Songs like Croco by Milana Zilnik
Based on a tempo of (+/- 10%) and a similar genre
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Anté Svircic
Final Moments
95 bpm • A min • 02:54 • -22.18db
18% Popularity • 64% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
18% Popularity • 64% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Ferdinand Martin
The Forest
95 bpm • F# Maj • 02:34 • -23.25db
27% Popularity • 59% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 38% Positiveness
27% Popularity • 59% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 38% Positiveness
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Henri Bentley
Last Call
95 bpm • C min • 02:18 • -28.29db
27% Popularity • 40% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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GUIDO
From Today
95 bpm • D# Maj • 03:19 • -30.74db
30% Popularity • 31% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Milana Zilnik
Croco
95 bpm • G# Maj • 05:20 • -26.72db
1% Popularity • 47% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
1% Popularity • 47% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Finn Lenoir
As time passes
95 bpm • A Maj • 02:15 • -25.75db
13% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
13% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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![Exodus (Epic) [feat. Milana & Stein Thor] cover art](https://i.scdn.co/image/ab67616d00001e02020ed25839b95ccfaa5beac2)
Dirk Maassen
Exodus (Epic)
95 bpm • C Maj • 03:18 • -14.19db
2% Popularity • 12% Danceability • 26% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
2% Popularity • 12% Danceability • 26% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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Ledetraad
Blåskygger
95 bpm • D# Maj • 02:18 • -32.32db
45% Popularity • 34% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
45% Popularity • 34% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Stephan Beneking
24 Petits Reves Bizarres: No. 13 in A mi...
94 bpm • A min • 02:10 • -12.26db
1% Popularity • 43% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
1% Popularity • 43% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
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Jeroen Ravesloot
Baleion
96 bpm • E min • 02:31 • -21.23db
25% Popularity • 54% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 21% Positiveness
25% Popularity • 54% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 21% Positiveness
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Milana Zilnik
Blu
96 bpm • E min • 03:20 • -19.48db
1% Popularity • 49% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
1% Popularity • 49% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Daniel Schrage
A Matter of Time
94 bpm • C Maj • 02:43 • -32.73db
44% Popularity • 30% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
44% Popularity • 30% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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The Masked Pianoman
Satisfaction
96 bpm • A Maj • 02:09 • -35.75db
26% Popularity • 25% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
26% Popularity • 25% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Franco Robert
Doors to the Forest
96 bpm • C# min • 02:27 • -26.4db
18% Popularity • 43% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 43% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Luis Álvarez
The Morning Room
94 bpm • D Maj • 03:03 • -24db
20% Popularity • 47% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
20% Popularity • 47% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Byebyefish
La Valse Aux Espoirs
94 bpm • E Maj • 03:34 • -17.28db
32% Popularity • 43% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
32% Popularity • 43% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Milana Zilnik
Avalon
96 bpm • C min • 03:54 • -25.44db
0% Popularity • 48% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
0% Popularity • 48% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Jackson Love
Song For Grace
94 bpm • G# Maj • 01:53 • -30.77db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
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Daniel Schrage
All Things Made New
97 bpm • C Maj • 01:53 • -30db
24% Popularity • 34% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Honeyfoxnorth5
Higher
93 bpm • E Maj • 05:26 • -7.89db
0% Popularity • 65% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
0% Popularity • 65% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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Waltzin
Nuages de décembre
97 bpm • G# min • 02:06 • -25.59db
10% Popularity • 45% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Richard Laurence
Fragments of Light - Solo Piano
97 bpm • C min • 03:15 • -22.91db
11% Popularity • 61% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
11% Popularity • 61% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Milana Zilnik
Agosto
96 bpm • D Maj • 04:09 • -30.18db
3% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
3% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Robert Gromotka
Azulejo
93 bpm • G Maj • 02:41 • -27.49db
40% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
40% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Rikard Mathisson
Silent Rooms
97 bpm • A min • 02:07 • -21.18db
30% Popularity • 47% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Bruno Bavota
The Dancers
93 bpm • C min • 02:37 • -32.14db
3% Popularity • 35% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
3% Popularity • 35% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Jonny Southard
Contours
97 bpm • A min • 02:43 • -25.19db
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Carla Simmons
Misconception
92 bpm • A# Maj • 02:48 • -32.07db
7% Popularity • 38% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
7% Popularity • 38% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Milana Zilnik
Aprile
97 bpm • A# Maj • 04:12 • -25.2db
2% Popularity • 46% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
2% Popularity • 46% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Alessandro Ligi
Preludio
98 bpm • E min • 03:13 • -17db
25% Popularity • 39% Danceability • 18% Energy • 13% Liveness
95% Instrumentalness • 38% Positiveness
25% Popularity • 39% Danceability • 18% Energy • 13% Liveness
95% Instrumentalness • 38% Positiveness
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Jon Winterstein
Somewhere Safe
98 bpm • G# Maj • 02:25 • -29.02db
42% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
42% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Jeffrey J. Torres
Love
98 bpm • A Maj • 04:41 • -15.85db
0% Popularity • 39% Danceability • 17% Energy • 9% Liveness
54% Instrumentalness • 9% Positiveness
0% Popularity • 39% Danceability • 17% Energy • 9% Liveness
54% Instrumentalness • 9% Positiveness
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Maya Sarfatto
Mysteria
92 bpm • D min • 03:41 • -21.66db
9% Popularity • 48% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Lise Jonsson
Night in the Forest - Solo Piano Version
98 bpm • C Maj • 02:37 • -27.23db
22% Popularity • 37% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
22% Popularity • 37% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Milana Zilnik
Mimosa
93 bpm • D Maj • 05:03 • -26.76db
1% Popularity • 51% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
1% Popularity • 51% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Milana Tchebotaryov-Zilnik
P. Tchaikovsky. May
99 bpm • G Maj • 03:09 • -13.96db
0% Popularity • 36% Danceability • 26% Energy • 18% Liveness
81% Instrumentalness • 19% Positiveness
0% Popularity • 36% Danceability • 26% Energy • 18% Liveness
81% Instrumentalness • 19% Positiveness
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Carlos Hof
Tristura
92 bpm • D# Maj • 02:44 • -24.26db
24% Popularity • 31% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Annika Lanka
my first melody
91 bpm • C Maj • 01:24 • -30.79db
29% Popularity • 22% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
29% Popularity • 22% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Stephen Weber
Sweet Dreams, Ava Grace
99 bpm • D# Maj • 02:42 • -28.51db
13% Popularity • 46% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Jon Winterstein
Dune Walk
99 bpm • G Maj • 02:31 • -30.59db
42% Popularity • 55% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
42% Popularity • 55% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Milana Zilnik
Hyacinthus
97 bpm • G# Maj • 04:05 • -26.28db
1% Popularity • 59% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
1% Popularity • 59% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Jasmin Lambert
Shades Of Blue
100 bpm • G# Maj • 03:18 • -29.31db
10% Popularity • 56% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
10% Popularity • 56% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Adrien de la Salle
Étoiles de givre
91 bpm • D# min • 02:50 • -22.73db
40% Popularity • 44% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
40% Popularity • 44% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Stefan Truyman
Clouds Do Waltz
90 bpm • A min • 02:30 • -26.02db
11% Popularity • 48% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
11% Popularity • 48% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
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Norman Dück
Flying High
100 bpm • F min • 02:09 • -25.18db
11% Popularity • 65% Danceability • 12% Energy • 18% Liveness
83% Instrumentalness • 41% Positiveness
11% Popularity • 65% Danceability • 12% Energy • 18% Liveness
83% Instrumentalness • 41% Positiveness
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Riccardo Roveda
Le mani sfiorate
100 bpm • D Maj • 02:46 • -34.71db
11% Popularity • 47% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 22% Positiveness
11% Popularity • 47% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 22% Positiveness
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Milana Zilnik
Chrysanthemum
99 bpm • A# Maj • 05:10 • -25.57db
2% Popularity • 56% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
2% Popularity • 56% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Leila Milki
Après la pluie
90 bpm • D Maj • 01:36 • -28.18db
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 27% Positiveness
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 27% Positiveness
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Anté Svircic
A Quiet Afternoon
100 bpm • F Maj • 02:30 • -27.54db
29% Popularity • 54% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
29% Popularity • 54% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
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Stephan Beneking
24 Petits Reves Bizarres: No. 19 in G mi...
100 bpm • G min • 01:12 • -18.39db
1% Popularity • 53% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
1% Popularity • 53% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Aisha Edwards
Masquerade
100 bpm • C min • 02:47 • -27.91db
32% Popularity • 51% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 51% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Javi Lobe
Piano Stories: V. Forever
100 bpm • F Maj • 02:10 • -17.02db
15% Popularity • 15% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
15% Popularity • 15% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Luca Mazzillo
Morning Light
90 bpm • D Maj • 03:03 • -30.5db
25% Popularity • 35% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
25% Popularity • 35% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Jean Bell
Moonlight Serenade
90 bpm • D min • 02:07 • -33.52db
15% Popularity • 37% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
15% Popularity • 37% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Alstad
4:00 AM: Emerge
102 bpm • F min • 02:43 • -32db
15% Popularity • 42% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 42% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Milana Zilnik
Dalia
101 bpm • D# Maj • 05:13 • -25.56db
1% Popularity • 58% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
1% Popularity • 58% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Luis Rigano
Homecoming
89 bpm • D Maj • 02:39 • -27.94db
12% Popularity • 26% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Fiona Elyse
Stopwatch
89 bpm • F min • 03:03 • -21.37db
9% Popularity • 42% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 42% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Luca Mazzillo
A New Sunrise
102 bpm • G Maj • 02:07 • -30db
25% Popularity • 50% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
25% Popularity • 50% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Charles Weathersby
Gennaro
102 bpm • C Maj • 03:16 • -26.19db
27% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
27% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Familiaris
Forgotten time
88 bpm • D Maj • 02:40 • -26.62db
35% Popularity • 50% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
35% Popularity • 50% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Diego Spitaleri
Melancholy Waltz
103 bpm • F min • 02:15 • -20.08db
26% Popularity • 34% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
26% Popularity • 34% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Léo Delibes
The Flower Duet
103 bpm • B Maj • 04:29 • -26.96db
33% Popularity • 37% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 37% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Alstad
But for Now, Sleep
88 bpm • F min • 02:17 • -26.16db
18% Popularity • 35% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
18% Popularity • 35% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Adrien de la Salle
Première Neige
103 bpm • F Maj • 02:05 • -25.07db
43% Popularity • 37% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Daniel Schrage
Starry Night
103 bpm • F min • 02:42 • -29.93db
13% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Sharon Chen
Menuet Nocturne - Piano Solo
87 bpm • A# min • 03:50 • -15.33db
29% Popularity • 39% Danceability • 25% Energy • 14% Liveness
79% Instrumentalness • 32% Positiveness
29% Popularity • 39% Danceability • 25% Energy • 14% Liveness
79% Instrumentalness • 32% Positiveness
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ThePianoPlayer
Waiting For Better Times
87 bpm • G min • 02:58 • -31.02db
11% Popularity • 58% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 58% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Andrea Moro
Notturno N°5
87 bpm • G min • 02:58 • -29.93db
24% Popularity • 31% Danceability • 2% Energy • 34% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 31% Danceability • 2% Energy • 34% Liveness
90% Instrumentalness • 16% Positiveness
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Aeyes Libe
Le Tunnel
87 bpm • A min • 02:57 • -25.43db
10% Popularity • 28% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
► Preview
Dominique Charpentier
One Minute and a Half of Peace
87 bpm • A# min • 01:43 • -21.97db
22% Popularity • 31% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
22% Popularity • 31% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Corciolli
Valse D´Adieu
104 bpm • C# min • 03:42 • -25db
6% Popularity • 50% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
6% Popularity • 50% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Melody of Sound
A Place Called Home
104 bpm • F Maj • 02:47 • -32.14db
27% Popularity • 36% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
27% Popularity • 36% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Claus Egan
Your View
104 bpm • B min • 03:08 • -25.42db
7% Popularity • 45% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
7% Popularity • 45% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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Riccardo Pietri
Sequence
104 bpm • A min • 02:27 • -26.04db
32% Popularity • 35% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
32% Popularity • 35% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Nolan Khan
The Road Ahead
104 bpm • G min • 02:09 • -26.07db
32% Popularity • 52% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
32% Popularity • 52% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Ian Wong
Overshadow
105 bpm • F# min • 01:43 • -27.61db
19% Popularity • 62% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
19% Popularity • 62% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
► Preview
Vivian Roost
Spring
105 bpm • D# Maj • 03:26 • -16.62db
21% Popularity • 45% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
21% Popularity • 45% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Yakov Berger
Wet Windows
86 bpm • G# Maj • 02:55 • -24.42db
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Jean Bell
Longing For You
86 bpm • F Maj • 01:39 • -23.14db
7% Popularity • 57% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
7% Popularity • 57% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
► Preview
Christina Korotaeva
Transparent thoughts
106 bpm • B min • 03:25 • -29.41db
16% Popularity • 39% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
16% Popularity • 39% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Mattia Vlad Morleo
Almost
106 bpm • F Maj • 02:38 • -27.66db
6% Popularity • 34% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
6% Popularity • 34% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Marcello Liverani
Time to Stay
106 bpm • G# Maj • 03:19 • -30.29db
14% Popularity • 30% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Housman
Saorsa
85 bpm • A min • 02:16 • -19.89db
25% Popularity • 40% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
25% Popularity • 40% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Riccardo Lettiere
Scelta del percorso
106 bpm • G Maj • 02:06 • -30db
34% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
34% Popularity • 41% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
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Ferdinand Martin
Emma's Beauty
106 bpm • F Maj • 02:33 • -19.97db
19% Popularity • 59% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
19% Popularity • 59% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
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Angelo Nicola Giuliano
Earth, the beginning
85 bpm • D min • 02:31 • -25.92db
22% Popularity • 30% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 30% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Collettivo Armonico
The Bridge
85 bpm • F Maj • 03:22 • -26.42db
19% Popularity • 35% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
19% Popularity • 35% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Eduardo Gutiérrez
Sommermorgen
85 bpm • G Maj • 02:29 • -26db
14% Popularity • 41% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Stefan Truyman
A Waltz of Shades
107 bpm • A min • 02:32 • -19.76db
3% Popularity • 50% Danceability • 11% Energy • 6% Liveness
94% Instrumentalness • 15% Positiveness
3% Popularity • 50% Danceability • 11% Energy • 6% Liveness
94% Instrumentalness • 15% Positiveness
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Miriam Barthez
Memoirs
85 bpm • A# Maj • 02:27 • -26.29db
16% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
16% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
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Comet Blue
Your Silent Flow
85 bpm • D min • 02:10 • -25.44db
12% Popularity • 43% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Fog Chaser
Florescence
107 bpm • F# min • 03:01 • -23db
14% Popularity • 67% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
14% Popularity • 67% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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April Chung
Staring at Jacob
107 bpm • A min • 02:31 • -21.63db
11% Popularity • 52% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
11% Popularity • 52% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Andrei Poliakov
Winter Sunday
84 bpm • F Maj • 02:15 • -23.45db
9% Popularity • 52% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 52% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Aleksy Wysocki
Wiosenne Słońce
84 bpm • G# Maj • 02:01 • -27.46db
8% Popularity • 35% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
8% Popularity • 35% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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LARK
Tillit
107 bpm • A# Maj • 02:01 • -28.21db
20% Popularity • 42% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 42% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 14% Positiveness
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Milana Tchebotaryov-Zilnik
P. Tchaikovsky. June
84 bpm • G min • 04:39 • -12.47db
0% Popularity • 45% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
0% Popularity • 45% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
