Songs like Dancing In The Storm by Boom Crash Opera
Based on a tempo of (+/- 10%) and a similar genre
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Deborah Conway
Under My Skin
116 bpm • D min • 03:34 • -10db
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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INXS
Listen Like Thieves
116 bpm • G Maj • 03:46 • -4.43db
47% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
47% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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1927
Nothing In The Universe
116 bpm • G Maj • 04:06 • -5db
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Boom Crash Opera
Thinking In Slow Motion - Bonus Track
116 bpm • D Maj • 03:27 • -4.13db
5% Popularity • 55% Danceability • 93% Energy • 49% Liveness
3% Instrumentalness • 48% Positiveness
5% Popularity • 55% Danceability • 93% Energy • 49% Liveness
3% Instrumentalness • 48% Positiveness
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INXS
Burn For You
116 bpm • G Maj • 04:57 • -8.17db
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Noiseworks
River Of Tears
115 bpm • B Maj • 05:17 • -13.27db
20% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
20% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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Boom Crash Opera
Get Me Happy
116 bpm • F Maj • 03:28 • -6.35db
4% Popularity • 52% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
4% Popularity • 52% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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INXS
New Sensation
115 bpm • A Maj • 03:40 • -4.95db
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Ratcat
Holiday
117 bpm • G Maj • 03:25 • -12.93db
15% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Grinspoon
Hard Act To Follow
117 bpm • A Maj • 03:27 • -5db
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Regurgitator
! (The Song Formerly Known As)
115 bpm • B Maj • 03:26 • -4db
42% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Models
Let's Kiss
117 bpm • D min • 03:31 • -8db
24% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mi-Sex
Computer Games
118 bpm • F Maj • 03:53 • -9.8db
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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1927
Kaleidoscope Eyes
118 bpm • F# min • 03:08 • -8.67db
17% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Diesel & The Injectors
Fire Without A Flame
118 bpm • F Maj • 04:17 • -13.84db
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Pseudo Echo
Don't Go
113 bpm • G min • 03:57 • -4.41db
29% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Flowers
Sister
113 bpm • D Maj • 03:23 • -6db
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Rose Tattoo
We Can't Be Beaten
113 bpm • E Maj • 03:04 • -8.14db
39% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 56% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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INXS
Shine Like It Does
113 bpm • D Maj • 03:05 • -5.59db
36% Popularity • 65% Danceability • 66% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
36% Popularity • 65% Danceability • 66% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Goanna
On the Platform - Remastered Version
120 bpm • C Maj • 05:16 • -8.04db
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Divinyls
Back To The Wall
120 bpm • A# min • 04:38 • -12db
32% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Boom Crash Opera
Gimme
120 bpm • C Maj • 03:36 • -6db
16% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 58% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
50% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Boom Crash Opera
Flying A Kite In The Rain - Bonus Track
112 bpm • F# min • 02:51 • -6.38db
5% Popularity • 44% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 44% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
26% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Thirsty Merc
Emancipate Myself
111 bpm • B Maj • 04:11 • -3.72db
27% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Mi-Sex
Falling in and Out
121 bpm • G Maj • 03:19 • -12db
25% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Boom Crash Opera
Tongue Tied
120 bpm • B min • 02:55 • -7.06db
4% Popularity • 44% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 44% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Crowded House
When You Come
121 bpm • A Maj • 04:45 • -12db
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Daddy Cool
Come Back Again - 2011 Remaster
121 bpm • D Maj • 04:53 • -6db
39% Popularity • 74% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
39% Popularity • 74% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
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Goanna
Stand Yr' Ground - Remastered Version
121 bpm • A Maj • 03:55 • -6.09db
27% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Boom Crash Opera
Bombshell
121 bpm • C Maj • 03:49 • -3.03db
6% Popularity • 58% Danceability • 93% Energy • 38% Liveness
5% Instrumentalness • 60% Positiveness
6% Popularity • 58% Danceability • 93% Energy • 38% Liveness
5% Instrumentalness • 60% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
36% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Company Of Strangers
Daddy's Gonna Make You a Star
122 bpm • F Maj • 04:40 • -3.85db
24% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Models
Out Of Mind Out Of Sight
122 bpm • F# min • 03:37 • -14db
44% Popularity • 63% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 63% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Australian Crawl
Lakeside - Remastered
122 bpm • C Maj • 04:48 • -8db
37% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Dobbyn
Slice of Heaven
122 bpm • G Maj • 04:37 • -9.55db
59% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
59% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
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Boom Crash Opera
Mountain Of Strength
122 bpm • A min • 04:10 • -6.16db
9% Popularity • 43% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 43% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Thorpe & The Aztecs
Most People I Know
122 bpm • D Maj • 04:17 • -16db
49% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Hoodoo Gurus
Bittersweet - 2005 Remaster
122 bpm • G Maj • 03:50 • -4.59db
50% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Eurogliders
Groove
110 bpm • F# Maj • 04:19 • -8.73db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Australian Crawl
Downhearted - Remastered
123 bpm • D min • 03:09 • -7db
50% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Models
Big On Love
123 bpm • D Maj • 03:52 • -14.83db
27% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eurogliders
Heaven (Must Be There)
122 bpm • D Maj • 03:42 • -15.24db
43% Popularity • 61% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 61% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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1927
That's When I Think Of You
123 bpm • G Maj • 04:13 • -3.23db
48% Popularity • 56% Danceability • 78% Energy • 21% Liveness
6% Instrumentalness • 40% Positiveness
48% Popularity • 56% Danceability • 78% Energy • 21% Liveness
6% Instrumentalness • 40% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
49% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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Dynamic Hepnotics
Soul Kind of Feeliing
123 bpm • B Maj • 03:54 • -11.06db
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
44% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Boom Crash Opera
You Can't Stop The Sun
109 bpm • C Maj • 03:41 • -6.19db
7% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Clapton
Girls on the Avenue
124 bpm • C min • 03:15 • -12.01db
28% Popularity • 64% Danceability • 60% Energy • 19% Liveness
17% Instrumentalness • 84% Positiveness
28% Popularity • 64% Danceability • 60% Energy • 19% Liveness
17% Instrumentalness • 84% Positiveness
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Cold Chisel
Cheap Wine - 2011 Remastered
124 bpm • C Maj • 03:25 • -3.58db
57% Popularity • 68% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 68% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Goanna
Let the Franklin Flow - Live; Remastered...
124 bpm • G Maj • 03:39 • -6.54db
28% Popularity • 58% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 58% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Boom Crash Opera
Love Me To Death
123 bpm • C Maj • 04:27 • -3.12db
6% Popularity • 66% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 79% Positiveness
6% Popularity • 66% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 79% Positiveness
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The Black Sorrows
Never Let Me Go
124 bpm • C Maj • 04:04 • -13.86db
38% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
