Songs like Cross of Jesus "Come, Thou Long Expected Jesus" by John Stainer
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Barnby
Laudes Domini "When Morning Gilds the Sk...
77 bpm • C Maj • 04:12 • -21db
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Ramsden Bramley
The Wassail Song
77 bpm • E Maj • 01:09 • -21.77db
0% Popularity • 38% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 38% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Patrick Vu
Will There Really Be a "Morning"?
77 bpm • E Maj • 02:51 • -23.4db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
9% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Patrick Cassidy
The Mass: Laudamus Te
77 bpm • D min • 03:13 • -23db
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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John Stainer
The Crucifixion: Hymn: Holy Jesu, by Thy...
77 bpm • A Maj • 04:42 • -31.34db
0% Popularity • 12% Danceability • 5% Energy • 9% Liveness
59% Instrumentalness • 9% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 9% Liveness
59% Instrumentalness • 9% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
18% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
15% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
76 bpm • F Maj • 02:22 • -30db
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 3% Positiveness
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Joseph Stillwell
Songs of Love and Solace, Op. 10 (Versio...
76 bpm • D# Maj • 04:46 • -17.35db
9% Popularity • 22% Danceability • 13% Energy • 15% Liveness
33% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 15% Liveness
33% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Chorus: God so loved th...
76 bpm • D Maj • 03:39 • -28.75db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Joseph Barnby
Psalm 7 "O Lord My God, in Thee Have I P...
76 bpm • A min • 05:02 • -32.84db
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Richard Lloyd
The Lichfield Service: II. Nunc Dimittis
76 bpm • D# Maj • 02:57 • -25.27db
8% Popularity • 16% Danceability • 9% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Frank La Rocca
Mass of the Americas: VI. Agnus Dei
76 bpm • D min • 02:33 • -21.9db
7% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Christian David
Sonne der Gerechtigkeit (Arr. Johannsen)
76 bpm • C Maj • 02:27 • -19.84db
9% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Hymn. Litany of the Pas...
76 bpm • A Maj • 04:51 • -28.74db
6% Popularity • 16% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
6% Popularity • 16% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Matthew Coleridge
Requiem: Rex Tremendae
76 bpm • A# min • 02:12 • -24.06db
8% Popularity • 23% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
10% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
10% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Pavel Chesnokov
All-night Vigil, Op. 44: Svete tihiy
78 bpm • D min • 03:54 • -23.77db
9% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat & Nunc dimittis in G Major, O...
78 bpm • G Maj • 04:13 • -25.28db
9% Popularity • 10% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 6% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Bob Chilcott
St. John Passion, Part III: Jesus, My Le...
78 bpm • G min • 04:54 • -24.13db
8% Popularity • 11% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Recitative: And one of ...
78 bpm • F Maj • 02:37 • -29.96db
13% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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John Ireland
Communion Service in C Major: Pater nost...
75 bpm • F Maj • 01:31 • -27.78db
17% Popularity • 28% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Marco da Gagliano
La Favolla d'Apollo: 13. Ohimè che vegg...
79 bpm • C Maj • 01:26 • -13.89db
9% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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John Sanders
The Reproaches
79 bpm • G min • 08:50 • -25.66db
8% Popularity • 10% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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John Stainer
All for Jesus!
78 bpm • D Maj • 02:22 • -23db
6% Popularity • 12% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
6% Popularity • 12% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
9% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Thomas Sanders Dupuis
Psalm 73 "Truly God Is Loving unto Israe...
75 bpm • G Maj • 07:47 • -21.9db
11% Popularity • 22% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: I Heard a Voice from Heaven
79 bpm • D Maj • 04:01 • -29db
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
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Charles Lockhart
For All Thy Saints, O Lord
75 bpm • D# Maj • 02:22 • -31.24db
15% Popularity • 18% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 18% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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John Stainer
The Crucifixion: Recitative: And as Mose...
78 bpm • D Maj • 01:09 • -23.19db
0% Popularity • 19% Danceability • 13% Energy • 44% Liveness
41% Instrumentalness • 18% Positiveness
0% Popularity • 19% Danceability • 13% Energy • 44% Liveness
41% Instrumentalness • 18% Positiveness
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Mårten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Becky McGlade
My Beloved Spake - SATB
75 bpm • A min • 03:34 • -19.34db
7% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
15% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Leo Sowerby
Come, Risen Lord: Come, risen Lord
79 bpm • A# Maj • 03:06 • -26db
7% Popularity • 17% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
7% Popularity • 17% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Jesu meine Freude, BWV 227: Denn das Ges...
75 bpm • D# min • 01:08 • -28db
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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John Stainer
There's a Wideness in God's Mercy
76 bpm • G Maj • 03:33 • -22.53db
16% Popularity • 18% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
16% Popularity • 18% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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London Philharmonic Choir
O For The Wings Of A Dove
79 bpm • G Maj • 02:33 • -26.21db
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
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John Goss
Praise, my soul, the King of heaven
79 bpm • D Maj • 02:21 • -21db
11% Popularity • 14% Danceability • 18% Energy • 15% Liveness
55% Instrumentalness • 22% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 15% Liveness
55% Instrumentalness • 22% Positiveness
► Preview
Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
John Stainer
The Crucifixion: V. Hymn – The Mystery...
76 bpm • G# Maj • 04:45 • -16.67db
8% Popularity • 10% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
8% Popularity • 10% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
► Preview
Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
8% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
► Preview
Karl Jenkins
The Armed Man (Ensemble Version): III. K...
74 bpm • D min • 08:43 • -25.47db
16% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: X. Hymn – Litany of t...
78 bpm • A Maj • 04:22 • -20.54db
3% Popularity • 17% Danceability • 10% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
3% Popularity • 17% Danceability • 10% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Stanley Alcock
Be Merciful unto Me, O God (Psalm 56)
80 bpm • A# min • 03:04 • -30.07db
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
9% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
Sir Sydney Hugo Nicholson
Psalm 101 "My Song Shall Be of Mercy and...
80 bpm • G# Maj • 03:02 • -30db
10% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
15% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: The Agony. Could ye not...
79 bpm • C# min • 07:19 • -24.66db
9% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
12% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 2 (Sung i...
74 bpm • G# Maj • 01:01 • -21.25db
7% Popularity • 23% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 23% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Jaakko Mäntyjärvi
Trinity Service: The Lord's Prayer
80 bpm • G# min • 02:35 • -17.54db
12% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
15% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Stainer
The Crucifixion: Hymn: All for Jesus
75 bpm • E Maj • 02:25 • -17.7db
0% Popularity • 11% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 19% Positiveness
0% Popularity • 11% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 19% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Margaret Bonds
The Ballad of the Brown King: VIII. That...
80 bpm • G# Maj • 01:24 • -18.26db
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
14% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Strutt
St. Catherine's Court "In Our Day of Tha...
74 bpm • D Maj • 02:49 • -20.89db
11% Popularity • 14% Danceability • 12% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
11% Popularity • 14% Danceability • 12% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
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George Mursell Garrett
Psalm 119 "Thy Hands Have Made Me"
74 bpm • G# Maj • 07:11 • -29.33db
8% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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John Stainer
The Crucifixion: 20. For the Love of Jes...
75 bpm • E Maj • 02:48 • -19.85db
1% Popularity • 14% Danceability • 12% Energy • 18% Liveness
3% Instrumentalness • 11% Positiveness
1% Popularity • 14% Danceability • 12% Energy • 18% Liveness
3% Instrumentalness • 11% Positiveness
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William Henry Harris
O hearken Thou, "Psalm 5"
81 bpm • G Maj • 02:31 • -25.85db
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
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D.A. Cooper
Psalm 55 "Hear My Prayer, O God"
81 bpm • F min • 05:36 • -29.68db
9% Popularity • 17% Danceability • 5% Energy • 25% Liveness
7% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 25% Liveness
7% Instrumentalness • 6% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Dear Lord And Father
81 bpm • D# Maj • 03:47 • -31db
20% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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John Stainer
The Crucifixion: Hymn: Cross of Jesus, C...
79 bpm • G# Maj • 04:24 • -25.19db
1% Popularity • 16% Danceability • 14% Energy • 18% Liveness
6% Instrumentalness • 16% Positiveness
1% Popularity • 16% Danceability • 14% Energy • 18% Liveness
6% Instrumentalness • 16% Positiveness
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The Concordia Choir
Purge Me From My Sin
73 bpm • F# min • 01:56 • -26.78db
22% Popularity • 13% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Michael Joncas
St. Francis Evening Prayer (Lucernarium)...
73 bpm • D# Maj • 02:05 • -22.9db
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Eleanor Daley
Requiem: IV. In Remembrance
81 bpm • C# Maj • 02:56 • -25.63db
10% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: Processional to Calvary...
79 bpm • C Maj • 10:07 • -21.07db
17% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Harvard University Choir
God, That Madest Earth and Heaven
73 bpm • G Maj • 01:53 • -22.04db
14% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
14% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
