Songs like Dancing In The Dark by Lucy Dacus
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Dacus
Dancing In The Dark
77 bpm • A Maj • 03:20 • -9.08db
46% Popularity • 42% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 42% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Flyte
Archie, Marry Me
77 bpm • C# Maj • 02:29 • -8.39db
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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Big Thief
Certainty
77 bpm • A Maj • 03:07 • -9db
58% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
58% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Soccer Mommy
Scorpio Rising
77 bpm • D Maj • 04:42 • -10.37db
42% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Berninger
Walking on a String - Alt Version
75 bpm • B Maj • 04:37 • -10db
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Samia
Gotta Have You - The Wild Honey Pie Buzz...
78 bpm • B Maj • 02:47 • -8.74db
31% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bully
Where to Start
79 bpm • A Maj • 03:00 • -5db
40% Popularity • 34% Danceability • 88% Energy • 14% Liveness
13% Instrumentalness • 48% Positiveness
40% Popularity • 34% Danceability • 88% Energy • 14% Liveness
13% Instrumentalness • 48% Positiveness
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Bleachers
45
79 bpm • C# Maj • 03:23 • -6db
46% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Japanese Breakfast
Skinny Love - Spotify Singles
75 bpm • C Maj • 03:46 • -9.25db
35% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Surfer Blood
Hey Ya
75 bpm • E min • 04:01 • -4.44db
23% Popularity • 56% Danceability • 69% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
23% Popularity • 56% Danceability • 69% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
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Hurray For The Riff Raff
RHODODENDRON
75 bpm • F Maj • 03:34 • -7.88db
37% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
37% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Rostam
In a River
79 bpm • G Maj • 03:43 • -9.49db
43% Popularity • 47% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 47% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
24% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Ratboys
Elvis is in the Freezer
80 bpm • A Maj • 02:59 • -7db
44% Popularity • 49% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
44% Popularity • 49% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 42% Positiveness
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The New Pornographers
Higher Beams
80 bpm • E Maj • 04:03 • -6.02db
17% Popularity • 54% Danceability • 64% Energy • 23% Liveness
66% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 64% Energy • 23% Liveness
66% Instrumentalness • 39% Positiveness
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Sjowgren
Now & Then
80 bpm • C Maj • 03:25 • -6db
53% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
53% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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Courtney Barnett
Don't Do It
80 bpm • D# Maj • 04:48 • -9.29db
21% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Samia
Kill Her Freak Out
80 bpm • C Maj • 04:20 • -16.8db
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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MUNA
Kind Of Girl
74 bpm • D Maj • 04:06 • -6db
44% Popularity • 35% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 35% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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The Wild Reeds
Lose My Mind
81 bpm • E Maj • 03:48 • -5.96db
33% Popularity • 18% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 18% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Julien Baker
Appointments
73 bpm • D min • 04:33 • -9.29db
50% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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King Princess
Ain't Together
82 bpm • C Maj • 03:22 • -5db
45% Popularity • 71% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 71% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Squirrel Flower
I'll Go Running
72 bpm • F min • 03:56 • -8.23db
8% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Claud
Soft Spot
82 bpm • A# Maj • 03:08 • -8db
51% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Lucy Dacus
Direct Address - Audiotree Live Version
72 bpm • D Maj • 03:20 • -13.17db
18% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Jacklin
CRY
72 bpm • C# min • 03:52 • -10db
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Julien Baker
Ringside
82 bpm • C Maj • 04:00 • -5.87db
41% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Soccer Mommy
Wide Open Spaces
83 bpm • E Maj • 05:01 • -8.5db
39% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
37% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Samia
Show Up
83 bpm • C Maj • 03:21 • -8.73db
36% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lucy Dacus
Trust
72 bpm • G Maj • 03:30 • -18.46db
35% Popularity • 58% Danceability • 3% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
35% Popularity • 58% Danceability • 3% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Kyoto (Copycat Killer Version)
84 bpm • B Maj • 03:01 • -11.16db
38% Popularity • 15% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 15% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Julien Baker
Turn Out the Lights
82 bpm • C Maj • 03:23 • -7.65db
45% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
45% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jenny O.
God Knows Why
83 bpm • E Maj • 03:01 • -7.34db
20% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
20% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
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Better Oblivion Community Center
Service Road
84 bpm • C Maj • 03:44 • -10db
39% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Suki Waterhouse
Moves
85 bpm • C Maj • 03:13 • -8.27db
69% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 57% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Dacus
Dream State...
84 bpm • G Maj • 03:30 • -10db
41% Popularity • 30% Danceability • 28% Energy • 13% Liveness
49% Instrumentalness • 11% Positiveness
41% Popularity • 30% Danceability • 28% Energy • 13% Liveness
49% Instrumentalness • 11% Positiveness
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boygenius
Letter To An Old Poet
85 bpm • C Maj • 03:07 • -13.99db
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Japanese Breakfast
Head Over Heels
69 bpm • G Maj • 03:57 • -12db
37% Popularity • 41% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
37% Popularity • 41% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Chappell Roan
My Kink Is Karma
87 bpm • D Maj • 03:42 • -5.62db
70% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
41% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Secret Sisters
He's Fine
87 bpm • A# Maj • 03:43 • -8.94db
56% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lucy Dacus
Pillar of Truth
84 bpm • D Maj • 07:14 • -8.84db
40% Popularity • 26% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
40% Popularity • 26% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Katie Toupin
Magnetic Moves
90 bpm • G Maj • 04:06 • -6.91db
27% Popularity • 48% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 48% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Bleachers
Chinatown
89 bpm • E Maj • 04:04 • -5.23db
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Julien Baker
The Modern Leper - from Tiny Changes: A ...
92 bpm • E Maj • 04:27 • -7.64db
30% Popularity • 41% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
30% Popularity • 41% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
54% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Katy Kirby
Traffic!
92 bpm • C# Maj • 03:37 • -10db
27% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Liz Phair
Good Side
94 bpm • A# Maj • 02:54 • -6.57db
17% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Your Smith
Bad Habit
94 bpm • C Maj • 03:54 • -10db
37% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lucy Dacus
Historians
69 bpm • D Maj • 03:56 • -13.77db
40% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Samia
Big Wheel
95 bpm • F Maj • 03:15 • -8db
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Arlo Parks
Hurt
95 bpm • E min • 03:36 • -9.49db
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Portugal. The Man
Steal My Sunshine
95 bpm • E Maj • 04:00 • -5.55db
39% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Orla Gartland
Did It To Myself
95 bpm • F Maj • 03:16 • -10.55db
42% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lucy Dacus
Yours & Mine
66 bpm • D Maj • 05:14 • -9.49db
45% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
45% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Soccer Mommy
Feel It All The Time
95 bpm • E Maj • 03:15 • -6db
42% Popularity • 58% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 58% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
51% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Atta Boy
Walden Pond
95 bpm • F Maj • 04:42 • -11.37db
44% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Lucy Dacus
In The Air Tonight
91 bpm • D min • 05:28 • -16.18db
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Wet Leg
Loving You
96 bpm • D Maj • 03:39 • -6.32db
50% Popularity • 65% Danceability • 57% Energy • 17% Liveness
3% Instrumentalness • 42% Positiveness
50% Popularity • 65% Danceability • 57% Energy • 17% Liveness
3% Instrumentalness • 42% Positiveness
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Samantha Crain
Pastime
96 bpm • G Maj • 03:27 • -5.63db
30% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
30% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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The National
Where Is Her Head
96 bpm • C# Maj • 04:41 • -5.34db
37% Popularity • 52% Danceability • 86% Energy • 6% Liveness
69% Instrumentalness • 22% Positiveness
37% Popularity • 52% Danceability • 86% Energy • 6% Liveness
69% Instrumentalness • 22% Positiveness
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Samia
Someone Tell The Boys
96 bpm • G# min • 03:13 • -10.58db
17% Popularity • 45% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
54% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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MUNA
Silk Chiffon
97 bpm • G# Maj • 03:26 • -6.22db
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Heartless Bastards
Revolution
97 bpm • D Maj • 06:12 • -5.21db
30% Popularity • 40% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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illuminati hotties
I Wanna Dance With Somebody (Who Loves M...
98 bpm • G min • 03:31 • -14db
29% Popularity • 66% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
29% Popularity • 66% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
47% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Wild Reeds
Everything Looks Better (In Hindsight)
98 bpm • A min • 05:28 • -6.51db
37% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The National
Never Tear Us Apart
98 bpm • C Maj • 03:18 • -6.68db
38% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Donna Missal
Nothing's Gonna Hurt You Baby
98 bpm • E Maj • 03:17 • -10.26db
39% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
39% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Frightened Rabbit
How It Gets In
99 bpm • A Maj • 02:41 • -7db
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
42% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Miya Folick
Leave The Party
98 bpm • A min • 02:40 • -1.57db
30% Popularity • 87% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 87% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Sarah Harmer
New Low
99 bpm • A Maj • 02:39 • -5.28db
22% Popularity • 54% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 54% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Laura Marling
Strange Girl
99 bpm • D Maj • 03:21 • -9.89db
42% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Soccer Mommy
I'm On Fire
100 bpm • D Maj • 03:07 • -12.38db
38% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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The Lumineers
Have You Ever Seen The Rain - Recorded a...
100 bpm • A# Maj • 02:34 • -10.14db
51% Popularity • 77% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 77% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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TORRES
Thirstier
100 bpm • A# Maj • 04:08 • -6.84db
26% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Bombay Bicycle Club
Lose You To Love Me
100 bpm • F# Maj • 03:55 • -8.26db
45% Popularity • 62% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 62% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Beths
Jump Rope Gazers
100 bpm • F Maj • 05:12 • -11.91db
43% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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HAIM
Summer Girl - Bonus Track
100 bpm • C# min • 03:25 • -8db
51% Popularity • 51% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
51% Popularity • 51% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
