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Cut & Run
Songs like
Cut & Run
by
Lifehouse
Based on a tempo of (+/- 10%) and a similar genre
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Creeper
America At Night
180 bpm • G min • 03:25 • -5.61db
26% Popularity • 38% Danceability • 55% Energy • 30% Liveness
2% Instrumentalness • 28% Positiveness
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Semisonic
You're Not Alone
180 bpm • D Maj • 03:20 • -5db
29% Popularity • 46% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Lifehouse
Cut & Run
180 bpm • D Maj • 04:14 • -7.68db
28% Popularity • 42% Danceability • 95% Energy • 8% Liveness
64% Instrumentalness • 20% Positiveness
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Anchor & Braille
MADNESS
180 bpm • F min • 03:10 • -6.41db
16% Popularity • 45% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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The Pretty Reckless
Only Love Can Save Me Now - Acoustic
179 bpm • A# min • 04:06 • -4.87db
30% Popularity • 48% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Myles Kennedy
Get Along
178 bpm • G Maj • 04:12 • -4.08db
28% Popularity • 28% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Pop Evil
Raise Your Flag
178 bpm • G Maj • 02:44 • -6.41db
22% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Smith & Myers
BAD AT LOVE - 2021 Mix
178 bpm • C min • 03:26 • -5.61db
31% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Ilan Rubin
Talk Talk Talk
178 bpm • B Maj • 04:33 • -5.32db
8% Popularity • 33% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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The Pale White
Glue
176 bpm • E Maj • 03:37 • -3.68db
26% Popularity • 30% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Blame My Youth
Okay With It
176 bpm • C Maj • 02:57 • -4.54db
23% Popularity • 46% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Capital Theatre
Delicately Poised
176 bpm • A# min • 03:52 • -5.14db
23% Popularity • 39% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Elwins
Take Me All The Way
175 bpm • E min • 02:46 • -4.36db
25% Popularity • 26% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Angels & Airwaves
No More Guns
185 bpm • D Maj • 02:40 • -1.46db
33% Popularity • 47% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Glorious Sons
I Will Destroy The Void In You
186 bpm • C min • 03:45 • -9.46db
24% Popularity • 39% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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YONAKA
Raise Your Glass
174 bpm • G# Maj • 03:10 • -3.7db
32% Popularity • 38% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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American Hi-Fi
Steppin' Out
174 bpm • A Maj • 04:17 • -8.14db
15% Popularity • 43% Danceability • 91% Energy • 7% Liveness
16% Instrumentalness • 79% Positiveness
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Whole Damn Mess
Nothing In The World Feels Better
173 bpm • B Maj • 03:23 • -6.05db
10% Popularity • 50% Danceability • 86% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
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The Calling
One By One
173 bpm • E min • 05:08 • -5db
25% Popularity • 38% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Acceptance
Wasted Nights
172 bpm • D Maj • 03:18 • -3.84db
12% Popularity • 38% Danceability • 96% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
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Dead Sara
Heroes
172 bpm • G Maj • 03:16 • -5.37db
29% Popularity • 40% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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WALK THE MOON
Heights
187 bpm • C Maj • 04:14 • -5.68db
31% Popularity • 30% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Luna Bay
Walls
172 bpm • D Maj • 03:04 • -6.76db
24% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Trapt
Turn Me Around Again - Acoustic
172 bpm • A Maj • 03:06 • -9.01db
21% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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You Me At Six
Beautiful Way
171 bpm • F min • 03:45 • -3.61db
49% Popularity • 38% Danceability • 92% Energy • 15% Liveness
11% Instrumentalness • 45% Positiveness
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Arkells
One Thing I Know
190 bpm • A Maj • 03:40 • -6.64db
31% Popularity • 52% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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World's First Cinema
NightChild
170 bpm • D# min • 03:36 • -3.49db
16% Popularity • 38% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Killers
West Hills - Abridged
170 bpm • C min • 05:08 • -5.5db
34% Popularity • 30% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
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Aranda
Compartmentalize
170 bpm • F min • 03:20 • -6db
6% Popularity • 43% Danceability • 93% Energy • 56% Liveness
0% Instrumentalness • 45% Positiveness
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Trapt
Make It Out Alive - Acoustic
170 bpm • D min • 03:27 • -5.94db
13% Popularity • 48% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Lit
Ok With That
170 bpm • D# Maj • 03:51 • -6.44db
15% Popularity • 48% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Royal Bliss
Feeling Whitney
170 bpm • A Maj • 04:14 • -4.16db
28% Popularity • 42% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Rob Thomas
Funny
170 bpm • G Maj • 03:07 • -4.86db
36% Popularity • 34% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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The Struts
Can't Sleep
192 bpm • A Maj • 03:14 • -3.12db
25% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Pretty Reckless
Only Love Can Save Me Now
170 bpm • D# Maj • 05:12 • -2.92db
43% Popularity • 38% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Billie Joe Armstrong
War Stories
168 bpm • E Maj • 02:41 • -4.41db
32% Popularity • 33% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Airborne Toxic Event
Hollywood Park
167 bpm • G Maj • 06:32 • -3.54db
27% Popularity • 23% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Skrizzly Adams
28
168 bpm • F# Maj • 03:27 • -8.01db
18% Popularity • 43% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Biffy Clyro
North of No South - Edit
167 bpm • F Maj • 03:36 • -4db
24% Popularity • 39% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Train
Sweet Rain
166 bpm • D Maj • 05:18 • -10.03db
13% Popularity • 52% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Tooth & Nail
Conversation
166 bpm • B min • 03:14 • -6.92db
26% Popularity • 24% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Cruel Knives
The Life That We Made
195 bpm • G Maj • 03:15 • -5.16db
16% Popularity • 35% Danceability • 92% Energy • 14% Liveness
49% Instrumentalness • 44% Positiveness
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Rise Against
Nowhere Generation
166 bpm • B Maj • 03:52 • -3.99db
48% Popularity • 37% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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AFI
No Eyes
165 bpm • C# min • 03:33 • -3.48db
26% Popularity • 38% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Third Eye Blind
The Dying Blood
166 bpm • C# Maj • 03:21 • -7.43db
20% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Blame My Youth
Feel It in the Morning
165 bpm • E Maj • 03:29 • -4.23db
23% Popularity • 39% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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AWOLNATION
Radical
164 bpm • F# Maj • 03:38 • -4.49db
31% Popularity • 47% Danceability • 89% Energy • 7% Liveness
63% Instrumentalness • 65% Positiveness
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Crown Lands
Leadfoot
164 bpm • A# Maj • 03:29 • -5.35db
24% Popularity • 31% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Bleeker
Running Through The Flames
164 bpm • C# Maj • 02:49 • -3.9db
27% Popularity • 56% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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BLOXX
Lie Out Loud
164 bpm • D min • 03:02 • -4db
25% Popularity • 41% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Third Eye Blind
Disorder
164 bpm • F min • 03:34 • -3db
30% Popularity • 49% Danceability • 88% Energy • 9% Liveness
9% Instrumentalness • 64% Positiveness
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David Cook
Make A Move
163 bpm • C# Maj • 05:21 • -5.95db
17% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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AWOLNATION
Radical
164 bpm • F# Maj • 03:35 • -4.37db
36% Popularity • 44% Danceability • 89% Energy • 32% Liveness
48% Instrumentalness • 56% Positiveness
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Acceptance
Dark Age
162 bpm • F# min • 04:22 • -4.68db
12% Popularity • 41% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Sherlocks
End of the Earth
200 bpm • B min • 03:13 • -4.25db
22% Popularity • 22% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
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MONOWHALES
Out With The Old
162 bpm • A Maj • 02:51 • -4.15db
28% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Almost
In God’s Country
160 bpm • E min • 03:18 • -5.36db
9% Popularity • 18% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Trapt
Fire
160 bpm • D min • 04:03 • -3.56db
37% Popularity • 41% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Borrowed Sparks
Are You Listening
160 bpm • G Maj • 03:10 • -5.63db
11% Popularity • 51% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Puddle Of Mudd
Just Tell Me
160 bpm • C# Maj • 04:07 • -4db
28% Popularity • 33% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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HOKO
I Don't Know Where We Went Wrong
160 bpm • A# min • 03:22 • -5.67db
18% Popularity • 51% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Moon Taxi
Mission
160 bpm • C# Maj • 02:57 • -3.42db
25% Popularity • 61% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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WALK THE MOON
Rise Up
160 bpm • G# Maj • 04:16 • -6.78db
22% Popularity • 54% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Blame My Youth
Right Where You Belong
160 bpm • C Maj • 02:40 • -7.66db
29% Popularity • 36% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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AFI
Twisted Tongues
160 bpm • E min • 04:01 • -5.41db
34% Popularity • 18% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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David Cook
TABOS
160 bpm • F# Maj • 03:38 • -4.46db
19% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rise Against
Sooner Or later
158 bpm • A Maj • 03:34 • -4.68db
38% Popularity • 49% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The All-American Rejects
Me Vs. The World
159 bpm • G Maj • 03:51 • -4.58db
33% Popularity • 49% Danceability • 87% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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The Almost
Over And Underneath
158 bpm • G Maj • 03:32 • -5.23db
13% Popularity • 39% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Blindlove
I Wanna Be Okay
158 bpm • D Maj • 03:42 • -5.09db
34% Popularity • 45% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Cold War Kids
2 Worlds
158 bpm • F# min • 02:41 • -4.51db
16% Popularity • 56% Danceability • 90% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
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Lifehouse
Right Back Home
158 bpm • G min • 03:58 • -5.38db
29% Popularity • 37% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Biffy Clyro
Haru Urara
157 bpm • D# Maj • 03:15 • -6db
30% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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W3APONS
Bye Baby Gone
157 bpm • E Maj • 03:31 • -4.02db
17% Popularity • 18% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
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The Struts
Wild Child
156 bpm • F# min • 03:42 • -2.64db
44% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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The Killers
Imploding The Mirage
156 bpm • C Maj • 04:07 • -4.28db
46% Popularity • 49% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Tessa Violet
Games - The Punk AF Matt Squire Mix
156 bpm • C# Maj • 03:31 • -3.89db
25% Popularity • 52% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 51% Positiveness
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Lifehouse
Crash And Burn
206 bpm • D# Maj • 04:15 • -4.94db
35% Popularity • 34% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Coheed and Cambria
Jessie's Girl 2 - Director's Cut
155 bpm • G Maj • 03:51 • -4.2db
19% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Good Charlotte
Last December
155 bpm • G# min • 03:09 • -3db
41% Popularity • 41% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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MOD SUN
Amnesia
155 bpm • F# min • 02:51 • -4.76db
34% Popularity • 46% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Modern Original
Turn It Around
155 bpm • A Maj • 02:55 • -4.02db
17% Popularity • 48% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Acceptance
Release & Let Go
155 bpm • C Maj • 03:12 • -5.38db
14% Popularity • 41% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Lifehouse
Come Back Down
156 bpm • C# Maj • 04:34 • -5db
44% Popularity • 46% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Coheed and Cambria
Jessie's Girl 2
155 bpm • D Maj • 03:51 • -4.16db
37% Popularity • 48% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Pink Laundry
Like It Like This
155 bpm • F min • 02:08 • -4.48db
31% Popularity • 48% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Badflower
F*ck The World
153 bpm • C# min • 04:43 • -5.53db
39% Popularity • 59% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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3 Doors Down
The Better Life - XX Mix
153 bpm • E Maj • 03:05 • -4.95db
17% Popularity • 48% Danceability • 92% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Cut & Run