Songs like Country Boy (feat. Charlie Daniels, Chris Young, & George Jones) by Aaron Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Florida Georgia Line
Dirt
122 bpm • D Maj • 03:50 • -4.22db
60% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Aaron Lewis
Vicious Circles
122 bpm • B Maj • 05:07 • -7.65db
40% Popularity • 63% Danceability • 49% Energy • 23% Liveness
1% Instrumentalness • 21% Positiveness
40% Popularity • 63% Danceability • 49% Energy • 23% Liveness
1% Instrumentalness • 21% Positiveness
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Uncle Lucius
Keep The Wolves Away
122 bpm • C# min • 04:35 • -10.28db
71% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
71% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Oliver Anthony Music
Rich Men North of Richmond
122 bpm • A# Maj • 03:07 • -12.38db
80% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
80% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Lewis
Country Boy - Radio Edit
122 bpm • F# Maj • 04:20 • -5.59db
34% Popularity • 62% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
60% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Lewis
Country Boy - Acoustic Version
122 bpm • F# Maj • 04:19 • -4.8db
45% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Blake Shelton
Austin
120 bpm • G Maj • 03:50 • -7db
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Lewis
Mama
124 bpm • D# Maj • 05:04 • -6.51db
38% Popularity • 65% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 65% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Hank Williams, Jr.
Weatherman
119 bpm • A Maj • 03:39 • -15.56db
62% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Lee
Southern Mother Fucker
119 bpm • E min • 03:18 • -5.42db
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Aaron Lewis
Life Behind Bars
120 bpm • A# min • 03:29 • -6.12db
36% Popularity • 68% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 68% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
68% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Lewis
Sunday Every Saturday Night
124 bpm • A Maj • 04:59 • -6.52db
34% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Lewis
Made In China
124 bpm • E Maj • 04:06 • -13.38db
40% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
56% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Williams, Jr.
Country State Of Mind
118 bpm • D Maj • 03:57 • -9db
54% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Lewis
State I’m In
128 bpm • C# Maj • 03:01 • -5.23db
43% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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George Strait
Here For A Good Time
128 bpm • F# Maj • 03:00 • -6.75db
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
55% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Lewis
Whiskey And You
126 bpm • D Maj • 04:28 • -7.98db
48% Popularity • 70% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 70% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Nu Breed
Welcome to My House
128 bpm • E Maj • 06:45 • -7.12db
60% Popularity • 73% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 73% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Whiskey Myers
Bury My Bones
128 bpm • G Maj • 04:19 • -5.04db
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
71% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
62% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Aaron Lewis
Up To Me
126 bpm • C Maj • 04:14 • -12.47db
40% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
61% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Hank Williams, Jr.
Outlaw Women
129 bpm • D Maj • 03:02 • -20db
57% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Lewis
Anywhere but Here
117 bpm • F# Maj • 05:07 • -6.29db
37% Popularity • 57% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 57% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
67% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
67% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Aaron Lewis
I Lost It All
130 bpm • C# Maj • 03:54 • -5.99db
40% Popularity • 69% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 69% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tracy Lawrence
Paint Me a Birmingham
130 bpm • F# Maj • 03:51 • -4.55db
51% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Blake Shelton
Came Here to Forget
130 bpm • C# min • 03:40 • -6.87db
61% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Aaron Lewis
Lesson Learned
130 bpm • C# Maj • 03:24 • -7.69db
35% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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George Strait
Give It All We Got Tonight
130 bpm • G Maj • 04:11 • -7.03db
60% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Parker McCollum
I Can't Breathe
114 bpm • C Maj • 04:17 • -6.66db
63% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Waylon Jennings
Are You Sure Hank Done It This Way
114 bpm • E Maj • 02:54 • -9.22db
58% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
58% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
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Aaron Lewis
Only In My Mind
130 bpm • F Maj • 03:46 • -12.31db
39% Popularity • 63% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 63% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
