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Cuando me ves
Songs like
Cuando me ves
by
Benjamin Walker
Based on a tempo of (+/- 10%) and a similar genre
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Mandy Gonzalez
When You're Home - Radio Edit
95 bpm • A Maj • 03:19 • -5.84db
29% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
31% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
94 bpm • C Maj • 03:26 • -8db
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Carlos Gomez
Inútil
94 bpm • C Maj • 02:50 • -10.9db
36% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Crazy Ex-Girlfriend Cast
JAP Battle
96 bpm • A# min • 02:45 • -7.08db
27% Popularity • 92% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Sherman Edwards
1776: Cool, Cool, Considerate Men
96 bpm • C min • 04:29 • -11.86db
21% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Patti LuPone
On the Verge
93 bpm • C Maj • 02:45 • -9db
18% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Benjamin Walker
Public Life
93 bpm • A min • 02:12 • -6.69db
17% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Jordan
Raise a Little Hell (Reprise)
93 bpm • D Maj • 02:25 • -8.64db
32% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Hunter Parrish
Alas for You
93 bpm • D# Maj • 01:49 • -7.67db
27% Popularity • 40% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
30% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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J. Robert Spencer
I've Been
93 bpm • C# Maj • 02:44 • -8.33db
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
42% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa O'Hare
I Don't Know What I'd Do
97 bpm • G Maj • 02:02 • -12db
28% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Porter
In This Corner
97 bpm • F min • 04:56 • -6.83db
29% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Molly Gordon
I've Shrunk Enough
93 bpm • B min • 02:38 • -7db
34% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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'[title of show]' Original Cast
Monkeys and Playbills
93 bpm • D Maj • 03:26 • -9.36db
15% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Lareun Zakrin
The Breakdown
98 bpm • G Maj • 02:45 • -8.71db
20% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Barrett Doss
If I Had My Time Again
92 bpm • B min • 04:59 • -6db
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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F. Michael Haynie
Dear Lucy
98 bpm • G# Maj • 03:42 • -10db
13% Popularity • 64% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Steven Booth
Some Kinda Time
98 bpm • F# min • 04:03 • -5db
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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Original Cast of Starship
Get Back Up
92 bpm • E Maj • 02:27 • -4.16db
24% Popularity • 57% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Christopher Jackson
Benny's Dispatch
92 bpm • A Maj • 02:17 • -8.25db
44% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Liam Tamne
Delivery
91 bpm • C# min • 04:02 • -12db
17% Popularity • 62% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
18% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Steven Weber
The Stuff (Reprise)
100 bpm • G Maj • 02:49 • -6.29db
14% Popularity • 40% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
27% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Amber Gray
Charming
100 bpm • D min • 04:40 • -14.35db
19% Popularity • 83% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Jenn Colella
Number 5 with a Bullet
90 bpm • A min • 04:46 • -6db
11% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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John Sanders
Night Will Come
100 bpm • F min • 03:45 • -14.5db
30% Popularity • 42% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
22% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Lynch
Casualty of Love
101 bpm • A Maj • 03:07 • -4.68db
8% Popularity • 69% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Benjamin Walker
I'm Not That Guy
89 bpm • E min • 02:29 • -8.02db
23% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cast of Galavant
Moments in the Sun
89 bpm • D Maj • 03:05 • -8.13db
5% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Amber Gray
Charming
102 bpm • D# Maj • 04:27 • -9db
37% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jefferson Mays
Looking Down the Barrel of a Gun
102 bpm • F# Maj • 02:52 • -7.93db
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
45% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Lee Anderson
Firmer Hand / Do Right
102 bpm • C# Maj • 02:15 • -8.32db
29% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Brooke Sunny Moriber
The Factory Girls / Come Up to My Office
102 bpm • C# min • 03:57 • -9.68db
20% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Frankenstein World Premiere Cast
Prelude
88 bpm • G min • 02:36 • -7.43db
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
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'[title of show]' Original Cast
Nine People's Favorite Thing
88 bpm • C Maj • 04:39 • -8.39db
20% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Dave Malloy
Pierre
88 bpm • E min • 04:14 • -9.41db
19% Popularity • 37% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Roger Bart
The Brain
103 bpm • F min • 04:57 • -9.68db
25% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Rick Lyon
School for Monsters / The Money Song (Re...
103 bpm • C# min • 01:59 • -8.69db
7% Popularity • 64% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Danny Burstein
Tangled
103 bpm • G# Maj • 03:58 • -10db
15% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Jordan
Raise a Little Hell
88 bpm • A min • 03:08 • -10db
40% Popularity • 44% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Jeanine Tesori
Telephone Wire
103 bpm • G Maj • 04:28 • -14.49db
31% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kirk McDonald
Funeral: There Is a Fountain / It Don't ...
103 bpm • A# Maj • 05:57 • -10.33db
20% Popularity • 35% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Patti Murin
It's Not a Good Idea
87 bpm • C Maj • 03:19 • -8.61db
14% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Victoria Clark
Skater Planet
87 bpm • B Maj • 03:31 • -7.76db
31% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
27% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Hyde
Alive
87 bpm • D min • 01:18 • -8.46db
28% Popularity • 52% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Anthony Rapp
Halloween
87 bpm • F min • 01:29 • -6.95db
38% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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John Tartaglia
What Do You Do with a B.A. in English / ...
104 bpm • D Maj • 05:55 • -10db
16% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
31% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Gad
I Am Here for You
87 bpm • A Maj • 02:04 • -19.37db
43% Popularity • 37% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Ken Jennings
Snuff That Girl
105 bpm • D Maj • 03:18 • -10db
30% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Original Cast of Starship
Hideous Creatures
105 bpm • D Maj • 02:04 • -6.41db
24% Popularity • 51% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
45% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Wagon on Fire
85 bpm • C# Maj • 02:15 • -5.7db
39% Popularity • 28% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
26% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Gotay
Women and Sandwiches
107 bpm • G# Maj • 03:24 • -7.62db
29% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Christine Lakin
Listen to Jesus, Jimmy
107 bpm • G# Maj • 03:57 • -7.17db
19% Popularity • 56% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Jeff McCarthy
Cop Song
107 bpm • C# Maj • 02:43 • -10.15db
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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John Benjamin Hickey
Finale
84 bpm • G min • 04:29 • -12.32db
27% Popularity • 52% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cuando me ves