Songs like Dancing Mood by Pluto Shervington
Based on a tempo of (+/- 10%) and a similar genre
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Pluto Shervington
Dancing Mood
164 bpm • B min • 03:50 • -11.31db
11% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Prince Buster
Big Five
165 bpm • G Maj • 03:36 • -9.96db
25% Popularity • 75% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
25% Popularity • 75% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Nicky Thomas
God Bless the Children
164 bpm • E Maj • 03:58 • -9.4db
12% Popularity • 48% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
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Dandy Livingstone
Suzanne Beware of the Devil
166 bpm • A# Maj • 02:35 • -7.52db
46% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Rupie Edwards
Falling in Love (With You)
164 bpm • C min • 02:20 • -9.87db
10% Popularity • 59% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Phyllis Dillon
Don't Touch Me Tomato
166 bpm • F Maj • 02:58 • -8.85db
30% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Pluto Shervington
Ride 'Em Cowboy
166 bpm • E Maj • 03:35 • -14.34db
4% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
4% Popularity • 80% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Higgs
You Hurt My Soul
167 bpm • A# Maj • 01:57 • -7.09db
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Stanley & The Turbines
Brown Gal
163 bpm • A# Maj • 02:48 • -5.7db
31% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Lizzy
Love Is a Treasure
168 bpm • A# Maj • 02:38 • -3.76db
34% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Sheila Hylton
The Bed's Too Big Without You - Extended...
163 bpm • A min • 07:57 • -9.67db
9% Popularity • 73% Danceability • 74% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 74% Energy • 7% Liveness
4% Instrumentalness • 96% Positiveness
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The Melodians
It Comes and Goes
168 bpm • C# Maj • 02:38 • -10.93db
26% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
26% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Pam Hall
Dear Boopsie
161 bpm • C# Maj • 03:50 • -10.01db
13% Popularity • 75% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 75% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Max Romeo
Macabee Version
168 bpm • G Maj • 02:56 • -5.9db
28% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ernie Smith
Pitta, Patta
169 bpm • A# Maj • 03:21 • -16.32db
19% Popularity • 61% Danceability • 46% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
19% Popularity • 61% Danceability • 46% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Niney The Observer
Blood and Fire
169 bpm • D# Maj • 03:06 • -8.35db
14% Popularity • 69% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
14% Popularity • 69% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Sheila Hylton
The Bed's Too Big Without You
161 bpm • A min • 03:01 • -7.08db
18% Popularity • 79% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 79% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Techniques
I Wish It Would Rain
170 bpm • A# min • 02:11 • -10.24db
13% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Vernon Maytone
Money Worries
170 bpm • D Maj • 03:27 • -8.39db
12% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Little Kirk
What's Love Got to Do
171 bpm • F# Maj • 03:07 • -6.43db
10% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 70% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Pluto Shervington
Reggae Tonight
171 bpm • A Maj • 03:05 • -13.67db
4% Popularity • 75% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 75% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Winsome
Am I the Same Girl
171 bpm • F min • 03:21 • -10db
20% Popularity • 78% Danceability • 48% Energy • 5% Liveness
8% Instrumentalness • 79% Positiveness
20% Popularity • 78% Danceability • 48% Energy • 5% Liveness
8% Instrumentalness • 79% Positiveness
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Keith
Tonight
158 bpm • C Maj • 02:54 • -19.81db
25% Popularity • 67% Danceability • 16% Energy • 7% Liveness
8% Instrumentalness • 39% Positiveness
25% Popularity • 67% Danceability • 16% Energy • 7% Liveness
8% Instrumentalness • 39% Positiveness
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Dobby Dobson
Please Stay
173 bpm • G Maj • 04:20 • -12.36db
16% Popularity • 66% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
16% Popularity • 66% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Phyllis Dillon
Love Is All I Had
157 bpm • G Maj • 02:52 • -9.04db
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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Joya Landis
Angel of the Morning
173 bpm • G# Maj • 03:06 • -8.43db
39% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Pluto Shervington
Rum Song
172 bpm • E Maj • 04:05 • -3.95db
2% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Lloyd Charmers
Oh Me Oh My (I’m a Fool for You, Baby)
157 bpm • C Maj • 03:19 • -10.01db
16% Popularity • 60% Danceability • 42% Energy • 13% Liveness
72% Instrumentalness • 74% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 13% Liveness
72% Instrumentalness • 74% Positiveness
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The Melodians
You Have Caught Me
174 bpm • D# Maj • 03:14 • -11.74db
28% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Sanchez
Baby Can I Hold You Tonight
174 bpm • A# Maj • 03:25 • -9.42db
33% Popularity • 72% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
33% Popularity • 72% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Admiral Bailey
One Scotch
174 bpm • G# Maj • 02:53 • -10db
17% Popularity • 78% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 78% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Bitty McLean
Baby Tonight
157 bpm • C min • 03:01 • -5.21db
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Max Romeo
Wet Dreams
156 bpm • C Maj • 03:36 • -7.43db
23% Popularity • 75% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 75% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Pluto Shervington
Comin’ into the Future
175 bpm • F Maj • 05:31 • -6.89db
2% Popularity • 43% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 43% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Conscious Minds
Africa Is Paradise
155 bpm • C Maj • 03:15 • -12.29db
30% Popularity • 63% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 63% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Leroy Gibbons
Lovers Question
155 bpm • A# Maj • 02:53 • -10db
28% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Kingstonians
Sufferer
155 bpm • C Maj • 03:27 • -8.55db
33% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
33% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
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Lord Creator
Independent Jamaica
176 bpm • A# Maj • 02:59 • -8.78db
9% Popularity • 56% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 56% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Max Romeo
Wet Dream
156 bpm • F Maj • 02:49 • -6.59db
16% Popularity • 76% Danceability • 61% Energy • 28% Liveness
12% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 61% Energy • 28% Liveness
12% Instrumentalness • 96% Positiveness
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Hortense Ellis
Unexpected Places
176 bpm • G Maj • 04:18 • -10db
16% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Pluto Shervington
Full Moon over Miami
154 bpm • G min • 04:58 • -6.81db
5% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
5% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Morgan
Fat Man
177 bpm • A# min • 03:08 • -10.4db
21% Popularity • 70% Danceability • 51% Energy • 5% Liveness
59% Instrumentalness • 73% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 5% Liveness
59% Instrumentalness • 73% Positiveness
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Lester Sterling
Bangarang
154 bpm • F min • 03:10 • -7.46db
30% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
30% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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Louisa Mark
6 - Sixth Street
177 bpm • D# min • 03:12 • -13.88db
34% Popularity • 66% Danceability • 43% Energy • 16% Liveness
58% Instrumentalness • 61% Positiveness
34% Popularity • 66% Danceability • 43% Energy • 16% Liveness
58% Instrumentalness • 61% Positiveness
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Max Romeo
Wet Dream
155 bpm • F Maj • 02:42 • -6.76db
34% Popularity • 72% Danceability • 63% Energy • 16% Liveness
77% Instrumentalness • 96% Positiveness
34% Popularity • 72% Danceability • 63% Energy • 16% Liveness
77% Instrumentalness • 96% Positiveness
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The Techniques
I'm in the Mood
153 bpm • D min • 01:57 • -11.24db
24% Popularity • 76% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 76% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Pluto Shervington
My Heart Don't Know When to Stop
177 bpm • A Maj • 03:30 • -11.28db
11% Popularity • 79% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 79% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Slim Smith
Everybody Needs Love
153 bpm • F min • 02:15 • -5db
32% Popularity • 53% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 53% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Tyrone Taylor
Cottage In Negril
153 bpm • D Maj • 03:55 • -5db
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 76% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Dave & Ansell Collins
Monkey Spanner
152 bpm • C Maj • 02:31 • -8.74db
39% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Jamaicans
Ba Ba Boom
152 bpm • D# Maj • 03:21 • -11.36db
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Al Brown
Here I Am Baby (Come And Take Me)
179 bpm • F min • 03:27 • -5.58db
27% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Pluto Shervington
My Heart Don't Know
177 bpm • A Maj • 03:25 • -10.43db
3% Popularity • 79% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
3% Popularity • 79% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Slim Smith
Everybody Needs Love
153 bpm • F min • 02:19 • -8.3db
14% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Barry Biggs
Side Show
151 bpm • G Maj • 03:51 • -6.72db
25% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Dave & Ansell Collins
Monkey Spanner
152 bpm • C Maj • 03:01 • -10.97db
15% Popularity • 83% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
15% Popularity • 83% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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Jimmy London
Cathy's Clown
152 bpm • B min • 02:40 • -6db
26% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 71% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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King Stitt
Herbsman Shuffle
180 bpm • C Maj • 02:41 • -15.02db
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
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Pluto Shervington
Ramgoat Liver
153 bpm • A Maj • 03:15 • -12.61db
5% Popularity • 85% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
5% Popularity • 85% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Bunny Maloney
Baby I've Been Missing You
151 bpm • F Maj • 04:15 • -7db
22% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 73% Danceability • 64% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Delano Stewart
Tell Me Baby
151 bpm • A# min • 02:43 • -10.17db
17% Popularity • 64% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 64% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Clint Eastwood
Another One Bites The Dust
151 bpm • C Maj • 03:46 • -7.43db
19% Popularity • 78% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 78% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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![Silent River [Runs Deep] cover art](https://i.scdn.co/image/ab67616d00001e02cea5cfcf80674524f0c8cffe)
The Gaylettes
Silent River [Runs Deep]
181 bpm • C# Maj • 02:39 • -4.92db
11% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Chosen Few
Everybody Plays the Fool
150 bpm • A# Maj • 03:26 • -7.31db
9% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Pluto Shervington
Ramgoat Liver
150 bpm • A Maj • 03:05 • -14.52db
26% Popularity • 85% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 85% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Berres Hammond & Zap Power
Sunshine People
150 bpm • G min • 03:43 • -11.49db
8% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Dennis Walks
Heart Don't Leap
150 bpm • F Maj • 03:06 • -11db
12% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 73% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Stanley & The Turbines
Leave Mi Kisiloo
149 bpm • D Maj • 03:41 • -4.87db
30% Popularity • 74% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 74% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Gaylettes
Silent River Runs Deep
182 bpm • C# Maj • 02:39 • -5db
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Dobby Dobson
Tears on My Pillow
148 bpm • G min • 03:19 • -10.65db
17% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Pluto Shervington
Jamdown We Dey
148 bpm • E Maj • 04:31 • -7.27db
7% Popularity • 79% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 79% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Carl Malcolm
Miss Wire Waist
148 bpm • G# Maj • 03:50 • -16.79db
16% Popularity • 88% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 88% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
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Winston Groovy
I Wanna Be Loved
147 bpm • F# Maj • 02:17 • -10.15db
18% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Ernie Smith
Duppy Gun Man
146 bpm • G Maj • 03:20 • -2.55db
15% Popularity • 86% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 86% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Ginger Williams
I'll Still Love You
146 bpm • C# Maj • 03:39 • -12.5db
27% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Marshall
Thelma
146 bpm • C Maj • 02:46 • -13db
18% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 74% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Pluto Shervington
Mother Lisa
148 bpm • G min • 02:46 • -10.03db
5% Popularity • 73% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
5% Popularity • 73% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Susan Cadogan
Hurt so Good
145 bpm • A# Maj • 03:05 • -6.37db
44% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy London
Jimmy Say Hello
145 bpm • C# Maj • 03:01 • -13.42db
30% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 78% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Nicky Thomas
Rainy Night In Georgia
145 bpm • D Maj • 03:27 • -13.17db
15% Popularity • 81% Danceability • 40% Energy • 24% Liveness
54% Instrumentalness • 96% Positiveness
15% Popularity • 81% Danceability • 40% Energy • 24% Liveness
54% Instrumentalness • 96% Positiveness
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Black Slate
Legalize Collie Herb - 2013 Remaster
145 bpm • A min • 04:40 • -10.58db
21% Popularity • 66% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 66% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Carl Malcolm
Miss Wire Waist
145 bpm • C min • 03:17 • -11.73db
13% Popularity • 87% Danceability • 36% Energy • 13% Liveness
88% Instrumentalness • 71% Positiveness
13% Popularity • 87% Danceability • 36% Energy • 13% Liveness
88% Instrumentalness • 71% Positiveness
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Pluto Shervington
Gimme
187 bpm • A Maj • 03:51 • -12.48db
4% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Susan Cadogan
Hurt so Good
145 bpm • A# Maj • 03:21 • -7.88db
31% Popularity • 68% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 68% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Barry Biggs
Goodnight My Love
145 bpm • F min • 03:32 • -6.69db
14% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Leroy Smart
Balistic Affair
145 bpm • B min • 03:03 • -9.88db
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 86% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Tapper Zukie
M P L A - 2001 Digital Remaster
144 bpm • A Maj • 03:07 • -7.71db
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Half Pint
Greetings
144 bpm • F min • 03:39 • -15db
39% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Pluto Shervington
Book of Rules
144 bpm • E Maj • 02:59 • -16.05db
14% Popularity • 77% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 77% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Misty In Roots
True Rasta
143 bpm • A min • 05:29 • -6db
28% Popularity • 79% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
28% Popularity • 79% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Tony Tuff
Mix Me Down
143 bpm • C Maj • 03:33 • -8.53db
26% Popularity • 84% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 84% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Meditations
Tricked
142 bpm • D Maj • 03:11 • -11.35db
29% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Tapper Zukie
M.P.L.A.
143 bpm • A Maj • 03:10 • -10.71db
11% Popularity • 90% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 90% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Janet Kay
I Do Love You
142 bpm • F Maj • 03:22 • -6.87db
28% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Pluto Shervington
Have Some Mercy
144 bpm • A# Maj • 03:26 • -10.72db
6% Popularity • 85% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 85% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Slim Smith
Watch This Sound
142 bpm • E Maj • 02:37 • -9.31db
20% Popularity • 83% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
20% Popularity • 83% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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original papacrook
Hey Fattie Bum Bum
142 bpm • G Maj • 02:52 • -7.9db
18% Popularity • 83% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 83% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Carroll Thompson
Hopelessly in Love (2021 - Remaster)
142 bpm • F# Maj • 03:55 • -15.2db
25% Popularity • 80% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 80% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
