Songs like Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré by Maurice Ravel
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
String Quartet In F Major, M.35: 1. Alle...
92 bpm • A# Maj • 08:09 • -26.17db
21% Popularity • 18% Danceability • 8% Energy • 60% Liveness
61% Instrumentalness • 7% Positiveness
21% Popularity • 18% Danceability • 8% Energy • 60% Liveness
61% Instrumentalness • 7% Positiveness
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Jean Sibelius
Pelléas et Mélisande, (Suite), Op. 46:...
92 bpm • G Maj • 06:01 • -22.67db
8% Popularity • 13% Danceability • 5% Energy • 17% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 5% Energy • 17% Liveness
77% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
92 bpm • C Maj • 06:44 • -21.31db
2% Popularity • 25% Danceability • 8% Energy • 9% Liveness
52% Instrumentalness • 12% Positiveness
2% Popularity • 25% Danceability • 8% Energy • 9% Liveness
52% Instrumentalness • 12% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: IV. In Th...
92 bpm • C# Maj • 02:10 • -15.68db
35% Popularity • 30% Danceability • 10% Energy • 20% Liveness
92% Instrumentalness • 26% Positiveness
35% Popularity • 30% Danceability • 10% Energy • 20% Liveness
92% Instrumentalness • 26% Positiveness
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Anton Webern
Webern - Langsamer Satz, M.78
92 bpm • D# Maj • 11:07 • -17.62db
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Aida: Overture (Prelude)
91 bpm • D Maj • 04:21 • -22.82db
14% Popularity • 16% Danceability • 2% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
93 bpm • F# min • 02:48 • -23.42db
28% Popularity • 17% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
93 bpm • A# min • 03:46 • -31.06db
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Charles Ives
Ives / Orch. Brant: A Concord Symphony: ...
91 bpm • D# Maj • 06:12 • -15db
4% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Le poème de l'extase, Op. 54
90 bpm • G Maj • 22:01 • -19.54db
19% Popularity • 11% Danceability • 14% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 14% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Prélude: Très l...
90 bpm • G Maj • 03:28 • -31db
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: XXI...
90 bpm • B Maj • 02:45 • -34.15db
17% Popularity • 10% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: I. An...
90 bpm • E min • 14:26 • -20.34db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
94% Instrumentalness • 13% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
94% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Maurice Ravel
Valley of the Bells
94 bpm • C# Maj • 05:34 • -25.35db
4% Popularity • 17% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
4% Popularity • 17% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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BĂ©la BartĂłk
Concerto for Orchestra, Sz. 116: 1. Intr...
90 bpm • C# Maj • 10:11 • -19.21db
8% Popularity • 17% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
94 bpm • A Maj • 01:42 • -30.23db
34% Popularity • 21% Danceability • 2% Energy • 28% Liveness
65% Instrumentalness • 14% Positiveness
34% Popularity • 21% Danceability • 2% Energy • 28% Liveness
65% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Claude Debussy
La mer, L. 109: II. Jeux de vagues
90 bpm • E Maj • 07:05 • -26db
19% Popularity • 12% Danceability • 6% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
19% Popularity • 12% Danceability • 6% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piece en forme de habanera (arr. A. Hoer...
90 bpm • G min • 03:12 • -32.84db
27% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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David Abramovitz
Reves
89 bpm • G min • 01:25 • -30.1db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: I. Grave (Arr. ...
89 bpm • G min • 06:37 • -20.73db
15% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
The Miraculous Mandarin, BB 82, Sz. 73 (...
89 bpm • B Maj • 01:40 • -23.65db
14% Popularity • 19% Danceability • 15% Energy • 67% Liveness
50% Instrumentalness • 8% Positiveness
14% Popularity • 19% Danceability • 15% Energy • 67% Liveness
50% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Violin Concerto No. 2 In G Minor, Op. 63...
89 bpm • D# Maj • 09:43 • -22db
19% Popularity • 19% Danceability • 13% Energy • 12% Liveness
43% Instrumentalness • 15% Positiveness
19% Popularity • 19% Danceability • 13% Energy • 12% Liveness
43% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: III. Les Entretie...
89 bpm • G min • 05:00 • -35.53db
21% Popularity • 10% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
21% Popularity • 10% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Charles Ives
Ives: Set No. 3 for Chamber Orchestra: I...
95 bpm • G Maj • 01:07 • -41.99db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • B min • 04:16 • -11.93db
13% Popularity • 34% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
13% Popularity • 34% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Henri Dutilleux
Dutilleux: Sonatine for Flute and Piano:...
88 bpm • A# min • 01:17 • -25db
25% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 9 In D / 4. Satz: Tempo I. ...
88 bpm • A Maj • 05:45 • -22db
17% Popularity • 10% Danceability • 8% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 8% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: IV. Interm...
96 bpm • F# Maj • 01:41 • -17db
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
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BĂ©la BartĂłk
Concerto for Orchestra, Sz. 116: 4. Inte...
96 bpm • F Maj • 04:19 • -27.01db
6% Popularity • 16% Danceability • 4% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 4% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Maurice Ravel
String Quartet in F Major: III. Tres Len...
88 bpm • C# Maj • 08:47 • -29.21db
20% Popularity • 18% Danceability • 3% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 3% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 1 in C Major, Op. 21: I. Ad...
96 bpm • C Maj • 09:30 • -20db
22% Popularity • 27% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
22% Popularity • 27% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major: II. Kräftig ...
96 bpm • A Maj • 07:23 • -24db
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
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Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
97 bpm • G Maj • 05:11 • -30.45db
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Alberto Ginastera
Estancia, Op. 8a: II. Danza del trigo
87 bpm • C Maj • 04:58 • -30.88db
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Variation X (Viel b...
87 bpm • A# Maj • 04:54 • -13.95db
8% Popularity • 13% Danceability • 30% Energy • 35% Liveness
86% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 30% Energy • 35% Liveness
86% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
87 bpm • D# Maj • 05:39 • -26db
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Symphony No. 3 in E-Flat Major, Op. 55 -...
88 bpm • D# Maj • 05:44 • -22.94db
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
97 bpm • B min • 08:42 • -24db
32% Popularity • 28% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Johannes Brahms
Variations on a Theme by Haydn, Op. 56a:...
87 bpm • A# min • 01:02 • -26.25db
10% Popularity • 21% Danceability • 16% Energy • 20% Liveness
91% Instrumentalness • 28% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 20% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
► Preview
Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
45% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
AntonĂn Dvořák
Cello Concerto in B Minor, Op. 104, B. 1...
87 bpm • G Maj • 12:46 • -31.23db
16% Popularity • 9% Danceability • 2% Energy • 6% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 2% Energy • 6% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Liszt: Piano Concerto No. 2 in A Major, ...
98 bpm • A Maj • 01:37 • -14.84db
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
87 bpm • C# Maj • 06:13 • -22db
9% Popularity • 12% Danceability • 9% Energy • 25% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 9% Energy • 25% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Jean Sibelius
Tapiola, Op. 112
86 bpm • F# min • 20:23 • -22.41db
18% Popularity • 13% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act 1: "Questo Mar R...
98 bpm • F Maj • 04:31 • -15.15db
32% Popularity • 35% Danceability • 30% Energy • 66% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 35% Danceability • 30% Energy • 66% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 In C Sharp Minor: I. Trau...
86 bpm • C# min • 12:52 • -20.8db
42% Popularity • 18% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
42% Popularity • 18% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Frederick Delius
A Song before Sunrise
86 bpm • C Maj • 05:26 • -27db
19% Popularity • 13% Danceability • 4% Energy • 27% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 4% Energy • 27% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Verklärte Nacht, Op. 4: IV. Adagio (Arr...
86 bpm • D Maj • 10:24 • -22db
11% Popularity • 9% Danceability • 12% Energy • 27% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 12% Energy • 27% Liveness
74% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Symphony No. 5 In C Minor, Op. 67: 4. Al...
86 bpm • C Maj • 08:43 • -13.74db
33% Popularity • 25% Danceability • 34% Energy • 34% Liveness
83% Instrumentalness • 23% Positiveness
33% Popularity • 25% Danceability • 34% Energy • 34% Liveness
83% Instrumentalness • 23% Positiveness
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Richard Wagner
Götterdämmerung, WWV 86D, Act II: Sieg...
98 bpm • F Maj • 04:00 • -29.66db
12% Popularity • 13% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Alexander Scriabin
Piano Concerto in F sharp minor, Op. 20:...
86 bpm • D Maj • 07:54 • -23db
18% Popularity • 15% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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David Abramovitz
Chants Populaires: Chanson Espagnole
99 bpm • G Maj • 02:25 • -27db
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gustav Mahler
Symphony No. 9 in D / 1. Satz: Etwas fri...
99 bpm • A# Maj • 01:17 • -13.65db
29% Popularity • 18% Danceability • 41% Energy • 30% Liveness
94% Instrumentalness • 35% Positiveness
29% Popularity • 18% Danceability • 41% Energy • 30% Liveness
94% Instrumentalness • 35% Positiveness
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Igor Stravinsky
Petrouchka / Tableau III: Chez le Maure ...
99 bpm • G# Maj • 07:01 • -27.77db
16% Popularity • 28% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
16% Popularity • 28% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • C Maj • 03:09 • -24db
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Johannes Brahms
Symphony No. 1 In C Minor, Op. 68: 2. An...
85 bpm • E Maj • 08:22 • -21db
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
85 bpm • D# Maj • 06:46 • -30.19db
24% Popularity • 15% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5: I. Trauermarsch
85 bpm • C# min • 12:36 • -22db
26% Popularity • 13% Danceability • 6% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
26% Popularity • 13% Danceability • 6% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Richard Wagner
Die Meistersinger von NĂĽrnberg, Act III...
85 bpm • E min • 06:26 • -32db
7% Popularity • 8% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: 2. Venus, the Bring...
85 bpm • F min • 08:37 • -32.92db
47% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande. An...
85 bpm • G Maj • 04:16 • -28.27db
13% Popularity • 13% Danceability • 2% Energy • 42% Liveness
61% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 2% Energy • 42% Liveness
61% Instrumentalness • 4% Positiveness
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Maurice Ravel
Rhapsodie espagnole, M. 54: IV. Feria
99 bpm • C Maj • 06:40 • -21.76db
13% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
13% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
85 bpm • C min • 05:56 • -25.23db
23% Popularity • 10% Danceability • 7% Energy • 20% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 20% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
BĂ©la BartĂłk
Concerto for Orchestra, Sz. 116: II. Giu...
85 bpm • G Maj • 06:26 • -30.29db
20% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 7. Valse in C♯ minor, O...
100 bpm • C# min • 04:28 • -23db
16% Popularity • 21% Danceability • 11% Energy • 19% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 11% Energy • 19% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Leoš Janáček
String Quartet No. 1, JW vii/8 "Kreutzer...
85 bpm • E Maj • 04:03 • -20db
9% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Maurice Ravel
Menuet sur le nom de Haydn
100 bpm • G Maj • 01:46 • -32.35db
23% Popularity • 37% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 37% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
