Songs like Cult-Bowl by The Chris Hinze Combination
Based on a tempo of (+/- 10%) and a similar genre
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The Chris Hinze Combination
Cult-Bowl
75 bpm • D Maj • 03:01 • -22.34db
0% Popularity • 33% Danceability • 8% Energy • 8% Liveness
24% Instrumentalness • 7% Positiveness
0% Popularity • 33% Danceability • 8% Energy • 8% Liveness
24% Instrumentalness • 7% Positiveness
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Caroline Davis
Sequins
76 bpm • G# Maj • 03:32 • -9.47db
11% Popularity • 37% Danceability • 54% Energy • 21% Liveness
58% Instrumentalness • 35% Positiveness
11% Popularity • 37% Danceability • 54% Energy • 21% Liveness
58% Instrumentalness • 35% Positiveness
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Bora Rokovic
Soft Hands Had the Rain
74 bpm • G min • 04:58 • -17.64db
9% Popularity • 49% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
9% Popularity • 49% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Barre Phillips
Ms. P.
76 bpm • G Maj • 04:58 • -32db
11% Popularity • 28% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 28% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Keef Hartley Band
Nocturns - Remastered
73 bpm • E min • 02:04 • -23.07db
25% Popularity • 31% Danceability • 15% Energy • 67% Liveness
4% Instrumentalness • 19% Positiveness
25% Popularity • 31% Danceability • 15% Energy • 67% Liveness
4% Instrumentalness • 19% Positiveness
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Doug Hammond
Moves
77 bpm • D min • 04:31 • -12db
8% Popularity • 35% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Chris Hinze Combination
Dunes
76 bpm • A min • 06:46 • -14.4db
0% Popularity • 54% Danceability • 69% Energy • 7% Liveness
71% Instrumentalness • 68% Positiveness
0% Popularity • 54% Danceability • 69% Energy • 7% Liveness
71% Instrumentalness • 68% Positiveness
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Megaton
Carry It On The End - Remastered 1985
73 bpm • A# min • 03:43 • -9.89db
10% Popularity • 36% Danceability • 91% Energy • 32% Liveness
34% Instrumentalness • 51% Positiveness
10% Popularity • 36% Danceability • 91% Energy • 32% Liveness
34% Instrumentalness • 51% Positiveness
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Ian Carr
Ariadne
77 bpm • C Maj • 07:42 • -20db
8% Popularity • 40% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 40% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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ZylyP
Himberulizi
77 bpm • A min • 03:26 • -19.82db
7% Popularity • 25% Danceability • 22% Energy • 59% Liveness
44% Instrumentalness • 9% Positiveness
7% Popularity • 25% Danceability • 22% Energy • 59% Liveness
44% Instrumentalness • 9% Positiveness
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Terje Rypdal
Descendre
72 bpm • A min • 03:10 • -19.14db
8% Popularity • 23% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 4% Positiveness
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Alan Parker
The Difference
78 bpm • A# min • 02:47 • -20.3db
9% Popularity • 26% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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The Chris Hinze Combination
The Hunter
73 bpm • F min • 05:07 • -10.43db
0% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Missus Beastly
For Evi
72 bpm • C min • 02:54 • -20.48db
14% Popularity • 38% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 38% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Roland Haynes
Second Wave
72 bpm • A# min • 06:06 • -14.59db
8% Popularity • 42% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 90% Positiveness
8% Popularity • 42% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 90% Positiveness
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Weather Report
Orange Lady
72 bpm • E Maj • 08:41 • -15.38db
19% Popularity • 16% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Piero Umiliani
Penombra
71 bpm • D Maj • 03:01 • -25.48db
19% Popularity • 33% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
19% Popularity • 33% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Klaus Doldinger's Passport
Garden of Eden - Dawn
71 bpm • C# Maj • 01:52 • -29.02db
22% Popularity • 22% Danceability • 3% Energy • 13% Liveness
84% Instrumentalness • 9% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 13% Liveness
84% Instrumentalness • 9% Positiveness
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The Mouse Mover
Beam
71 bpm • A# Maj • 02:19 • -21.32db
8% Popularity • 24% Danceability • 5% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 5% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Alberto Baldan Bembo
Incorporated
79 bpm • G min • 02:32 • -24.64db
16% Popularity • 74% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 97% Positiveness
16% Popularity • 74% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 97% Positiveness
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Lounge Devision
Casablanca
80 bpm • G min • 02:32 • -7.85db
8% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Chris Hinze Combination
One Week
80 bpm • E min • 06:57 • -12.26db
0% Popularity • 55% Danceability • 63% Energy • 18% Liveness
13% Instrumentalness • 65% Positiveness
0% Popularity • 55% Danceability • 63% Energy • 18% Liveness
13% Instrumentalness • 65% Positiveness
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Armando Trovajoli
The Report is Completed
70 bpm • G# Maj • 01:56 • -24.69db
13% Popularity • 54% Danceability • 12% Energy • 19% Liveness
74% Instrumentalness • 16% Positiveness
13% Popularity • 54% Danceability • 12% Energy • 19% Liveness
74% Instrumentalness • 16% Positiveness
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Rainer Brüninghaus
Strahlenspur
81 bpm • G Maj • 04:52 • -16db
11% Popularity • 32% Danceability • 48% Energy • 21% Liveness
39% Instrumentalness • 44% Positiveness
11% Popularity • 32% Danceability • 48% Energy • 21% Liveness
39% Instrumentalness • 44% Positiveness
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Joe Zawinul
In a Silent Way
70 bpm • A Maj • 04:45 • -14.89db
21% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
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Chico Hamilton
The Morning Side Of Love
81 bpm • G Maj • 05:18 • -14.46db
26% Popularity • 65% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 68% Positiveness
26% Popularity • 65% Danceability • 51% Energy • 14% Liveness
88% Instrumentalness • 68% Positiveness
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Albert Mangelsdorff
Never Let It End
81 bpm • A Maj • 09:49 • -14.67db
7% Popularity • 32% Danceability • 50% Energy • 17% Liveness
72% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 50% Energy • 17% Liveness
72% Instrumentalness • 28% Positiveness
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The Near Jazz Experience
Afloat In Dub
82 bpm • D# Maj • 02:49 • -16.3db
17% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
17% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Soft Machine
Carol Ann
69 bpm • F Maj • 03:44 • -36db
13% Popularity • 12% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
13% Popularity • 12% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Bjørn Mattis Eng
SOLSKOKK
69 bpm • A min • 06:10 • -16.96db
12% Popularity • 48% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 49% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 49% Positiveness
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The Chakachas
Soledad
82 bpm • D Maj • 03:57 • -19.35db
7% Popularity • 62% Danceability • 32% Energy • 8% Liveness
62% Instrumentalness • 88% Positiveness
7% Popularity • 62% Danceability • 32% Energy • 8% Liveness
62% Instrumentalness • 88% Positiveness
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The Chris Hinze Combination
The First Wheel
82 bpm • A# min • 02:41 • -10.91db
1% Popularity • 32% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 32% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Naura Quartet
Forgotten Garden
68 bpm • A min • 05:53 • -21.28db
8% Popularity • 26% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Enrico Rava
Katcharpari
82 bpm • C# Maj • 04:11 • -13db
13% Popularity • 44% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
13% Popularity • 44% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
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McCoy Tyner
Asante - Remix
83 bpm • F min • 06:12 • -18.08db
9% Popularity • 19% Danceability • 19% Energy • 10% Liveness
33% Instrumentalness • 16% Positiveness
9% Popularity • 19% Danceability • 19% Energy • 10% Liveness
33% Instrumentalness • 16% Positiveness
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Mal Waldron
Beat It - Studio
83 bpm • F# Maj • 02:49 • -23.76db
12% Popularity • 57% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
12% Popularity • 57% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Billy Cobham
Dana
83 bpm • D# Maj • 04:29 • -12.3db
13% Popularity • 64% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
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Weather Report
Will
84 bpm • A Maj • 06:18 • -16.96db
15% Popularity • 70% Danceability • 44% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
15% Popularity • 70% Danceability • 44% Energy • 9% Liveness
71% Instrumentalness • 61% Positiveness
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Francis Coppieters
Funky Chimes
84 bpm • F min • 03:20 • -16.99db
16% Popularity • 60% Danceability • 36% Energy • 7% Liveness
57% Instrumentalness • 63% Positiveness
16% Popularity • 60% Danceability • 36% Energy • 7% Liveness
57% Instrumentalness • 63% Positiveness
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KHAN JAMAL
The Known Unknown
66 bpm • E min • 08:53 • -11.65db
11% Popularity • 44% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
11% Popularity • 44% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
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Alan Gowen
Above and Below
85 bpm • E Maj • 07:41 • -16.82db
7% Popularity • 41% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 28% Positiveness
7% Popularity • 41% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 28% Positiveness
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Kifu Mitsuhashi
Asadoya Yunta
84 bpm • D min • 03:49 • -12.55db
10% Popularity • 62% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 80% Positiveness
10% Popularity • 62% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 80% Positiveness
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The Chris Hinze Combination
The Shifting Sands of Mantinge
85 bpm • E Maj • 03:36 • -16.48db
0% Popularity • 30% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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LoopXVI
Cozy Season
85 bpm • C Maj • 03:01 • -34.4db
8% Popularity • 55% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
8% Popularity • 55% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Dom Granda
soundscape-sleep-v1
85 bpm • B min • 01:15 • -33.93db
10% Popularity • 32% Danceability • 3% Energy • 43% Liveness
73% Instrumentalness • 46% Positiveness
10% Popularity • 32% Danceability • 3% Energy • 43% Liveness
73% Instrumentalness • 46% Positiveness
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Larry Coryell
The Dream Thing
66 bpm • A min • 02:27 • -22.62db
34% Popularity • 63% Danceability • 12% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
34% Popularity • 63% Danceability • 12% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
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Weather Report
Manolete
85 bpm • G Maj • 05:55 • -9.76db
14% Popularity • 35% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
14% Popularity • 35% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Nicholas Creus
For Now
86 bpm • F min • 02:41 • -9.55db
12% Popularity • 52% Danceability • 76% Energy • 16% Liveness
10% Instrumentalness • 63% Positiveness
12% Popularity • 52% Danceability • 76% Energy • 16% Liveness
10% Instrumentalness • 63% Positiveness
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Amanda Whiting
Just Blue
65 bpm • F# Maj • 03:20 • -17.06db
13% Popularity • 32% Danceability • 37% Energy • 10% Liveness
71% Instrumentalness • 58% Positiveness
13% Popularity • 32% Danceability • 37% Energy • 10% Liveness
71% Instrumentalness • 58% Positiveness
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The Chris Hinze Combination
Lost Traces
86 bpm • E min • 06:35 • -14.65db
0% Popularity • 30% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 30% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Atilla Zoller
The Birds and the Bees
87 bpm • B min • 03:50 • -12.45db
8% Popularity • 37% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 48% Positiveness
8% Popularity • 37% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 48% Positiveness
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DJ T0B1
Nights Out
87 bpm • E min • 01:28 • -19.25db
11% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
11% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
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Pat Metheny Group
San Lorenzo
88 bpm • G# Maj • 10:13 • -19.62db
35% Popularity • 37% Danceability • 34% Energy • 18% Liveness
90% Instrumentalness • 22% Positiveness
35% Popularity • 37% Danceability • 34% Energy • 18% Liveness
90% Instrumentalness • 22% Positiveness
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Larry Coryell
High Love
88 bpm • B Maj • 05:51 • -16.62db
8% Popularity • 37% Danceability • 73% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
8% Popularity • 37% Danceability • 73% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
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Codona
Codona
88 bpm • F Maj • 06:14 • -20.42db
14% Popularity • 38% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 50% Positiveness
14% Popularity • 38% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 50% Positiveness
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The Chris Hinze Combination
Deliverance
87 bpm • C Maj • 11:21 • -15.2db
0% Popularity • 36% Danceability • 42% Energy • 12% Liveness
64% Instrumentalness • 32% Positiveness
0% Popularity • 36% Danceability • 42% Energy • 12% Liveness
64% Instrumentalness • 32% Positiveness
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Gato Barbieri
Bolivia
89 bpm • G min • 07:55 • -16.75db
15% Popularity • 47% Danceability • 24% Energy • 8% Liveness
67% Instrumentalness • 64% Positiveness
15% Popularity • 47% Danceability • 24% Energy • 8% Liveness
67% Instrumentalness • 64% Positiveness
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Bennie Maupin
Eternal Flame
89 bpm • C Maj • 04:35 • -15.74db
9% Popularity • 30% Danceability • 26% Energy • 23% Liveness
34% Instrumentalness • 17% Positiveness
9% Popularity • 30% Danceability • 26% Energy • 23% Liveness
34% Instrumentalness • 17% Positiveness
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Gary Burton Quartet
Sea Journey
89 bpm • A min • 09:14 • -18.76db
20% Popularity • 36% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 49% Positiveness
20% Popularity • 36% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 49% Positiveness
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Tony Williams
There Comes a Time
89 bpm • A Maj • 05:40 • -13.83db
15% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Nucleus
Rat's Bag
89 bpm • F min • 05:49 • -9.59db
9% Popularity • 41% Danceability • 66% Energy • 26% Liveness
61% Instrumentalness • 85% Positiveness
9% Popularity • 41% Danceability • 66% Energy • 26% Liveness
61% Instrumentalness • 85% Positiveness
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The Chris Hinze Combination
The Ballad
88 bpm • G# min • 03:51 • -18.35db
0% Popularity • 20% Danceability • 24% Energy • 11% Liveness
70% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 24% Energy • 11% Liveness
70% Instrumentalness • 5% Positiveness
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Awen Ensemble
Rhyd
89 bpm • G Maj • 04:26 • -17.13db
7% Popularity • 40% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
7% Popularity • 40% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
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KHAN JAMAL
Infinity
90 bpm • F# min • 04:48 • -12.99db
8% Popularity • 16% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 16% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Nada Street
Preciso Señales
90 bpm • A Maj • 01:11 • -16db
22% Popularity • 41% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
22% Popularity • 41% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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John McLaughlin
Peace One
90 bpm • A min • 07:18 • -11.8db
17% Popularity • 28% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
17% Popularity • 28% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
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Johnny Lytle
Tawhid - Remastered 2023
90 bpm • C Maj • 07:05 • -6.94db
15% Popularity • 36% Danceability • 83% Energy • 28% Liveness
6% Instrumentalness • 64% Positiveness
15% Popularity • 36% Danceability • 83% Energy • 28% Liveness
6% Instrumentalness • 64% Positiveness
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The Chris Hinze Combination
Polonaise
88 bpm • C Maj • 03:53 • -10.66db
0% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 60% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Rowdy Boeije
You're Trouble
90 bpm • D Maj • 03:52 • -16.86db
20% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Cosmic Inferno
Fading Memories - Instrumental
90 bpm • E min • 01:46 • -14.56db
12% Popularity • 74% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 74% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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The Jazzy Music Jar
In The Blue
90 bpm • D Maj • 01:14 • -18.07db
7% Popularity • 52% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 83% Positiveness
7% Popularity • 52% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 83% Positiveness
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Basil Kirchin
Assignment K Track 4
90 bpm • B min • 01:11 • -9.39db
16% Popularity • 46% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 44% Positiveness
16% Popularity • 46% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 44% Positiveness
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Collin Walcott
Gold Sun
91 bpm • A Maj • 07:03 • -19db
7% Popularity • 44% Danceability • 14% Energy • 15% Liveness
83% Instrumentalness • 40% Positiveness
7% Popularity • 44% Danceability • 14% Energy • 15% Liveness
83% Instrumentalness • 40% Positiveness
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The Chris Hinze Combination
Backwater
89 bpm • C# min • 07:13 • -11.69db
0% Popularity • 39% Danceability • 31% Energy • 9% Liveness
33% Instrumentalness • 28% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 9% Liveness
33% Instrumentalness • 28% Positiveness
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Jimmy Haslip
Cold Fusion
90 bpm • C# Maj • 04:40 • -13.16db
8% Popularity • 78% Danceability • 39% Energy • 9% Liveness
40% Instrumentalness • 30% Positiveness
8% Popularity • 78% Danceability • 39% Energy • 9% Liveness
40% Instrumentalness • 30% Positiveness
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Michael Franks
When The Cookie Jar Is Empty - Live
91 bpm • E min • 06:24 • -17.78db
10% Popularity • 45% Danceability • 48% Energy • 38% Liveness
26% Instrumentalness • 79% Positiveness
10% Popularity • 45% Danceability • 48% Energy • 38% Liveness
26% Instrumentalness • 79% Positiveness
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Guitar Lullabies
Relaxing Pregnancy Music #8
91 bpm • F Maj • 02:31 • -15.05db
9% Popularity • 24% Danceability • 29% Energy • 30% Liveness
76% Instrumentalness • 38% Positiveness
9% Popularity • 24% Danceability • 29% Energy • 30% Liveness
76% Instrumentalness • 38% Positiveness
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Gábor Szabó
Mizrab
91 bpm • E Maj • 09:35 • -17.24db
11% Popularity • 41% Danceability • 48% Energy • 7% Liveness
88% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 48% Energy • 7% Liveness
88% Instrumentalness • 25% Positiveness
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Adam Rudolph's Moving Pictures
The Earth Spins Faster Than Words
91 bpm • F# min • 05:14 • -26.21db
8% Popularity • 55% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 55% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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The Chris Hinze Combination
Never Forget Me
89 bpm • G min • 07:23 • -12.76db
0% Popularity • 42% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 42% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 27% Positiveness
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Dropstr8profitsouth
Glider Stretcherz
91 bpm • G# min • 01:40 • -14.17db
18% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Charles Lloyd
Majorca
91 bpm • F Maj • 06:11 • -18db
12% Popularity • 48% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
12% Popularity • 48% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Chris Hinze
The Second Coming - 2023 Remastered
91 bpm • A# min • 06:25 • -11.16db
0% Popularity • 41% Danceability • 66% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
0% Popularity • 41% Danceability • 66% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Marco Vavassori
Francesco's Smile
92 bpm • D Maj • 05:13 • -12.9db
11% Popularity • 44% Danceability • 43% Energy • 16% Liveness
74% Instrumentalness • 63% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 16% Liveness
74% Instrumentalness • 63% Positiveness
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Codona
Colemanwonder: Race Face / Sortie / Sir ...
92 bpm • G Maj • 03:40 • -20.47db
9% Popularity • 66% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
9% Popularity • 66% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 18% Positiveness
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The Chris Hinze Combination
Koto
90 bpm • A min • 05:03 • -12.89db
0% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 73% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Chitinous Ensemble
De Blonck - Remastered
92 bpm • A min • 02:41 • -15.66db
32% Popularity • 54% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
32% Popularity • 54% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
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Joe Harriott
Stephano's Dance
92 bpm • E min • 08:13 • -16db
14% Popularity • 47% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
14% Popularity • 47% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Amancio D'Silva
What Maria Sees
93 bpm • A Maj • 08:01 • -14.53db
12% Popularity • 59% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 57% Positiveness
12% Popularity • 59% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 57% Positiveness
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Marvin Hannibal Peterson
Mother's Land
94 bpm • C# Maj • 05:13 • -16.18db
8% Popularity • 33% Danceability • 49% Energy • 11% Liveness
43% Instrumentalness • 75% Positiveness
8% Popularity • 33% Danceability • 49% Energy • 11% Liveness
43% Instrumentalness • 75% Positiveness
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Armando Trovajoli
She, Dangerous Stuff
94 bpm • D Maj • 02:26 • -13.58db
11% Popularity • 40% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 40% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Chris Hinze Combination
Gurka
90 bpm • G Maj • 05:10 • -12.36db
0% Popularity • 65% Danceability • 66% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
0% Popularity • 65% Danceability • 66% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
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flesh.urz
Come To Me
94 bpm • A min • 02:48 • -10.27db
25% Popularity • 75% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
25% Popularity • 75% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Azymuth
Partido Alto
94 bpm • F Maj • 04:10 • -16.67db
27% Popularity • 72% Danceability • 37% Energy • 7% Liveness
68% Instrumentalness • 73% Positiveness
27% Popularity • 72% Danceability • 37% Energy • 7% Liveness
68% Instrumentalness • 73% Positiveness
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Craig Huxley
New World Theme
95 bpm • C Maj • 04:02 • -6.34db
12% Popularity • 39% Danceability • 65% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 65% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Roland Haynes
Eglise
94 bpm • F# Maj • 03:09 • -16.48db
14% Popularity • 41% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 80% Positiveness
14% Popularity • 41% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 80% Positiveness
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Collin Walcott
Prancing
95 bpm • G Maj • 03:22 • -18.83db
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
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The Chris Hinze Combination
Di-Da-De-Lu-Da
94 bpm • G Maj • 08:04 • -14.09db
0% Popularity • 38% Danceability • 43% Energy • 7% Liveness
47% Instrumentalness • 32% Positiveness
0% Popularity • 38% Danceability • 43% Energy • 7% Liveness
47% Instrumentalness • 32% Positiveness
