Songs like Country by Racoma
Based on a tempo of (+/- 10%) and a similar genre
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Marlon Funaki
She Knows How To Say My Name
140 bpm • A Maj • 04:41 • -10.48db
42% Popularity • 79% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 79% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Brook & The Bluff
Rush
140 bpm • C min • 04:12 • -6.54db
40% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Racoma
Fucked Up
140 bpm • D Maj • 03:19 • -8.21db
33% Popularity • 24% Danceability • 35% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
33% Popularity • 24% Danceability • 35% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
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Ryan Gebhardt
With Any Luck
140 bpm • C min • 03:16 • -10.09db
33% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ethan Regan
secrecy
140 bpm • C# Maj • 03:30 • -12.15db
41% Popularity • 64% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 64% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Racoma
Untitled
140 bpm • D# Maj • 02:06 • -6.42db
43% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Arcy Drive
Smoke & Fire (Live)
141 bpm • G# Maj • 03:12 • -5.3db
40% Popularity • 30% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 30% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michigander
Superglue
139 bpm • F Maj • 04:10 • -4.24db
47% Popularity • 53% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 53% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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John-Robert
WAISTBIN
141 bpm • B min • 02:56 • -5.65db
47% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Wiley from Atlanta
Pink Skies (Demo)
139 bpm • A min • 03:43 • -8.74db
55% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Districts
Long Distance
141 bpm • E Maj • 06:35 • -7.59db
44% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Moss
Storm Cloud Baby
139 bpm • G Maj • 03:17 • -9db
32% Popularity • 55% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 55% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sure Sure
Warm Animal
138 bpm • F Maj • 03:31 • -8.66db
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 79% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Ruby Waters
Sweet Sublime
137 bpm • G# Maj • 03:20 • -5.53db
50% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Moss
Secretariat
139 bpm • A Maj • 02:41 • -9db
37% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Okey Dokey
Threw My Love Away
144 bpm • A Maj • 03:31 • -6.69db
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Marlon Funaki
Metaphor
136 bpm • F# min • 03:57 • -9.35db
41% Popularity • 73% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
41% Popularity • 73% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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Caiola
Only Real When Shared
144 bpm • D Maj • 04:31 • -7.4db
29% Popularity • 61% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 61% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Del Water Gap
Let's Pretend
136 bpm • F Maj • 03:56 • -3.93db
39% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Arcy Drive
Wicked Styley
136 bpm • F# min • 02:32 • -4.61db
46% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rainbow Kitten Surprise
Seven
136 bpm • D Maj • 03:45 • -7.24db
55% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Racoma
Eloska
136 bpm • D Maj • 03:46 • -13db
24% Popularity • 54% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
24% Popularity • 54% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Boyscott
Blonde Blood
135 bpm • D Maj • 04:06 • -8db
42% Popularity • 58% Danceability • 76% Energy • 10% Liveness
76% Instrumentalness • 35% Positiveness
42% Popularity • 58% Danceability • 76% Energy • 10% Liveness
76% Instrumentalness • 35% Positiveness
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Ashes To Amber
Her
145 bpm • C Maj • 01:23 • -13.48db
50% Popularity • 86% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
50% Popularity • 86% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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Racoma
5am
145 bpm • C min • 04:14 • -17.17db
18% Popularity • 29% Danceability • 18% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
18% Popularity • 29% Danceability • 18% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Still Woozy
Get By
135 bpm • G Maj • 02:26 • -7db
61% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 78% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 90% Positiveness
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HARBOUR
Fish Tank
145 bpm • E Maj • 03:41 • -5db
50% Popularity • 38% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 38% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Peach Pit
Sweet FA
145 bpm • C# min • 03:35 • -7.89db
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Boyscott
Nova Scotia 500
135 bpm • F# min • 03:12 • -4.52db
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
60% Popularity • 60% Danceability • 77% Energy • 36% Liveness
72% Instrumentalness • 48% Positiveness
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hey, nothing
Too Drunk to Drive
135 bpm • E Maj • 03:32 • -7.2db
47% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
47% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
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Racoma
Dear Brother
145 bpm • B Maj • 04:00 • -9.5db
23% Popularity • 49% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
23% Popularity • 49% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Marlon Funaki
when sunday comes around
135 bpm • E Maj • 05:19 • -10.97db
52% Popularity • 63% Danceability • 57% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
52% Popularity • 63% Danceability • 57% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
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Próxima Parada
Kind Reminder
135 bpm • D# Maj • 03:59 • -12.03db
42% Popularity • 64% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 64% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Jesse Woods
PJ
134 bpm • F# Maj • 02:30 • -8.33db
43% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Racoma
Get On
135 bpm • E Maj • 03:17 • -7.49db
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Caamp
See the World
134 bpm • C# Maj • 02:18 • -10.34db
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Shakey Graves
Counting Sheep
134 bpm • A min • 04:55 • -7.74db
42% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Breakup Shoes
Brian Wilson Is My Dad
146 bpm • G Maj • 03:12 • -8.04db
46% Popularity • 46% Danceability • 70% Energy • 12% Liveness
22% Instrumentalness • 54% Positiveness
46% Popularity • 46% Danceability • 70% Energy • 12% Liveness
22% Instrumentalness • 54% Positiveness
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Ax and the Hatchetmen
Goofy - Acoustic
147 bpm • F Maj • 03:35 • -6.93db
32% Popularity • 54% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Racoma
Good Worries
146 bpm • F Maj • 03:28 • -12.07db
25% Popularity • 42% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 42% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
30% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Josiah and the Bonnevilles
Blood Moon
133 bpm • G# Maj • 02:48 • -9.52db
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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COIN
Malibu 1992
147 bpm • F# Maj • 05:41 • -7.69db
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
59% Popularity • 56% Danceability • 32% Energy • 17% Liveness
13% Instrumentalness • 50% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Racoma
Everything Is Now
147 bpm • F# Maj • 05:19 • -14db
23% Popularity • 42% Danceability • 39% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
23% Popularity • 42% Danceability • 39% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
67% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Vista Kicks
Chasing Waves
148 bpm • G# Maj • 05:37 • -5.76db
42% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
42% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Wilderado
In Between
148 bpm • D Maj • 02:34 • -8.73db
44% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Andrey Azizov
They Don't Know Your Name
148 bpm • G# Maj • 03:08 • -7.68db
42% Popularity • 42% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 27% Positiveness
42% Popularity • 42% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 27% Positiveness
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Grand Lotus
Hangover
148 bpm • D Maj • 03:24 • -7db
37% Popularity • 55% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Racoma
Cactus
148 bpm • G Maj • 03:11 • -14db
26% Popularity • 37% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Phillip LaRue
Summer
148 bpm • C# min • 03:52 • -10.99db
46% Popularity • 68% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 32% Positiveness
46% Popularity • 68% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 32% Positiveness
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The Lumineers
Where The Skies Are Blue
132 bpm • A Maj • 02:20 • -6.58db
64% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
64% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Rainbow Kitten Surprise
Lady Lie
132 bpm • A min • 03:35 • -10.46db
60% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Racoma
Valley
148 bpm • C Maj • 03:29 • -11.62db
31% Popularity • 49% Danceability • 42% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
31% Popularity • 49% Danceability • 42% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
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The Copper Children
Pity Party
132 bpm • B min • 02:30 • -11.23db
41% Popularity • 87% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 87% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Arcy Drive
They Don't Dance
149 bpm • A min • 03:54 • -6.88db
39% Popularity • 25% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 25% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Caamp
So Long, Honey
131 bpm • E Maj • 04:51 • -13db
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
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John-Robert
Come Pick Me Up
131 bpm • G Maj • 02:47 • -10.57db
46% Popularity • 73% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 73% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Racoma
Howl
131 bpm • D Maj • 02:44 • -8.37db
52% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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GoldFord
Orange Blossoms
150 bpm • A min • 03:12 • -4.51db
60% Popularity • 68% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 68% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ashes To Amber
BADLANDS
150 bpm • E Maj • 03:14 • -17.02db
43% Popularity • 57% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
43% Popularity • 57% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
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Rainbow Kitten Surprise
Moody Orange
150 bpm • B min • 03:16 • -11db
49% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Atta Boy
Shade
131 bpm • E Maj • 02:57 • -9.41db
39% Popularity • 69% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 69% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Briscoe
She Burns Away
150 bpm • D min • 04:12 • -11.91db
38% Popularity • 64% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 64% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Racoma
Tides High
131 bpm • C Maj • 02:23 • -4.07db
47% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
40% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cardinal Bloom
She’s Just a Friend
150 bpm • C# Maj • 04:12 • -4.47db
51% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 52% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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WILLIS
27 Reasons
130 bpm • B min • 03:28 • -8.36db
40% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
40% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Racoma
Outside (For Now)
150 bpm • E min • 03:27 • -7.93db
33% Popularity • 41% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
33% Popularity • 41% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
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Ethan Regan
wildflowers
130 bpm • D Maj • 03:32 • -7.37db
50% Popularity • 86% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 86% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Night Cap
Everest
130 bpm • E Maj • 04:46 • -11.9db
37% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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WILLIS
Slow Party
151 bpm • A min • 05:13 • -7db
36% Popularity • 20% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 20% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
63% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Moss
Chaparral
152 bpm • E min • 02:46 • -6.12db
45% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Briscoe
Dirty Shoes
129 bpm • D Maj • 03:15 • -11.16db
34% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
