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Danidana Nanna Dore
Songs like
Danidana Nanna Dore
by
C. Ashwath
Based on a tempo of (+/- 10%) and a similar genre
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C. Ashwath
Danidana Nanna Dore
160 bpm • E Maj • 02:04 • -4.67db
20% Popularity • 61% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Premalatha Divakar
Ako Shaama
160 bpm • C Maj • 05:25 • -7db
6% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Philip & Sharon
Neevu Lekunda Nenundalenu
160 bpm • D min • 07:51 • -7.93db
15% Popularity • 44% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Sonu Nigam
Gap Chip
160 bpm • G min • 04:44 • -11.6db
8% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Naveen Sajju
Jamma Jamma
160 bpm • F min • 04:13 • -9.29db
35% Popularity • 84% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Manjula Gururaj
Nyaya Neethi Murthy
160 bpm • E Maj • 04:11 • -16db
26% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Sangeetha Katti
Ettu Hennina Tatti
160 bpm • A min • 04:27 • -1.49db
18% Popularity • 55% Danceability • 72% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
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Shabbir Dange
Kuttu Kuttu
160 bpm • F# Maj • 03:27 • -4.17db
19% Popularity • 80% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Prem Jogi
Amma Emba Hesare
160 bpm • D min • 03:58 • -12.2db
18% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mysore Ramachandrachar
Barayya Ba Ba Bakuthara
160 bpm • C Maj • 06:03 • -12db
23% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Hemanth
Hari Yendaga Vaikunta
160 bpm • F min • 04:12 • -8.88db
0% Popularity • 57% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Rajesh Krishnan
Umma Beku Sai
160 bpm • D Maj • 04:26 • -10.9db
5% Popularity • 71% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 81% Positiveness
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Rathnamala Prakash
MALLIGE HOOVANTHE
160 bpm • G# Maj • 04:47 • -7db
21% Popularity • 57% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Puttur Narasimha Nayak
Bhagyada Lakshmi Eeramma
161 bpm • C# min • 04:35 • -9db
23% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Chitra
Hoovantha Hrudayavanu
158 bpm • D Maj • 05:07 • -5.55db
9% Popularity • 30% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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C. Ashwath
Kookoo Enuthide
162 bpm • E min • 04:19 • -7.68db
6% Popularity • 49% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Manjula Gururaj
Nodu Nodu Kannara
158 bpm • E min • 04:45 • -15.1db
25% Popularity • 58% Danceability • 31% Energy • 11% Liveness
15% Instrumentalness • 72% Positiveness
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Participants Of South India Female Choir
Tandanana
162 bpm • G# Maj • 05:43 • -9.85db
13% Popularity • 65% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Rathnamala Prakash
Yaava Mohana Murali
162 bpm • C# Maj • 05:21 • -6.78db
24% Popularity • 45% Danceability • 47% Energy • 8% Liveness
12% Instrumentalness • 56% Positiveness
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Vasuki Vaibhav
Innunu Bekagide
158 bpm • E Maj • 03:26 • -9.8db
56% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Shimoga Subbanna
Hachchevu Kannadada Deepa
162 bpm • D Maj • 06:58 • -9.05db
8% Popularity • 42% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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Puttur Narasimha Nayak
Poorva Janmadali Naa Maadida
158 bpm • C# min • 05:23 • -7.27db
13% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Mano
Nayakara O Nayaka
156 bpm • C min • 04:42 • -9.14db
12% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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C. Ashwath
KELIRANNA KELI
156 bpm • D Maj • 09:00 • -8.16db
5% Popularity • 34% Danceability • 66% Energy • 41% Liveness
17% Instrumentalness • 68% Positiveness
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Rathnamala Prakash
Pallavagala Pallaviyali
163 bpm • A# Maj • 05:39 • -4.06db
11% Popularity • 44% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Shamitha
Bhaama Kumaara Sandhi
156 bpm • F Maj • 06:29 • -6db
13% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Vidyabhushana
Alli Idey Nam Mane
156 bpm • E Maj • 04:34 • -8.94db
2% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Puttur Narasimha Nayak
Mahishasura Mardhini
156 bpm • G Maj • 05:38 • -9.96db
16% Popularity • 49% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Yuvaraj
Nanna Mane
156 bpm • F Maj • 04:44 • -12db
12% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Rajesh Krishnan
Cheluvige Cheluve
156 bpm • F Maj • 04:57 • -6.59db
10% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Chetan Sosca
Theera Dooradalello
156 bpm • C# min • 03:28 • -9.69db
0% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Puneeth Rajkumar
Kaanadanthe Maayavadanu DJ Remix
156 bpm • G Maj • 03:40 • -4.44db
20% Popularity • 81% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Vidyabhushana
Narayana Ninna Nama
165 bpm • G min • 05:45 • -9.38db
24% Popularity • 36% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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S. Janaki
KAMALADA MOGADOLE
155 bpm • B Maj • 04:06 • -6.02db
13% Popularity • 53% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Badri Prasad
Ee Paapi Janara Haalu
165 bpm • G# Maj • 01:57 • -11.97db
17% Popularity • 35% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Malgudi Subha
Jakkanaka Jakkanaka
155 bpm • C Maj • 04:52 • -6db
10% Popularity • 79% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Manjula Gururaj
Sharanara Kayai
166 bpm • C Maj • 02:31 • -15.65db
15% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Hariharan
Jeevana Hudukutha
154 bpm • F# Maj • 05:11 • -7.01db
10% Popularity • 48% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Rathnamala Prakash
Hudugi Hoo Hudugi
153 bpm • G Maj • 04:31 • -4.38db
21% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Narasima Nayak
Hoodotakkeega
168 bpm • D min • 03:28 • -10.83db
20% Popularity • 60% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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B.K. Sumitra
Udayavu Okuli Chellihudu
168 bpm • G Maj • 07:15 • -5.19db
18% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Guru Kiran
Maathadu Saku
168 bpm • E min • 04:59 • -8db
4% Popularity • 45% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Shimoga Subbanna
Guruvina Gulaama
152 bpm • B Maj • 03:18 • -2.43db
17% Popularity • 61% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Ratnamala Prakash
Jo Jo Srikrishna Paramananda
169 bpm • E min • 07:18 • -9.39db
11% Popularity • 49% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 75% Positiveness
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Shaan
Chandira Muduva
170 bpm • C Maj • 04:41 • -12db
10% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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C. Ashwath
Mayada Manda Bhara
170 bpm • E Maj • 02:32 • -3db
20% Popularity • 62% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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B.K. Sumitra
Nodu Nodu Kannare
152 bpm • E Maj • 03:59 • -7.78db
5% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Sudha
Munjaneddu
150 bpm • D Maj • 03:34 • -6.94db
19% Popularity • 64% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Chetan Sosca
Yaare Nee Devatheya
170 bpm • A min • 04:40 • -8.76db
48% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Siddhartha Belmannu
Baana Thoredu Neeli
150 bpm • E Maj • 04:21 • -6.92db
16% Popularity • 54% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Prem Jogi
Love Aagoythe Nin Myale [DJ Remix]
150 bpm • F# min • 03:55 • -3.66db
12% Popularity • 71% Danceability • 79% Energy • 26% Liveness
4% Instrumentalness • 16% Positiveness
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C. Ashwath
Koliye Neenu Koliye
150 bpm • A Maj • 03:59 • -5.94db
4% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Rahul Vellal
Rama Ninage Vandane
150 bpm • F# Maj • 04:04 • -7.38db
9% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Vijay Prakash
Laghtaagi
150 bpm • C Maj • 03:20 • -8.81db
0% Popularity • 74% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Shankar Shanbhog
Namana Namana
171 bpm • F min • 04:16 • -13.09db
15% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Rathnamala Prakash
Thoogu Manchadalli Koothu
171 bpm • D Maj • 05:10 • -6.05db
22% Popularity • 41% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Vaani Harikrishna
Kannadiye Kannadiye
171 bpm • C Maj • 04:42 • -7.52db
10% Popularity • 45% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Hemanth
Theranna Nadona
150 bpm • D min • 02:37 • -8.83db
15% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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K. Yuvaraj
Yaathakke Male Hodavo
149 bpm • A# Maj • 05:10 • -2.63db
13% Popularity • 62% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Manjula Gururaj
Eddelu Manjunatha
149 bpm • F Maj • 06:34 • -18.11db
28% Popularity • 63% Danceability • 22% Energy • 10% Liveness
43% Instrumentalness • 76% Positiveness
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Hariharan
Nanna Kanase
172 bpm • E Maj • 04:34 • -5.34db
8% Popularity • 51% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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C. Ashwath
Chola Kaditha
172 bpm • C min • 04:22 • -6.79db
5% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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V. Harikrishna
Ondu Munjane
172 bpm • C min • 03:44 • -6.9db
49% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Raju Anantaswamy
Muchchu Mare Illade
172 bpm • F Maj • 05:29 • -10db
10% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Anuradha Bhat
Sri Krishna
172 bpm • D min • 04:34 • -7db
9% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Rajesh Krishnan
Olumeya Kavya
149 bpm • A# Maj • 04:59 • -12db
6% Popularity • 67% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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N.S. Prakash Rao & Gopika Poornima
Ramachandram (Mangalam)
149 bpm • C Maj • 02:39 • -7.86db
22% Popularity • 73% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Yashwanth Halibandi
Savaalondu
149 bpm • A min • 04:36 • -5.64db
4% Popularity • 58% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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C. Ashwath
Sneha Madabekinthavala
173 bpm • G Maj • 04:39 • -6.49db
16% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Mysore Ananthaswamy
Ede Thumbi Haadidenu
173 bpm • D# Maj • 03:44 • -8.7db
28% Popularity • 56% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 62% Positiveness
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Puttur Narasimha Nayak
Sharanu Sharanamma
148 bpm • B Maj • 03:32 • -7.98db
18% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Sri Vdyabhushan Teertha Swamiji
Toogire Rayara
173 bpm • D Maj • 03:46 • -10.57db
22% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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K. S. Chithra
Mangalya Mangalya
148 bpm • A# min • 04:55 • -13.75db
16% Popularity • 77% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Karthik
Heartbeat(Kannada)
148 bpm • A Maj • 04:09 • -8.93db
14% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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K Kalyan
Banna Bannada
174 bpm • D Maj • 05:25 • -12.7db
7% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Tithi
Saiyan Tang Na Kara
174 bpm • G Maj • 05:25 • -5.67db
8% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Mysore Ananthaswamy
O Nanna Chetana
174 bpm • E min • 03:51 • -7db
25% Popularity • 39% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Shivarajkumar
Mani Mani Mani
174 bpm • A Maj • 05:02 • -13.51db
29% Popularity • 56% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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B.K. Sumitra
Aaradhisuve
175 bpm • G Maj • 05:57 • -3.82db
16% Popularity • 37% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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C. Ashwath
Jodu Hasige
174 bpm • E min • 01:45 • -10.46db
18% Popularity • 51% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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B. V. Karanth
Kari Haidanemboru
175 bpm • C# min • 03:39 • -6.62db
0% Popularity • 48% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Sangeetha Katti
Kambada Myalina
175 bpm • G# Maj • 04:27 • -4db
37% Popularity • 41% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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B.R. Chaya
Koo Koo Enutide Belava
175 bpm • C Maj • 04:04 • -6db
7% Popularity • 53% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Shimoga Subbanna
Jogada Siri Belakinalli
146 bpm • G min • 05:26 • -9.81db
11% Popularity • 35% Danceability • 48% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Chetan Sosca
Ee Ondu Ksanakagi
146 bpm • G min • 04:42 • -6.84db
15% Popularity • 69% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Puttur Narasimha Nayak
Parvathiye Bhramariye
146 bpm • C Maj • 03:02 • -5.87db
15% Popularity • 60% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Praveen Srinivasmurthy
Modala Anuraagha
146 bpm • F# min • 05:14 • -13.56db
10% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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B.K. Sumitra
Munjaaneddu Kumbaaranna
176 bpm • G# Maj • 04:45 • -4.97db
15% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Priya Sisters
Sri Raja Rajeswari Ashtakam
145 bpm • E Maj • 06:39 • -7.41db
5% Popularity • 53% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Raju Ananthaswamy
Yava Mohana Murali
176 bpm • G min • 04:51 • -6.31db
46% Popularity • 50% Danceability • 57% Energy • 47% Liveness
2% Instrumentalness • 57% Positiveness
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Shamitha Malnad
Manasanne Manemaadi
176 bpm • C Maj • 04:19 • -4.36db
8% Popularity • 57% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Puttur Narasimha Nayak
Mysoru Betta Paavana
176 bpm • G Maj • 04:01 • -9.5db
14% Popularity • 58% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Sunitha Ananthaswamy
Amma Naanu Devaraane
145 bpm • B Maj • 05:04 • -7db
21% Popularity • 72% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Mysore Ramachandrachar
Yesu Kayangala (Dasanagu Visheshanagu)
145 bpm • G# min • 09:38 • -5.18db
22% Popularity • 62% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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L.N. Shastri
Karago Chandira
144 bpm • C min • 00:43 • -9db
12% Popularity • 42% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Surekha
Mathe Dodamma
177 bpm • G min • 02:54 • -8.4db
0% Popularity • 52% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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C. Ashwath
Mohada Hendathi
178 bpm • G Maj • 04:26 • -6.07db
13% Popularity • 45% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Guru Kiran
Kamala Kamala
144 bpm • D Maj • 04:16 • -7.53db
0% Popularity • 74% Danceability • 98% Energy • 18% Liveness
7% Instrumentalness • 90% Positiveness
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Rahul Vellal
Narayana Ninna Namada
143 bpm • G# Maj • 05:53 • -6.2db
8% Popularity • 38% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Baby Aishwarya
Jayajanaardhana
143 bpm • B min • 05:10 • -5.52db
32% Popularity • 76% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Danidana Nanna Dore