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Cruise to Nowhere
Songs like
Cruise to Nowhere
by
Pacifica Music
Based on a tempo of (+/- 10%) and a similar genre
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Steve Jablonsky
Masquerade Ball
90 bpm • G# Maj • 04:41 • -16.07db
7% Popularity • 68% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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José Manuel González Núñez
In Aeris
90 bpm • G# Maj • 04:49 • -13db
13% Popularity • 36% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Pacifica Music
Vade in Pace
90 bpm • A min • 04:34 • -10.68db
0% Popularity • 41% Danceability • 45% Energy • 31% Liveness
2% Instrumentalness • 13% Positiveness
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Mark Isham
El Train / Waterline
90 bpm • E min • 08:46 • -19.74db
10% Popularity • 33% Danceability • 24% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
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Morgan Kibby
Paradise
90 bpm • C# Maj • 02:03 • -18db
17% Popularity • 19% Danceability • 27% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Kenneth Lampl
Apotheosis
89 bpm • G Maj • 04:11 • -14db
11% Popularity • 10% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Jamie Salisbury
Epic Emotional Trailer
89 bpm • E min • 02:17 • -10.63db
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Rolfe Kent
A dock in Norway: the originals
92 bpm • A Maj • 02:31 • -19db
13% Popularity • 28% Danceability • 17% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Pacifica Music
Sock Hop Rock
90 bpm • F# min • 02:58 • -12.12db
0% Popularity • 75% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 86% Positiveness
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David Buckley
Brave New World
92 bpm • C# Maj • 02:23 • -13.73db
21% Popularity • 20% Danceability • 37% Energy • 8% Liveness
100% Instrumentalness • 4% Positiveness
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Universal Production Music
Dark Obsessions
92 bpm • A min • 02:46 • -10db
25% Popularity • 52% Danceability • 54% Energy • 16% Liveness
92% Instrumentalness • 34% Positiveness
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Martin Villiger
Die Bergretter (Air Zermatt)
92 bpm • D min • 03:18 • -15.87db
10% Popularity • 66% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Christoffer Moe Ditlevsen
Return of Light
88 bpm • G min • 03:55 • -15.3db
8% Popularity • 18% Danceability • 22% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Blake Neely
Can You Stay?
88 bpm • A# Maj • 04:37 • -28.83db
17% Popularity • 11% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
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Borrtex
Waiting For You
92 bpm • A min • 03:31 • -13.85db
11% Popularity • 11% Danceability • 29% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Blackdom
88 bpm • E min • 02:12 • -27.59db
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Andrea Bonini
Mine Theme
93 bpm • F Maj • 03:08 • -30.77db
12% Popularity • 11% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Carter Burwell
The Good Liar
93 bpm • A min • 03:41 • -17db
10% Popularity • 17% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
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SWANN
Black Hole Sun
87 bpm • D Maj • 04:04 • -13db
22% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jeff Grace
Colorado
87 bpm • F Maj • 03:42 • -14.9db
11% Popularity • 24% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Craig Armstrong
In Time Main Theme (Orchestral)
87 bpm • C Maj • 02:24 • -11.72db
15% Popularity • 34% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Michael Price
In Pursuit of Immortality
87 bpm • G Maj • 02:17 • -12.14db
11% Popularity • 38% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Alex Baranowski
The Bell
93 bpm • D min • 01:34 • -18.44db
24% Popularity • 11% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
Knives And Bullets (And Cannons Too)
94 bpm • A# Maj • 07:33 • -16.32db
21% Popularity • 17% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Kenneth Lampl
Breathe
94 bpm • A# Maj • 03:39 • -17.71db
14% Popularity • 14% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Dominic Lewis
Toilet Talk
94 bpm • C# Maj • 03:30 • -16.73db
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Jeff Russo
Libra
94 bpm • A# min • 04:34 • -12.4db
11% Popularity • 14% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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David Buckley
Greenland
86 bpm • G Maj • 03:49 • -17.29db
13% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Joe Kraemer
Finale & End Credits
86 bpm • E min • 07:25 • -21.08db
12% Popularity • 12% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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e-soundtrax
The Honorable Warrior
86 bpm • F Maj • 03:20 • -10db
16% Popularity • 24% Danceability • 57% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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John Gürtler
Anni
86 bpm • E min • 01:31 • -17.14db
15% Popularity • 20% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Philip Klein
These Things We Do, That Others May Live...
86 bpm • C Maj • 08:35 • -19.36db
8% Popularity • 9% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Isham
Luce's Test
95 bpm • G min • 02:21 • -13.99db
10% Popularity • 18% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Veaceslav Draganov
The Last Hero
95 bpm • D min • 02:21 • -12.1db
23% Popularity • 38% Danceability • 43% Energy • 46% Liveness
93% Instrumentalness • 10% Positiveness
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Trevor Jones
Jones: Last of the Mohicans: The Kiss
95 bpm • C Maj • 03:26 • -19.36db
19% Popularity • 29% Danceability • 15% Energy • 28% Liveness
90% Instrumentalness • 30% Positiveness
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Harry Gregson-Williams
It's All A Lie
95 bpm • E min • 10:36 • -14.83db
24% Popularity • 29% Danceability • 41% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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Aaron Zigman
Hello It's Me - Instrumental
85 bpm • A# Maj • 01:20 • -24.78db
12% Popularity • 18% Danceability • 5% Energy • 14% Liveness
100% Instrumentalness • 4% Positiveness
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Bensound
Adventure
95 bpm • C# min • 03:07 • -10.66db
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Rob Simonsen
Intolerable Reality
95 bpm • F# min • 03:50 • -19.13db
20% Popularity • 13% Danceability • 20% Energy • 23% Liveness
73% Instrumentalness • 4% Positiveness
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Fil Eisler
Waterfall Memories
85 bpm • D Maj • 02:29 • -23.72db
11% Popularity • 18% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Shawn Pierce
Haven Piano Theme Extended
96 bpm • C min • 02:04 • -19.59db
12% Popularity • 61% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 24% Positiveness
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Harry Gregson-Williams
Enemy Territory
95 bpm • F min • 01:47 • -19.99db
15% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Jeff Russo
Changes Course
96 bpm • A# min • 03:02 • -17.29db
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Voyeurism
84 bpm • A min • 02:35 • -25.98db
12% Popularity • 9% Danceability • 4% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Ball Throw
84 bpm • C Maj • 01:31 • -28.89db
10% Popularity • 22% Danceability • 1% Energy • 6% Liveness
44% Instrumentalness • 12% Positiveness
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Samuel Sim
For Family
96 bpm • G Maj • 07:15 • -18.42db
7% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Pacifica Music
Thinking
84 bpm • A min • 02:19 • -18.83db
7% Popularity • 46% Danceability • 36% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Harry Gregson-Williams
Guns
84 bpm • G Maj • 02:32 • -11db
13% Popularity • 58% Danceability • 68% Energy • 37% Liveness
70% Instrumentalness • 24% Positiveness
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Dominic Lewis
Anuvva Bruvva
84 bpm • G Maj • 01:56 • -14.89db
26% Popularity • 34% Danceability • 40% Energy • 13% Liveness
80% Instrumentalness • 6% Positiveness
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Antonio Pinto
The Mosquito Coast Main Title
97 bpm • B Maj • 01:21 • -13.43db
14% Popularity • 32% Danceability • 67% Energy • 16% Liveness
76% Instrumentalness • 6% Positiveness
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John Frizzell
Murphy's Body
83 bpm • F# min • 01:20 • -22db
20% Popularity • 16% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Christopher Tyng
Mike & Rachel
97 bpm • C Maj • 01:17 • -19.95db
29% Popularity • 50% Danceability • 17% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Pacifica Music
Roma
97 bpm • G min • 01:08 • -4.95db
0% Popularity • 57% Danceability • 89% Energy • 16% Liveness
87% Instrumentalness • 30% Positiveness
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Clooney
Raise It Up
98 bpm • C Maj • 04:39 • -5.48db
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Christoffer Moe Ditlevsen
A Way of Life
98 bpm • F# Maj • 02:21 • -9.45db
9% Popularity • 14% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Steven Gutheinz
Vision
83 bpm • B min • 02:22 • -13.6db
14% Popularity • 26% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Philip Guyler
Flight Of Fancy
83 bpm • A Maj • 02:17 • -13.95db
8% Popularity • 58% Danceability • 48% Energy • 22% Liveness
72% Instrumentalness • 47% Positiveness
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Luke Richards
Fight For The Future
98 bpm • C# Maj • 02:22 • -12.65db
15% Popularity • 41% Danceability • 65% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Pacifica Music
Robbers
97 bpm • G# Maj • 02:31 • -15.4db
0% Popularity • 52% Danceability • 29% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Max Aruj
Frozen Lakes
82 bpm • A min • 01:48 • -18db
9% Popularity • 11% Danceability • 26% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Craig Armstrong
Mother’s Run
82 bpm • A min • 02:55 • -12.47db
17% Popularity • 8% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Henry Jackman
Edelweiss - Vocal
82 bpm • G Maj • 01:23 • -23.16db
32% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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David Sardy
Estasi Dell Anima
82 bpm • A min • 01:54 • -8.01db
23% Popularity • 34% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Harry Gregson-Williams
Media Circus - Score
82 bpm • A min • 02:04 • -20.04db
10% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Morris
Bail Office
99 bpm • C Maj • 02:14 • -17.19db
10% Popularity • 65% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 27% Positiveness
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Rolfe Kent
The Aeroplane home / the rain
99 bpm • C Maj • 04:01 • -20.94db
11% Popularity • 22% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Mychael Danna
Bill Baker
99 bpm • C Maj • 02:28 • -16.59db
19% Popularity • 67% Danceability • 16% Energy • 18% Liveness
65% Instrumentalness • 24% Positiveness
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Rostam Batmanglij
Doc's Song
99 bpm • C Maj • 01:37 • -22.25db
10% Popularity • 35% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 58% Positiveness
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Anne Nikitin
Breaking the Glass Ceiling
100 bpm • A min • 02:39 • -19.36db
9% Popularity • 17% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Mark Isham
The Accountant
100 bpm • E min • 03:43 • -17db
20% Popularity • 27% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Jeff Grace
Bonfire
100 bpm • C Maj • 02:18 • -13.52db
8% Popularity • 46% Danceability • 26% Energy • 7% Liveness
83% Instrumentalness • 21% Positiveness
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Stuart Roslyn
Waterfall Creek
100 bpm • G# Maj • 02:02 • -14.43db
12% Popularity • 54% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
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Mychael Danna
Nothing’s Changed
81 bpm • A min • 02:09 • -19db
26% Popularity • 13% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Jon Opstad
Polly Explores
100 bpm • D Maj • 01:39 • -24.45db
17% Popularity • 63% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Lorne Balfe
We Ride Together, We Die Together
100 bpm • G min • 06:02 • -9.75db
22% Popularity • 26% Danceability • 76% Energy • 27% Liveness
94% Instrumentalness • 13% Positiveness
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Littleclubthing
Where
100 bpm • C Maj • 03:52 • -9.92db
11% Popularity • 22% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Paul Mottram
Honest Endeavour
100 bpm • C min • 03:36 • -14.59db
11% Popularity • 87% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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John Powell
Helicopter Ride
81 bpm • E Maj • 02:30 • -21db
11% Popularity • 34% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Pinar Toprak
The Tomb
81 bpm • C min • 03:36 • -23.95db
9% Popularity • 16% Danceability • 9% Energy • 25% Liveness
93% Instrumentalness • 3% Positiveness
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Tim Despic
Summit
100 bpm • G# Maj • 01:33 • -12.05db
13% Popularity • 40% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Pacifica Music
Mango Grove
100 bpm • F Maj • 01:23 • -10.65db
1% Popularity • 73% Danceability • 48% Energy • 28% Liveness
61% Instrumentalness • 65% Positiveness
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Nima Fakhrara
Lou Sketch Book
101 bpm • G Maj • 06:31 • -19.06db
8% Popularity • 27% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Zack Hemsey
Vengeance (Lyrical Mix)
80 bpm • G# Maj • 06:33 • -12db
30% Popularity • 18% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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George Fenton
Fool's Gold Legend And Main Title
101 bpm • G Maj • 04:23 • -12.25db
20% Popularity • 66% Danceability • 52% Energy • 15% Liveness
65% Instrumentalness • 38% Positiveness
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Bear McCreary
Birthday Candles
80 bpm • F Maj • 06:19 • -20.97db
8% Popularity • 8% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Bonnie Grace
Galactic Battles
101 bpm • F# min • 01:50 • -15db
26% Popularity • 38% Danceability • 30% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Arlo Young
We Are All Dreamers
80 bpm • C Maj • 01:40 • -6.8db
19% Popularity • 44% Danceability • 73% Energy • 27% Liveness
79% Instrumentalness • 14% Positiveness
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Andrew Lockington
Frontier Main Titles
80 bpm • C# min • 01:00 • -10db
30% Popularity • 30% Danceability • 61% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
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Pacifica Music
Yeshua
80 bpm • E min • 03:01 • -10.23db
0% Popularity • 67% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Lux-Inspira
Pave the Way
80 bpm • C min • 02:22 • -10db
20% Popularity • 42% Danceability • 65% Energy • 10% Liveness
96% Instrumentalness • 52% Positiveness
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Jo Blankenburg
Apparition
80 bpm • A# min • 02:27 • -16.24db
13% Popularity • 60% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
"Who Are You?"
80 bpm • A# min • 01:35 • -22db
29% Popularity • 35% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Lorne Balfe
Last Shot
80 bpm • F min • 03:55 • -26.86db
14% Popularity • 23% Danceability • 5% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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David Celeste
Portobello Road
80 bpm • E min • 02:25 • -8.18db
15% Popularity • 27% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Pacifica Music
Dark Star
80 bpm • A min • 02:00 • -20.08db
0% Popularity • 57% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Johnny Klimek
Flying Mountains
102 bpm • C Maj • 01:49 • -15.47db
9% Popularity • 50% Danceability • 50% Energy • 13% Liveness
85% Instrumentalness • 18% Positiveness
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Sean Callery
Arriving In Chicago
79 bpm • D Maj • 01:36 • -21db
15% Popularity • 14% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 8% Positiveness
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Kikoru
The Storyteller
103 bpm • G# Maj • 02:08 • -13.52db
27% Popularity • 35% Danceability • 24% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Lorne Balfe
Bigger Than Jesus
102 bpm • C# Maj • 01:40 • -11.37db
20% Popularity • 50% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Cruise to Nowhere