Songs like Danza in E Minor by Jorge Morel
Based on a tempo of (+/- 10%) and a similar genre
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Domenico Scarlatti
Sonate en la majeur, K. 208: Adagio e ca...
111 bpm • A Maj • 04:11 • -20.45db
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Astor Piazzolla
Chiquilin de Bachin
111 bpm • B min • 03:45 • -18.32db
14% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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William Walton
5 Bagatelles: II. Lento
111 bpm • G min • 03:13 • -33db
18% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Jason Vieaux
Suite espanola No. 1, Op. 47 (arr. J. Vi...
111 bpm • G Maj • 05:02 • -22.67db
20% Popularity • 37% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 37% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: I. Mosso, gr...
111 bpm • D min • 03:13 • -23.84db
19% Popularity • 42% Danceability • 22% Energy • 36% Liveness
92% Instrumentalness • 53% Positiveness
19% Popularity • 42% Danceability • 22% Energy • 36% Liveness
92% Instrumentalness • 53% Positiveness
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Jorge Cardoso
Rasguido Doble
111 bpm • A min • 03:35 • -22db
15% Popularity • 52% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
15% Popularity • 52% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Jorge Morel
Danza in E Minor
111 bpm • E min • 03:33 • -28db
23% Popularity • 28% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
23% Popularity • 28% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Victor Villadangos
Cinco Piezas para Guitarra: Campero
111 bpm • E min • 04:40 • -23db
9% Popularity • 40% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
9% Popularity • 40% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Akira Nakata
12 Songs for Guitar: No. 7, A Song of Ea...
111 bpm • A Maj • 03:42 • -36.03db
23% Popularity • 36% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
23% Popularity • 36% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
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Domenico Scarlatti
Sonata in a Major, K. 322
111 bpm • A Maj • 03:14 • -17db
12% Popularity • 44% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo: VI. Joropo
111 bpm • E Maj • 02:44 • -18.44db
13% Popularity • 44% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 27% Positiveness
13% Popularity • 44% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 27% Positiveness
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Jason Vieaux
Waltzes, Op. 8: Vals, Op. 8, No. 3
111 bpm • D min • 04:07 • -25db
13% Popularity • 39% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 16% Positiveness
13% Popularity • 39% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 16% Positiveness
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Jorge Morel
Rapsodia del sur
111 bpm • A min • 07:54 • -26.01db
1% Popularity • 55% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
1% Popularity • 55% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Antonio Jiménez Manjón
Aire vasco, Op. 19
110 bpm • E min • 07:03 • -29.74db
17% Popularity • 39% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
17% Popularity • 39% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
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Federico Moreno Torroba
Jaranera
110 bpm • A Maj • 01:27 • -29db
29% Popularity • 39% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 58% Positiveness
29% Popularity • 39% Danceability • 5% Energy • 11% Liveness
70% Instrumentalness • 58% Positiveness
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Jorge Cardoso
Milonga - De 24 Piezas Sudamericanas
110 bpm • D min • 04:22 • -21db
27% Popularity • 50% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
27% Popularity • 50% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Anonymous
Suite Buenos Aires (arr. for flute and g...
112 bpm • B min • 03:32 • -17.72db
0% Popularity • 48% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
0% Popularity • 48% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Federico Mompou
Suite Compostelana: VI. Muneira
112 bpm • D Maj • 02:58 • -23db
13% Popularity • 39% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
13% Popularity • 39% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Jorge Morel
Misionera
111 bpm • A min • 02:47 • -18db
0% Popularity • 42% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
0% Popularity • 42% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": No. 17 ...
112 bpm • D Maj • 01:26 • -26.99db
24% Popularity • 37% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
24% Popularity • 37% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Robert Westaway
Prelude from First Cello Suite - J.S. Ba...
112 bpm • D Maj • 03:05 • -17db
21% Popularity • 39% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
21% Popularity • 39% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
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Aldo RodrÃguez
Cancion
110 bpm • A min • 03:03 • -30db
18% Popularity • 38% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 38% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Francis Kleynjans
Barcarolle #1
110 bpm • D Maj • 02:38 • -20db
20% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
20% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Regino Sáinz de la Maza
La Frontera de Dios: III. Idilio
110 bpm • B Maj • 01:29 • -25db
34% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
34% Popularity • 35% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: III. Sevilla
112 bpm • G Maj • 05:18 • -15.78db
27% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
27% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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César Guerra-Peixe
Prelúdio No. 5
110 bpm • D Maj • 02:11 • -24.16db
23% Popularity • 52% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
23% Popularity • 52% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
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Jorge Morel
Guitar Sonatina: III. Allegro
112 bpm • D Maj • 02:46 • -25.08db
0% Popularity • 27% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 79% Positiveness
0% Popularity • 27% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 79% Positiveness
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Julian Arcas
Bolero
110 bpm • A min • 01:52 • -19.24db
19% Popularity • 38% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
19% Popularity • 38% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 10. Das Fisc...
109 bpm • D Maj • 02:09 • -27.01db
27% Popularity • 62% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
27% Popularity • 62% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Sergio & Odair Assad
Sergio Assad: Valseana
109 bpm • D Maj • 01:29 • -34.99db
19% Popularity • 34% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
19% Popularity • 34% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: III. Fandang...
113 bpm • A min • 02:36 • -24db
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
24% Popularity • 51% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Juan Falú
3 Piezas: Chacarera Ututa
109 bpm • D min • 02:26 • -25.93db
23% Popularity • 50% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
23% Popularity • 50% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Jorge Cardoso
Milonga
113 bpm • D min • 04:37 • -18db
13% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
13% Popularity • 44% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Mauro Giuliani
Variations on "Nume perdonami, se in tal...
113 bpm • D Maj • 08:31 • -26.04db
8% Popularity • 31% Danceability • 8% Energy • 14% Liveness
88% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 8% Energy • 14% Liveness
88% Instrumentalness • 28% Positiveness
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Jorge Morel
Suite del Sur: V. Danza Finale
113 bpm • A Maj • 05:07 • -25.11db
1% Popularity • 44% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 28% Positiveness
1% Popularity • 44% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 28% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Chacarera
113 bpm • E min • 03:02 • -20db
21% Popularity • 47% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
21% Popularity • 47% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Miguel Llobet Solés
Romanza
109 bpm • C Maj • 05:09 • -27db
37% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
37% Popularity • 44% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Milonga
114 bpm • D min • 04:02 • -29.81db
27% Popularity • 38% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.13 Andantino Grazioso
114 bpm • A Maj • 01:44 • -17db
22% Popularity • 29% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
22% Popularity • 29% Danceability • 41% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
108 bpm • E min • 00:54 • -27.86db
34% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
34% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Jorge Morel
Danza (No Me Toques)
113 bpm • A Maj • 02:24 • -12.34db
0% Popularity • 61% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
0% Popularity • 61% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo: III. Chacarera
113 bpm • E min • 01:16 • -20db
18% Popularity • 49% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
18% Popularity • 49% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
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Isaac Albéniz
Sevilla
108 bpm • G Maj • 05:21 • -26.33db
18% Popularity • 37% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
18% Popularity • 37% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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Gaspar Sanz
Preludio o Capricho Arpeado
114 bpm • E min • 01:08 • -34db
31% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
31% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Luigi Boccherini
Guitar Quintet No. 4 in D Major, G. 448 ...
114 bpm • D Maj • 01:22 • -30db
33% Popularity • 52% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
108 bpm • E Maj • 01:55 • -26db
22% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
22% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
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Jorge Cardoso
Milonga
114 bpm • D min • 04:13 • -32db
32% Popularity • 39% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
32% Popularity • 39% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Jerónimo Giménez
La boda de Luis Alonso, o La noche del e...
108 bpm • A Maj • 05:59 • -21db
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 47% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4. Standchen...
108 bpm • A Maj • 03:41 • -29.48db
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Evocacion
114 bpm • E min • 01:36 • -28db
44% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
44% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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David Tanenbaum
Suite No. 21 in E : Allemande
108 bpm • E min • 05:31 • -20.29db
15% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
108 bpm • A min • 03:52 • -23.9db
15% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
15% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Carlos Gardel
The Day You Love Me
108 bpm • D Maj • 04:56 • -33.67db
17% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
17% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Jorge Morel
AndalucÃa
108 bpm • D Maj • 02:48 • -17.2db
0% Popularity • 60% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 60% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Carlos Guastavino
Guitar Sonata No. 1: Allegro deciso e mo...
108 bpm • D min • 06:40 • -28.9db
10% Popularity • 46% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Jeffrey McFadden
The Rider
115 bpm • G min • 03:03 • -18.26db
15% Popularity • 49% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
15% Popularity • 49% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Niccolò Paganini
Ghiribizzi, MS 43: No. 41 in C Major: Al...
115 bpm • C Maj • 02:34 • -27.4db
23% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
23% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio, Op. 195, No. 18, "El sueno de...
107 bpm • D min • 05:14 • -24.31db
16% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 35% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Carles Trepat
El Testament d'Amèlia
115 bpm • D min • 02:19 • -27db
11% Popularity • 45% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
11% Popularity • 45% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Jorge Morel
Guitarreando
115 bpm • G Maj • 01:42 • -15.23db
0% Popularity • 42% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
0% Popularity • 42% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
► Preview
Federico Moreno Torroba
Suite Castellana: Suite Castellana I. Fa...
115 bpm • E min • 01:40 • -19db
26% Popularity • 42% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
26% Popularity • 42% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
► Preview
Leo Brouwer
Estudios sencillos: First Series: II
107 bpm • C Maj • 01:11 • -25db
30% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 60% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Solomon, HWV 67, Act III: Sinfonia, "Arr...
107 bpm • E Maj • 03:24 • -22.66db
16% Popularity • 54% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 80% Positiveness
16% Popularity • 54% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 80% Positiveness
► Preview
Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
107 bpm • A Maj • 01:21 • -27.16db
25% Popularity • 24% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
25% Popularity • 24% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
115 bpm • D min • 01:20 • -19.2db
19% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
19% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Jorge Morel
Waltz Op. 69, No. 2
107 bpm • A Maj • 03:09 • -15.68db
0% Popularity • 43% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
0% Popularity • 43% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
Ernesto Cordero
Fantasia Mulata
115 bpm • B min • 05:51 • -23.48db
0% Popularity • 47% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
0% Popularity • 47% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
► Preview
Matteo Carcassi
Carcassi Op.60 N.1 Allegro
107 bpm • G Maj • 00:58 • -13.32db
31% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
31% Popularity • 42% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 49% Positiveness
► Preview
Miguel Llobet Solés
Canco Del Lladre
107 bpm • D Maj • 01:54 • -22.84db
28% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
28% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
► Preview
Fernando Sor
Sor: 24 Exercices très faciles, Op. 35:...
116 bpm • B min • 02:51 • -27.16db
13% Popularity • 37% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
► Preview
Maximo Diego Pujol
Suite del Plata, No. 1: Preludio
107 bpm • D min • 01:34 • -31db
42% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
42% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Jorge Morel
My Samba
115 bpm • F# min • 02:44 • -10.26db
0% Popularity • 53% Danceability • 61% Energy • 26% Liveness
85% Instrumentalness • 94% Positiveness
0% Popularity • 53% Danceability • 61% Energy • 26% Liveness
85% Instrumentalness • 94% Positiveness
► Preview
JoaquÃn Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 3 in D Minor: Pre...
116 bpm • D min • 01:07 • -31.64db
37% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Sylvain Luc
La promesse
106 bpm • E min • 00:57 • -28.98db
25% Popularity • 53% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
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Paulo Bellinati
Jongo
106 bpm • D Maj • 04:57 • -22.57db
11% Popularity • 35% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
11% Popularity • 35% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Walter Heinze
Concordancias: I Movido
106 bpm • E Maj • 01:05 • -31.04db
27% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
27% Popularity • 30% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Eduardo Sainz De La Maza
Habanera
106 bpm • G Maj • 03:23 • -29.85db
17% Popularity • 41% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
17% Popularity • 41% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Jorge Morel
Danza Brasileira
106 bpm • E min • 02:43 • -23.06db
24% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
24% Popularity • 37% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
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Ferdinando Carulli
Andantino in G Major
116 bpm • G Maj • 01:14 • -31db
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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JoaquÃn Turina
Homenaje a Tárrega, Op. 69: II. Soleare...
116 bpm • D Maj • 01:51 • -26db
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Astor Piazzolla
Triunfal (Arr. V. Villadangos)
116 bpm • E min • 03:29 • -27.17db
20% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Mariano Mores
Military Tap
117 bpm • A min • 02:47 • -30.04db
32% Popularity • 50% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
32% Popularity • 50% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 63% Positiveness
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Ricardo Cobo
Nanourisma
116 bpm • D Maj • 04:35 • -14.68db
1% Popularity • 38% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 38% Positiveness
1% Popularity • 38% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 38% Positiveness
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Quique Sinesi
Cielo Abierto
117 bpm • B min • 04:51 • -26.04db
10% Popularity • 41% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Jérémy Jouve
3 Piezas espanolas (3 Spanish Pieces): N...
117 bpm • A Maj • 02:47 • -28db
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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William Walton
5 Bagatelles: IV. Sempre espressivo
117 bpm • B min • 02:03 • -37.57db
31% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Jose Luis Merlin
Suite del recuerdo: V. Evocacion
106 bpm • C Maj • 00:52 • -25.47db
26% Popularity • 34% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
26% Popularity • 34% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
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Jorge Morel
Danza Brasilera
117 bpm • E min • 02:39 • -16.39db
2% Popularity • 47% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
2% Popularity • 47% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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JoaquÃn Rodrigo
En los Trigales
105 bpm • D# Maj • 03:40 • -19.22db
9% Popularity • 49% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Regino Sáinz de la Maza
Rondena
117 bpm • G min • 03:56 • -20db
19% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Matteo Carcassi
Carcassi op.60 n.2 moderato con espressi...
105 bpm • A min • 01:48 • -14.6db
32% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
32% Popularity • 23% Danceability • 52% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
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JoaquÃn Turina
J.Turina: Hommage À Tarrega - 1. Garrot...
105 bpm • D Maj • 02:20 • -20.02db
27% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 18% Liveness
87% Instrumentalness • 34% Positiveness
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Niccolò Paganini
Grand Sonata in A Major, MS 3: II. Roman...
105 bpm • A min • 03:55 • -28.18db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Federico Moreno Torroba
Vieja leyenda
117 bpm • E min • 02:23 • -31.31db
11% Popularity • 35% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
11% Popularity • 35% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Fernando Sor
Study in E Minor op. 60 no. 22
117 bpm • E min • 01:55 • -28.41db
16% Popularity • 38% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Jorge Morel
Zamba Del Sur
105 bpm • D min • 02:33 • -18.97db
0% Popularity • 53% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
0% Popularity • 53% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness