Songs like Daft as a Brush by George French
Based on a tempo of (+/- 10%) and a similar genre
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Neal Hefti
End Title
126 bpm • F min • 01:07 • -11.93db
15% Popularity • 67% Danceability • 38% Energy • 12% Liveness
11% Instrumentalness • 74% Positiveness
15% Popularity • 67% Danceability • 38% Energy • 12% Liveness
11% Instrumentalness • 74% Positiveness
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George French
Daft as a Brush
126 bpm • G Maj • 03:50 • -7.08db
3% Popularity • 82% Danceability • 82% Energy • 35% Liveness
22% Instrumentalness • 67% Positiveness
3% Popularity • 82% Danceability • 82% Energy • 35% Liveness
22% Instrumentalness • 67% Positiveness
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Alan Moorhouse
Roses and Moonlight
126 bpm • A# Maj • 02:28 • -17.32db
13% Popularity • 37% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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David Rose
Autumn Holiday
126 bpm • A Maj • 01:49 • -9.8db
18% Popularity • 44% Danceability • 44% Energy • 68% Liveness
54% Instrumentalness • 85% Positiveness
18% Popularity • 44% Danceability • 44% Energy • 68% Liveness
54% Instrumentalness • 85% Positiveness
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Robert Farnon
Holiday Flight
126 bpm • G Maj • 02:52 • -15.1db
10% Popularity • 28% Danceability • 25% Energy • 12% Liveness
64% Instrumentalness • 54% Positiveness
10% Popularity • 28% Danceability • 25% Energy • 12% Liveness
64% Instrumentalness • 54% Positiveness
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Kermit Leslie & Walter Leslie real surnames Levinsky
Bermuda Holiday
126 bpm • C Maj • 02:09 • -11.75db
13% Popularity • 67% Danceability • 34% Energy • 9% Liveness
77% Instrumentalness • 74% Positiveness
13% Popularity • 67% Danceability • 34% Energy • 9% Liveness
77% Instrumentalness • 74% Positiveness
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Neal Hefti
The Odd Couple Main Title
126 bpm • F min • 01:40 • -14.37db
32% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
32% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
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Syd Dale
Blues All Around
125 bpm • F min • 02:30 • -12.64db
8% Popularity • 50% Danceability • 54% Energy • 66% Liveness
94% Instrumentalness • 71% Positiveness
8% Popularity • 50% Danceability • 54% Energy • 66% Liveness
94% Instrumentalness • 71% Positiveness
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Anthony Mawer
Country Wide
127 bpm • F Maj • 02:40 • -8db
15% Popularity • 19% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Franco Pisano
Rassegna stampa (Carmen Ouverture)
127 bpm • F Maj • 01:51 • -10.82db
8% Popularity • 52% Danceability • 48% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
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Jeff Toyne
Relentless Positivity
125 bpm • G min • 02:03 • -17.15db
16% Popularity • 43% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
16% Popularity • 43% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Members Of The Les Brown Orchestra
Coffee Time
125 bpm • G min • 02:15 • -16.79db
11% Popularity • 59% Danceability • 20% Energy • 15% Liveness
35% Instrumentalness • 56% Positiveness
11% Popularity • 59% Danceability • 20% Energy • 15% Liveness
35% Instrumentalness • 56% Positiveness
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Manfred Minnich
Have Fun - Remastered
125 bpm • G Maj • 02:56 • -6.46db
9% Popularity • 52% Danceability • 75% Energy • 50% Liveness
90% Instrumentalness • 88% Positiveness
9% Popularity • 52% Danceability • 75% Energy • 50% Liveness
90% Instrumentalness • 88% Positiveness
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George French
Fresh as a Daisy
125 bpm • G Maj • 02:43 • -9.65db
1% Popularity • 58% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
1% Popularity • 58% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
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Sophia Loren
Ice Cream vs Espresso (It Started in Nap...
127 bpm • F Maj • 01:09 • -15.25db
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
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Syd Dale
All Together
127 bpm • C Maj • 02:56 • -12.63db
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
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Philippe Sarde
Tess
125 bpm • E min • 03:14 • -13db
15% Popularity • 28% Danceability • 20% Energy • 27% Liveness
94% Instrumentalness • 28% Positiveness
15% Popularity • 28% Danceability • 20% Energy • 27% Liveness
94% Instrumentalness • 28% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
On Jersey Shore
128 bpm • D Maj • 02:25 • -11.77db
12% Popularity • 55% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Manfred Minnich
Samba Viva - Remastered
125 bpm • D Maj • 02:09 • -5.53db
11% Popularity • 44% Danceability • 86% Energy • 48% Liveness
91% Instrumentalness • 83% Positiveness
11% Popularity • 44% Danceability • 86% Energy • 48% Liveness
91% Instrumentalness • 83% Positiveness
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George French
Dog Gone
124 bpm • C Maj • 00:40 • -8.9db
1% Popularity • 65% Danceability • 52% Energy • 22% Liveness
98% Instrumentalness • 85% Positiveness
1% Popularity • 65% Danceability • 52% Energy • 22% Liveness
98% Instrumentalness • 85% Positiveness
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Geoff Love & His Orchestra
The Dambusters March
128 bpm • C Maj • 04:03 • -11.1db
9% Popularity • 39% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
9% Popularity • 39% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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The Gaslight Orchestra
Bicycle Built for Two
128 bpm • D# Maj • 03:17 • -13.69db
8% Popularity • 32% Danceability • 21% Energy • 20% Liveness
7% Instrumentalness • 48% Positiveness
8% Popularity • 32% Danceability • 21% Energy • 20% Liveness
7% Instrumentalness • 48% Positiveness
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Altidore
Chance A Fine Fine Thing
128 bpm • G Maj • 02:53 • -8.6db
0% Popularity • 90% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
0% Popularity • 90% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
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Eric Winstone
Trafficscape
124 bpm • C Maj • 01:30 • -13db
12% Popularity • 62% Danceability • 31% Energy • 32% Liveness
96% Instrumentalness • 91% Positiveness
12% Popularity • 62% Danceability • 31% Energy • 32% Liveness
96% Instrumentalness • 91% Positiveness
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Van Phillips
Tom Fool
124 bpm • C Maj • 02:29 • -12.07db
15% Popularity • 74% Danceability • 39% Energy • 6% Liveness
77% Instrumentalness • 73% Positiveness
15% Popularity • 74% Danceability • 39% Energy • 6% Liveness
77% Instrumentalness • 73% Positiveness
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George French
Dog Gone
125 bpm • G Maj • 02:39 • -16.87db
0% Popularity • 57% Danceability • 28% Energy • 37% Liveness
89% Instrumentalness • 54% Positiveness
0% Popularity • 57% Danceability • 28% Energy • 37% Liveness
89% Instrumentalness • 54% Positiveness
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Joan LluÃs Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Sinfonietta Cinematica
Good Old Days
128 bpm • C Maj • 01:51 • -13.45db
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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Altidore
Sitting Witty
128 bpm • A min • 02:03 • -9.16db
0% Popularity • 88% Danceability • 55% Energy • 9% Liveness
71% Instrumentalness • 79% Positiveness
0% Popularity • 88% Danceability • 55% Energy • 9% Liveness
71% Instrumentalness • 79% Positiveness
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Alec Gould
Main Street
124 bpm • G Maj • 01:50 • -15.09db
13% Popularity • 68% Danceability • 15% Energy • 25% Liveness
29% Instrumentalness • 81% Positiveness
13% Popularity • 68% Danceability • 15% Energy • 25% Liveness
29% Instrumentalness • 81% Positiveness
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Ken Griffin
I Saw You
128 bpm • G min • 02:32 • -21.51db
3% Popularity • 36% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
3% Popularity • 36% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
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Les Elgart
Ja-Da
124 bpm • D min • 02:17 • -24db
9% Popularity • 82% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
9% Popularity • 82% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 96% Positiveness
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Meredith Willson Orchestra
The Music Man: Iowa Stubborn
123 bpm • D Maj • 02:09 • -15.03db
14% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
14% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
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Heinz Kiessling
Take the Plunge
123 bpm • C Maj • 03:10 • -13db
25% Popularity • 48% Danceability • 29% Energy • 38% Liveness
47% Instrumentalness • 59% Positiveness
25% Popularity • 48% Danceability • 29% Energy • 38% Liveness
47% Instrumentalness • 59% Positiveness
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Elmer Bernstein
The Man With The Golden Arm
123 bpm • F min • 02:50 • -15.07db
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Living Strings
Do-Re-Mi
129 bpm • C Maj • 02:19 • -14.14db
20% Popularity • 41% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
20% Popularity • 41% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
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Johnny Pearson
Country Fayre - 60 Second Edit
129 bpm • C Maj • 01:03 • -18db
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Piero Piccioni
Eva
129 bpm • F Maj • 01:49 • -11.92db
13% Popularity • 18% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 18% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Walter Noack
My Sweetheart
129 bpm • G Maj • 03:02 • -11.3db
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
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John Harry Cacavas
First Sequence
130 bpm • C Maj • 01:02 • -10.03db
9% Popularity • 37% Danceability • 33% Energy • 19% Liveness
91% Instrumentalness • 47% Positiveness
9% Popularity • 37% Danceability • 33% Energy • 19% Liveness
91% Instrumentalness • 47% Positiveness
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George French
Parade Of The Champions
130 bpm • C Maj • 03:04 • -10.3db
1% Popularity • 45% Danceability • 47% Energy • 34% Liveness
88% Instrumentalness • 82% Positiveness
1% Popularity • 45% Danceability • 47% Energy • 34% Liveness
88% Instrumentalness • 82% Positiveness
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Earle Hagen
Ellie's Theme
130 bpm • C Maj • 02:42 • -17.71db
8% Popularity • 26% Danceability • 13% Energy • 20% Liveness
34% Instrumentalness • 36% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 20% Liveness
34% Instrumentalness • 36% Positiveness
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Living Strings
It's a Great Day for the Irish
122 bpm • A# min • 02:48 • -11.68db
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
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Piero Piccioni
Nata di Marzo - Titoli Suite
130 bpm • C# Maj • 01:21 • -7.7db
13% Popularity • 23% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 13% Positiveness
13% Popularity • 23% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 13% Positiveness
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ORF Big Band
Swinging Flutes
130 bpm • F Maj • 03:28 • -15.95db
14% Popularity • 61% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
14% Popularity • 61% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
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The Melachrino Strings and Orchestra
Before the Parade Passes By
122 bpm • F Maj • 02:05 • -11db
16% Popularity • 49% Danceability • 62% Energy • 32% Liveness
74% Instrumentalness • 77% Positiveness
16% Popularity • 49% Danceability • 62% Energy • 32% Liveness
74% Instrumentalness • 77% Positiveness
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Joyce Cochrane
Orchids and Roses
130 bpm • C# Maj • 02:27 • -10.88db
9% Popularity • 23% Danceability • 37% Energy • 39% Liveness
86% Instrumentalness • 18% Positiveness
9% Popularity • 23% Danceability • 37% Energy • 39% Liveness
86% Instrumentalness • 18% Positiveness
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Adam Plachetka
Bugatti Step
122 bpm • D# Maj • 02:37 • -12.29db
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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Marc Durst
Nice Swing
122 bpm • G# Maj • 02:50 • -11.6db
24% Popularity • 68% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
24% Popularity • 68% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
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Alan Moorhouse
Charlie Chester Show
131 bpm • F Maj • 01:14 • -14db
19% Popularity • 61% Danceability • 51% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
19% Popularity • 61% Danceability • 51% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Valentino
Shuffling- Bells
121 bpm • F Maj • 01:05 • -20.23db
11% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
11% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
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The Melachrino Strings and Orchestra
So Long, Dearie
122 bpm • D# Maj • 02:23 • -12.01db
13% Popularity • 31% Danceability • 33% Energy • 13% Liveness
18% Instrumentalness • 45% Positiveness
13% Popularity • 31% Danceability • 33% Energy • 13% Liveness
18% Instrumentalness • 45% Positiveness
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Jeffrey Taylor
In the Space of Now
131 bpm • A min • 06:14 • -21.97db
5% Popularity • 21% Danceability • 11% Energy • 70% Liveness
3% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 11% Energy • 70% Liveness
3% Instrumentalness • 4% Positiveness
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Fredric Bayco
Epic Struggle
121 bpm • C min • 01:20 • -9.89db
9% Popularity • 33% Danceability • 28% Energy • 36% Liveness
76% Instrumentalness • 40% Positiveness
9% Popularity • 33% Danceability • 28% Energy • 36% Liveness
76% Instrumentalness • 40% Positiveness
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Fats Waller
Ain't Misbehavin'
121 bpm • G min • 04:00 • -16.35db
10% Popularity • 56% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
10% Popularity • 56% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Anthony Spurgin
Happy Holiday
121 bpm • C Maj • 01:22 • -13.59db
11% Popularity • 77% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 91% Positiveness
11% Popularity • 77% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 91% Positiveness
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James Wong
Flying Dragon
132 bpm • G min • 02:40 • -12.11db
9% Popularity • 43% Danceability • 48% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
9% Popularity • 43% Danceability • 48% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
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The Melachrino Strings and Orchestra
Too Young
122 bpm • A# Maj • 02:37 • -23.94db
0% Popularity • 17% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
0% Popularity • 17% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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The Light Symphonia
Spring Gambol
132 bpm • C Maj • 02:23 • -12db
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
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Laurent Couson
The Parade
120 bpm • C Maj • 00:55 • -11.61db
15% Popularity • 82% Danceability • 38% Energy • 9% Liveness
76% Instrumentalness • 98% Positiveness
15% Popularity • 82% Danceability • 38% Energy • 9% Liveness
76% Instrumentalness • 98% Positiveness
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The Dukes Of Dixieland
Do You Know What It Means Miss New Orlea...
132 bpm • C Maj • 05:52 • -12.51db
0% Popularity • 50% Danceability • 31% Energy • 53% Liveness
90% Instrumentalness • 38% Positiveness
0% Popularity • 50% Danceability • 31% Energy • 53% Liveness
90% Instrumentalness • 38% Positiveness
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Olivier Aussudre
Penguin Suite
120 bpm • D# Maj • 01:08 • -8.62db
17% Popularity • 81% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 71% Positiveness
17% Popularity • 81% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 71% Positiveness
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Altidore
Save Sleeping for Sunday
120 bpm • C Maj • 02:47 • -8.79db
0% Popularity • 94% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 94% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ensemble Freesia
Theme / Polka / Finale from "Sanma no Aj...
120 bpm • C Maj • 05:25 • -12.77db
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
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Original Soundtrack
Arlena & Patrick
132 bpm • F Maj • 01:32 • -14.99db
13% Popularity • 61% Danceability • 16% Energy • 7% Liveness
21% Instrumentalness • 64% Positiveness
13% Popularity • 61% Danceability • 16% Energy • 7% Liveness
21% Instrumentalness • 64% Positiveness
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Manfred Minnich
Flipp-Flopp - Remastered
133 bpm • C Maj • 03:11 • -7db
17% Popularity • 52% Danceability • 65% Energy • 37% Liveness
95% Instrumentalness • 77% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 37% Liveness
95% Instrumentalness • 77% Positiveness
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Angela Morley
Fashion Show
133 bpm • D min • 02:40 • -13db
9% Popularity • 19% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
9% Popularity • 19% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
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The Gaslight Orchestra
And the Band Played On
133 bpm • F Maj • 03:03 • -13.36db
9% Popularity • 27% Danceability • 20% Energy • 30% Liveness
61% Instrumentalness • 32% Positiveness
9% Popularity • 27% Danceability • 20% Energy • 30% Liveness
61% Instrumentalness • 32% Positiveness
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Fredell caparon
doubts that kill
119 bpm • C Maj • 02:20 • -22db
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
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Jack Soo
Sunday
133 bpm • A# Maj • 04:10 • -14.59db
8% Popularity • 32% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 17% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
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Scott Regan
High Noon
134 bpm • G Maj • 02:20 • -22.26db
26% Popularity • 31% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
26% Popularity • 31% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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Joe Brook
Moonbeam Kiss
119 bpm • G Maj • 02:20 • -10.16db
29% Popularity • 55% Danceability • 41% Energy • 22% Liveness
45% Instrumentalness • 65% Positiveness
29% Popularity • 55% Danceability • 41% Energy • 22% Liveness
45% Instrumentalness • 65% Positiveness
► Preview
Original Soundtrack
Myra & Christine
134 bpm • G min • 01:00 • -17.01db
13% Popularity • 34% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
13% Popularity • 34% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Robert Farnon
Sunny Side Up
134 bpm • C min • 02:00 • -14.55db
3% Popularity • 40% Danceability • 27% Energy • 18% Liveness
28% Instrumentalness • 51% Positiveness
3% Popularity • 40% Danceability • 27% Energy • 18% Liveness
28% Instrumentalness • 51% Positiveness
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Fredell caparon
sweet purple
119 bpm • C Maj • 02:08 • -19db
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Charlie Chaplin
Later That Night
118 bpm • F Maj • 02:01 • -6.06db
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
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Jeff Toyne
Reveille
118 bpm • F Maj • 02:12 • -18.03db
9% Popularity • 52% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
9% Popularity • 52% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Harry Rabinowitz
Light And Easy
118 bpm • F min • 02:56 • -15.27db
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
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Johnny Pearson
A Kiss in the Moonlight
135 bpm • F Maj • 02:36 • -11.42db
11% Popularity • 16% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
11% Popularity • 16% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
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John Fox
Crocodile Tears
118 bpm • A# min • 01:59 • -14.36db
8% Popularity • 74% Danceability • 34% Energy • 6% Liveness
16% Instrumentalness • 66% Positiveness
8% Popularity • 74% Danceability • 34% Energy • 6% Liveness
16% Instrumentalness • 66% Positiveness
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Gene Kelly
Main Title Song - Singin' in the Rain, 1...
135 bpm • F# Maj • 03:42 • -12.9db
9% Popularity • 43% Danceability • 44% Energy • 56% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 43% Danceability • 44% Energy • 56% Liveness
0% Instrumentalness • 45% Positiveness
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Wayne King
My Buddy - Remastered
117 bpm • F min • 02:22 • -8.8db
10% Popularity • 21% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 21% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Nino Rota
La Maestra d'Amore
136 bpm • G# Maj • 01:53 • -9.31db
9% Popularity • 47% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 86% Positiveness
9% Popularity • 47% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 86% Positiveness
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Laurie Johnson
Las Vegas
117 bpm • C Maj • 02:26 • -13db
13% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
13% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
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Bronisław Kaper
Gloria's Theme from 'Butterfield 8'
117 bpm • A# min • 02:56 • -13.36db
8% Popularity • 20% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Karl Grell
Honey Bunch
116 bpm • G min • 02:44 • -12.51db
31% Popularity • 51% Danceability • 34% Energy • 19% Liveness
78% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 19% Liveness
78% Instrumentalness • 49% Positiveness
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Dolfvan der Linden
Crepe Suzette
116 bpm • D min • 03:02 • -13db
23% Popularity • 53% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 66% Positiveness
23% Popularity • 53% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 66% Positiveness
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Syd Dale
Clip Clop
136 bpm • C Maj • 03:10 • -13.44db
10% Popularity • 73% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
10% Popularity • 73% Danceability • 39% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
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Ronald Hanmer
American Ball Game
137 bpm • A# Maj • 02:06 • -15.56db
4% Popularity • 57% Danceability • 37% Energy • 52% Liveness
99% Instrumentalness • 74% Positiveness
4% Popularity • 57% Danceability • 37% Energy • 52% Liveness
99% Instrumentalness • 74% Positiveness
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Cyril Watters
On A Cheerful Note
136 bpm • G Maj • 02:27 • -13db
8% Popularity • 50% Danceability • 32% Energy • 23% Liveness
69% Instrumentalness • 56% Positiveness
8% Popularity • 50% Danceability • 32% Energy • 23% Liveness
69% Instrumentalness • 56% Positiveness
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Berto Pisano
Coppia diabolica
137 bpm • G min • 01:16 • -13.14db
22% Popularity • 19% Danceability • 20% Energy • 32% Liveness
84% Instrumentalness • 11% Positiveness
22% Popularity • 19% Danceability • 20% Energy • 32% Liveness
84% Instrumentalness • 11% Positiveness
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Sam Spence
To Catch The Wind
137 bpm • F# Maj • 02:50 • -7.54db
11% Popularity • 45% Danceability • 57% Energy • 28% Liveness
4% Instrumentalness • 85% Positiveness
11% Popularity • 45% Danceability • 57% Energy • 28% Liveness
4% Instrumentalness • 85% Positiveness
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Dick Hyman
Near You
116 bpm • G Maj • 02:52 • -15.99db
16% Popularity • 53% Danceability • 20% Energy • 36% Liveness
76% Instrumentalness • 51% Positiveness
16% Popularity • 53% Danceability • 20% Energy • 36% Liveness
76% Instrumentalness • 51% Positiveness
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Altidore
Ride The Rear On Riviera
116 bpm • G min • 03:13 • -8.31db
0% Popularity • 68% Danceability • 87% Energy • 5% Liveness
44% Instrumentalness • 77% Positiveness
0% Popularity • 68% Danceability • 87% Energy • 5% Liveness
44% Instrumentalness • 77% Positiveness
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Ralph Dollimore
Drainpipe Drag
116 bpm • F Maj • 01:34 • -10.73db
8% Popularity • 62% Danceability • 46% Energy • 5% Liveness
18% Instrumentalness • 77% Positiveness
8% Popularity • 62% Danceability • 46% Energy • 5% Liveness
18% Instrumentalness • 77% Positiveness
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Syd Dale
Italian Scene
137 bpm • D# Maj • 03:20 • -11db
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
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Jeri Southern
Let's Fly Away
116 bpm • D Maj • 02:29 • -6.89db
15% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Gabriel Andrés Gallegos
Esta existencia ciega
138 bpm • G Maj • 02:48 • -17db
15% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
15% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
