior Turner
Banks of the River Tyne
170 bpm • B Maj • 03:48 • -6.99db
15% Popularity • 38% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 38% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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JAMIE WEBSTER
Voice Of The Voiceless
170 bpm • A# Maj • 03:13 • -5.7db
46% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Maloney
Great Wee Country
140 bpm • G Maj • 03:17 • -7.42db
26% Popularity • 70% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 70% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Louis Dunford
When We Were Hooligans
140 bpm • E Maj • 03:35 • -8.16db
45% Popularity • 74% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 74% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Peat and Diesel
Kishorn Commandos
140 bpm • D Maj • 03:37 • -2.85db
30% Popularity • 53% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 53% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Mick Konstantin
Two Feet On The Ground
170 bpm • A Maj • 03:01 • -8.33db
19% Popularity • 66% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 66% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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MC Tazo
We're Going To Wembley (BBC Radio Newcas...
170 bpm • B Maj • 02:17 • -16db
25% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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The 2 Johnnies
The Coppers Song
170 bpm • D Maj • 03:17 • -12.35db
35% Popularity • 69% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 69% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Fionn Kenny
Sail, Sail Away
170 bpm • A Maj • 03:31 • -7.08db
27% Popularity • 62% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 62% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Coronas
San Diego Song
171 bpm • F Maj • 02:51 • -6db
40% Popularity • 41% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 41% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ruaile Buaile
The Bog
138 bpm • A Maj • 03:43 • -7.27db
20% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Braw
When Scotland Called
138 bpm • C Maj • 05:55 • -9.17db
15% Popularity • 56% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 56% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Maloney
Snowflakes
138 bpm • G Maj • 03:33 • -7.4db
12% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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The 2 Johnnies
St Patrick Drove A Honda Civic
171 bpm • C# Maj • 03:15 • -4.81db
42% Popularity • 49% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 49% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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My Cousin, The Emperor
A Long Way from Home
138 bpm • G Maj • 03:17 • -4.5db
19% Popularity • 52% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 52% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Coronas
Mark My Words
138 bpm • D Maj • 03:41 • -5.71db
25% Popularity • 51% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 51% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Callum Beattie
Salamander Street
172 bpm • E min • 03:16 • -6.91db
39% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 43% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Mick Konstantin
I Wish I Was Jamaican
172 bpm • F Maj • 03:38 • -5db
27% Popularity • 66% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 66% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Maloney
Óró Sé Do Bheatha Bhaile - Acoustic
138 bpm • E Maj • 01:56 • -6.63db
7% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Rattlin'Rogues
Travelling Soldier
172 bpm • A Maj • 04:01 • -7.02db
27% Popularity • 52% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 52% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Christy Moore
St. Brendan's Voyage
172 bpm • C Maj • 04:33 • -8.51db
28% Popularity • 50% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 50% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 80% Positiveness
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BOSS Night
Every Other Saturday
137 bpm • B Maj • 01:24 • -4.61db
40% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Sean Carroll
County Final Day
136 bpm • D Maj • 03:30 • -9.42db
7% Popularity • 43% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 43% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Rory & The Island
Champagne Lifestyle On Coca Cola Wages
174 bpm • C Maj • 02:49 • -9.98db
10% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Cammy Barnes
Chasing Love
136 bpm • G Maj • 03:32 • -9db
32% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Callum Beattie
Daddy's Eyes
136 bpm • E Maj • 03:05 • -4.25db
28% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Brave Giant
More Beast Than Beauty
136 bpm • G# Maj • 03:41 • -6.82db
23% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
