Songs like counting houses by Luz
Based on a tempo of (+/- 10%) and a similar genre
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Charlie Oriain
A Little Time
150 bpm • F# Maj • 02:50 • -7.6db
19% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Miki Ratsula
reeboks
150 bpm • B Maj • 02:36 • -5.05db
24% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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James Smith
District Line
149 bpm • F# Maj • 03:28 • -15db
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sody
Old Flame
152 bpm • A Maj • 02:47 • -8.25db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Blake Rose
A World Gone By
152 bpm • C Maj • 03:33 • -8.61db
25% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Harper
Pink Razor
148 bpm • A Maj • 03:10 • -7db
27% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Dylan Dunlap
Stupid Me
148 bpm • D Maj • 03:47 • -8db
31% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Moody Joody
Talk It Out
148 bpm • E Maj • 03:39 • -10.17db
29% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sophie Ann
Fall For You
148 bpm • C Maj • 02:58 • -9db
22% Popularity • 63% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 63% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Violet Skies
The Internet
154 bpm • G# Maj • 03:02 • -10.11db
10% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sarcastic Sounds
Closure
154 bpm • C# Maj • 03:03 • -7db
36% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Thomston
Magnolia
154 bpm • F# Maj • 03:13 • -10.84db
26% Popularity • 63% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 63% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Ariza
Taking up Space
146 bpm • E Maj • 03:12 • -10.68db
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Picture This
If Ever However Whenever Forever
146 bpm • D# Maj • 03:41 • -7.34db
34% Popularity • 44% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 44% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Ber
Halfway
155 bpm • C Maj • 03:02 • -12db
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Sody
time again
145 bpm • C Maj • 03:11 • -14.71db
22% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Be Charlotte
i need the lights off
145 bpm • F# min • 03:10 • -11.82db
39% Popularity • 39% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 39% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Zachary Knowles
life sentence
145 bpm • D Maj • 03:58 • -9.35db
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Azure Ryder
Oh What A Relief
155 bpm • A min • 03:21 • -7.82db
32% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tayler Buono
My Person
144 bpm • D Maj • 03:06 • -7.75db
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Elina
Love Come Around
156 bpm • D Maj • 03:07 • -9db
28% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Arlissa
Rules
156 bpm • C# min • 03:13 • -4.88db
26% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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BLÜ EYES
rest in peace
144 bpm • D Maj • 03:11 • -11db
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Dunlap
Get More Rest
144 bpm • A# Maj • 03:57 • -6.42db
26% Popularity • 55% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 55% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Julia Church
Cups and Balloons
144 bpm • C# min • 04:04 • -8db
32% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Deza
Boy Violet
157 bpm • B Maj • 02:58 • -9db
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ashe
The Same
157 bpm • D Maj • 03:53 • -13.01db
37% Popularity • 49% Danceability • 31% Energy • 9% Liveness
11% Instrumentalness • 16% Positiveness
37% Popularity • 49% Danceability • 31% Energy • 9% Liveness
11% Instrumentalness • 16% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Benedict Cork
The Lucky Ones
143 bpm • E Maj • 03:36 • -13.14db
28% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alec Bailey
Chernobyl
158 bpm • E Maj • 03:43 • -13db
22% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
22% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
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Maddie Zahm
Blind Spot
158 bpm • C# min • 03:21 • -8.78db
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Blake Rose
Sweet Caledonia
142 bpm • D Maj • 03:14 • -8.83db
24% Popularity • 33% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 33% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Luz
counting houses - acoustic
142 bpm • G min • 03:27 • -13.76db
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Madeline The Person
Going Home
142 bpm • C Maj • 02:29 • -7.78db
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Holly Humberstone
London Is Lonely - Edit
142 bpm • A# Maj • 03:27 • -7db
25% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 44% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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carobae
Part of Me
142 bpm • C# min • 03:02 • -7db
21% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Kessler
I Think I
159 bpm • D# Maj • 02:49 • -10db
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Ber
Worrying - Demo
141 bpm • G# Maj • 03:20 • -8.55db
26% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 83% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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PJ Harding
The Best Of You
142 bpm • E Maj • 01:11 • -12.56db
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
Idk you at all
141 bpm • C Maj • 02:41 • -13db
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Brynn Cartelli
Jane
160 bpm • G# Maj • 04:29 • -8db
24% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Cyrus
July - Spotify Singles
141 bpm • C Maj • 02:37 • -10.28db
34% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Michaels
Little Did I Know
141 bpm • G Maj • 03:16 • -6.17db
47% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Holly Humberstone
Friendly Fire
160 bpm • A# Maj • 03:42 • -10.64db
39% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Luz
sustain
160 bpm • D Maj • 03:24 • -8.9db
30% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Miki Ratsula
i walked a mile in my room
160 bpm • C# Maj • 02:35 • -11db
23% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Clara Mae
Crash
160 bpm • F# Maj • 03:10 • -7db
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Julia Michaels
Orange Magic
160 bpm • C Maj • 02:53 • -5.46db
33% Popularity • 53% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 53% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Daya
What If I Told You
160 bpm • D min • 02:48 • -8db
33% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Strange
I Like You
160 bpm • G# Maj • 02:39 • -11.49db
38% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Bear
Just Leave
140 bpm • D Maj • 03:06 • -9.6db
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Cunning
Could Be Good
140 bpm • G# Maj • 02:44 • -6.12db
32% Popularity • 59% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Abby Cates
saw ur mom at the grocery store
140 bpm • G Maj • 04:13 • -7.88db
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Joy Oladokun
sorry isn't good enough
140 bpm • D min • 03:07 • -7.41db
30% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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FLETCHER
Feel
140 bpm • F# Maj • 03:02 • -7.12db
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Christy
This Road
140 bpm • D Maj • 03:22 • -7.03db
18% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Miki Ratsula
second
140 bpm • C min • 03:29 • -8.03db
28% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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LÉON
Dancer
140 bpm • C Maj • 03:57 • -8.19db
44% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Lanzon
Always Forever
140 bpm • E Maj • 02:34 • -13.43db
24% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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James TW
Rose Tinted Glasses
140 bpm • G# Maj • 03:44 • -8.44db
23% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Christy
When We Get Old
140 bpm • C Maj • 03:20 • -11db
27% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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SVRCINA
Ocean Eyes (Acoustic)
140 bpm • F min • 03:36 • -8.31db
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mokita
Clear Eyes
140 bpm • C Maj • 02:55 • -15.06db
34% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jasmine Thompson
happy for you
140 bpm • D# Maj • 02:45 • -9db
38% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Burns
My Town
162 bpm • G# Maj • 02:46 • -8db
26% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ed Prosek
4am
139 bpm • F# Maj • 03:32 • -11db
24% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
