Songs like Couple of Kids by Maggie Lindemann
Based on a tempo of (+/- 10%) and a similar genre
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Lewis
Lose My Mind
128 bpm • G# Maj • 03:20 • -6.64db
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Camila Cabello
Easy
128 bpm • E min • 03:14 • -5.73db
53% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Project 46
Forgettable
128 bpm • A Maj • 03:14 • -4.47db
37% Popularity • 62% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 62% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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SVRCINA
Battlefield
128 bpm • A min • 04:20 • -6.54db
50% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Claire Guerreso
Skipping Stones
128 bpm • G Maj • 03:52 • -9.48db
37% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
37% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
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Maggie Lindemann
Couple of Kids
128 bpm • E Maj • 03:42 • -4.53db
48% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Taylor
Come to This
128 bpm • C Maj • 03:37 • -7.21db
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Faith Marie
Antidote
128 bpm • A min • 05:00 • -12.14db
43% Popularity • 49% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 49% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lola
21
128 bpm • G# min • 04:31 • -8db
29% Popularity • 43% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 43% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Alyssa Reid
Suffocating
127 bpm • G Maj • 03:09 • -5.58db
12% Popularity • 35% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 35% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
57% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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shy martin
Spaceship (Bonus Track)
127 bpm • D Maj • 02:54 • -12db
29% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Natalie Taylor
Collapsed
129 bpm • A min • 03:21 • -7.15db
34% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Madilyn
Death of Me
129 bpm • A# Maj • 03:15 • -7.27db
18% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Backstage Cast
Shot Me Down
129 bpm • F Maj • 04:53 • -4db
29% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Gabbie Hanna
Monster
129 bpm • C# min • 02:49 • -9db
39% Popularity • 51% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 51% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Savannah Sgro
Happy Anymore
130 bpm • G Maj • 03:18 • -11db
22% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Maggie Lindemann
rip my heart out
130 bpm • C# Maj • 02:50 • -4.72db
51% Popularity • 32% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 32% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Mathews
I Don't Want to Love You
126 bpm • B Maj • 04:17 • -10db
25% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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NF
Lost In The Moment
130 bpm • C Maj • 04:02 • -7.76db
63% Popularity • 51% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
63% Popularity • 51% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Tommee Profitt
Hurts Like Hell
130 bpm • A min • 03:52 • -12.88db
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Faouzia
This Mountain
130 bpm • B min • 02:22 • -3.13db
55% Popularity • 68% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 68% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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XYLØ
I Still Wait For You
130 bpm • A min • 04:04 • -6.09db
36% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Maggie Lindemann
GASLIGHT!
130 bpm • C Maj • 02:28 • -5.87db
48% Popularity • 75% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 75% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
37% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Gabriella Whited
I keep on falling
130 bpm • C Maj • 03:26 • -11.4db
39% Popularity • 80% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 80% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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YUNGBLUD
Falling Skies
130 bpm • A min • 03:22 • -5.61db
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Chase Atlantic
OHMAMI - With Maggie Lindemann
126 bpm • A# min • 03:46 • -5.75db
54% Popularity • 60% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 60% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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The Girl and The Dreamcatcher
Written in the Stars
126 bpm • B Maj • 03:11 • -5.15db
46% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Lauv
Superhero
130 bpm • G Maj • 02:59 • -8.62db
55% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Reed Deming
Crash Test Dummy (Broken)
130 bpm • E Maj • 03:02 • -5db
26% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Carlie Hanson
Us
130 bpm • C Maj • 03:19 • -5.92db
36% Popularity • 71% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 71% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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NF
Paralyzed
130 bpm • C Maj • 04:30 • -6.6db
69% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
69% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Lea Michele
Run to You
126 bpm • F# Maj • 03:37 • -8.37db
53% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dylan Matthew
Forever & Always
125 bpm • B Maj • 04:13 • -8.47db
32% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Zara Larsson
I Can't Fall in Love Without You
131 bpm • E Maj • 03:00 • -9.24db
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Maggie Lindemann
Pretty Girl
125 bpm • A# Maj • 03:39 • -3.58db
61% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Faouzia
Wake Me When It's Over
125 bpm • C# Maj • 02:10 • -9.73db
39% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rachel Platten
Collide
132 bpm • F# min • 03:25 • -3.97db
50% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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FLETCHER
Avalanche
132 bpm • G Maj • 04:48 • -7db
38% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Berk
Solo
124 bpm • G min • 03:18 • -9.25db
41% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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bülow
You & Jennifer
132 bpm • B Maj • 02:39 • -6.53db
55% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Zara Larsson
Ruin My Life - Piano Version
125 bpm • B Maj • 03:10 • -7.2db
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Etham
Better Now - Acoustic
125 bpm • D# Maj • 04:00 • -5.44db
36% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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NF
Can You Hold Me
132 bpm • E min • 03:41 • -6.21db
61% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
61% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Girl and The Dreamcatcher
Someone You Like
124 bpm • C Maj • 03:14 • -7.57db
46% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Hannah Ellis
You Were Never Gone
124 bpm • G Maj • 05:14 • -13.79db
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
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Sebastian Javier
Summer 16'
132 bpm • G Maj • 02:48 • -7db
17% Popularity • 60% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 60% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Katy Perry
Miss You More
124 bpm • D Maj • 03:54 • -8.08db
44% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Shawn Hook
Reminding Me
133 bpm • A min • 03:29 • -4.86db
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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shy martin
Out of My Hands
133 bpm • F min • 03:23 • -6.58db
41% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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One Direction
Love You Goodbye
133 bpm • C# Maj • 03:16 • -4.79db
63% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Heffron Drive
Parallel
133 bpm • G# Maj • 03:20 • -4db
34% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Carlie Hanson
Only One
123 bpm • G# Maj • 03:11 • -6db
43% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Matthew Koma
Suitcase
123 bpm • D# Maj • 03:44 • -6db
32% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Faouzia
Born Without a Heart
123 bpm • C# Maj • 03:18 • -5.83db
62% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Gabbie Hanna
Perfect Day - A True Story
134 bpm • C Maj • 02:45 • -8db
30% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Lindemann
Human
134 bpm • B Maj • 02:26 • -8.39db
38% Popularity • 69% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 69% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Cher Lloyd
None Of My Business
134 bpm • D min • 03:04 • -5.81db
58% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Savannah Sgro
Phobia
122 bpm • C Maj • 03:23 • -7.64db
22% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Lauv
Sad Forever
122 bpm • F Maj • 03:23 • -8.93db
54% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Hey Violet
Guys My Age - Stripped
122 bpm • G# min • 03:44 • -8.73db
31% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Em Beihold
Not Who We Were
122 bpm • C# Maj • 03:11 • -9db
34% Popularity • 68% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 68% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Madilyn
Red Ribbon
122 bpm • F# min • 03:23 • -8db
39% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Liam Payne
Depend On It
134 bpm • C min • 02:51 • -9db
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hayley Warner
Closure
122 bpm • F Maj • 04:00 • -11.75db
37% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Dahlia
I Think I'm In Love
122 bpm • G Maj • 03:22 • -6.73db
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Kate Vogel
Reasons to Stay
122 bpm • A Maj • 03:18 • -13db
39% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 54% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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ALIUS
Nobody Can Hear You
135 bpm • C# Maj • 03:10 • -5db
38% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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GJan
One More Drink
135 bpm • F# min • 04:02 • -5.74db
32% Popularity • 55% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 55% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Neena Rose
War Zone
135 bpm • D# Maj • 02:45 • -7db
39% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hayd
Vacant Eyes
135 bpm • F Maj • 03:51 • -20db
37% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Faouzia
The Road
135 bpm • G# Maj • 03:18 • -5.57db
40% Popularity • 54% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 54% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Ashley Tisdale
Voices in My Head
135 bpm • D Maj • 03:19 • -5db
30% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Little Mix
Nobody Like You
135 bpm • G Maj • 04:08 • -6.2db
43% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Maggie Lindemann
Pretty Girl - Cheat Codes X CADE Remix
121 bpm • G min • 03:13 • -4.66db
67% Popularity • 70% Danceability • 87% Energy • 10% Liveness
13% Instrumentalness • 73% Positiveness
67% Popularity • 70% Danceability • 87% Energy • 10% Liveness
13% Instrumentalness • 73% Positiveness
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Mountenz
Let You Go
135 bpm • C# Maj • 03:39 • -12db
31% Popularity • 36% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 36% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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EZI
anxious.
136 bpm • C# min • 04:21 • -6db
29% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Max Embers
Honest Mistake
136 bpm • G min • 04:11 • -10.22db
33% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Niykee Heaton
Starting Over
136 bpm • G Maj • 03:47 • -6.56db
48% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Avril Lavigne
I Fell In Love With The Devil
136 bpm • A Maj • 04:15 • -7.17db
51% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
