Songs like Cupid by Bernadette Peters
Based on a tempo of (+/- 10%) and a similar genre
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Bernadette Peters
Cupid
100 bpm • C Maj • 04:27 • -12.5db
4% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
33% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Borle
Pure Imagination / Grandpa Joe (Reprise)
101 bpm • F min • 03:29 • -10.04db
32% Popularity • 28% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 28% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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2003 Broadway Cast Gypsy
Entr'acte
100 bpm • D# Maj • 02:18 • -13.77db
6% Popularity • 34% Danceability • 25% Energy • 26% Liveness
86% Instrumentalness • 39% Positiveness
6% Popularity • 34% Danceability • 25% Energy • 26% Liveness
86% Instrumentalness • 39% Positiveness
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Carol Burnett
Little Girls
101 bpm • G# min • 03:12 • -15.57db
37% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Gwen Verdon
Nowadays
99 bpm • C Maj • 04:47 • -17.29db
23% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bernadette Peters
Second Letter Home
102 bpm • D Maj • 02:00 • -27.51db
3% Popularity • 50% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 50% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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2003 Broadway Cast Gypsy
All I Need Is The Girl
98 bpm • C Maj • 04:21 • -17.58db
9% Popularity • 46% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Maria Friedman
Broadway Baby - Live
102 bpm • G Maj • 03:52 • -17.66db
5% Popularity • 38% Danceability • 44% Energy • 65% Liveness
0% Instrumentalness • 21% Positiveness
5% Popularity • 38% Danceability • 44% Energy • 65% Liveness
0% Instrumentalness • 21% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
44% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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John Kander
Cabaret: Dont' Tell Mama
102 bpm • A Maj • 04:01 • -13db
23% Popularity • 61% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 61% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Charlotte Spencer as Jane Banks
Practically Perfect - London Cast Record...
103 bpm • D Maj • 04:10 • -17.76db
30% Popularity • 64% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 64% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Bernadette Peters
Doin' What Comes Natur'lly
97 bpm • A Maj • 02:14 • -7.02db
21% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Louise and June
If Momma Was Married
97 bpm • G# Maj • 02:56 • -5.34db
22% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dean Pitchford
I Never Thought I'd Break - 2005 Digital...
104 bpm • G Maj • 04:13 • -9.14db
4% Popularity • 37% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 37% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 30% Positiveness
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Gwen Verdon
Funny Honey
97 bpm • G Maj • 03:26 • -18.32db
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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John Tartaglia
What Do You Do with a B.A. in English / ...
104 bpm • D Maj • 05:55 • -10db
16% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Kevin Chamberlin
The Moon And Me
104 bpm • C Maj • 03:03 • -10.82db
37% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Bernadette Peters
Rose's Turn
104 bpm • A# min • 05:03 • -10.69db
25% Popularity • 59% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 59% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Strouse
Little Girls (Miss Hannigan) - Voice
104 bpm • G# Maj • 02:46 • -8.93db
26% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Chita Rivera
Chief Cook and Bottle Washer
105 bpm • A# Maj • 03:55 • -9db
15% Popularity • 58% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 58% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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John Williams
Matchmaker
105 bpm • F# min • 03:56 • -15db
40% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bernadette Peters
Capped Teeth and Caesar Salad
104 bpm • D Maj • 04:15 • -19.74db
3% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
32% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
56% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jim Wise
Dames at Sea: Raining in My Heart
105 bpm • C Maj • 05:25 • -16.72db
3% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Bernadette Peters
Twentieth Century Love
96 bpm • C Maj • 02:31 • -12.03db
2% Popularity • 50% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 50% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 78% Positiveness
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Christian Borle
Chip on My Shoulder
105 bpm • G# Maj • 08:50 • -15.16db
48% Popularity • 67% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 67% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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2003 Broadway Cast Gypsy
If Momma Was Married
95 bpm • G# Maj • 02:59 • -13.05db
11% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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John Whelan
Dublin Lady
95 bpm • G Maj • 04:39 • -12.58db
1% Popularity • 26% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 26% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Strouse
Annie: Little Girls
106 bpm • F min • 02:42 • -13.6db
33% Popularity • 61% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 61% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Bernadette Peters
Blackbird
105 bpm • A# Maj • 04:20 • -16.51db
6% Popularity • 37% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
6% Popularity • 37% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
45% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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The Original Broadway Cast Of 'Curtains'
It's A Business
106 bpm • F min • 04:42 • -14db
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Annaleigh Ashford
Sunday in the Park with George
106 bpm • C# Maj • 05:34 • -10db
25% Popularity • 55% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 55% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Marvin Hamlisch
At the Ballet
94 bpm • G Maj • 05:54 • -9.93db
28% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
48% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Gwen Verdon
Funny Honey
94 bpm • C# Maj • 03:10 • -12.26db
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
32% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Annie Get Your Gun - 1999 Broadway Cast
I Got The Sun In The Morning
94 bpm • G min • 04:30 • -6.15db
19% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 33% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
27% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jeff McCarthy
Cop Song
107 bpm • C# Maj • 02:43 • -10.15db
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Ramin Karimloo
The Neva Flows
93 bpm • A# Maj • 02:53 • -11.85db
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Morgan James
Turn Back, O Man
108 bpm • C Maj • 04:07 • -9.83db
32% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Linda Eder
Bring on the Men - 2007 Remaster
108 bpm • C# min • 05:08 • -8.49db
28% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
30% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Marvin Hamlisch
Dance: Ten; Looks: Three
109 bpm • C# Maj • 02:51 • -8.47db
26% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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2003 Broadway Cast Gypsy
Together Wherever We Go
109 bpm • G Maj • 03:55 • -13.86db
12% Popularity • 72% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 72% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 57% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Borle
A Tight-Knit Family / Love Is Blind
109 bpm • D Maj • 05:59 • -7db
41% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Randy Graff
You Can Always Count on Me
91 bpm • A# Maj • 04:30 • -16.63db
20% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Gavin Lee as Bert
Anything Can Happen - London Cast Record...
109 bpm • C# Maj • 04:54 • -13db
29% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Bernadette Peters
Something Good
90 bpm • D# Maj • 02:28 • -14.55db
4% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Molly Ranson
Carrie
110 bpm • D Maj • 04:09 • -5.11db
39% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
22% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sheryl Lee Ralph
Long as I'm Here with You
111 bpm • D Maj • 02:24 • -9db
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Heidi Blickenstaff
Secondary Characters
111 bpm • C Maj • 02:25 • -7.24db
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Nunsense 30th Anniversary Cast
I Just Want to Be a Star
112 bpm • F Maj • 02:53 • -12.29db
18% Popularity • 65% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 65% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Bernadette Peters
Cookie Speech
112 bpm • C# Maj • 01:30 • -11.68db
3% Popularity • 74% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 74% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 57% Positiveness
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Marvin Hamlisch
Nothing
89 bpm • B Maj • 04:19 • -10.02db
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Nat D. Ayer
If You Were The Only Boy - 2005 Digital ...
89 bpm • A# Maj • 04:08 • -25.78db
5% Popularity • 30% Danceability • 13% Energy • 72% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 30% Danceability • 13% Energy • 72% Liveness
0% Instrumentalness • 10% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium
89 bpm • D Maj • 02:52 • -7db
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 55% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Brian Stokes Mitchell
Henry Ford
112 bpm • A Maj • 01:41 • -7db
26% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Strouse
Annie: Easy Street
113 bpm • D Maj • 03:22 • -12.37db
31% Popularity • 47% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 47% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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2003 Broadway Cast Gypsy
Gypsy Strip (Let Me Entertain You)
89 bpm • D# Maj • 06:35 • -11.91db
8% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
