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Creepin'
Songs like
Creepin'
by
Eric Church
Based on a tempo of (+/- 10%) and a similar genre
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
67% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Rascal Flatts
Mayberry
88 bpm • B Maj • 04:32 • -4db
51% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Darius Rucker
Homegrown Honey
88 bpm • C# Maj • 03:24 • -5db
36% Popularity • 66% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Montgomery Gentry
Speed
88 bpm • G# Maj • 03:59 • -8db
44% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
Creepin'
88 bpm • F Maj • 03:52 • -5db
54% Popularity • 46% Danceability • 89% Energy • 31% Liveness
3% Instrumentalness • 54% Positiveness
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Travis Tritt
Modern Day Bonnie and Clyde
90 bpm • A min • 04:44 • -5db
57% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Kip Moore
I'm To Blame
90 bpm • G Maj • 02:16 • -5.39db
52% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Tim McGraw
Real Good Man
90 bpm • D Maj • 04:14 • -5.39db
45% Popularity • 56% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Mark Wills
19 Somethin' - Greatest Hits Version
90 bpm • E Maj • 03:20 • -5db
60% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
64% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
77% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Eric Church
These Boots
86 bpm • A# Maj • 03:48 • -10.46db
48% Popularity • 61% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Montgomery Gentry
Where I Come From
90 bpm • C# Maj • 03:21 • -4.2db
67% Popularity • 62% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Jamey Johnson
High Cost Of Living
86 bpm • C Maj • 05:45 • -7.04db
59% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Rodney Atkins
These Are My People
90 bpm • C Maj • 03:33 • -4db
62% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Miranda Lambert
Somethin' Bad - Duet with Carrie Underw...
90 bpm • A Maj • 02:49 • -5.31db
65% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
65% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Church
Stick That In Your Country Song
90 bpm • A# Maj • 03:48 • -5db
45% Popularity • 55% Danceability • 86% Energy • 12% Liveness
13% Instrumentalness • 43% Positiveness
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Alabama
Forty Hour Week (For a Livin')
85 bpm • E Maj • 03:22 • -9.84db
49% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
75% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
65% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Dustin Lynch
Hell Of A Night
85 bpm • D Maj • 03:10 • -4.85db
54% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Diamond Rio
Meet In the Middle
91 bpm • E Maj • 03:18 • -11db
67% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Church
I'm Gettin' Stoned
90 bpm • G min • 04:02 • -4db
43% Popularity • 53% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
39% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Clay Walker
Fore She Was Mama
85 bpm • D Maj • 03:40 • -4.69db
50% Popularity • 61% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
61% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Diamond Rio
Norma Jean Riley
91 bpm • G Maj • 03:04 • -12db
52% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Eric Church
Kill A Word
85 bpm • D Maj • 03:19 • -8.04db
56% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Paslay
Song About A Girl
92 bpm • A Maj • 03:44 • -6db
40% Popularity • 60% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Granger Smith
The Country Boy Song
84 bpm • C Maj • 03:26 • -3.56db
47% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Zac Brown Band
Whatever It Is
84 bpm • C# Maj • 03:28 • -6.63db
71% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Church
Carolina
92 bpm • C Maj • 04:39 • -7db
49% Popularity • 59% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
Eight Second Ride
92 bpm • C Maj • 03:07 • -4.07db
54% Popularity • 64% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
60% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Cole Swindell
Let Me See Ya Girl
93 bpm • F# Maj • 03:07 • -4db
54% Popularity • 52% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Darius Rucker
Radio
93 bpm • C Maj • 03:09 • -6.83db
46% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eric Church
Pledge Allegiance To The Hag
93 bpm • B Maj • 04:25 • -9.21db
44% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Alabama
Tennessee River
93 bpm • D Maj • 03:01 • -8.74db
47% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
58% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Montgomery Gentry
My Town
94 bpm • D Maj • 04:25 • -5.68db
43% Popularity • 52% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
58% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
69% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Church
Keep On
94 bpm • A# min • 02:38 • -3.37db
46% Popularity • 60% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
61% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
60% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Montgomery Gentry
My Town
94 bpm • D Maj • 04:45 • -7.1db
35% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Paisley
Ticks
94 bpm • E Maj • 04:33 • -6.32db
52% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Clint Black
State Of Mind
82 bpm • D Maj • 03:53 • -10.75db
46% Popularity • 62% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
58% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Brantley Gilbert
The Weekend
82 bpm • F# min • 03:07 • -4.76db
62% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jamey Johnson
That Lonesome Song
95 bpm • G Maj • 04:01 • -8.77db
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Young
You
95 bpm • F# min • 02:44 • -5db
58% Popularity • 71% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Church
Lotta Boot Left To Fill
95 bpm • F Maj • 03:24 • -5.08db
40% Popularity • 62% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
69% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Owen
Good Company
95 bpm • D Maj • 02:53 • -5.59db
48% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Zac Brown Band
Goodbye in Her Eyes
81 bpm • D# Maj • 05:24 • -7.39db
55% Popularity • 41% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Craig Morgan
International Harvester
95 bpm • D Maj • 03:48 • -5.17db
61% Popularity • 70% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Randy Houser
My Kinda Country
81 bpm • A# min • 02:54 • -4.57db
41% Popularity • 68% Danceability • 79% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
64% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Church
Doing Life With Me
81 bpm • D# Maj • 03:15 • -10.29db
58% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Janson
Holdin' Her
96 bpm • D Maj • 04:04 • -5.13db
42% Popularity • 30% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Alabama
Dixieland Delight
96 bpm • D Maj • 05:22 • -15.04db
64% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
62% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
61% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Zac Brown Band
Keep Me in Mind
96 bpm • F# Maj • 03:34 • -6.13db
60% Popularity • 68% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Little Big Town
Pontoon
96 bpm • A Maj • 03:32 • -5.72db
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Clint Black
A Good Run of Bad Luck
80 bpm • A Maj • 02:41 • -10.87db
55% Popularity • 63% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
57% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Brothers Osborne
Greener Pastures
96 bpm • C Maj • 02:52 • -6.95db
49% Popularity • 66% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Tyler Farr
Better in Boots
80 bpm • G Maj • 02:56 • -5db
46% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Dierks Bentley
Come A Little Closer
80 bpm • F Maj • 04:41 • -5.87db
55% Popularity • 58% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Billy Currington
Like My Dog
97 bpm • A# Maj • 02:46 • -4db
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Craig Morgan
Little Bit of Life
97 bpm • G Maj • 04:11 • -4.74db
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Smoke A Little Smoke
97 bpm • A# min • 03:11 • -6db
67% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brothers Osborne
Shoot Me Straight - Radio Edit
97 bpm • D Maj • 03:27 • -6db
47% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Little Big Town
Tornado
97 bpm • D# min • 03:43 • -5.15db
27% Popularity • 74% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Clint Black
Like The Rain
80 bpm • A Maj • 04:21 • -8db
54% Popularity • 52% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Brad Paisley
Water
98 bpm • F Maj • 04:21 • -5.79db
53% Popularity • 56% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
62% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Church
Some Of It
80 bpm • C Maj • 03:15 • -7db
57% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Aaron Lewis
Northern Redneck
79 bpm • F# Maj • 03:39 • -5.52db
58% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Currington
Don't
98 bpm • D Maj • 03:56 • -4db
53% Popularity • 72% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Brad Paisley
Letter to Me
79 bpm • A Maj • 04:40 • -9db
50% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Tim McGraw
My Next Thirty Years
99 bpm • F Maj • 03:37 • -7.52db
56% Popularity • 60% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Brothers Osborne
Shoot Me Straight
99 bpm • D Maj • 06:24 • -6.81db
47% Popularity • 42% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Luke Bryan
Drink A Beer
78 bpm • G# Maj • 03:22 • -7.66db
65% Popularity • 48% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Joe Nichols
The Impossible
78 bpm • A Maj • 04:05 • -6.7db
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Darius Rucker
This
100 bpm • E Maj • 03:38 • -5.04db
54% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Creepin'