Songs like Crying My Eyes Out by Stephen Puth
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Puth
Crying My Eyes Out - Acoustic
104 bpm • G# Maj • 02:50 • -9.63db
23% Popularity • 71% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 71% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Sasha Alex Sloan
Lie
104 bpm • G# Maj • 03:29 • -7db
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Liam Payne
Remember
104 bpm • F min • 03:09 • -5.1db
48% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jesper Jenset
I Like When We
104 bpm • G# Maj • 04:09 • -7.4db
10% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 48% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Billy Lockett
Hard Act To Follow
104 bpm • G Maj • 03:14 • -11.05db
40% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Jordan
LILY
105 bpm • A Maj • 03:30 • -8.57db
25% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 34% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Stephen Puth
Crying My Eyes Out
104 bpm • G# Maj • 02:56 • -6.38db
42% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Katelyn Tarver
Somebody Else
105 bpm • B Maj • 03:25 • -8.18db
34% Popularity • 57% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 57% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 10% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
43% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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AJ Mitchell
Hate That I Love You
103 bpm • F min • 03:19 • -6.84db
27% Popularity • 94% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 94% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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shy martin
Just a Little Longer
105 bpm • C Maj • 03:26 • -7db
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Lauv
Feelings
103 bpm • A Maj • 03:09 • -8.91db
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Rasmus Hagen
Come As You Are (Bonus Track)
105 bpm • A Maj • 02:33 • -8db
24% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Cameron Dallas
Why Haven't I Met You?
105 bpm • D# min • 03:00 • -7db
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Chelsea Cutler
Sad Tonight
105 bpm • C Maj • 02:58 • -7.58db
46% Popularity • 71% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 71% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Tate McRae
slower
105 bpm • C# min • 03:07 • -8.08db
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Jack & Jack
Lotta Love
105 bpm • A# Maj • 02:50 • -8db
41% Popularity • 72% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 72% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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AUSTN
Backup Plan
105 bpm • G min • 03:15 • -4.95db
21% Popularity • 57% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 57% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Puth
Whose Arms
103 bpm • D Maj • 02:51 • -5.45db
26% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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shy martin
Make Us Never Happen
105 bpm • A# min • 02:51 • -8.54db
46% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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John De Sohn
Love You Better
103 bpm • B Maj • 02:50 • -7.5db
51% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 73% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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teamwork.
Afterhours
103 bpm • B min • 03:25 • -6db
33% Popularity • 72% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 72% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Chris James
Make the Move
106 bpm • C# Maj • 02:55 • -6.41db
35% Popularity • 84% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 84% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Captain Cuts
Stuck In My Head
102 bpm • D# Maj • 02:41 • -5.24db
34% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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PRETTYMUCH
Phases
106 bpm • B min • 03:35 • -6.72db
60% Popularity • 77% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 77% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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JP Cooper
Little Bit Of Love
106 bpm • G Maj • 03:15 • -4.23db
49% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Jordan James
Desiderium
102 bpm • F min • 04:01 • -7.06db
23% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony de la Torre
Anyone Else But You
102 bpm • G Maj • 02:49 • -7.76db
41% Popularity • 71% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 71% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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AJ Mitchell
Cameras On
106 bpm • D# Maj • 02:53 • -9.51db
27% Popularity • 66% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 66% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Sandro Cavazza
Used To
102 bpm • A# Maj • 02:54 • -8.16db
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Oh Wonder
Happy
102 bpm • F# Maj • 02:52 • -8db
41% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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jens
In or Out
102 bpm • D Maj • 02:54 • -6.67db
28% Popularity • 77% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 77% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Roundrobin
Canary Wharf
102 bpm • A Maj • 02:54 • -12db
19% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Puth
Look Away - Acoustic
106 bpm • F# Maj • 03:04 • -14.33db
36% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 70% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jack & Jack
Day Dreaming
101 bpm • A# Maj • 03:31 • -6db
48% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jonas Blue
Polaroid - Acoustic
102 bpm • G min • 03:37 • -8db
44% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Flynn
One Of Us
101 bpm • C min • 03:05 • -6.04db
26% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Reuben Gray
Till the Lights Go Out
101 bpm • G# min • 03:37 • -7db
24% Popularity • 38% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 38% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hailee Steinfeld
I Love You's
107 bpm • G# Maj • 03:36 • -5db
57% Popularity • 68% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Puth
Look Away
107 bpm • D# min • 03:04 • -6.71db
35% Popularity • 79% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 79% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Erin Bloomer
Right Love, Wrong Time
101 bpm • C# Maj • 03:07 • -6.39db
24% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joel Adams
Coffee
108 bpm • A# min • 04:11 • -9db
35% Popularity • 48% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 48% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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RITUAL
Love Me Back - Acoustic
108 bpm • C# Maj • 03:10 • -7db
22% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Greyson Chance
Dancing Next To Me
108 bpm • B Maj • 02:50 • -6db
39% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Chris James
Who We Used To Know
108 bpm • E Maj • 03:22 • -5.6db
19% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 74% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Chelsea Cutler
You Are Losing Me
100 bpm • G Maj • 03:27 • -9db
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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RITUAL
Love Me Back
108 bpm • C# Maj • 02:58 • -4db
38% Popularity • 74% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 74% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:24 • -7.61db
51% Popularity • 96% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 96% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Good
Living With No One
100 bpm • F# Maj • 02:53 • -6db
31% Popularity • 94% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 94% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Conor Matthews
Heaven Help Me
100 bpm • B Maj • 03:16 • -8.7db
20% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Liam Payne
Live Forever (With Cheat Codes)
100 bpm • G Maj • 02:54 • -6.11db
46% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Corey Harper
Don’t Hate Me
100 bpm • C min • 02:49 • -9db
25% Popularity • 77% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 77% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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MKTO
Shoulda Known Better
100 bpm • C# min • 03:26 • -5.31db
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Palm Trees
They Told Me
100 bpm • F Maj • 03:01 • -7db
30% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Anthony de la Torre
No Way
100 bpm • F Maj • 02:40 • -10.9db
29% Popularity • 74% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 74% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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James TW
Butterflies
100 bpm • C min • 03:17 • -7.3db
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Nightly
Twenty Something - Stripped Sessions
100 bpm • G# Maj • 04:21 • -11.15db
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Lukas Graham
Scars
100 bpm • E min • 02:51 • -6.39db
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jasmine Thompson
Funny - Stripped
100 bpm • F Maj • 03:39 • -4db
39% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lauv
Sims - Miquela Remix
100 bpm • D Maj • 02:37 • -8.92db
50% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Parachute
Better
109 bpm • G# min • 04:33 • -10db
36% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jonas Brothers
I Believe
99 bpm • A Maj • 03:37 • -6.22db
60% Popularity • 75% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 75% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Evan Blum
Hurt The Ones We Love The Most
99 bpm • E Maj • 03:23 • -12db
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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carobae
rock bottom
109 bpm • C Maj • 02:50 • -11db
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Rasmus Hagen
Fight For You
99 bpm • G# Maj • 03:05 • -7.51db
29% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Maja Kristina
The Idea Of Me
110 bpm • D# Maj • 03:14 • -5.15db
20% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Quinn Lewis
Everyone But Me
110 bpm • F# Maj • 03:27 • -8.06db
18% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Etham
I Wish It Was Me - Stripped
110 bpm • F# min • 03:33 • -8.48db
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Conor Matthews
Way Out
110 bpm • G Maj • 02:21 • -4.24db
25% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Ant Saunders
u know it's real
110 bpm • F# min • 02:48 • -9.3db
32% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Daniel Skye
I Want You
110 bpm • C min • 03:08 • -6db
33% Popularity • 79% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 79% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Rasmus Hagen
No Tomorrow (Bonus Track)
110 bpm • G Maj • 02:33 • -8db
40% Popularity • 72% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 72% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Robinson
Watching You
110 bpm • F# Maj • 03:10 • -7.31db
36% Popularity • 71% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 71% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Talevski
Touch the Sky
110 bpm • D min • 03:30 • -6db
36% Popularity • 63% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 63% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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James TW
Boys & Girls
110 bpm • G min • 03:23 • -9db
34% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Diplo
Lonely
98 bpm • C# Maj • 02:19 • -5.12db
56% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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John K
learning how to love
98 bpm • G min • 03:23 • -5.37db
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Cadmium
Feel It Too
98 bpm • F# min • 03:18 • -5.78db
38% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Heather Sommer
We Used To
98 bpm • C# min • 02:38 • -12.01db
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gavin Haley
idk where i'm at rn
111 bpm • F Maj • 02:19 • -5db
22% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 79% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Julia Michaels
17
98 bpm • E Maj • 03:02 • -6.87db
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Balcony
He Don't Trust Me
111 bpm • A Maj • 02:26 • -5.89db
24% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Justin Jesso
Let it Be Me
97 bpm • G# Maj • 03:39 • -5db
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Etham
Safety Pin - Stripped
111 bpm • D Maj • 03:07 • -8.56db
28% Popularity • 75% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 75% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Eyelar
Daddy’s Girl
97 bpm • D Maj • 03:11 • -6.62db
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
