Songs like Crying Shame by The Teskey Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Otis Kane
Free
100 bpm • D Maj • 02:46 • -8.28db
53% Popularity • 79% Danceability • 64% Energy • 27% Liveness
1% Instrumentalness • 58% Positiveness
53% Popularity • 79% Danceability • 64% Energy • 27% Liveness
1% Instrumentalness • 58% Positiveness
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Jessica Wishart
Colours
100 bpm • B min • 03:34 • -9.94db
25% Popularity • 68% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 68% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Sons Of The East
You Might Think
100 bpm • D# Maj • 04:28 • -7.53db
49% Popularity • 47% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 47% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Teskey
Thinking 'Bout Myself
100 bpm • E min • 03:41 • -8.3db
32% Popularity • 65% Danceability • 53% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
32% Popularity • 65% Danceability • 53% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
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Tracy Chapman
Give Me One Reason
100 bpm • B Maj • 04:28 • -10.02db
73% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Meltdown
Slow Fever
100 bpm • E min • 03:39 • -8.66db
46% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Foy Vance
Thank You For Asking
101 bpm • A Maj • 02:31 • -15.1db
41% Popularity • 63% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 63% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Dip
Sure Don't Miss You (OurVinyl Session)
101 bpm • D Maj • 03:02 • -11.69db
47% Popularity • 67% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 67% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Tibbs
Cleaned Out
98 bpm • A min • 03:07 • -6.32db
53% Popularity • 79% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
53% Popularity • 79% Danceability • 47% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Scoundrels
Sexy Weekend
98 bpm • F Maj • 04:11 • -7.77db
53% Popularity • 75% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 75% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Meltdown
Hard Time Letting Go
103 bpm • C min • 03:28 • -11.47db
39% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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John Smith
Far Too Good
97 bpm • E Maj • 03:39 • -11.4db
62% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Dip
Sure Don't Miss You
103 bpm • E min • 02:54 • -8db
61% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 67% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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B.B. King
Bring It On Home To Me
97 bpm • C Maj • 03:10 • -9.06db
54% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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19-Twenty
What A Night
104 bpm • G# Maj • 03:33 • -6.51db
29% Popularity • 58% Danceability • 46% Energy • 14% Liveness
26% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 46% Energy • 14% Liveness
26% Instrumentalness • 44% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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The Meltdown
Sweet Water
97 bpm • D# min • 03:51 • -7db
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Dip
Paddle to the Stars
97 bpm • A Maj • 02:36 • -6.77db
56% Popularity • 67% Danceability • 69% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 67% Danceability • 69% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Marcus King
Young Man’s Dream
96 bpm • D Maj • 03:08 • -11.03db
42% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Tab Benoit
Sunrise
96 bpm • C Maj • 03:45 • -7.26db
44% Popularity • 70% Danceability • 38% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
44% Popularity • 70% Danceability • 38% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
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Ocie Elliott
Be Around
96 bpm • B Maj • 03:15 • -14.9db
61% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
61% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Leon Bridges
Brown Skin Girl
104 bpm • G Maj • 03:26 • -8.77db
51% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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L.A.B.
Yes I Do
96 bpm • A# Maj • 05:10 • -8db
53% Popularity • 85% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
53% Popularity • 85% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
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Monophonics
Sage Motel
104 bpm • C# min • 03:52 • -6.43db
55% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Louis Baker
Black Crow
104 bpm • G min • 03:35 • -6.29db
43% Popularity • 95% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 99% Positiveness
43% Popularity • 95% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 99% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Foy Vance
I'm Coming Over
96 bpm • D# Maj • 04:34 • -7.72db
22% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Shakey Graves
A World So Full of Love
105 bpm • C Maj • 02:51 • -8db
59% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Ash
Righteously
105 bpm • A# Maj • 03:18 • -9db
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
54% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
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Paolo Nutini
Through The Echoes
105 bpm • G Maj • 03:41 • -7.68db
68% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Paula Fuga
If Ever
105 bpm • C# Maj • 03:35 • -7.58db
51% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Keb' Mo'
I Remember You
105 bpm • C Maj • 04:55 • -9db
42% Popularity • 90% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
42% Popularity • 90% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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TEEKS
Wash over Me
105 bpm • G# Maj • 03:19 • -12.44db
55% Popularity • 77% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 77% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ev Jones
To Myself
95 bpm • C# min • 03:37 • -6.74db
33% Popularity • 81% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 81% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Duncan
The Keys
95 bpm • C Maj • 03:37 • -12.09db
64% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
64% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Yola
I Don't Wanna Lie
106 bpm • F Maj • 03:01 • -5.08db
46% Popularity • 56% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 56% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Keb' Mo'
Taking Me Higher
95 bpm • A# Maj • 04:03 • -8db
37% Popularity • 78% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 78% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Lloyd Spiegel
All the Cats Are Grey
106 bpm • F min • 02:29 • -8.96db
42% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Marcus King
One Day She’s Here
95 bpm • B min • 03:47 • -6.55db
49% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
73% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
73% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Sugaray Rayford
Somebody Save Me
106 bpm • A Maj • 04:33 • -7.1db
19% Popularity • 55% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Clark Jr.
When I'm Gone
106 bpm • A# Maj • 03:48 • -1.75db
48% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Olivia Dean
The Hardest Part
94 bpm • C Maj • 02:56 • -7.07db
68% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Son Little
Lay Down
107 bpm • F Maj • 03:48 • -10db
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dojo Cuts
Falling in Love Again
94 bpm • E min • 03:50 • -8db
46% Popularity • 82% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
46% Popularity • 82% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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The Meltdown
Don't Hesitate
107 bpm • A# Maj • 03:59 • -7.66db
41% Popularity • 61% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
41% Popularity • 61% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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Malted Milk
Let Me Ride
107 bpm • E min • 04:02 • -8.4db
37% Popularity • 76% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
37% Popularity • 76% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
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The Subdudes
Next To Me
93 bpm • A Maj • 04:15 • -7.41db
33% Popularity • 85% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
33% Popularity • 85% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
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The Teskey Brothers
Those Were The Days
93 bpm • F min • 01:21 • -8.44db
60% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Leif Vollebekk
Apalachee Plain
108 bpm • A Maj • 03:40 • -7.8db
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Teddy Grossman
Leave it on the Line
108 bpm • A# Maj • 03:52 • -8.65db
23% Popularity • 66% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 66% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Aaron Taylor
Blue
108 bpm • G# Maj • 05:36 • -8.34db
53% Popularity • 85% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
53% Popularity • 85% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
50% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Nathaniel Rateliff
What A Drag
108 bpm • G Maj • 03:34 • -10db
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Jesse Roper
Make It All Work Out
92 bpm • C# Maj • 03:05 • -7.38db
45% Popularity • 69% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Dojo Cuts
Easy to Come Home
92 bpm • E min • 03:33 • -8db
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Mica Millar
More Than You Give Me
92 bpm • F min • 02:52 • -7.49db
52% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Leon Bridges
Shy
92 bpm • G# min • 03:14 • -5.39db
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Jonny P
Good To You
92 bpm • C# Maj • 02:38 • -11db
50% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
50% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Chris Stapleton
Think I'm In Love With You
92 bpm • F# min • 03:42 • -14.12db
72% Popularity • 67% Danceability • 42% Energy • 13% Liveness
22% Instrumentalness • 61% Positiveness
72% Popularity • 67% Danceability • 42% Energy • 13% Liveness
22% Instrumentalness • 61% Positiveness
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Ondara
Lebanon
109 bpm • C Maj • 03:26 • -11db
56% Popularity • 82% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 82% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
49% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Greyhounds
What's on Your Mind (OurVinyl Sessions)
109 bpm • F min • 04:07 • -8.09db
31% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Tedeschi Trucks Band
I Can Feel You Smiling
91 bpm • C Maj • 03:47 • -9db
38% Popularity • 61% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 61% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Yola
Love All Night (Work All Day)
110 bpm • C Maj • 03:33 • -6db
42% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Marlon Pichel
Good Ol' Loving
110 bpm • F# min • 03:13 • -11.31db
24% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Khruangbin
Mariella
110 bpm • D Maj • 05:10 • -10.33db
70% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
70% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
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Greyhounds
Learning How to Love
91 bpm • F Maj • 03:27 • -10.25db
33% Popularity • 53% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
33% Popularity • 53% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Leon Bridges
Don't Worry
110 bpm • E min • 06:41 • -11.43db
47% Popularity • 79% Danceability • 41% Energy • 16% Liveness
2% Instrumentalness • 42% Positiveness
47% Popularity • 79% Danceability • 41% Energy • 16% Liveness
2% Instrumentalness • 42% Positiveness
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Bobby Alu
My Style
91 bpm • F# min • 03:18 • -10db
56% Popularity • 90% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 90% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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The Meltdown
Hold On To Hope
110 bpm • D min • 03:57 • -6.62db
35% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
35% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Mayer Hawthorne
The Walk
110 bpm • F# min • 03:38 • -5.68db
58% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Kiwanuka
Cold Little Heart - Radio Edit
110 bpm • G min • 03:30 • -6.21db
76% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Dip
State Line (OurVinyl Sessions)
91 bpm • B Maj • 03:36 • -11.88db
42% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Boy & Bear
Wicked Game - Acoustic
110 bpm • A Maj • 04:12 • -9.93db
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sonny Cleveland
You've Got Me Running in Circles
111 bpm • G Maj • 02:50 • -7.11db
59% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lake Street Dive
What I'm Doing Here
111 bpm • G Maj • 03:26 • -14db
61% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
61% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Million Miles
Ice Cream & Cigarettes
90 bpm • G Maj • 02:52 • -7.18db
43% Popularity • 74% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 74% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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The Dip
Working Man
90 bpm • A Maj • 04:09 • -7.57db
50% Popularity • 44% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 44% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Octave Lissner
Please Hold On
90 bpm • A Maj • 03:24 • -13.03db
40% Popularity • 84% Danceability • 44% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
40% Popularity • 84% Danceability • 44% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Jordan Mackampa
What Am I
90 bpm • A Maj • 04:09 • -11db
48% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Dallas Tamaira
Just Fine
90 bpm • G# min • 02:54 • -7.07db
43% Popularity • 77% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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The Meltdown
Tell You Not To Worry
90 bpm • F# min • 04:42 • -8.55db
48% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Lily Moore
In-between
90 bpm • G# Maj • 02:39 • -6.17db
51% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
