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Creep
Songs like
Creep
by
Goat Girl
Based on a tempo of (+/- 10%) and a similar genre
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shame
Friction
128 bpm • F Maj • 04:31 • -3.99db
30% Popularity • 48% Danceability • 92% Energy • 32% Liveness
3% Instrumentalness • 66% Positiveness
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Ulrika Spacek
Strawberry Glue
128 bpm • C# Maj • 03:32 • -6.84db
21% Popularity • 51% Danceability • 94% Energy • 7% Liveness
61% Instrumentalness • 89% Positiveness
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Snapped Ankles
Shifting Basslines of the Cornucopians
128 bpm • C Maj • 05:48 • -7.57db
18% Popularity • 64% Danceability • 80% Energy • 10% Liveness
17% Instrumentalness • 89% Positiveness
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Jane Weaver
Stages of Phases
128 bpm • F# Maj • 05:00 • -7.21db
21% Popularity • 53% Danceability • 70% Energy • 20% Liveness
6% Instrumentalness • 6% Positiveness
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Crack Cloud
Image Craft
128 bpm • F min • 03:34 • -10.66db
13% Popularity • 77% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 45% Positiveness
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Du Blonde
Ducky Daffy
128 bpm • A Maj • 01:15 • -7db
36% Popularity • 62% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Goat Girl
Creep
128 bpm • A min • 02:21 • -5.56db
20% Popularity • 38% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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The Orielles
I Only Bought It for the Bottle
127 bpm • C# min • 03:07 • -5.48db
18% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Public Practice
Cities
127 bpm • A Maj • 03:20 • -6.1db
8% Popularity • 74% Danceability • 83% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Gustaf
Cruel
127 bpm • F# min • 02:50 • -4.85db
22% Popularity • 83% Danceability • 86% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
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Penelope Isles
Chlorine
127 bpm • C# min • 03:05 • -8.12db
18% Popularity • 44% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Working Men's Club
White Rooms and People
129 bpm • A Maj • 02:30 • -5.23db
17% Popularity • 61% Danceability • 63% Energy • 7% Liveness
53% Instrumentalness • 61% Positiveness
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Goat Girl
Salty Sounds
128 bpm • G Maj • 01:07 • -12.38db
25% Popularity • 65% Danceability • 60% Energy • 46% Liveness
91% Instrumentalness • 21% Positiveness
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The Orielles
The Sound of Liminal Spaces
129 bpm • C Maj • 01:26 • -9.66db
19% Popularity • 57% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 51% Positiveness
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Modern Woman
The Eel
129 bpm • D# Maj • 03:16 • -6.8db
8% Popularity • 57% Danceability • 55% Energy • 19% Liveness
10% Instrumentalness • 26% Positiveness
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Gustaf
The Motions
127 bpm • G Maj • 03:19 • -5db
22% Popularity • 85% Danceability • 72% Energy • 35% Liveness
2% Instrumentalness • 94% Positiveness
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Drahla
Dog Collar Guillotine
129 bpm • E Maj • 02:24 • -11db
21% Popularity • 55% Danceability • 66% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Death Valley Girls
I'd Rather Be Dreaming
127 bpm • F Maj • 03:59 • -4db
13% Popularity • 45% Danceability • 77% Energy • 42% Liveness
87% Instrumentalness • 19% Positiveness
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Goat Girl
Sad Cowboy - Tony Njoku Remix
129 bpm • E min • 04:43 • -7db
7% Popularity • 43% Danceability • 75% Energy • 8% Liveness
29% Instrumentalness • 53% Positiveness
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The Orielles
Rapid I
127 bpm • G min • 04:00 • -6.16db
12% Popularity • 47% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Flasher
Go
127 bpm • A Maj • 01:41 • -8.18db
14% Popularity • 31% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gustaf
Dream
127 bpm • G# min • 03:16 • -4db
20% Popularity • 81% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Squid
The Dial
129 bpm • E min • 05:10 • -6.83db
27% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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LUMER
By Her Teeth
129 bpm • E min • 04:21 • -7.89db
10% Popularity • 32% Danceability • 78% Energy • 55% Liveness
8% Instrumentalness • 57% Positiveness
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Goat Girl
Sad Cowboy
129 bpm • A min • 05:17 • -7.07db
37% Popularity • 62% Danceability • 77% Energy • 60% Liveness
18% Instrumentalness • 39% Positiveness
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The Orielles
Sugar Tastes Like Salt
127 bpm • G Maj • 08:24 • -6db
30% Popularity • 28% Danceability • 98% Energy • 32% Liveness
48% Instrumentalness • 49% Positiveness
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Horsegirl
Sea Life Sandwich Boy
130 bpm • E Maj • 04:44 • -4.72db
29% Popularity • 38% Danceability • 96% Energy • 18% Liveness
85% Instrumentalness • 29% Positiveness
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Nadine Shah
The Gin One
130 bpm • D Maj • 03:11 • -7.93db
36% Popularity • 67% Danceability • 54% Energy • 12% Liveness
48% Instrumentalness • 22% Positiveness
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BODEGA
Name Escape
126 bpm • B Maj • 03:43 • -5.51db
33% Popularity • 92% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Du Blonde
Take One For The Team
130 bpm • G Maj • 02:15 • -10.28db
28% Popularity • 53% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Goat Girl
Sad Cowboy - Edit
129 bpm • A min • 03:47 • -6.93db
5% Popularity • 63% Danceability • 76% Energy • 61% Liveness
3% Instrumentalness • 54% Positiveness
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The Orielles
Old Stuff, New Glass
126 bpm • E min • 04:37 • -8.41db
21% Popularity • 64% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Billy Nomates
Fat White Man
130 bpm • E Maj • 03:28 • -8.02db
16% Popularity • 81% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Famous
Forever
130 bpm • A# Maj • 04:22 • -6.25db
16% Popularity • 84% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Snapped Ankles
Hanging With the Moon
130 bpm • B min • 03:40 • -10db
30% Popularity • 62% Danceability • 79% Energy • 10% Liveness
50% Instrumentalness • 42% Positiveness
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shame
Dust on Trial
130 bpm • D Maj • 03:34 • -5.4db
34% Popularity • 43% Danceability • 92% Energy • 27% Liveness
22% Instrumentalness • 35% Positiveness
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Goat Girl
Sad Cowboy - NÃdia Remix
129 bpm • A min • 05:10 • -10.1db
3% Popularity • 83% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 32% Positiveness
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Dry Cleaning
Strong Feelings
130 bpm • B min • 04:04 • -9.25db
40% Popularity • 75% Danceability • 47% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
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The Golden Dregs
Congratulations
130 bpm • G# Maj • 03:18 • -5.54db
17% Popularity • 57% Danceability • 89% Energy • 14% Liveness
72% Instrumentalness • 68% Positiveness
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Sinead O Brien
A Thing You Call Joy
126 bpm • A min • 03:29 • -4.6db
14% Popularity • 46% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Orielles
Chromo II
126 bpm • D Maj • 02:59 • -9.49db
19% Popularity • 52% Danceability • 78% Energy • 68% Liveness
82% Instrumentalness • 40% Positiveness
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Fat White Family
Vagina Dentata
130 bpm • A min • 02:58 • -6.95db
26% Popularity • 53% Danceability • 61% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
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Goat Girl
Sad Cowboy - PVA Remix
127 bpm • A min • 04:18 • -10.12db
6% Popularity • 70% Danceability • 65% Energy • 31% Liveness
52% Instrumentalness • 48% Positiveness
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The Lounge Society
Burn The Heather
130 bpm • B min • 03:30 • -5.46db
28% Popularity • 54% Danceability • 81% Energy • 16% Liveness
7% Instrumentalness • 60% Positiveness
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shame
Nigel Hitter
130 bpm • B min • 03:24 • -5.93db
30% Popularity • 58% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Drahla
Fictional Decision
126 bpm • C Maj • 03:53 • -12.89db
32% Popularity • 65% Danceability • 54% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
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Public Practice
Disposable
126 bpm • G Maj • 03:10 • -5.56db
8% Popularity • 59% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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TRAAMS
Sleeper
130 bpm • A Maj • 04:53 • -10db
14% Popularity • 67% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 69% Positiveness
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Goat Girl
Once Again
127 bpm • A min • 04:16 • -8.14db
21% Popularity • 39% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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The Orielles
Come Down On Jupiter
125 bpm • A Maj • 05:11 • -5.87db
20% Popularity • 33% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Home Counties
That's Where the Money's Gone
125 bpm • G Maj • 03:10 • -6.05db
19% Popularity • 63% Danceability • 75% Energy • 72% Liveness
2% Instrumentalness • 61% Positiveness
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Drahla
Invisible Sex
125 bpm • F# min • 02:54 • -8.33db
15% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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shame
Tasteless
131 bpm • C Maj • 03:05 • -4.83db
33% Popularity • 53% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Sinead O Brien
Fall With Me
125 bpm • D min • 03:26 • -4.48db
10% Popularity • 65% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Goat Girl
Viper Fish
125 bpm • E Maj • 03:50 • -7.02db
30% Popularity • 39% Danceability • 67% Energy • 24% Liveness
21% Instrumentalness • 36% Positiveness
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BODEGA
Shiny New Model
125 bpm • A# min • 02:48 • -7.1db
33% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Mhaol
Desperation
131 bpm • A min • 02:04 • -8.29db
22% Popularity • 48% Danceability • 89% Energy • 61% Liveness
3% Instrumentalness • 68% Positiveness
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Beak>
Brean Down
125 bpm • D# Maj • 03:51 • -8.29db
30% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Pom Poko
Curly Romance
125 bpm • G Maj • 03:21 • -7.14db
15% Popularity • 68% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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Sinead O Brien
Kid Stuff
131 bpm • B min • 04:50 • -3.63db
15% Popularity • 58% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Death Valley Girls
Hold My Hand
131 bpm • D Maj • 02:41 • -5db
22% Popularity • 46% Danceability • 94% Energy • 37% Liveness
8% Instrumentalness • 60% Positiveness
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BODEGA
Territorial Call of the Female
125 bpm • C Maj • 02:45 • -8.63db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
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Omni
Courtesy Call
125 bpm • F Maj • 03:46 • -7.01db
25% Popularity • 83% Danceability • 26% Energy • 6% Liveness
26% Instrumentalness • 57% Positiveness
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Gustaf
Mine
131 bpm • C min • 02:15 • -3.92db
29% Popularity • 79% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Automatic
I Love You, Fine
131 bpm • G Maj • 02:04 • -6.31db
37% Popularity • 38% Danceability • 69% Energy • 15% Liveness
61% Instrumentalness • 21% Positiveness
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shame
Water in the Well
132 bpm • B min • 03:07 • -4.64db
32% Popularity • 45% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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TRAAMS
The Greyhound
132 bpm • D Maj • 09:41 • -6.79db
20% Popularity • 28% Danceability • 90% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
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Dry Cleaning
Her Hippo
131 bpm • D Maj • 04:38 • -5.91db
35% Popularity • 48% Danceability • 69% Energy • 12% Liveness
74% Instrumentalness • 66% Positiveness
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English Teacher
Good Grief
124 bpm • B min • 02:42 • -7.39db
26% Popularity • 66% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 83% Positiveness
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Italia 90
Borderline
132 bpm • E Maj • 03:57 • -6.46db
19% Popularity • 64% Danceability • 68% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
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Silverbacks
Fad '95
132 bpm • A Maj • 03:03 • -11.49db
21% Popularity • 58% Danceability • 76% Energy • 11% Liveness
69% Instrumentalness • 52% Positiveness
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The Orielles
Memoirs Of Miso
124 bpm • B min • 05:25 • -4.91db
15% Popularity • 43% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Gustaf
Design - Beck Remix
132 bpm • D Maj • 02:36 • -2.63db
26% Popularity • 85% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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shame
One Rizla
132 bpm • B min • 03:34 • -4.53db
45% Popularity • 42% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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She Drew The Gun
Arm Yourself
132 bpm • A# Maj • 03:36 • -7.04db
14% Popularity • 54% Danceability • 83% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Drahla
Silk Spirit
132 bpm • A min • 03:18 • -8db
13% Popularity • 52% Danceability • 88% Energy • 8% Liveness
50% Instrumentalness • 76% Positiveness
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Treeboy & Arc
Role Models
124 bpm • A Maj • 02:41 • -15.27db
31% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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BODEGA
Can't Knock The Hustle
124 bpm • B Maj • 01:43 • -4.44db
38% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Gustaf
Design
132 bpm • B min • 02:36 • -4.36db
32% Popularity • 89% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Death Valley Girls
Bliss Out
132 bpm • C Maj • 03:23 • -3.53db
14% Popularity • 42% Danceability • 75% Energy • 22% Liveness
56% Instrumentalness • 35% Positiveness
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Goat Girl
The Crack
124 bpm • F Maj • 03:12 • -6.96db
28% Popularity • 66% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 63% Positiveness
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Egyptian Blue
Collateral
132 bpm • B min • 03:39 • -5.62db
14% Popularity • 59% Danceability • 90% Energy • 16% Liveness
17% Instrumentalness • 72% Positiveness
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Dry Cleaning
Conversation
124 bpm • B min • 04:47 • -6.77db
32% Popularity • 58% Danceability • 73% Energy • 12% Liveness
32% Instrumentalness • 51% Positiveness
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Tiña
Buddha
133 bpm • D Maj • 03:43 • -9.21db
8% Popularity • 35% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Gustaf
Mine
132 bpm • G# Maj • 02:28 • -4.01db
30% Popularity • 82% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Pom Poko
My Blood
133 bpm • A Maj • 03:29 • -6.05db
20% Popularity • 56% Danceability • 72% Energy • 37% Liveness
5% Instrumentalness • 38% Positiveness
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Silverbacks
Muted Gold
133 bpm • G Maj • 04:24 • -8.4db
9% Popularity • 60% Danceability • 77% Energy • 19% Liveness
69% Instrumentalness • 81% Positiveness
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Geese
Disco
133 bpm • G Maj • 06:47 • -5db
29% Popularity • 36% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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The Wants
The Motor
133 bpm • B Maj • 03:15 • -5.61db
30% Popularity • 64% Danceability • 76% Energy • 29% Liveness
88% Instrumentalness • 80% Positiveness
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Dream Wife
Hasta La Vista
123 bpm • E Maj • 03:42 • -6db
12% Popularity • 93% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Squid
Narrator
134 bpm • D min • 08:28 • -7db
38% Popularity • 43% Danceability • 72% Energy • 67% Liveness
5% Instrumentalness • 37% Positiveness
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Goat Girl
I Don't Care Part 1
123 bpm • A min • 02:08 • -6.2db
15% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Working Men's Club
Tomorrow
134 bpm • G# Maj • 04:04 • -5db
16% Popularity • 61% Danceability • 94% Energy • 14% Liveness
35% Instrumentalness • 89% Positiveness
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Honeyglaze
Creative Jealousy
133 bpm • A Maj • 02:16 • -10.21db
16% Popularity • 77% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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TV Priest
Decoration
134 bpm • A Maj • 04:31 • -3.98db
17% Popularity • 57% Danceability • 100% Energy • 26% Liveness
69% Instrumentalness • 23% Positiveness
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The Wants
Container
134 bpm • A Maj • 03:15 • -5db
17% Popularity • 66% Danceability • 58% Energy • 34% Liveness
66% Instrumentalness • 79% Positiveness
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Flat Worms
Market Forces
134 bpm • A Maj • 03:58 • -7.13db
25% Popularity • 45% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Goat Girl
Viper Fish - Udder Sounds Edit Acoustic
122 bpm • B Maj • 03:05 • -12.27db
3% Popularity • 42% Danceability • 29% Energy • 23% Liveness
1% Instrumentalness • 22% Positiveness
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The Lovely Eggs
You Can Go Now
122 bpm • C Maj • 03:46 • -4.88db
13% Popularity • 62% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Sinead O Brien
Salt
122 bpm • G# Maj • 03:11 • -4.61db
8% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Creep