Songs like Crooked Road and The Briar by Calexico
Based on a tempo of (+/- 10%) and a similar genre
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The Walkabouts
The River People
139 bpm • A min • 05:17 • -9.63db
25% Popularity • 38% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
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Roger McGuinn
One More Cup of Coffee
139 bpm • G# Maj • 04:30 • -7.77db
25% Popularity • 44% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 59% Positiveness
25% Popularity • 44% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 59% Positiveness
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Tweedy
Let's Find Each Other Tonight
138 bpm • G Maj • 02:14 • -8.09db
23% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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Sam Beam
Midas Tongue
138 bpm • G min • 03:03 • -11db
21% Popularity • 73% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 73% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Howe Gelb
Every Now and Then
138 bpm • E min • 01:40 • -11.59db
17% Popularity • 66% Danceability • 40% Energy • 24% Liveness
16% Instrumentalness • 87% Positiveness
17% Popularity • 66% Danceability • 40% Energy • 24% Liveness
16% Instrumentalness • 87% Positiveness
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Damien Jurado
Throwing Your Voice
140 bpm • C Maj • 03:01 • -9.78db
19% Popularity • 68% Danceability • 36% Energy • 13% Liveness
10% Instrumentalness • 41% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 13% Liveness
10% Instrumentalness • 41% Positiveness
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Beck
True Love Will Find You in the End
138 bpm • G Maj • 03:23 • -10db
36% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jim White
Buzzards of Love
140 bpm • G# min • 07:00 • -7.48db
9% Popularity • 39% Danceability • 64% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
9% Popularity • 39% Danceability • 64% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
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Braschi
Santa Monica - Bonus Track
138 bpm • F Maj • 03:35 • -8.39db
1% Popularity • 41% Danceability • 39% Energy • 9% Liveness
16% Instrumentalness • 15% Positiveness
1% Popularity • 41% Danceability • 39% Energy • 9% Liveness
16% Instrumentalness • 15% Positiveness
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Thalia Zedek Band
Bone
138 bpm • G Maj • 04:34 • -6.03db
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Stuart A. Staples
Goodbye to Old Friends
140 bpm • F# min • 06:13 • -8.82db
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
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Giant Sand
Wind Blown Waltz
140 bpm • C Maj • 03:21 • -15db
30% Popularity • 52% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
30% Popularity • 52% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Lucinda Williams
Are You Down
140 bpm • C min • 05:26 • -12.1db
28% Popularity • 62% Danceability • 52% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
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Tom Freund
Collapsible Plans (Sugar)
140 bpm • G Maj • 04:06 • -9.39db
13% Popularity • 67% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 67% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Phosphorescent
Los Angeles
140 bpm • F Maj • 08:48 • -9.17db
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
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Laura Veirs
Fire Snakes
141 bpm • G Maj • 04:57 • -13db
18% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
18% Popularity • 61% Danceability • 39% Energy • 12% Liveness
23% Instrumentalness • 44% Positiveness
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Howe Gelb
Get to Leave
137 bpm • C Maj • 02:55 • -16.72db
29% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 27% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Giant Sand
Classico
141 bpm • C Maj • 02:50 • -12.41db
19% Popularity • 60% Danceability • 24% Energy • 14% Liveness
38% Instrumentalness • 37% Positiveness
19% Popularity • 60% Danceability • 24% Energy • 14% Liveness
38% Instrumentalness • 37% Positiveness
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Eels
My Timing Is Off
137 bpm • D# Maj • 02:57 • -10db
40% Popularity • 67% Danceability • 69% Energy • 10% Liveness
15% Instrumentalness • 84% Positiveness
40% Popularity • 67% Danceability • 69% Energy • 10% Liveness
15% Instrumentalness • 84% Positiveness
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Vic Chesnutt
Guilty By Association
137 bpm • E Maj • 04:19 • -12.62db
14% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
14% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
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Micah P. Hinson
I Keep Havin' These Dreams
137 bpm • A Maj • 03:58 • -12.55db
22% Popularity • 29% Danceability • 37% Energy • 10% Liveness
11% Instrumentalness • 20% Positiveness
22% Popularity • 29% Danceability • 37% Energy • 10% Liveness
11% Instrumentalness • 20% Positiveness
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Mark Kozelek
Mariette
137 bpm • F# Maj • 03:01 • -10.04db
30% Popularity • 66% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
30% Popularity • 66% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Nick Cave & The Bad Seeds
Babe, You Turn Me On
137 bpm • C Maj • 04:21 • -11.62db
35% Popularity • 60% Danceability • 40% Energy • 12% Liveness
16% Instrumentalness • 31% Positiveness
35% Popularity • 60% Danceability • 40% Energy • 12% Liveness
16% Instrumentalness • 31% Positiveness
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The Be Good Tanyas
The Littlest Birds
141 bpm • C Maj • 04:09 • -12db
45% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Delines
I Won't Slip Up
141 bpm • D# min • 04:13 • -11.99db
7% Popularity • 52% Danceability • 26% Energy • 13% Liveness
44% Instrumentalness • 14% Positiveness
7% Popularity • 52% Danceability • 26% Energy • 13% Liveness
44% Instrumentalness • 14% Positiveness
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Vetiver
Blue Driver
142 bpm • E Maj • 03:57 • -7.09db
16% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Kurt Wagner
Pickin' Wild Mountain Berries
136 bpm • C Maj • 03:35 • -9.22db
10% Popularity • 52% Danceability • 76% Energy • 7% Liveness
62% Instrumentalness • 74% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 7% Liveness
62% Instrumentalness • 74% Positiveness
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Damien Jurado
Metallic Cloud
136 bpm • F# Maj • 03:25 • -7db
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Alejandro Escovedo
Sex Beat
136 bpm • A min • 04:08 • -8.65db
16% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Howe Gelb
Torque (Tango de la Tongue)
136 bpm • F# min • 04:19 • -11.8db
17% Popularity • 61% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 40% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 40% Positiveness
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The Felice Brothers
Days of the Years
142 bpm • A Maj • 03:58 • -10db
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Evan Dando
Hard Drive
136 bpm • G min • 03:14 • -20.33db
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jeff Tweedy
Laminated Cat
136 bpm • G Maj • 03:49 • -18.93db
29% Popularity • 52% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Micah P. Hinson
The Possibilities
136 bpm • E Maj • 03:48 • -15.95db
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
36% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Jim White
Borrowed Wings
136 bpm • E min • 04:34 • -9.18db
14% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Willy Mason
What Is This
143 bpm • A min • 02:54 • -6db
29% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Wovenhand
The Good Hand
143 bpm • E min • 04:10 • -5.45db
28% Popularity • 57% Danceability • 75% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
28% Popularity • 57% Danceability • 75% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Richard Buckner
A Chance Counsel
143 bpm • E Maj • 04:50 • -9.67db
21% Popularity • 57% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
21% Popularity • 57% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
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Calexico
Over Your Shoulder
135 bpm • G min • 04:10 • -15.92db
16% Popularity • 68% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
16% Popularity • 68% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Micah P. Hinson
Caught in Between
143 bpm • A min • 02:29 • -10.43db
37% Popularity • 30% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 30% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Jesca Hoop
The Lost Sky
135 bpm • A# min • 03:50 • -11.08db
25% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Teddy Thompson
The Future
144 bpm • G min • 06:49 • -5db
28% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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The Walkabouts
Will You Miss Me When I'm Gone
134 bpm • D Maj • 04:09 • -14.38db
17% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
17% Popularity • 44% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Gillian Welch
One Monkey
134 bpm • A min • 05:38 • -13.17db
20% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Be Good Tanyas
In My Time Of Dying
134 bpm • C min • 03:46 • -10db
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Mark Kozelek
I'm Not in Love
134 bpm • D Maj • 04:28 • -15db
23% Popularity • 62% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
23% Popularity • 62% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Marlon Williams
I Know A Jeweller
134 bpm • A min • 02:36 • -11db
30% Popularity • 63% Danceability • 47% Energy • 31% Liveness
61% Instrumentalness • 49% Positiveness
30% Popularity • 63% Danceability • 47% Energy • 31% Liveness
61% Instrumentalness • 49% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Eels
Mansions of Los Feliz
144 bpm • C Maj • 02:46 • -11.82db
26% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Richmond Fontaine
Post To Wire
145 bpm • F min • 02:13 • -7.88db
24% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
24% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Calexico
Fortune Teller
134 bpm • E Maj • 03:57 • -12.72db
13% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Howe Gelb
Running Behind
134 bpm • G Maj • 02:24 • -17.11db
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Grinderman
Go Tell the Women
134 bpm • G Maj • 03:24 • -10.91db
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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T Bone Burnett
Primitives
133 bpm • D min • 03:14 • -10.6db
15% Popularity • 55% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
15% Popularity • 55% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
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Richmond Fontaine
I Fell into Painting Houses in Phoenix, ...
133 bpm • C Maj • 03:27 • -11.34db
12% Popularity • 34% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 34% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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The Leisure Society
We Were Wasted
145 bpm • C min • 02:55 • -14.23db
39% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
39% Popularity • 27% Danceability • 15% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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M. Ward
Oh Lonesome Me
145 bpm • D# Maj • 06:05 • -11.54db
3% Popularity • 28% Danceability • 33% Energy • 20% Liveness
34% Instrumentalness • 28% Positiveness
3% Popularity • 28% Danceability • 33% Energy • 20% Liveness
34% Instrumentalness • 28% Positiveness
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Devendra Banhart
Heard Somebody Say
145 bpm • A Maj • 03:20 • -10.4db
37% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
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Giant Sand
Forever and a Day
145 bpm • E min • 06:26 • -8db
26% Popularity • 34% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 34% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Calexico
Woven Birds
146 bpm • A min • 03:46 • -14db
17% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Kozelek
What's Next To The Moon
133 bpm • A min • 03:34 • -10.33db
18% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Gillian Welch
Revelator
146 bpm • A min • 06:21 • -9.79db
31% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
31% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
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Frazey Ford
Bird Of Paradise
146 bpm • C# Maj • 05:17 • -11.26db
37% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Micah P. Hinson
Tell Me It Ain't So
132 bpm • C# Maj • 04:09 • -12.59db
26% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
26% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
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Eels
From Which I Came / A Magic World
132 bpm • D# Maj • 03:13 • -7.82db
27% Popularity • 51% Danceability • 55% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
27% Popularity • 51% Danceability • 55% Energy • 8% Liveness
15% Instrumentalness • 6% Positiveness
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Calexico
Not Even Stevie Nicks…
132 bpm • A Maj • 02:43 • -8.76db
23% Popularity • 52% Danceability • 39% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
23% Popularity • 52% Danceability • 39% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
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Devendra Banhart
Goin' Back
132 bpm • A Maj • 03:44 • -11db
24% Popularity • 63% Danceability • 46% Energy • 18% Liveness
44% Instrumentalness • 44% Positiveness
24% Popularity • 63% Danceability • 46% Energy • 18% Liveness
44% Instrumentalness • 44% Positiveness
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The Be Good Tanyas
Junkie Song
132 bpm • G Maj • 03:49 • -13db
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Sean Rowe
Jonathan
146 bpm • A min • 04:36 • -6.22db
11% Popularity • 44% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 44% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Micah P. Hinson
Close Your Eyes
132 bpm • E Maj • 03:07 • -10.54db
35% Popularity • 26% Danceability • 35% Energy • 10% Liveness
15% Instrumentalness • 11% Positiveness
35% Popularity • 26% Danceability • 35% Energy • 10% Liveness
15% Instrumentalness • 11% Positiveness
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Eels
Mistakes of My Youth
132 bpm • G Maj • 04:57 • -9.96db
32% Popularity • 59% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
32% Popularity • 59% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Jeff Tweedy
Simple Twist of Fate
132 bpm • C# Maj • 03:43 • -8.13db
28% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Howe Gelb
The Farm
147 bpm • E min • 04:00 • -8.3db
9% Popularity • 66% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 66% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Giant Sand
Yer Ropes
147 bpm • G Maj • 05:06 • -8db
14% Popularity • 46% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 46% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Calexico
Pepita
147 bpm • F# min • 02:36 • -13.04db
21% Popularity • 73% Danceability • 31% Energy • 9% Liveness
32% Instrumentalness • 83% Positiveness
21% Popularity • 73% Danceability • 31% Energy • 9% Liveness
32% Instrumentalness • 83% Positiveness
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Okkervil River
A Girl In Port
147 bpm • E Maj • 06:36 • -7db
25% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
33% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
33% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Neko Case
Best Kept Secret
131 bpm • B min • 03:17 • -7db
34% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
34% Popularity • 48% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Magnolia Electric Co.
Leave the City
131 bpm • G Maj • 06:21 • -13.3db
17% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
17% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Ryley Walker
Primrose Green
131 bpm • D Maj • 04:06 • -7db
22% Popularity • 52% Danceability • 62% Energy • 10% Liveness
27% Instrumentalness • 17% Positiveness
22% Popularity • 52% Danceability • 62% Energy • 10% Liveness
27% Instrumentalness • 17% Positiveness
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Thurston Moore
Benediction
131 bpm • A# Maj • 05:16 • -8.92db
24% Popularity • 52% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
24% Popularity • 52% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
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Calexico
Beneath The City Of Dreams
131 bpm • E min • 02:35 • -6.7db
8% Popularity • 57% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 57% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Nick Cave
Suzanne
131 bpm • E Maj • 04:42 • -13.02db
35% Popularity • 53% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 53% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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The Decemberists
Till The Water’s All Long Gone
148 bpm • B min • 05:01 • -9.89db
27% Popularity • 49% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Smoke Fairies
Strange Moon Rising
148 bpm • D min • 03:23 • -10.57db
11% Popularity • 56% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
11% Popularity • 56% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Willy Mason
Talk Me Down
148 bpm • C Maj • 03:04 • -6db
37% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Phosphorescent
The Mermaid Parade
130 bpm • F Maj • 04:22 • -10db
25% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Calexico
Sinner In The Sea
148 bpm • E min • 04:14 • -8.73db
4% Popularity • 45% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
4% Popularity • 45% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Mira Billotte
As I Went out One Morning
130 bpm • F Maj • 02:53 • -8.58db
30% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
30% Popularity • 78% Danceability • 60% Energy • 21% Liveness
5% Instrumentalness • 97% Positiveness
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Jarvis Cocker
I Can't Forget
130 bpm • F# Maj • 03:41 • -9.14db
27% Popularity • 41% Danceability • 48% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 41% Danceability • 48% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
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Eleni Mandell
Let's Drive Away
130 bpm • C Maj • 02:34 • -8.8db
11% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Jay Farrar
Fly High
129 bpm • F# min • 03:45 • -13db
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
