Songs like Credit Cards by v.Spy v.Spy
Based on a tempo of (+/- 10%) and a similar genre
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Richard Clapton
I Am an Island - Original
141 bpm • B min • 05:03 • -11.58db
32% Popularity • 57% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
32% Popularity • 57% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
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Screaming Tribesmen
ICE
141 bpm • F# min • 03:41 • -3db
15% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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THE SPORTS
Who Listens to the Radio
141 bpm • A Maj • 03:15 • -15db
39% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 59% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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v.Spy v.Spy
Credit Cards
141 bpm • F# min • 04:44 • -11.39db
27% Popularity • 49% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 49% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Machinations
Pressure Sway
141 bpm • A Maj • 04:00 • -13db
29% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Push Push
Trippin
141 bpm • C Maj • 04:01 • -4.24db
30% Popularity • 32% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 32% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Barker & The Reptiles
Won't Get You Loved
142 bpm • D Maj • 03:08 • -9.83db
12% Popularity • 55% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 55% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Dance Exponents
Your Best Friend Loves Me Too
142 bpm • C Maj • 02:41 • -6.47db
15% Popularity • 62% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 62% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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THE SPORTS
When You Walk in the Room
141 bpm • A Maj • 02:31 • -13db
30% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Painters and Dockers
Eat Shit Die
140 bpm • D Maj • 04:02 • -12.23db
10% Popularity • 48% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 48% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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v.Spy v.Spy
Our House
140 bpm • C Maj • 03:23 • -10.22db
25% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Hello Sailor
Fugitive For Love
142 bpm • E Maj • 03:10 • -10.18db
14% Popularity • 56% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Ratcat
Don't Go In The Water
142 bpm • E Maj • 03:47 • -8db
10% Popularity • 44% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 44% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Cult
Hollow Man
140 bpm • A min • 04:45 • -7db
41% Popularity • 48% Danceability • 94% Energy • 13% Liveness
7% Instrumentalness • 44% Positiveness
41% Popularity • 48% Danceability • 94% Energy • 13% Liveness
7% Instrumentalness • 44% Positiveness
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THE SPORTS
Who Listens to the Radio? - 2014 Remaste...
141 bpm • A Maj • 03:15 • -5db
15% Popularity • 60% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 60% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Hoodoo Gurus
Leilani - Remaster 2005
140 bpm • C# Maj • 05:35 • -4.06db
33% Popularity • 59% Danceability • 91% Energy • 13% Liveness
6% Instrumentalness • 82% Positiveness
33% Popularity • 59% Danceability • 91% Energy • 13% Liveness
6% Instrumentalness • 82% Positiveness
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v.Spy v.Spy
All over the World
142 bpm • E min • 04:43 • -15.55db
34% Popularity • 53% Danceability • 63% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
34% Popularity • 53% Danceability • 63% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
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Hello Sailor
New Tattoo
140 bpm • D Maj • 03:21 • -8db
22% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 56% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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You Am I
Cathy's Clown
140 bpm • F# min • 02:25 • -8.82db
37% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mi-Sex
People
139 bpm • C Maj • 03:52 • -12db
30% Popularity • 55% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 55% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Flowers
Can't Help Myself
139 bpm • B min • 03:10 • -8db
43% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 73% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Uncanny X-Men
My Girl
139 bpm • C Maj • 04:58 • -10.83db
12% Popularity • 68% Danceability • 60% Energy • 29% Liveness
4% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 60% Energy • 29% Liveness
4% Instrumentalness • 80% Positiveness
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The Party Boys
Gonna See My Baby Tonight
143 bpm • D Maj • 03:34 • -10.65db
11% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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v.Spy v.Spy
Injustice
139 bpm • E min • 03:09 • -12.93db
22% Popularity • 58% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 58% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Kelly
The Execution
143 bpm • D Maj • 05:14 • -6.84db
14% Popularity • 54% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 39% Positiveness
14% Popularity • 54% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 39% Positiveness
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Painters and Dockers
Jack's Car
143 bpm • D Maj • 05:32 • -12db
19% Popularity • 35% Danceability • 74% Energy • 35% Liveness
22% Instrumentalness • 44% Positiveness
19% Popularity • 35% Danceability • 74% Energy • 35% Liveness
22% Instrumentalness • 44% Positiveness
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Nick Barker & The Reptiles
Make Me Smile (Come Up and See Me)
143 bpm • D Maj • 03:50 • -11.03db
21% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Flowers
Can't Help Myself - 10" Single Mix
139 bpm • A min • 03:41 • -7.89db
20% Popularity • 71% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 71% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Noiseworks
Voice of Reason
139 bpm • A min • 04:15 • -8.74db
23% Popularity • 31% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 31% Positiveness
23% Popularity • 31% Danceability • 82% Energy • 36% Liveness
90% Instrumentalness • 31% Positiveness
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Mi-Sex
Stills
143 bpm • A min • 05:56 • -7.98db
12% Popularity • 39% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 39% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Boom Crash Opera
Gap That Opened
139 bpm • D min • 04:02 • -2.55db
12% Popularity • 58% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 58% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 75% Positiveness
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The Celibate Rifles
Johnny
143 bpm • F# min • 03:50 • -8db
30% Popularity • 46% Danceability • 80% Energy • 24% Liveness
91% Instrumentalness • 64% Positiveness
30% Popularity • 46% Danceability • 80% Energy • 24% Liveness
91% Instrumentalness • 64% Positiveness
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Rik L Rik
Carry Me Home - Pump! Edit
138 bpm • E Maj • 03:39 • -12.99db
15% Popularity • 30% Danceability • 69% Energy • 69% Liveness
47% Instrumentalness • 59% Positiveness
15% Popularity • 30% Danceability • 69% Energy • 69% Liveness
47% Instrumentalness • 59% Positiveness
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Flowers
We Can Get Together - Live
144 bpm • G Maj • 03:53 • -7.9db
17% Popularity • 54% Danceability • 91% Energy • 99% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 54% Danceability • 91% Energy • 99% Liveness
0% Instrumentalness • 56% Positiveness
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The Radiators
Room Full of Diamonds (Live)
138 bpm • E min • 03:58 • -5.53db
19% Popularity • 30% Danceability • 91% Energy • 63% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 30% Danceability • 91% Energy • 63% Liveness
6% Instrumentalness • 28% Positiveness
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Noiseworks
Voice Of Reason
139 bpm • G Maj • 04:12 • -8.02db
17% Popularity • 33% Danceability • 89% Energy • 37% Liveness
90% Instrumentalness • 37% Positiveness
17% Popularity • 33% Danceability • 89% Energy • 37% Liveness
90% Instrumentalness • 37% Positiveness
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Painters and Dockers
Basia
144 bpm • G# min • 03:17 • -7db
15% Popularity • 37% Danceability • 88% Energy • 20% Liveness
38% Instrumentalness • 87% Positiveness
15% Popularity • 37% Danceability • 88% Energy • 20% Liveness
38% Instrumentalness • 87% Positiveness
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Mi-Sex
Blue Day
138 bpm • G Maj • 04:11 • -16.05db
39% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
42% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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v.Spy v.Spy
Hardtimes
144 bpm • D Maj • 02:51 • -10.56db
32% Popularity • 50% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
32% Popularity • 50% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Machinations
Intimacy
138 bpm • G# Maj • 03:39 • -9db
15% Popularity • 69% Danceability • 74% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
15% Popularity • 69% Danceability • 74% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
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Noiseworks
Voice Of Reason - 2007 Remastered
139 bpm • D Maj • 04:10 • -5.41db
11% Popularity • 27% Danceability • 89% Energy • 32% Liveness
88% Instrumentalness • 35% Positiveness
11% Popularity • 27% Danceability • 89% Energy • 32% Liveness
88% Instrumentalness • 35% Positiveness
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Skyhooks
Hooked on Hooks
144 bpm • B min • 06:18 • -8.65db
16% Popularity • 46% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 46% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mi-Sex
Wot Do You Want?
144 bpm • A Maj • 02:57 • -7.88db
15% Popularity • 46% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 46% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ratcat
Yes I Wanna Go
144 bpm • A Maj • 02:38 • -9.9db
19% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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v.Spy v.Spy
Because
138 bpm • E Maj • 03:20 • -9.32db
11% Popularity • 47% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 47% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Goanna
Four Weeks Gone - Remastered Version
138 bpm • A Maj • 05:47 • -5.98db
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Diesel & The Injectors
Never Last
137 bpm • D Maj • 03:34 • -15.26db
17% Popularity • 57% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 57% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Radiators
17 (I Wish I Was)
145 bpm • D Maj • 05:13 • -12.57db
32% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Mi-Sex
But You Don't Care
138 bpm • B min • 04:33 • -16db
32% Popularity • 53% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 53% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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THE SPORTS
Boys! (What Did the Detective Say?)
145 bpm • E Maj • 02:25 • -12.36db
22% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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v.Spy v.Spy
Where Are We Going?
138 bpm • A Maj • 04:07 • -5.85db
13% Popularity • 24% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 46% Positiveness
13% Popularity • 24% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 46% Positiveness
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Flowers
We Can Get Together
145 bpm • G Maj • 03:46 • -7db
47% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Exponents
Whatever Happened To Tracey
137 bpm • A Maj • 02:51 • -6.37db
30% Popularity • 64% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 64% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Ratcat
Skin
145 bpm • D Maj • 03:20 • -6.05db
12% Popularity • 38% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 38% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Mi-Sex
But You Don't Care
137 bpm • B min • 04:06 • -9.56db
17% Popularity • 50% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 50% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 53% Positiveness
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Chocolate Starfish
Ten Feet Tall
137 bpm • D Maj • 04:15 • -6.49db
19% Popularity • 43% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 43% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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v.Spy v.Spy
Stand Out
144 bpm • E Maj • 03:47 • -7.98db
17% Popularity • 50% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 50% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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The Party Boys
GLORIA
137 bpm • A Maj • 03:31 • -11.6db
21% Popularity • 62% Danceability • 64% Energy • 13% Liveness
66% Instrumentalness • 91% Positiveness
21% Popularity • 62% Danceability • 64% Energy • 13% Liveness
66% Instrumentalness • 91% Positiveness
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The Exponents
All I Can Do
146 bpm • F# Maj • 02:40 • -6.91db
17% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Models
Two Cabs to the Toucan
137 bpm • C Maj • 03:19 • -14.34db
21% Popularity • 77% Danceability • 58% Energy • 13% Liveness
3% Instrumentalness • 95% Positiveness
21% Popularity • 77% Danceability • 58% Energy • 13% Liveness
3% Instrumentalness • 95% Positiveness
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Flowers
Not My Kind
146 bpm • C# min • 03:35 • -6.9db
18% Popularity • 77% Danceability • 84% Energy • 11% Liveness
18% Instrumentalness • 82% Positiveness
18% Popularity • 77% Danceability • 84% Energy • 11% Liveness
18% Instrumentalness • 82% Positiveness
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The Johnnys
Injun Joe
137 bpm • E min • 03:18 • -9.2db
25% Popularity • 49% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 49% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
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v.Spy v.Spy
Something
137 bpm • D Maj • 03:41 • -12.83db
18% Popularity • 48% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 48% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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THE SPORTS
Don't Throw Stones - 2014 Remaster
137 bpm • C# min • 03:42 • -6.89db
13% Popularity • 74% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 74% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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The Celibate Rifles
Wonderful Life
146 bpm • C Maj • 03:34 • -7.92db
13% Popularity • 35% Danceability • 90% Energy • 37% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 35% Danceability • 90% Energy • 37% Liveness
1% Instrumentalness • 58% Positiveness
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The Church
The Unguarded Moment - 2002 Digital Rema...
136 bpm • C Maj • 04:14 • -6db
53% Popularity • 40% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 40% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Cold Chisel
You Got Nothing I Want - 2011 Remastered
136 bpm • E Maj • 03:17 • -2.4db
42% Popularity • 51% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
42% Popularity • 51% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Flowers
Fatman
147 bpm • E Maj • 03:52 • -6.07db
27% Popularity • 58% Danceability • 79% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
27% Popularity • 58% Danceability • 79% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
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v.Spy v.Spy
Use Your Head
137 bpm • B Maj • 04:28 • -12.08db
28% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 60% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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THE SPORTS
Strangers on a Train
136 bpm • A Maj • 02:41 • -13.24db
29% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Celibate Rifles
Groovin' in the Land of Love
136 bpm • E min • 03:11 • -9.57db
28% Popularity • 53% Danceability • 86% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
28% Popularity • 53% Danceability • 86% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Angry Anderson
Calling
147 bpm • D Maj • 04:34 • -10.6db
14% Popularity • 41% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 41% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Painters and Dockers
Nude School
147 bpm • A Maj • 03:38 • -6db
29% Popularity • 54% Danceability • 92% Energy • 7% Liveness
24% Instrumentalness • 83% Positiveness
29% Popularity • 54% Danceability • 92% Energy • 7% Liveness
24% Instrumentalness • 83% Positiveness
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Kids In The Kitchen
Change in Mood
147 bpm • C Maj • 03:45 • -11.31db
38% Popularity • 38% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
38% Popularity • 38% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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v.Spy v.Spy
Have No Fear
137 bpm • F# min • 03:24 • -12.1db
19% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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THE SPORTS
Suspicious Minds
147 bpm • D Maj • 03:23 • -16.13db
15% Popularity • 36% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 36% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Diesel & The Injectors
Don't Need Love
135 bpm • D Maj • 04:12 • -5.77db
37% Popularity • 46% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 46% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Sunnyboys
Let You Go - 2014 Remaster
135 bpm • E min • 04:44 • -3.34db
22% Popularity • 35% Danceability • 87% Energy • 38% Liveness
2% Instrumentalness • 36% Positiveness
22% Popularity • 35% Danceability • 87% Energy • 38% Liveness
2% Instrumentalness • 36% Positiveness
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Ratcat
Baby Baby
135 bpm • D Maj • 03:45 • -9.7db
25% Popularity • 47% Danceability • 81% Energy • 26% Liveness
38% Instrumentalness • 50% Positiveness
25% Popularity • 47% Danceability • 81% Energy • 26% Liveness
38% Instrumentalness • 50% Positiveness
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Painters and Dockers
Bad
147 bpm • E Maj • 03:10 • -9.31db
10% Popularity • 27% Danceability • 91% Energy • 33% Liveness
77% Instrumentalness • 44% Positiveness
10% Popularity • 27% Danceability • 91% Energy • 33% Liveness
77% Instrumentalness • 44% Positiveness
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v.Spy v.Spy
Take It or Leave It
145 bpm • B min • 04:05 • -11.51db
10% Popularity • 52% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 52% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Weddings Parties Anything
Away, Away
148 bpm • E Maj • 03:51 • -9.01db
27% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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The Exponents
Like She Said
135 bpm • B Maj • 03:08 • -7.37db
22% Popularity • 49% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 42% Positiveness
22% Popularity • 49% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 42% Positiveness
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Sunnyboys
Alone With You
148 bpm • E min • 03:58 • -16db
19% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
41% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
41% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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Noiseworks
Little Bit More
134 bpm • D min • 03:19 • -11.3db
20% Popularity • 50% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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v.Spy v.Spy
Sallie-Anne
136 bpm • A Maj • 05:10 • -13.94db
24% Popularity • 53% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 53% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Diesel & The Injectors
Get Ya Love
134 bpm • F Maj • 03:18 • -12.15db
20% Popularity • 58% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 58% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Exponents
Sink Like A Stone
148 bpm • C Maj • 02:21 • -6db
31% Popularity • 46% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 46% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Men At Work
Man with Two Hearts
134 bpm • D Maj • 03:56 • -13.26db
29% Popularity • 64% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 64% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Ghostwriters
Someone's Singing New York New York
149 bpm • D# Maj • 03:47 • -2.33db
19% Popularity • 49% Danceability • 92% Energy • 5% Liveness
26% Instrumentalness • 70% Positiveness
19% Popularity • 49% Danceability • 92% Energy • 5% Liveness
26% Instrumentalness • 70% Positiveness
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GANGgajang
Hundreds of Languages
134 bpm • C# min • 03:36 • -7.33db
31% Popularity • 58% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 58% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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v.Spy v.Spy
Oceania
146 bpm • E Maj • 02:47 • -11.58db
21% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Diesel & The Injectors
Lookin' For Love
134 bpm • E Maj • 03:31 • -6.13db
31% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Coconut Rough
Sierra Leone - Single Version
134 bpm • F Maj • 03:37 • -7.55db
29% Popularity • 69% Danceability • 90% Energy • 11% Liveness
13% Instrumentalness • 72% Positiveness
29% Popularity • 69% Danceability • 90% Energy • 11% Liveness
13% Instrumentalness • 72% Positiveness
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Graham Brazier
Billy Bold
134 bpm • D Maj • 03:04 • -14.17db
22% Popularity • 70% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 70% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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The Celibate Rifles
O Salvation
149 bpm • A Maj • 04:18 • -7.04db
15% Popularity • 47% Danceability • 92% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
15% Popularity • 47% Danceability • 92% Energy • 10% Liveness
92% Instrumentalness • 72% Positiveness
