Songs like Curiously Interspersed with Erotic Dreams by Geoff Zanelli
Based on a tempo of (+/- 10%) and a similar genre
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Steve Jablonsky
Let Us Quest!
135 bpm • E min • 04:29 • -13.33db
31% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
31% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Christian Henson
All's Well That End's Well
135 bpm • B Maj • 04:13 • -20.47db
22% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Rob Lane
Plague in the Water
135 bpm • G# Maj • 01:33 • -33.32db
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Michael Kamen
Swamp - Instrumental
137 bpm • F Maj • 02:08 • -27.74db
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Henson
The Moonacre Curse
136 bpm • D Maj • 03:08 • -19.6db
17% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
17% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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Rob Lane
Arthur Asked to Lead
134 bpm • G Maj • 01:26 • -21.24db
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
42% Popularity • 16% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Carter Burwell
To Run Or Not To Run
137 bpm • G Maj • 04:09 • -21.73db
17% Popularity • 15% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Blake Neely
Around the Clock
132 bpm • C# Maj • 06:12 • -15.91db
38% Popularity • 34% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Roque Baños
Young Nickerson
132 bpm • F Maj • 02:16 • -20.17db
24% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
24% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Thor and Liv
132 bpm • B min • 01:21 • -26db
47% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
47% Popularity • 38% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Blake Neely
Rack 'Em Up and Knock 'Em Down
132 bpm • D Maj • 04:28 • -16.69db
35% Popularity • 56% Danceability • 36% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 56% Danceability • 36% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Foreboding
132 bpm • G# Maj • 01:18 • -35.14db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Nathan Johnson
Like Father, Like Son
138 bpm • D Maj • 01:01 • -21.18db
36% Popularity • 15% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
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John Debney
Water Truce
138 bpm • A# Maj • 03:38 • -24db
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Tyler Bates
Groot Cocoon
139 bpm • G# Maj • 02:29 • -13.27db
28% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 34% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Kevin Kiner
Yoda’s Journey Ends
132 bpm • D Maj • 02:05 • -13.88db
30% Popularity • 16% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
30% Popularity • 16% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Andrew Lockington
Percy At The Lake
139 bpm • E min • 01:29 • -29db
25% Popularity • 15% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Steven Price
Fueled Up and Headed South
131 bpm • E min • 03:11 • -18.87db
19% Popularity • 22% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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Rob Lane
Merlin Lost
139 bpm • D# min • 01:40 • -27db
41% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Christopher Lennertz
Peggy Remembers Cap
139 bpm • G# Maj • 01:51 • -14.66db
23% Popularity • 31% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
45% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
45% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Geoff Zanelli
Returning to the Hundred Acre Wood
140 bpm • A min • 04:26 • -27db
20% Popularity • 22% Danceability • 4% Energy • 18% Liveness
82% Instrumentalness • 10% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 18% Liveness
82% Instrumentalness • 10% Positiveness
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Andrew Lockington
Percy Jackson: Sea of Monsters - Main Ti...
140 bpm • C Maj • 03:15 • -14db
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Jerry Goldsmith
Giza Port
130 bpm • C# Maj • 01:58 • -31.08db
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
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Joel McNeely
A Starry Night
140 bpm • G min • 01:37 • -20db
29% Popularity • 26% Danceability • 17% Energy • 7% Liveness
78% Instrumentalness • 14% Positiveness
29% Popularity • 26% Danceability • 17% Energy • 7% Liveness
78% Instrumentalness • 14% Positiveness
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Blake Neely
Punching Through
130 bpm • G min • 03:52 • -17.01db
33% Popularity • 16% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
33% Popularity • 16% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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David Newman
Tigers Going For Baby
130 bpm • G Maj • 03:12 • -10.4db
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
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Geoff Zanelli
Sussex
140 bpm • C Maj • 01:12 • -23.74db
39% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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Andrew Lockington
Thalia's Story
140 bpm • G# Maj • 03:42 • -14db
21% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 31% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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John Debney
Wolves - Law of the Jungle
141 bpm • C# Maj • 02:15 • -24db
29% Popularity • 14% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 14% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Bear McCreary
Khazad-dûm
130 bpm • D min • 03:20 • -13db
43% Popularity • 44% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Blake Neely
The Fastest Man Alive (Always Late)
129 bpm • A Maj • 03:05 • -17.13db
40% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
40% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Poachers on the Moors
130 bpm • D min • 04:24 • -18.18db
12% Popularity • 16% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Andrew Lockington
San Andreas End Credits
130 bpm • D Maj • 02:57 • -11.02db
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
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Rohan Stevenson
Gwaine's Bar Brawl
141 bpm • F# min • 01:50 • -13.86db
28% Popularity • 36% Danceability • 48% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 36% Danceability • 48% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
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John Frizzell
The Rescue
142 bpm • G Maj • 03:05 • -19.62db
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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David Arnold
Ship to Shore
128 bpm • D min • 03:52 • -29.02db
28% Popularity • 17% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Treasure
129 bpm • D min • 05:42 • -8.73db
34% Popularity • 20% Danceability • 76% Energy • 15% Liveness
94% Instrumentalness • 17% Positiveness
34% Popularity • 20% Danceability • 76% Energy • 15% Liveness
94% Instrumentalness • 17% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Blossoms
127 bpm • A min • 06:27 • -21.94db
37% Popularity • 21% Danceability • 7% Energy • 4% Liveness
40% Instrumentalness • 4% Positiveness
37% Popularity • 21% Danceability • 7% Energy • 4% Liveness
40% Instrumentalness • 4% Positiveness
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Steven Price
Wolves and Bears
128 bpm • D min • 05:07 • -18.75db
10% Popularity • 26% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
10% Popularity • 26% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
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Geoff Zanelli
Shansa
127 bpm • D min • 03:12 • -21.91db
28% Popularity • 19% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Rohan Stevenson
The Forged Seal
127 bpm • F min • 01:22 • -28.18db
27% Popularity • 48% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
27% Popularity • 48% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
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Joe Kraemer
A Matter of Going
127 bpm • G Maj • 05:04 • -27.51db
18% Popularity • 18% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Blake Neely
I Can Fix It
126 bpm • A Maj • 02:18 • -15.47db
37% Popularity • 33% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
37% Popularity • 33% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Steven Price
An Ingenious Technique
146 bpm • F Maj • 02:49 • -15db
29% Popularity • 32% Danceability • 48% Energy • 6% Liveness
98% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 48% Energy • 6% Liveness
98% Instrumentalness • 9% Positiveness
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Rachel Portman
Bailey: I Knew I Was Here to Love Ethan
146 bpm • D Maj • 02:06 • -32.72db
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
39% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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John Ottman
Operation Valkyrie
146 bpm • F Maj • 05:10 • -21.81db
17% Popularity • 30% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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John Debney
Mowgli and the Pit
146 bpm • C min • 03:24 • -21.68db
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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William Ross
Once Upon a Time
125 bpm • F Maj • 02:30 • -19.82db
24% Popularity • 17% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 17% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Geoff Zanelli
What Is Going on Here?
124 bpm • D Maj • 04:31 • -18.5db
16% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Nathan Johnson
Double-Dipping
124 bpm • G# Maj • 01:04 • -26.08db
42% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 7% Energy • 9% Liveness
79% Instrumentalness • 16% Positiveness
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Rob Lane
The Witch's Threat
147 bpm • D min • 02:00 • -25.43db
35% Popularity • 13% Danceability • 6% Energy • 26% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 6% Energy • 26% Liveness
91% Instrumentalness • 3% Positiveness
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Michael Price
Potential Clients
147 bpm • G min • 01:58 • -22.65db
22% Popularity • 60% Danceability • 24% Energy • 15% Liveness
85% Instrumentalness • 62% Positiveness
22% Popularity • 60% Danceability • 24% Energy • 15% Liveness
85% Instrumentalness • 62% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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John Ottman
Pyramid Collapse / Main Titles
123 bpm • G Maj • 02:25 • -14.66db
30% Popularity • 25% Danceability • 47% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 47% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Is It Christopher Robin?
124 bpm • F Maj • 01:54 • -19.79db
18% Popularity • 20% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
18% Popularity • 20% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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George Fenton
Leaping Penguins
123 bpm • D Maj • 01:28 • -16db
35% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
35% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
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Atli Örvarsson
The Last Confederate - Main Title
122 bpm • D min • 01:26 • -19db
27% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
27% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Ottman
The Future - Main Titles
122 bpm • D Maj • 02:44 • -17db
31% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Heffalump Battle
122 bpm • A# min • 01:30 • -13.91db
26% Popularity • 55% Danceability • 12% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Christian Henson
Running from Moonacre / Loveday
150 bpm • G Maj • 01:40 • -22db
32% Popularity • 25% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 25% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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Michael Price
A Man Who Can
121 bpm • C min • 03:13 • -23.54db
22% Popularity • 34% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Origin Story
147 bpm • D# Maj • 02:30 • -24db
10% Popularity • 13% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
25% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Michael Price
Deduction and Deception
120 bpm • G Maj • 02:45 • -25.25db
19% Popularity • 26% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
19% Popularity • 26% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Geoff Zanelli
The Devil's Triangle
147 bpm • D# Maj • 02:44 • -13.82db
33% Popularity • 15% Danceability • 39% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 15% Danceability • 39% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Tyler Bates
Showtime, A-holes
152 bpm • G# Maj • 01:27 • -11db
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Christian Henson
Milk and Cookies
152 bpm • G min • 01:18 • -26.73db
44% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
44% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
