Songs like Cruising by Derin Falana
Based on a tempo of (+/- 10%) and a similar genre
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Tate Tucker
Just Wanna
95 bpm β’ A# min β’ 02:54 β’ -6.32db
27% Popularity β’ 86% Danceability β’ 64% Energy β’ 7% Liveness
0% Instrumentalness β’ 15% Positiveness
27% Popularity β’ 86% Danceability β’ 64% Energy β’ 7% Liveness
0% Instrumentalness β’ 15% Positiveness
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Reo Cragun
Night Crawler
95 bpm β’ D min β’ 03:25 β’ -10db
28% Popularity β’ 59% Danceability β’ 37% Energy β’ 12% Liveness
0% Instrumentalness β’ 18% Positiveness
28% Popularity β’ 59% Danceability β’ 37% Energy β’ 12% Liveness
0% Instrumentalness β’ 18% Positiveness
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Derin Falana
Cruising
95 bpm β’ A# min β’ 05:35 β’ -5db
9% Popularity β’ 76% Danceability β’ 61% Energy β’ 70% Liveness
0% Instrumentalness β’ 32% Positiveness
9% Popularity β’ 76% Danceability β’ 61% Energy β’ 70% Liveness
0% Instrumentalness β’ 32% Positiveness
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WDNG Crshrs
Made It Happen
95 bpm β’ D Maj β’ 03:17 β’ -11.78db
9% Popularity β’ 55% Danceability β’ 57% Energy β’ 9% Liveness
0% Instrumentalness β’ 35% Positiveness
9% Popularity β’ 55% Danceability β’ 57% Energy β’ 9% Liveness
0% Instrumentalness β’ 35% Positiveness
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Phay
Peace
95 bpm β’ A# Maj β’ 02:44 β’ -8.73db
20% Popularity β’ 87% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 82% Positiveness
20% Popularity β’ 87% Danceability β’ 46% Energy β’ 11% Liveness
0% Instrumentalness β’ 82% Positiveness
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Audio Push
Leftside
94 bpm β’ A min β’ 03:01 β’ -3.88db
13% Popularity β’ 63% Danceability β’ 84% Energy β’ 20% Liveness
0% Instrumentalness β’ 78% Positiveness
13% Popularity β’ 63% Danceability β’ 84% Energy β’ 20% Liveness
0% Instrumentalness β’ 78% Positiveness
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Deniro Farrar
Intellect
96 bpm β’ B min β’ 03:59 β’ -9.51db
10% Popularity β’ 79% Danceability β’ 68% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
10% Popularity β’ 79% Danceability β’ 68% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
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Armani White
Danny Mac
96 bpm β’ D Maj β’ 03:31 β’ -5.11db
20% Popularity β’ 71% Danceability β’ 76% Energy β’ 13% Liveness
0% Instrumentalness β’ 34% Positiveness
20% Popularity β’ 71% Danceability β’ 76% Energy β’ 13% Liveness
0% Instrumentalness β’ 34% Positiveness
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Derin Falana
Heard Things
95 bpm β’ D# min β’ 02:34 β’ -7.58db
16% Popularity β’ 82% Danceability β’ 50% Energy β’ 17% Liveness
0% Instrumentalness β’ 38% Positiveness
16% Popularity β’ 82% Danceability β’ 50% Energy β’ 17% Liveness
0% Instrumentalness β’ 38% Positiveness
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Teez Nation
Plan B
96 bpm β’ A min β’ 03:11 β’ -8.65db
7% Popularity β’ 57% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 27% Positiveness
7% Popularity β’ 57% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 27% Positiveness
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VIC MENSA
The 1 That Got Away/No Shoes
94 bpm β’ G# Maj β’ 03:32 β’ -7db
19% Popularity β’ 46% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 54% Positiveness
19% Popularity β’ 46% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 54% Positiveness
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Sean Leon
Daughter (Hailey-Nirvana)
97 bpm β’ A Maj β’ 04:19 β’ -10.22db
7% Popularity β’ 48% Danceability β’ 52% Energy β’ 73% Liveness
13% Instrumentalness β’ 23% Positiveness
7% Popularity β’ 48% Danceability β’ 52% Energy β’ 73% Liveness
13% Instrumentalness β’ 23% Positiveness
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maari
Eyes Wide Shut
93 bpm β’ G Maj β’ 03:46 β’ -22.15db
30% Popularity β’ 45% Danceability β’ 30% Energy β’ 54% Liveness
0% Instrumentalness β’ 41% Positiveness
30% Popularity β’ 45% Danceability β’ 30% Energy β’ 54% Liveness
0% Instrumentalness β’ 41% Positiveness
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Rob Curly
Shoulda Made U a Mother
93 bpm β’ A min β’ 03:38 β’ -7db
27% Popularity β’ 76% Danceability β’ 69% Energy β’ 15% Liveness
0% Instrumentalness β’ 56% Positiveness
27% Popularity β’ 76% Danceability β’ 69% Energy β’ 15% Liveness
0% Instrumentalness β’ 56% Positiveness
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Luu Breeze
Found a Way
93 bpm β’ G# min β’ 03:36 β’ -6db
7% Popularity β’ 57% Danceability β’ 72% Energy β’ 9% Liveness
0% Instrumentalness β’ 35% Positiveness
7% Popularity β’ 57% Danceability β’ 72% Energy β’ 9% Liveness
0% Instrumentalness β’ 35% Positiveness
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Derin Falana
Feeling Like Me
97 bpm β’ D# Maj β’ 04:17 β’ -8.16db
10% Popularity β’ 73% Danceability β’ 34% Energy β’ 10% Liveness
2% Instrumentalness β’ 65% Positiveness
10% Popularity β’ 73% Danceability β’ 34% Energy β’ 10% Liveness
2% Instrumentalness β’ 65% Positiveness
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On The Fence
WIFIY
97 bpm β’ G min β’ 03:49 β’ -14db
9% Popularity β’ 72% Danceability β’ 28% Energy β’ 16% Liveness
0% Instrumentalness β’ 24% Positiveness
9% Popularity β’ 72% Danceability β’ 28% Energy β’ 16% Liveness
0% Instrumentalness β’ 24% Positiveness
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Ohana Bam
Oralgami
93 bpm β’ C# min β’ 02:37 β’ -3.63db
8% Popularity β’ 88% Danceability β’ 85% Energy β’ 8% Liveness
0% Instrumentalness β’ 26% Positiveness
8% Popularity β’ 88% Danceability β’ 85% Energy β’ 8% Liveness
0% Instrumentalness β’ 26% Positiveness
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Anoyd
Blame It On Jay Z
93 bpm β’ A# min β’ 03:00 β’ -6.85db
9% Popularity β’ 61% Danceability β’ 74% Energy β’ 10% Liveness
0% Instrumentalness β’ 33% Positiveness
9% Popularity β’ 61% Danceability β’ 74% Energy β’ 10% Liveness
0% Instrumentalness β’ 33% Positiveness
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Rob Curly
Dreamville
93 bpm β’ G min β’ 03:12 β’ -4.04db
9% Popularity β’ 54% Danceability β’ 59% Energy β’ 18% Liveness
0% Instrumentalness β’ 14% Positiveness
9% Popularity β’ 54% Danceability β’ 59% Energy β’ 18% Liveness
0% Instrumentalness β’ 14% Positiveness
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Sean Leon
Hollywood Tarantino Flow
98 bpm β’ A# min β’ 02:20 β’ -10db
18% Popularity β’ 56% Danceability β’ 48% Energy β’ 11% Liveness
0% Instrumentalness β’ 18% Positiveness
18% Popularity β’ 56% Danceability β’ 48% Energy β’ 11% Liveness
0% Instrumentalness β’ 18% Positiveness
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Sy Ari Da Kid & Quentin Miller
Man in My City
98 bpm β’ B min β’ 04:31 β’ -10.56db
9% Popularity β’ 55% Danceability β’ 58% Energy β’ 36% Liveness
0% Instrumentalness β’ 57% Positiveness
9% Popularity β’ 55% Danceability β’ 58% Energy β’ 36% Liveness
0% Instrumentalness β’ 57% Positiveness
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Tyler Thomas
Alright Tho
98 bpm β’ A Maj β’ 05:53 β’ -11.77db
12% Popularity β’ 78% Danceability β’ 30% Energy β’ 10% Liveness
0% Instrumentalness β’ 5% Positiveness
12% Popularity β’ 78% Danceability β’ 30% Energy β’ 10% Liveness
0% Instrumentalness β’ 5% Positiveness
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$kinny
Drugs
98 bpm β’ F min β’ 03:18 β’ -11.68db
20% Popularity β’ 65% Danceability β’ 50% Energy β’ 61% Liveness
0% Instrumentalness β’ 37% Positiveness
20% Popularity β’ 65% Danceability β’ 50% Energy β’ 61% Liveness
0% Instrumentalness β’ 37% Positiveness
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Packy
Gravy
98 bpm β’ F# Maj β’ 02:22 β’ -5.91db
19% Popularity β’ 82% Danceability β’ 66% Energy β’ 12% Liveness
0% Instrumentalness β’ 26% Positiveness
19% Popularity β’ 82% Danceability β’ 66% Energy β’ 12% Liveness
0% Instrumentalness β’ 26% Positiveness
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Jordan Solomon
Kylie
92 bpm β’ C Maj β’ 02:57 β’ -5.94db
20% Popularity β’ 47% Danceability β’ 74% Energy β’ 11% Liveness
0% Instrumentalness β’ 69% Positiveness
20% Popularity β’ 47% Danceability β’ 74% Energy β’ 11% Liveness
0% Instrumentalness β’ 69% Positiveness
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Vincent Berry II
No Pictures
92 bpm β’ C# min β’ 03:51 β’ -8db
9% Popularity β’ 82% Danceability β’ 73% Energy β’ 28% Liveness
0% Instrumentalness β’ 76% Positiveness
9% Popularity β’ 82% Danceability β’ 73% Energy β’ 28% Liveness
0% Instrumentalness β’ 76% Positiveness
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HASEEB
Feel Good
92 bpm β’ G# min β’ 03:42 β’ -9.65db
15% Popularity β’ 69% Danceability β’ 72% Energy β’ 33% Liveness
0% Instrumentalness β’ 39% Positiveness
15% Popularity β’ 69% Danceability β’ 72% Energy β’ 33% Liveness
0% Instrumentalness β’ 39% Positiveness
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Hit-Boy
3rd Member of Clipse
92 bpm β’ G# Maj β’ 03:18 β’ -8.47db
9% Popularity β’ 78% Danceability β’ 55% Energy β’ 12% Liveness
0% Instrumentalness β’ 48% Positiveness
9% Popularity β’ 78% Danceability β’ 55% Energy β’ 12% Liveness
0% Instrumentalness β’ 48% Positiveness
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Derin Falana
Can't Get Enough
99 bpm β’ C Maj β’ 03:24 β’ -10.25db
2% Popularity β’ 60% Danceability β’ 37% Energy β’ 9% Liveness
35% Instrumentalness β’ 45% Positiveness
2% Popularity β’ 60% Danceability β’ 37% Energy β’ 9% Liveness
35% Instrumentalness β’ 45% Positiveness
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Dwn2earth
T.L.C
99 bpm β’ A# Maj β’ 03:24 β’ -8.32db
20% Popularity β’ 73% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 16% Positiveness
20% Popularity β’ 73% Danceability β’ 47% Energy β’ 9% Liveness
0% Instrumentalness β’ 16% Positiveness
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Malz Monday
Immaculate Conception
92 bpm β’ F# Maj β’ 02:10 β’ -6db
27% Popularity β’ 73% Danceability β’ 70% Energy β’ 16% Liveness
0% Instrumentalness β’ 90% Positiveness
27% Popularity β’ 73% Danceability β’ 70% Energy β’ 16% Liveness
0% Instrumentalness β’ 90% Positiveness
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Spence Lee
Hot Head (Momma's Boy)
91 bpm β’ A# min β’ 02:24 β’ -9.56db
16% Popularity β’ 68% Danceability β’ 62% Energy β’ 26% Liveness
0% Instrumentalness β’ 57% Positiveness
16% Popularity β’ 68% Danceability β’ 62% Energy β’ 26% Liveness
0% Instrumentalness β’ 57% Positiveness
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Bizzy Crook
Aimless
91 bpm β’ C min β’ 04:06 β’ -6.95db
9% Popularity β’ 68% Danceability β’ 75% Energy β’ 19% Liveness
0% Instrumentalness β’ 54% Positiveness
9% Popularity β’ 68% Danceability β’ 75% Energy β’ 19% Liveness
0% Instrumentalness β’ 54% Positiveness
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Warm Brew
In a Bottle
91 bpm β’ F min β’ 03:37 β’ -7.26db
17% Popularity β’ 72% Danceability β’ 53% Energy β’ 10% Liveness
0% Instrumentalness β’ 49% Positiveness
17% Popularity β’ 72% Danceability β’ 53% Energy β’ 10% Liveness
0% Instrumentalness β’ 49% Positiveness
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Katori Walker
Ignorance
91 bpm β’ B min β’ 02:29 β’ -6.56db
11% Popularity β’ 48% Danceability β’ 76% Energy β’ 35% Liveness
0% Instrumentalness β’ 35% Positiveness
11% Popularity β’ 48% Danceability β’ 76% Energy β’ 35% Liveness
0% Instrumentalness β’ 35% Positiveness
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Jerreau
Multi
100 bpm β’ C# Maj β’ 02:58 β’ -7.82db
7% Popularity β’ 72% Danceability β’ 86% Energy β’ 28% Liveness
0% Instrumentalness β’ 85% Positiveness
7% Popularity β’ 72% Danceability β’ 86% Energy β’ 28% Liveness
0% Instrumentalness β’ 85% Positiveness
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OnCue
Boy On the Come Up
100 bpm β’ A Maj β’ 03:47 β’ -7db
11% Popularity β’ 65% Danceability β’ 75% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
11% Popularity β’ 65% Danceability β’ 75% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
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J-Soul
Toronto Plaza Hotel
100 bpm β’ C Maj β’ 03:00 β’ -9db
30% Popularity β’ 63% Danceability β’ 46% Energy β’ 24% Liveness
0% Instrumentalness β’ 7% Positiveness
30% Popularity β’ 63% Danceability β’ 46% Energy β’ 24% Liveness
0% Instrumentalness β’ 7% Positiveness
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Big I
Sonshine
100 bpm β’ B Maj β’ 03:33 β’ -6.87db
17% Popularity β’ 71% Danceability β’ 65% Energy β’ 11% Liveness
0% Instrumentalness β’ 9% Positiveness
17% Popularity β’ 71% Danceability β’ 65% Energy β’ 11% Liveness
0% Instrumentalness β’ 9% Positiveness
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Warm Brew
In the Car
91 bpm β’ C min β’ 03:31 β’ -8db
23% Popularity β’ 77% Danceability β’ 50% Energy β’ 25% Liveness
0% Instrumentalness β’ 47% Positiveness
23% Popularity β’ 77% Danceability β’ 50% Energy β’ 25% Liveness
0% Instrumentalness β’ 47% Positiveness
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Max Wonders
Child
100 bpm β’ F min β’ 04:38 β’ -10.24db
11% Popularity β’ 66% Danceability β’ 53% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
11% Popularity β’ 66% Danceability β’ 53% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
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Katori Walker
Noose
100 bpm β’ C# min β’ 03:43 β’ -5.78db
11% Popularity β’ 81% Danceability β’ 74% Energy β’ 9% Liveness
0% Instrumentalness β’ 31% Positiveness
11% Popularity β’ 81% Danceability β’ 74% Energy β’ 9% Liveness
0% Instrumentalness β’ 31% Positiveness
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Derin Falana
Vacation
100 bpm β’ A min β’ 04:08 β’ -7.17db
5% Popularity β’ 84% Danceability β’ 49% Energy β’ 37% Liveness
0% Instrumentalness β’ 48% Positiveness
5% Popularity β’ 84% Danceability β’ 49% Energy β’ 37% Liveness
0% Instrumentalness β’ 48% Positiveness
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Elijah Waters
Instigate
100 bpm β’ A Maj β’ 02:52 β’ -6.69db
9% Popularity β’ 74% Danceability β’ 69% Energy β’ 14% Liveness
0% Instrumentalness β’ 50% Positiveness
9% Popularity β’ 74% Danceability β’ 69% Energy β’ 14% Liveness
0% Instrumentalness β’ 50% Positiveness
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Tdot illdude
Morning
100 bpm β’ B min β’ 04:00 β’ -5.42db
8% Popularity β’ 63% Danceability β’ 73% Energy β’ 13% Liveness
0% Instrumentalness β’ 16% Positiveness
8% Popularity β’ 63% Danceability β’ 73% Energy β’ 13% Liveness
0% Instrumentalness β’ 16% Positiveness
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Noah North
44 Freestyle
90 bpm β’ C# min β’ 03:01 β’ -5.79db
29% Popularity β’ 38% Danceability β’ 75% Energy β’ 31% Liveness
0% Instrumentalness β’ 26% Positiveness
29% Popularity β’ 38% Danceability β’ 75% Energy β’ 31% Liveness
0% Instrumentalness β’ 26% Positiveness
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Matt Reed
Beauty of Lust
100 bpm β’ A Maj β’ 03:46 β’ -11db
24% Popularity β’ 61% Danceability β’ 56% Energy β’ 11% Liveness
0% Instrumentalness β’ 45% Positiveness
24% Popularity β’ 61% Danceability β’ 56% Energy β’ 11% Liveness
0% Instrumentalness β’ 45% Positiveness
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KR
Party
100 bpm β’ A min β’ 03:13 β’ -8db
10% Popularity β’ 68% Danceability β’ 58% Energy β’ 8% Liveness
0% Instrumentalness β’ 29% Positiveness
10% Popularity β’ 68% Danceability β’ 58% Energy β’ 8% Liveness
0% Instrumentalness β’ 29% Positiveness
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Derin Falana
Vacation
100 bpm β’ A min β’ 02:18 β’ -6.28db
20% Popularity β’ 87% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 55% Positiveness
20% Popularity β’ 87% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 55% Positiveness
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Ali Tomineek
Young Boy
90 bpm β’ G# Maj β’ 03:06 β’ -8.27db
19% Popularity β’ 71% Danceability β’ 67% Energy β’ 11% Liveness
0% Instrumentalness β’ 77% Positiveness
19% Popularity β’ 71% Danceability β’ 67% Energy β’ 11% Liveness
0% Instrumentalness β’ 77% Positiveness
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Kyle Bent
Life's Good
90 bpm β’ G# Maj β’ 03:46 β’ -6.06db
29% Popularity β’ 82% Danceability β’ 81% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
29% Popularity β’ 82% Danceability β’ 81% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
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Katori Walker
Act 3
90 bpm β’ A# min β’ 01:00 β’ -7.83db
14% Popularity β’ 69% Danceability β’ 55% Energy β’ 10% Liveness
0% Instrumentalness β’ 15% Positiveness
14% Popularity β’ 69% Danceability β’ 55% Energy β’ 10% Liveness
0% Instrumentalness β’ 15% Positiveness
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Jazz Cartier
β’ Talk Of The Town
100 bpm β’ G Maj β’ 04:42 β’ -8.47db
20% Popularity β’ 52% Danceability β’ 50% Energy β’ 39% Liveness
0% Instrumentalness β’ 27% Positiveness
20% Popularity β’ 52% Danceability β’ 50% Energy β’ 39% Liveness
0% Instrumentalness β’ 27% Positiveness
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Clairmont The Second
Grip
90 bpm β’ A# min β’ 02:56 β’ -9db
14% Popularity β’ 76% Danceability β’ 52% Energy β’ 33% Liveness
0% Instrumentalness β’ 22% Positiveness
14% Popularity β’ 76% Danceability β’ 52% Energy β’ 33% Liveness
0% Instrumentalness β’ 22% Positiveness
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Derin Falana
Break Out
100 bpm β’ A# min β’ 03:12 β’ -5.99db
6% Popularity β’ 74% Danceability β’ 79% Energy β’ 11% Liveness
0% Instrumentalness β’ 61% Positiveness
6% Popularity β’ 74% Danceability β’ 79% Energy β’ 11% Liveness
0% Instrumentalness β’ 61% Positiveness
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Tdot illdude
For a While
90 bpm β’ E min β’ 04:37 β’ -9db
27% Popularity β’ 66% Danceability β’ 32% Energy β’ 11% Liveness
0% Instrumentalness β’ 12% Positiveness
27% Popularity β’ 66% Danceability β’ 32% Energy β’ 11% Liveness
0% Instrumentalness β’ 12% Positiveness
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Nyck Caution
Out of Reach
90 bpm β’ A Maj β’ 05:21 β’ -3.86db
1% Popularity β’ 44% Danceability β’ 82% Energy β’ 20% Liveness
0% Instrumentalness β’ 38% Positiveness
1% Popularity β’ 44% Danceability β’ 82% Energy β’ 20% Liveness
0% Instrumentalness β’ 38% Positiveness
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Sunny V
Damages
101 bpm β’ C Maj β’ 05:01 β’ -11.47db
8% Popularity β’ 86% Danceability β’ 48% Energy β’ 14% Liveness
0% Instrumentalness β’ 30% Positiveness
8% Popularity β’ 86% Danceability β’ 48% Energy β’ 14% Liveness
0% Instrumentalness β’ 30% Positiveness
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Jazz Cartier
β’ BEFORE IT'S TOO LATE
90 bpm β’ C Maj β’ 03:24 β’ -5.91db
15% Popularity β’ 67% Danceability β’ 64% Energy β’ 42% Liveness
0% Instrumentalness β’ 37% Positiveness
15% Popularity β’ 67% Danceability β’ 64% Energy β’ 42% Liveness
0% Instrumentalness β’ 37% Positiveness
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VIC MENSA
Heaven On Earth
101 bpm β’ A min β’ 05:17 β’ -6.98db
27% Popularity β’ 57% Danceability β’ 66% Energy β’ 21% Liveness
0% Instrumentalness β’ 30% Positiveness
27% Popularity β’ 57% Danceability β’ 66% Energy β’ 21% Liveness
0% Instrumentalness β’ 30% Positiveness
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Derin Falana
Summer Vibes
100 bpm β’ C min β’ 02:18 β’ -4.48db
6% Popularity β’ 60% Danceability β’ 71% Energy β’ 14% Liveness
0% Instrumentalness β’ 61% Positiveness
6% Popularity β’ 60% Danceability β’ 71% Energy β’ 14% Liveness
0% Instrumentalness β’ 61% Positiveness
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Katori Walker
Act 4
89 bpm β’ D# min β’ 01:00 β’ -5.86db
15% Popularity β’ 77% Danceability β’ 67% Energy β’ 15% Liveness
0% Instrumentalness β’ 94% Positiveness
15% Popularity β’ 77% Danceability β’ 67% Energy β’ 15% Liveness
0% Instrumentalness β’ 94% Positiveness
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REASON
State We In
89 bpm β’ G min β’ 04:06 β’ -7.52db
23% Popularity β’ 58% Danceability β’ 61% Energy β’ 11% Liveness
0% Instrumentalness β’ 43% Positiveness
23% Popularity β’ 58% Danceability β’ 61% Energy β’ 11% Liveness
0% Instrumentalness β’ 43% Positiveness
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Guapdad 4000
Scamboy
89 bpm β’ G# min β’ 02:45 β’ -6.65db
13% Popularity β’ 75% Danceability β’ 67% Energy β’ 20% Liveness
0% Instrumentalness β’ 44% Positiveness
13% Popularity β’ 75% Danceability β’ 67% Energy β’ 20% Liveness
0% Instrumentalness β’ 44% Positiveness
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Jack Harlow
Hitchcock
89 bpm β’ E min β’ 02:40 β’ -5.03db
34% Popularity β’ 60% Danceability β’ 70% Energy β’ 9% Liveness
0% Instrumentalness β’ 50% Positiveness
34% Popularity β’ 60% Danceability β’ 70% Energy β’ 9% Liveness
0% Instrumentalness β’ 50% Positiveness
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Jerreau
Love For You 2
89 bpm β’ G# Maj β’ 03:05 β’ -6.12db
13% Popularity β’ 47% Danceability β’ 70% Energy β’ 20% Liveness
0% Instrumentalness β’ 65% Positiveness
13% Popularity β’ 47% Danceability β’ 70% Energy β’ 20% Liveness
0% Instrumentalness β’ 65% Positiveness
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Derin Falana
Let Me Talk My Shit
89 bpm β’ A# min β’ 03:57 β’ -5.47db
11% Popularity β’ 75% Danceability β’ 85% Energy β’ 15% Liveness
0% Instrumentalness β’ 78% Positiveness
11% Popularity β’ 75% Danceability β’ 85% Energy β’ 15% Liveness
0% Instrumentalness β’ 78% Positiveness
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Roy Woods
Unleashed
102 bpm β’ B min β’ 02:44 β’ -6.03db
30% Popularity β’ 74% Danceability β’ 61% Energy β’ 11% Liveness
0% Instrumentalness β’ 9% Positiveness
30% Popularity β’ 74% Danceability β’ 61% Energy β’ 11% Liveness
0% Instrumentalness β’ 9% Positiveness
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Shawn Harris
6 on 4's (I Know)
102 bpm β’ G min β’ 04:33 β’ -14.07db
21% Popularity β’ 80% Danceability β’ 35% Energy β’ 14% Liveness
0% Instrumentalness β’ 22% Positiveness
21% Popularity β’ 80% Danceability β’ 35% Energy β’ 14% Liveness
0% Instrumentalness β’ 22% Positiveness
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Anoyd
Advisory
88 bpm β’ F# min β’ 04:56 β’ -4.66db
10% Popularity β’ 62% Danceability β’ 84% Energy β’ 70% Liveness
0% Instrumentalness β’ 52% Positiveness
10% Popularity β’ 62% Danceability β’ 84% Energy β’ 70% Liveness
0% Instrumentalness β’ 52% Positiveness
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Jazz Cartier
β’ TEMPTED
102 bpm β’ E min β’ 03:42 β’ -7.83db
40% Popularity β’ 84% Danceability β’ 49% Energy β’ 21% Liveness
0% Instrumentalness β’ 30% Positiveness
40% Popularity β’ 84% Danceability β’ 49% Energy β’ 21% Liveness
0% Instrumentalness β’ 30% Positiveness
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Sonny Digital
Keep It Real
102 bpm β’ C# min β’ 02:21 β’ -15.41db
13% Popularity β’ 80% Danceability β’ 36% Energy β’ 30% Liveness
0% Instrumentalness β’ 19% Positiveness
13% Popularity β’ 80% Danceability β’ 36% Energy β’ 30% Liveness
0% Instrumentalness β’ 19% Positiveness
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Asaiah Ziv
Act Like
102 bpm β’ D Maj β’ 03:11 β’ -7.45db
10% Popularity β’ 88% Danceability β’ 44% Energy β’ 16% Liveness
0% Instrumentalness β’ 50% Positiveness
10% Popularity β’ 88% Danceability β’ 44% Energy β’ 16% Liveness
0% Instrumentalness β’ 50% Positiveness
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brandUn DeShay
Gomen Nasai (γγγγͺγγ)
88 bpm β’ A# min β’ 02:40 β’ -6.13db
17% Popularity β’ 73% Danceability β’ 66% Energy β’ 25% Liveness
0% Instrumentalness β’ 67% Positiveness
17% Popularity β’ 73% Danceability β’ 66% Energy β’ 25% Liveness
0% Instrumentalness β’ 67% Positiveness
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Audio Push
Smokeout 99
88 bpm β’ C# min β’ 03:10 β’ -6db
34% Popularity β’ 78% Danceability β’ 76% Energy β’ 9% Liveness
0% Instrumentalness β’ 78% Positiveness
34% Popularity β’ 78% Danceability β’ 76% Energy β’ 9% Liveness
0% Instrumentalness β’ 78% Positiveness
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Katori Walker
Run
88 bpm β’ E min β’ 02:43 β’ -4.87db
24% Popularity β’ 68% Danceability β’ 74% Energy β’ 9% Liveness
0% Instrumentalness β’ 44% Positiveness
24% Popularity β’ 68% Danceability β’ 74% Energy β’ 9% Liveness
0% Instrumentalness β’ 44% Positiveness
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Shawn Harris
Fifth of Henny
103 bpm β’ C Maj β’ 04:18 β’ -12.06db
13% Popularity β’ 68% Danceability β’ 49% Energy β’ 7% Liveness
0% Instrumentalness β’ 34% Positiveness
13% Popularity β’ 68% Danceability β’ 49% Energy β’ 7% Liveness
0% Instrumentalness β’ 34% Positiveness
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VIC MENSA
Heaven On Earth - Reprise
103 bpm β’ A min β’ 02:06 β’ -8.97db
18% Popularity β’ 53% Danceability β’ 48% Energy β’ 24% Liveness
0% Instrumentalness β’ 14% Positiveness
18% Popularity β’ 53% Danceability β’ 48% Energy β’ 24% Liveness
0% Instrumentalness β’ 14% Positiveness
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Mez
Sunny Side Up
103 bpm β’ A min β’ 04:26 β’ -7.78db
19% Popularity β’ 51% Danceability β’ 47% Energy β’ 10% Liveness
0% Instrumentalness β’ 72% Positiveness
19% Popularity β’ 51% Danceability β’ 47% Energy β’ 10% Liveness
0% Instrumentalness β’ 72% Positiveness
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Jack Harlow
Banana Tree
87 bpm β’ C# Maj β’ 02:56 β’ -10db
30% Popularity β’ 71% Danceability β’ 57% Energy β’ 11% Liveness
0% Instrumentalness β’ 46% Positiveness
30% Popularity β’ 71% Danceability β’ 57% Energy β’ 11% Liveness
0% Instrumentalness β’ 46% Positiveness
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Derin Falana
Repeat
87 bpm β’ C# Maj β’ 03:20 β’ -8.53db
20% Popularity β’ 87% Danceability β’ 66% Energy β’ 15% Liveness
0% Instrumentalness β’ 82% Positiveness
20% Popularity β’ 87% Danceability β’ 66% Energy β’ 15% Liveness
0% Instrumentalness β’ 82% Positiveness
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Audio Push
Bonfire
87 bpm β’ F# min β’ 03:55 β’ -2.84db
17% Popularity β’ 57% Danceability β’ 65% Energy β’ 36% Liveness
0% Instrumentalness β’ 66% Positiveness
17% Popularity β’ 57% Danceability β’ 65% Energy β’ 36% Liveness
0% Instrumentalness β’ 66% Positiveness
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Rothstein
Get Your Shit Together
104 bpm β’ G# min β’ 03:25 β’ -11.81db
6% Popularity β’ 71% Danceability β’ 32% Energy β’ 14% Liveness
0% Instrumentalness β’ 55% Positiveness
6% Popularity β’ 71% Danceability β’ 32% Energy β’ 14% Liveness
0% Instrumentalness β’ 55% Positiveness
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Katori Walker
Lower Living Theory
87 bpm β’ A Maj β’ 01:20 β’ -4.93db
9% Popularity β’ 63% Danceability β’ 84% Energy β’ 36% Liveness
0% Instrumentalness β’ 82% Positiveness
9% Popularity β’ 63% Danceability β’ 84% Energy β’ 36% Liveness
0% Instrumentalness β’ 82% Positiveness
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Kirk Knight
Magic Mirror - Bonus Track
87 bpm β’ E min β’ 03:41 β’ -12.13db
19% Popularity β’ 65% Danceability β’ 56% Energy β’ 15% Liveness
0% Instrumentalness β’ 34% Positiveness
19% Popularity β’ 65% Danceability β’ 56% Energy β’ 15% Liveness
0% Instrumentalness β’ 34% Positiveness
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Seth Kay
6 Am
104 bpm β’ F# min β’ 04:14 β’ -10.82db
20% Popularity β’ 84% Danceability β’ 38% Energy β’ 37% Liveness
0% Instrumentalness β’ 50% Positiveness
20% Popularity β’ 84% Danceability β’ 38% Energy β’ 37% Liveness
0% Instrumentalness β’ 50% Positiveness
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Derin Falana
Into the Wild
104 bpm β’ G Maj β’ 05:18 β’ -7.14db
3% Popularity β’ 37% Danceability β’ 48% Energy β’ 27% Liveness
28% Instrumentalness β’ 7% Positiveness
3% Popularity β’ 37% Danceability β’ 48% Energy β’ 27% Liveness
28% Instrumentalness β’ 7% Positiveness
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Kurt Rockmore
Thank God
104 bpm β’ A# min β’ 03:22 β’ -9db
11% Popularity β’ 56% Danceability β’ 59% Energy β’ 6% Liveness
0% Instrumentalness β’ 46% Positiveness
11% Popularity β’ 56% Danceability β’ 59% Energy β’ 6% Liveness
0% Instrumentalness β’ 46% Positiveness
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Wasionkey
LMA.o
104 bpm β’ F# min β’ 04:38 β’ -13.22db
12% Popularity β’ 85% Danceability β’ 34% Energy β’ 13% Liveness
0% Instrumentalness β’ 39% Positiveness
12% Popularity β’ 85% Danceability β’ 34% Energy β’ 13% Liveness
0% Instrumentalness β’ 39% Positiveness
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Tedy Andreas
Black Ice
87 bpm β’ C# min β’ 02:26 β’ -6.9db
14% Popularity β’ 43% Danceability β’ 80% Energy β’ 26% Liveness
0% Instrumentalness β’ 62% Positiveness
14% Popularity β’ 43% Danceability β’ 80% Energy β’ 26% Liveness
0% Instrumentalness β’ 62% Positiveness
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Chaz French
Way Out
104 bpm β’ C min β’ 03:10 β’ -8.64db
13% Popularity β’ 84% Danceability β’ 55% Energy β’ 5% Liveness
0% Instrumentalness β’ 29% Positiveness
13% Popularity β’ 84% Danceability β’ 55% Energy β’ 5% Liveness
0% Instrumentalness β’ 29% Positiveness
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Michael Da Vinci
Fake Trill
87 bpm β’ F Maj β’ 03:04 β’ -9.84db
21% Popularity β’ 41% Danceability β’ 63% Energy β’ 18% Liveness
0% Instrumentalness β’ 20% Positiveness
21% Popularity β’ 41% Danceability β’ 63% Energy β’ 18% Liveness
0% Instrumentalness β’ 20% Positiveness
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Kyle Bent
Divine
87 bpm β’ G# min β’ 05:16 β’ -10.52db
31% Popularity β’ 66% Danceability β’ 57% Energy β’ 6% Liveness
0% Instrumentalness β’ 31% Positiveness
31% Popularity β’ 66% Danceability β’ 57% Energy β’ 6% Liveness
0% Instrumentalness β’ 31% Positiveness
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Reo Cragun
It's Over
104 bpm β’ F min β’ 03:32 β’ -5.78db
14% Popularity β’ 61% Danceability β’ 64% Energy β’ 27% Liveness
0% Instrumentalness β’ 59% Positiveness
14% Popularity β’ 61% Danceability β’ 64% Energy β’ 27% Liveness
0% Instrumentalness β’ 59% Positiveness
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Katori Walker
Ormoni
86 bpm β’ G# min β’ 01:35 β’ -7.75db
30% Popularity β’ 58% Danceability β’ 57% Energy β’ 35% Liveness
1% Instrumentalness β’ 89% Positiveness
30% Popularity β’ 58% Danceability β’ 57% Energy β’ 35% Liveness
1% Instrumentalness β’ 89% Positiveness
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Taylor Gang
Take It There
86 bpm β’ A min β’ 04:41 β’ -6db
21% Popularity β’ 59% Danceability β’ 59% Energy β’ 55% Liveness
0% Instrumentalness β’ 42% Positiveness
21% Popularity β’ 59% Danceability β’ 59% Energy β’ 55% Liveness
0% Instrumentalness β’ 42% Positiveness
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Thutmose
For the Night
105 bpm β’ C# Maj β’ 02:19 β’ -8.53db
21% Popularity β’ 71% Danceability β’ 55% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
21% Popularity β’ 71% Danceability β’ 55% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
