Songs like Crash and Burn by Emily Kinney
Based on a tempo of (+/- 10%) and a similar genre
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Emily Kinney
Crash and Burn
86 bpm • D Maj • 03:01 • -5.83db
4% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Browning
Asleep
85 bpm • C Maj • 04:20 • -14.13db
36% Popularity • 24% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
36% Popularity • 24% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Mary Lambert
If You Ever Leave Somebody
87 bpm • A min • 03:04 • -10.52db
8% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Zella Day
Sweet Ophelia - Digster Live Session
87 bpm • E min • 03:43 • -9.46db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jessica Manning
Kiss Me
87 bpm • E Maj • 04:16 • -11.51db
10% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Misoa
NAIVE
85 bpm • B Maj • 03:29 • -7.47db
9% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 24% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Kenz Hall
Great Unknown
85 bpm • E Maj • 03:18 • -10.13db
17% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Maroon 5
Come Away To The Water
85 bpm • B min • 05:13 • -14.33db
36% Popularity • 40% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
36% Popularity • 40% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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Bess Rogers
Math and Science
87 bpm • D Maj • 03:52 • -4.4db
9% Popularity • 38% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 38% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Spraggan
Tea & Toast (Acoustic story version)
85 bpm • B Maj • 05:56 • -5.63db
17% Popularity • 60% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 60% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Emily Kinney
Popsicles
88 bpm • A# Maj • 03:50 • -7.25db
10% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Paul McDonald
The Best Part
85 bpm • G# min • 03:05 • -13.55db
20% Popularity • 50% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Ella Hunt
Moral High Ground
88 bpm • G Maj • 03:36 • -18.25db
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Kate Micucci
Just Say When
88 bpm • E min • 02:19 • -18.48db
10% Popularity • 42% Danceability • 10% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
10% Popularity • 42% Danceability • 10% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
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The Secret Sisters
Tomorrow Will Be Kinder - from The Hunge...
84 bpm • A Maj • 03:25 • -18.14db
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lights
Muscle Memory
88 bpm • C min • 05:34 • -10.65db
38% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Emily Kinney
Popsicles
88 bpm • C min • 04:01 • -7.05db
16% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Mikky Ekko
Place For Us
88 bpm • E Maj • 03:31 • -4.51db
29% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Ella Hunt
Holding On
88 bpm • G Maj • 03:38 • -18.25db
19% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Orelia Has Orchestra
Suggestions
84 bpm • E Maj • 04:14 • -13.42db
40% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Lucy Schwartz
Rain City
84 bpm • D Maj • 04:10 • -9.99db
14% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Taliesin Orchestra
Rue's Lullaby (Deep In The Meadow)
84 bpm • G min • 02:33 • -7.1db
28% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Emily Kinney
Kids
84 bpm • C Maj • 03:12 • -6.06db
16% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Zella Day
Jameson
89 bpm • B Maj • 03:08 • -11db
32% Popularity • 48% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 48% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Carolina Chocolate Drops
Daughter's Lament
83 bpm • B Maj • 02:46 • -16.49db
30% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 64% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Emma Wallace
Kind of Woman
89 bpm • G min • 03:26 • -9.33db
9% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
9% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Stevie Bea
Persephone
89 bpm • G Maj • 02:54 • -17.31db
18% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Erin McKeown
You, Sailor
83 bpm • E Maj • 04:23 • -11.96db
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Kinney
Married
83 bpm • E Maj • 03:18 • -5.99db
20% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Paris Paloma
labour - extended cut, RAK session
83 bpm • B min • 04:54 • -6.93db
37% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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ARCHIS
Good Love Lingers On
83 bpm • C min • 04:34 • -12.72db
7% Popularity • 27% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 27% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Zella Day
Jameson - Digster Live Session
90 bpm • B Maj • 02:59 • -11.26db
12% Popularity • 56% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Lights
Running with the Boys
83 bpm • B Maj • 05:34 • -9.68db
22% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Maze Rose
Bee-Shaped Pin
90 bpm • E Maj • 03:28 • -13.93db
8% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Deb Talan
Saturn's Light
90 bpm • E Maj • 04:20 • -4.93db
14% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Rigs
Run Baby Run
90 bpm • G min • 04:14 • -11.64db
42% Popularity • 51% Danceability • 48% Energy • 12% Liveness
41% Instrumentalness • 7% Positiveness
42% Popularity • 51% Danceability • 48% Energy • 12% Liveness
41% Instrumentalness • 7% Positiveness
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Sara Bareilles
Hercules
90 bpm • C# Maj • 04:21 • -5.04db
36% Popularity • 64% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 64% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Karmina
Sympathy
90 bpm • F min • 04:57 • -7.14db
15% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jillette Johnson
Cameron
82 bpm • D# Maj • 03:51 • -6.03db
12% Popularity • 51% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 51% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Holly Miranda
All I Want Is to Be Your Girl
81 bpm • C Maj • 02:35 • -3.06db
33% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Oh Honey
Lonely Neighbor
81 bpm • B Maj • 03:51 • -9.95db
25% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Civil Wars
Kingdom Come
81 bpm • E min • 03:42 • -11.38db
41% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sara Bareilles
Cassiopeia
90 bpm • F# Maj • 03:33 • -5.88db
36% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 66% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Newton Schottelkotte
Cemetery
81 bpm • D# Maj • 03:34 • -12.57db
9% Popularity • 63% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 63% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Debbie Neigher
Unravel
81 bpm • C# Maj • 02:49 • -11.6db
9% Popularity • 52% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 52% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Zella Day
Hunnie Pie
81 bpm • D Maj • 03:48 • -7db
33% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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John-Allison Weiss
I Was an Island
81 bpm • A min • 02:36 • -8.88db
16% Popularity • 74% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 74% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Kinney
The Turtle and the Monkey
81 bpm • C# Maj • 02:44 • -8.15db
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Delta Rae
All Good People
81 bpm • F min • 02:16 • -5.53db
21% Popularity • 53% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 53% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Wainwright Roche
Call Your Girlfriend
91 bpm • F Maj • 04:29 • -9.51db
24% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Laurena Segura
Fireflies of Montreal
80 bpm • D Maj • 02:24 • -15.8db
20% Popularity • 55% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 55% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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PHILDEL
Funeral Bell
80 bpm • B Maj • 03:09 • -12.41db
37% Popularity • 51% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 51% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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S. J. Tucker
Goddess
92 bpm • A# Maj • 02:44 • -14db
25% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Emily Kinney
Expired Lover
92 bpm • A# Maj • 03:29 • -6.95db
21% Popularity • 74% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 74% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Arena
Train
92 bpm • C min • 03:17 • -11db
22% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Elle Vee
Dominos (As Heard on "Dance Moms")
80 bpm • B min • 03:59 • -5db
16% Popularity • 31% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 31% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Paul McDonald
Don't Let Me Go
80 bpm • C# Maj • 03:38 • -10.79db
11% Popularity • 54% Danceability • 37% Energy • 10% Liveness
32% Instrumentalness • 40% Positiveness
11% Popularity • 54% Danceability • 37% Energy • 10% Liveness
32% Instrumentalness • 40% Positiveness
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Sara Bareilles
Islands
80 bpm • C# Maj • 04:20 • -10db
34% Popularity • 46% Danceability • 33% Energy • 7% Liveness
3% Instrumentalness • 9% Positiveness
34% Popularity • 46% Danceability • 33% Energy • 7% Liveness
3% Instrumentalness • 9% Positiveness
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A.C. Newman
Be Not So Fearful
80 bpm • B Maj • 02:18 • -11db
35% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kate Lucas
How Could You, You Bastard
92 bpm • D Maj • 05:09 • -12.5db
8% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Janet Devlin
Whisky Lullabies
80 bpm • C Maj • 04:21 • -13.22db
28% Popularity • 61% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 61% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Willowbrook
Walk With Me
80 bpm • C min • 04:14 • -11.18db
26% Popularity • 32% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 41% Positiveness
26% Popularity • 32% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 41% Positiveness
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Lauryn Marie
Alien
80 bpm • F Maj • 03:39 • -8.31db
18% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Lennon & Maisy
Ain't No Rest for the Wicked
80 bpm • A min • 03:09 • -8.18db
30% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Ward
Hanging Tree
80 bpm • G Maj • 03:28 • -7.67db
15% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Semler
The Werewolf - Demo
93 bpm • C Maj • 03:36 • -6.84db
11% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 39% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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MARINA
Happy
80 bpm • F Maj • 04:03 • -10.86db
44% Popularity • 29% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 29% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Christy Altomare
Freedom Inside
93 bpm • A# Maj • 03:08 • -7.14db
12% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ivory Layne
Disappointed
93 bpm • G Maj • 03:27 • -5.94db
15% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Rosi Golan
A Lot of Things
93 bpm • E Maj • 03:19 • -7db
23% Popularity • 58% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 58% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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molly ofgeography
Runaway, Run
93 bpm • A Maj • 04:32 • -11.77db
13% Popularity • 69% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 69% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Emmy The Great
Comic Books
93 bpm • F Maj • 03:35 • -14db
15% Popularity • 42% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 42% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Natalia Kills
Marlboro Lights
79 bpm • A# Maj • 04:05 • -5.96db
25% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mnthl
The Runner and the Lover
79 bpm • C# Maj • 04:46 • -18.21db
13% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 37% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Emily Kinney
Back on Love
79 bpm • C Maj • 03:16 • -7.52db
13% Popularity • 73% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
13% Popularity • 73% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Bluebiird
Good Girl
79 bpm • A Maj • 03:03 • -11.74db
17% Popularity • 56% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 56% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jenny Owen Youngs
Born to Lose
94 bpm • G# min • 03:30 • -9.24db
11% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Bird Call
Berlin
78 bpm • E Maj • 03:45 • -14.72db
17% Popularity • 17% Danceability • 27% Energy • 27% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 27% Energy • 27% Liveness
2% Instrumentalness • 4% Positiveness
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Emma Blackery
The Promise
78 bpm • C# Maj • 04:12 • -7.29db
22% Popularity • 46% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 46% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rachael Sage
Bravedancing
78 bpm • D# Maj • 04:08 • -6.67db
11% Popularity • 56% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 43% Positiveness
11% Popularity • 56% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 43% Positiveness
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Emily Kinney
Masterpiece
78 bpm • D# Maj • 03:30 • -6.2db
17% Popularity • 33% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 33% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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One Two
Bitter and Sick
78 bpm • F# Maj • 03:06 • -18.09db
41% Popularity • 69% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 69% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Bareilles
Sweet As Whole
95 bpm • G# Maj • 04:37 • -9.34db
33% Popularity • 43% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Mary Lambert
My Moon
95 bpm • G Maj • 03:52 • -15.39db
18% Popularity • 39% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 39% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Fleurie
Paralyzed
78 bpm • A Maj • 03:26 • -10.96db
19% Popularity • 24% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Julia Nunes
That Was Us
78 bpm • D# Maj • 03:54 • -11.81db
12% Popularity • 71% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 71% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Emily Kinney
Be Good
78 bpm • A Maj • 02:59 • -9db
34% Popularity • 68% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 68% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Stephanie Mabey
Cope
77 bpm • A# Maj • 03:50 • -11.37db
12% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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John-Allison Weiss
Wait For Me
96 bpm • D# Maj • 03:05 • -7.28db
2% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Lights
Don't Go Home Without Me
96 bpm • A# Maj • 04:17 • -8db
29% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Fleurie
We Were Young
95 bpm • G# min • 03:20 • -7.63db
12% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Rachael Sage
Barbed Wire
77 bpm • G Maj • 03:58 • -8db
10% Popularity • 56% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
10% Popularity • 56% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Emily Kinney
Rockstar
78 bpm • F Maj • 03:04 • -4.72db
17% Popularity • 63% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Of Monsters and Men
Sinking Man - The Walking Dead Soundtrac...
96 bpm • D# Maj • 02:46 • -18.08db
44% Popularity • 68% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 68% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Kyler England
When The World Stops Spinning
77 bpm • G# min • 03:24 • -10.86db
18% Popularity • 52% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 9% Positiveness
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Rosi Golan
Seeing Ghosts
97 bpm • D Maj • 03:02 • -13.92db
20% Popularity • 66% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
20% Popularity • 66% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Fleurie
There's a Ghost
77 bpm • G# min • 03:11 • -11.82db
37% Popularity • 28% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 28% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Lucy Schwartz
You Are You Are
76 bpm • E min • 03:28 • -14db
22% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
