Songs like cross your mind by ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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Dreamer Boy
OVER EVERYTHING
114 bpm • F# Maj • 03:11 • -5.56db
22% Popularity • 69% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 69% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
cross your mind
114 bpm • A Maj • 02:40 • -4.67db
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 75% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Isaac Dunbar
Tainted Love
114 bpm • C Maj • 03:21 • -5db
35% Popularity • 63% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 63% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Grady
SO GOOD
114 bpm • A Maj • 02:10 • -6.37db
28% Popularity • 72% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 72% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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mathijs.iv
Undershare
115 bpm • A min • 03:39 • -6.59db
32% Popularity • 82% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 89% Positiveness
32% Popularity • 82% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 89% Positiveness
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Clubhouse
NO WAY!
115 bpm • F# Maj • 02:27 • -6.31db
39% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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ROLE MODEL
die for my bitch
115 bpm • C Maj • 02:53 • -7.1db
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 84% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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young friend
PINCH ME
113 bpm • F# min • 02:59 • -11db
59% Popularity • 78% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 78% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Isaac Dunbar
Sunburn
114 bpm • E min • 02:50 • -6db
34% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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ELIO
LA in Two
115 bpm • G Maj • 03:08 • -8.12db
37% Popularity • 73% Danceability • 67% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 73% Danceability • 67% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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SEB
3am in nyc
113 bpm • A min • 03:09 • -7db
40% Popularity • 72% Danceability • 65% Energy • 12% Liveness
22% Instrumentalness • 68% Positiveness
40% Popularity • 72% Danceability • 65% Energy • 12% Liveness
22% Instrumentalness • 68% Positiveness
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milk.
You're So.
115 bpm • F# Maj • 04:11 • -10.15db
45% Popularity • 72% Danceability • 57% Energy • 10% Liveness
65% Instrumentalness • 87% Positiveness
45% Popularity • 72% Danceability • 57% Energy • 10% Liveness
65% Instrumentalness • 87% Positiveness
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Verzache
Broke Mine
115 bpm • C Maj • 03:31 • -8.88db
34% Popularity • 90% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
34% Popularity • 90% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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almost monday
parking lot view
113 bpm • B min • 02:59 • -4.57db
50% Popularity • 74% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 74% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 95% Positiveness
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Isaac Dunbar
Bleach
113 bpm • C# Maj • 03:39 • -6db
36% Popularity • 66% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 66% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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young friend
LOVERBOY
115 bpm • C Maj • 02:25 • -7.04db
37% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 81% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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ELIO
Jackie Onassis
116 bpm • C# Maj • 03:45 • -9db
29% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Grady
Deep Breath in the Sun
112 bpm • F min • 02:35 • -4.6db
34% Popularity • 75% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 75% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
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milk.
Human Contact.
116 bpm • A# Maj • 03:18 • -8.91db
37% Popularity • 75% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
37% Popularity • 75% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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Isaac Dunbar
love, or the lack thereof
115 bpm • C# Maj • 03:07 • -7.06db
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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DOUBLECAMP
Good For Me
112 bpm • G Maj • 02:45 • -5.99db
25% Popularity • 86% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 86% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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ella jane
Calling Card
116 bpm • G# Maj • 03:12 • -7db
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 83% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Bad Suns
Life Jacket
112 bpm • D Maj • 02:55 • -4.86db
35% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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SEB
f**k it, i'm the man
112 bpm • E Maj • 02:30 • -4.18db
57% Popularity • 87% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 98% Positiveness
57% Popularity • 87% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 98% Positiveness
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Georgia Twinn
Matty Healy
112 bpm • B min • 02:30 • -5.59db
30% Popularity • 67% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Vacation Manor
Apt. 4
112 bpm • D Maj • 03:12 • -5.39db
46% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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HARBOUR
Thorn
112 bpm • E Maj • 03:27 • -6.07db
31% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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almost monday
sunburn
112 bpm • E Maj • 02:53 • -4.54db
58% Popularity • 69% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 69% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 79% Positiveness
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young friend
SUGARCOATED
112 bpm • F# min • 03:11 • -6.16db
32% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 79% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Joe P
Off My Mind
112 bpm • C Maj • 03:33 • -7.71db
58% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Bad Suns
Nightclub (Waiting for You)
117 bpm • F min • 03:46 • -6db
36% Popularity • 68% Danceability • 69% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
36% Popularity • 68% Danceability • 69% Energy • 19% Liveness
1% Instrumentalness • 41% Positiveness
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Wiley Beckett
Disco Nights
116 bpm • A Maj • 03:36 • -7.88db
46% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Aidan Bissett
Tripping Over Air
117 bpm • B Maj • 03:02 • -4.81db
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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ROLE MODEL
who hurt you
117 bpm • G Maj • 03:28 • -8db
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 84% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Dominic Fike
Why
117 bpm • F# Maj • 02:19 • -2.68db
70% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
70% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Greyson Chance
Homerun Hitter
117 bpm • A Maj • 04:32 • -7.89db
38% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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BENEE
Beach Boy
111 bpm • B Maj • 03:12 • -6db
55% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Aidan Bissett
Twenty Something
117 bpm • A Maj • 03:09 • -4.62db
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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ella jane
I Wanna
111 bpm • D Maj • 03:30 • -8db
36% Popularity • 71% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 71% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Wallows
At the End of the Day
117 bpm • A Maj • 03:53 • -5db
50% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Rex Orange County
THREAT
118 bpm • D Maj • 02:50 • -13.81db
51% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Fiji Blue
Only When I Look into Your Eyes
118 bpm • A# Maj • 03:19 • -5.49db
46% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
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Ber
Feels So Easy
110 bpm • F# min • 02:26 • -10db
42% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Artemas
I'm Trynna Tell U That I Love U
118 bpm • A# Maj • 02:39 • -2.47db
46% Popularity • 82% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 82% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Nolie
Not Coming Home
118 bpm • A# Maj • 02:37 • -4.62db
33% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Greyson Chance
Athena
118 bpm • C Maj • 03:58 • -5.72db
32% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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MisterWives
Wrongside
118 bpm • F Maj • 03:29 • -3.61db
32% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Charlotte Lawrence
Morning
118 bpm • G# Maj • 03:01 • -7db
39% Popularity • 71% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 71% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Greeting Committee
Anything But You
110 bpm • D Maj • 03:41 • -4db
35% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Noah Guy
Saltines & Gingerale
110 bpm • C# Maj • 02:34 • -7db
39% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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dempsey hope
baby blue
118 bpm • F# min • 03:20 • -9.12db
36% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Arlie
landline
110 bpm • C# Maj • 03:03 • -4.02db
42% Popularity • 76% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 76% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Wldlfe
Somebody's Gonna Love You
110 bpm • G# Maj • 03:55 • -5.44db
42% Popularity • 64% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 64% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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DWLLRS
Dividends
110 bpm • C Maj • 03:38 • -8.14db
46% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Headon
Strawberry Kisses
110 bpm • C Maj • 03:01 • -3.21db
33% Popularity • 68% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 68% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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ROLE MODEL
life is funny
109 bpm • G# Maj • 03:26 • -7.93db
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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HARBOUR
Radiate (Like You Do)
109 bpm • A Maj • 03:13 • -4.73db
38% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Arlie
findaway
109 bpm • G Maj • 02:54 • -6.06db
27% Popularity • 51% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 51% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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nicole han
how dare you
109 bpm • C# Maj • 02:57 • -7.32db
22% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Aidan Bissett
A Song For Her
109 bpm • F Maj • 02:39 • -11db
33% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Academic
Girlfriends
109 bpm • E Maj • 03:31 • -7.15db
44% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 52% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
play the part
109 bpm • D# Maj • 03:12 • -7db
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Prince of Eden
Say My Name
120 bpm • D Maj • 03:56 • -5.85db
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Vacation Manor
Can't Run Forever
120 bpm • A Maj • 03:49 • -6db
48% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
54% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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dempsey hope
birds
120 bpm • G Maj • 02:25 • -7.59db
32% Popularity • 80% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 80% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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ROLE MODEL
six speed
109 bpm • C Maj • 03:27 • -10.25db
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ashe
Another Man's Jeans
120 bpm • C# Maj • 02:45 • -5.39db
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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milk.
In LA.
120 bpm • G Maj • 03:08 • -7.58db
29% Popularity • 65% Danceability • 65% Energy • 15% Liveness
10% Instrumentalness • 49% Positiveness
29% Popularity • 65% Danceability • 65% Energy • 15% Liveness
10% Instrumentalness • 49% Positiveness
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young friend
WHEN WE WERE KIDS
120 bpm • E Maj • 03:18 • -6.44db
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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DBMK
I Heard You Had a Girlfriend
120 bpm • E Maj • 03:07 • -10.68db
29% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Cherry Pools
Turn You On
120 bpm • E Maj • 03:28 • -6db
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Valley
Last Birthday
120 bpm • G# Maj • 03:57 • -7.77db
36% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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almost monday
don't say you're ordinary
120 bpm • C Maj • 02:59 • -4.93db
38% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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young friend
GOOD GUY
120 bpm • E Maj • 02:36 • -6.03db
21% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Landon Conrath
Static
120 bpm • B Maj • 02:55 • -6db
44% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Berlue
happier?
120 bpm • E Maj • 03:16 • -5.75db
19% Popularity • 50% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 60% Positiveness
19% Popularity • 50% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 60% Positiveness
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milk.
Drama Queen
120 bpm • A Maj • 04:00 • -5.75db
36% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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HARBOUR
Sleepyhead
108 bpm • F# Maj • 04:05 • -4.8db
37% Popularity • 40% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 40% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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ROLE MODEL
that's just how it goes
108 bpm • G min • 02:46 • -5db
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 78% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Ava Maybee
Colors
108 bpm • G# Maj • 03:26 • -8.62db
51% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Valley
SOCIETY
108 bpm • F# Maj • 03:41 • -6db
40% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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spill tab
Anybody Else
108 bpm • C min • 02:10 • -5db
32% Popularity • 66% Danceability • 67% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 66% Danceability • 67% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
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milk.
I Might Bore You.
120 bpm • E Maj • 03:32 • -8.23db
35% Popularity • 61% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
35% Popularity • 61% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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flowerovlove
Will We Ever Get This Right
121 bpm • D Maj • 02:41 • -6.06db
30% Popularity • 80% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 80% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Anna Shoemaker
Holly
121 bpm • F# Maj • 02:47 • -6.19db
46% Popularity • 62% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
46% Popularity • 62% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Arlie
poppin
121 bpm • G Maj • 03:49 • -5db
27% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Aidan Bissett
Sick
107 bpm • B min • 02:16 • -4.91db
45% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Kid Bloom
Cowboy
107 bpm • G min • 03:26 • -5.36db
34% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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New West
Kids Who Stole The World
122 bpm • A min • 03:20 • -6db
28% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 57% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Ben Kessler
I Could Do This All Night
122 bpm • D Maj • 03:08 • -8.93db
29% Popularity • 82% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 82% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The Greeting Committee
Hopscotch
122 bpm • C# Maj • 02:54 • -6.38db
26% Popularity • 72% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 72% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
