Songs like Darling, Let's Go Together by Motosserra Kuadrada
Based on a tempo of (+/- 10%) and a similar genre
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LofiCurl
Lullaby Of SoulDD
119 bpm • C min • 01:13 • -26.63db
23% Popularity • 67% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 67% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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VOCAL AFRICA
Don't Blame Me
119 bpm • D# Maj • 01:16 • -15.03db
14% Popularity • 68% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 68% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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楽しいジャズ
音(月曜日の朝)
119 bpm • A# min • 01:49 • -15.23db
11% Popularity • 59% Danceability • 25% Energy • 13% Liveness
73% Instrumentalness • 35% Positiveness
11% Popularity • 59% Danceability • 25% Energy • 13% Liveness
73% Instrumentalness • 35% Positiveness
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Tom Hiddleston
Around The World
119 bpm • A Maj • 04:26 • -19.89db
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
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The Singing Hat
Autumn Of Infinity
119 bpm • A# Maj • 01:51 • -18.28db
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 55% Positiveness
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 55% Positiveness
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Orval Thomson
I Want to Be with You SY
120 bpm • G min • 03:30 • -17db
15% Popularity • 22% Danceability • 20% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 20% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
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Dulcie Kavanagh
Burning Bridges
120 bpm • D min • 01:21 • -21.11db
20% Popularity • 53% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 38% Positiveness
20% Popularity • 53% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 38% Positiveness
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Luci Whitten
Paradise and 4C
120 bpm • C Maj • 03:30 • -18.77db
15% Popularity • 60% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
15% Popularity • 60% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
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Icaro Mood
Too Much of You
120 bpm • D min • 01:00 • -12.52db
14% Popularity • 55% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 74% Positiveness
14% Popularity • 55% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 74% Positiveness
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Luscan Refy
Go Away
120 bpm • B Maj • 02:22 • -23.19db
14% Popularity • 63% Danceability • 13% Energy • 10% Liveness
47% Instrumentalness • 22% Positiveness
14% Popularity • 63% Danceability • 13% Energy • 10% Liveness
47% Instrumentalness • 22% Positiveness
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Hadidza Wolf
Moonshine
120 bpm • G Maj • 01:50 • -13.13db
10% Popularity • 65% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
10% Popularity • 65% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
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Trowt
Marry Me in the Sims
120 bpm • C Maj • 01:18 • -49.72db
16% Popularity • 44% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 49% Positiveness
16% Popularity • 44% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 49% Positiveness
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Who'd a Thunk?
Grounding Before We Take Off Again
120 bpm • D Maj • 08:09 • -12.79db
8% Popularity • 67% Danceability • 13% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
8% Popularity • 67% Danceability • 13% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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No Land
The Fall
118 bpm • D min • 01:37 • -15.04db
15% Popularity • 84% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 46% Positiveness
15% Popularity • 84% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 46% Positiveness
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Los Piticlines Johnson
El Tío Rollo Grueso
120 bpm • A# Maj • 01:18 • -17.82db
20% Popularity • 69% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
20% Popularity • 69% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
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Elio Mazzanti
All mine
120 bpm • C# Maj • 02:40 • -19.7db
17% Popularity • 82% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 10% Positiveness
17% Popularity • 82% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 10% Positiveness
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Peed Darkson
Alright
120 bpm • G# Maj • 01:51 • -8.62db
16% Popularity • 81% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
16% Popularity • 81% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Ashly Hawk
Steps of a Promise So
120 bpm • C Maj • 03:20 • -18.17db
15% Popularity • 70% Danceability • 27% Energy • 7% Liveness
44% Instrumentalness • 37% Positiveness
15% Popularity • 70% Danceability • 27% Energy • 7% Liveness
44% Instrumentalness • 37% Positiveness
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Badin Cadmus
Help
120 bpm • G Maj • 03:41 • -11.69db
9% Popularity • 65% Danceability • 57% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
9% Popularity • 65% Danceability • 57% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Grid Starky
Number
120 bpm • A# min • 02:15 • -9.35db
17% Popularity • 87% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
17% Popularity • 87% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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High-Tide Game Studio
Sulking in the Shadows
120 bpm • A# Maj • 01:10 • -19.31db
27% Popularity • 85% Danceability • 11% Energy • 7% Liveness
82% Instrumentalness • 87% Positiveness
27% Popularity • 85% Danceability • 11% Energy • 7% Liveness
82% Instrumentalness • 87% Positiveness
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Benedetto Giulio
Nah Fr
120 bpm • C min • 01:52 • -20.46db
17% Popularity • 79% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
17% Popularity • 79% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Acacia Daciano
No More Rocks
120 bpm • G Maj • 02:14 • -11.88db
10% Popularity • 66% Danceability • 59% Energy • 42% Liveness
93% Instrumentalness • 64% Positiveness
10% Popularity • 66% Danceability • 59% Energy • 42% Liveness
93% Instrumentalness • 64% Positiveness
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Capryrc
Broken
120 bpm • D Maj • 02:22 • -26.92db
11% Popularity • 72% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 72% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Sid Blabet
Hot Faces
120 bpm • G Maj • 03:15 • -12.18db
8% Popularity • 64% Danceability • 56% Energy • 17% Liveness
86% Instrumentalness • 57% Positiveness
8% Popularity • 64% Danceability • 56% Energy • 17% Liveness
86% Instrumentalness • 57% Positiveness
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Mace Wadha
Learn
120 bpm • G Maj • 02:02 • -13.67db
11% Popularity • 70% Danceability • 47% Energy • 31% Liveness
68% Instrumentalness • 47% Positiveness
11% Popularity • 70% Danceability • 47% Energy • 31% Liveness
68% Instrumentalness • 47% Positiveness
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High-Tide Game Studio
Me, Myself & the Sea
120 bpm • G Maj • 01:10 • -23.54db
37% Popularity • 79% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
37% Popularity • 79% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 59% Positiveness
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Sandys Blank
Warm Beach
120 bpm • F min • 01:43 • -9.14db
13% Popularity • 84% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
13% Popularity • 84% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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SYN 'THIA
CHOP STICKS, ALL GROWN UP
120 bpm • A# min • 04:09 • -17.6db
24% Popularity • 65% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
24% Popularity • 65% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
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Drumorx
DRMX III
120 bpm • A min • 01:09 • -5.78db
21% Popularity • 81% Danceability • 96% Energy • 4% Liveness
97% Instrumentalness • 65% Positiveness
21% Popularity • 81% Danceability • 96% Energy • 4% Liveness
97% Instrumentalness • 65% Positiveness
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Namuh Holle
Spaceman
120 bpm • G# Maj • 02:37 • -8.86db
11% Popularity • 81% Danceability • 48% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
11% Popularity • 81% Danceability • 48% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Daniel Lotti
a life of vent
120 bpm • G Maj • 01:52 • -20.2db
18% Popularity • 89% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
18% Popularity • 89% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
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Nira Luises
More Day
120 bpm • G Maj • 03:24 • -20.78db
16% Popularity • 69% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
16% Popularity • 69% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
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Grid Starky
Upload
120 bpm • G# Maj • 02:15 • -8.87db
11% Popularity • 81% Danceability • 44% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 81% Danceability • 44% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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Salvatore Caleah
Election
120 bpm • G Maj • 03:09 • -13.89db
9% Popularity • 76% Danceability • 44% Energy • 12% Liveness
78% Instrumentalness • 55% Positiveness
9% Popularity • 76% Danceability • 44% Energy • 12% Liveness
78% Instrumentalness • 55% Positiveness
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Acacia Daciano
Swimming the Ocean
120 bpm • G Maj • 02:18 • -12.48db
10% Popularity • 68% Danceability • 60% Energy • 18% Liveness
82% Instrumentalness • 47% Positiveness
10% Popularity • 68% Danceability • 60% Energy • 18% Liveness
82% Instrumentalness • 47% Positiveness
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Hadidza Wolf
Break the Ice
120 bpm • G Maj • 02:02 • -14.09db
7% Popularity • 76% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
7% Popularity • 76% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
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Ullas Jochel
Day
120 bpm • F min • 02:47 • -8.87db
17% Popularity • 87% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
17% Popularity • 87% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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JERICHO LACHO
ELISHA
120 bpm • C# Maj • 01:12 • -29.84db
12% Popularity • 75% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
12% Popularity • 75% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Ilkras Samuel
Incense
120 bpm • G# Maj • 02:47 • -8.19db
16% Popularity • 82% Danceability • 46% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
16% Popularity • 82% Danceability • 46% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Fremos Volk
Secrets
120 bpm • G min • 02:47 • -8.54db
16% Popularity • 81% Danceability • 47% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
16% Popularity • 81% Danceability • 47% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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Salvatore Caleah
History
120 bpm • G Maj • 03:41 • -12.83db
10% Popularity • 67% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
10% Popularity • 67% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Miriam Magnet
II - III
120 bpm • C Maj • 03:21 • -27.05db
15% Popularity • 80% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
15% Popularity • 80% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
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BRAUWNER
DOMPT
120 bpm • C# min • 01:04 • -29.49db
7% Popularity • 80% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
7% Popularity • 80% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Solaris Serenade
GRANADINE
120 bpm • D Maj • 02:23 • -23.2db
18% Popularity • 79% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 79% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
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Klaarson Reeicher
Plains
120 bpm • B Maj • 02:25 • -24.16db
16% Popularity • 69% Danceability • 8% Energy • 8% Liveness
56% Instrumentalness • 27% Positiveness
16% Popularity • 69% Danceability • 8% Energy • 8% Liveness
56% Instrumentalness • 27% Positiveness
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Yannes Rur
The Piper
120 bpm • G Maj • 02:44 • -21.77db
21% Popularity • 67% Danceability • 20% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 20% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
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Salvatore Caleah
Federal Systems
120 bpm • G Maj • 03:09 • -14.29db
9% Popularity • 72% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
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Bobby Reaves
I Like the Way You Move GQ
120 bpm • G min • 03:18 • -20.41db
14% Popularity • 65% Danceability • 17% Energy • 9% Liveness
67% Instrumentalness • 36% Positiveness
14% Popularity • 65% Danceability • 17% Energy • 9% Liveness
67% Instrumentalness • 36% Positiveness
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Rafa Vigoy
Cuspideal
120 bpm • A Maj • 01:03 • -18.85db
29% Popularity • 62% Danceability • 69% Energy • 36% Liveness
83% Instrumentalness • 22% Positiveness
29% Popularity • 62% Danceability • 69% Energy • 36% Liveness
83% Instrumentalness • 22% Positiveness
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Rob Matur
Friends Forever
120 bpm • G Maj • 01:57 • -15.08db
8% Popularity • 75% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 67% Positiveness
8% Popularity • 75% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 67% Positiveness
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Freddie Manson
Patience
120 bpm • B Maj • 04:25 • -23.01db
10% Popularity • 69% Danceability • 8% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
10% Popularity • 69% Danceability • 8% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Luscan Refy
Face
120 bpm • B Maj • 02:33 • -21.69db
14% Popularity • 67% Danceability • 18% Energy • 14% Liveness
69% Instrumentalness • 50% Positiveness
14% Popularity • 67% Danceability • 18% Energy • 14% Liveness
69% Instrumentalness • 50% Positiveness
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Salvatore Caleah
Death Is Far Away
120 bpm • G Maj • 03:10 • -12.4db
10% Popularity • 70% Danceability • 51% Energy • 31% Liveness
50% Instrumentalness • 38% Positiveness
10% Popularity • 70% Danceability • 51% Energy • 31% Liveness
50% Instrumentalness • 38% Positiveness
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Luan Aro
Northwest
120 bpm • G Maj • 04:22 • -17.73db
16% Popularity • 75% Danceability • 29% Energy • 24% Liveness
84% Instrumentalness • 46% Positiveness
16% Popularity • 75% Danceability • 29% Energy • 24% Liveness
84% Instrumentalness • 46% Positiveness
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Mace Wadha
The Best Is Still to Come
120 bpm • G Maj • 01:54 • -12.53db
9% Popularity • 69% Danceability • 52% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
9% Popularity • 69% Danceability • 52% Energy • 11% Liveness
34% Instrumentalness • 73% Positiveness
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Hadidza Wolf
Milton Keynes
120 bpm • G Maj • 01:58 • -11.55db
11% Popularity • 62% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
11% Popularity • 62% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
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Maryam Daugherty
Passionate and Life YT
120 bpm • F Maj • 03:30 • -18.7db
15% Popularity • 66% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
15% Popularity • 66% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Amsokeh
Guest
120 bpm • A min • 01:00 • -21.02db
20% Popularity • 83% Danceability • 6% Energy • 16% Liveness
48% Instrumentalness • 36% Positiveness
20% Popularity • 83% Danceability • 6% Energy • 16% Liveness
48% Instrumentalness • 36% Positiveness
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Roxenn Beat
Midnight Serenade
120 bpm • G Maj • 02:27 • -16.25db
14% Popularity • 60% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
14% Popularity • 60% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Namuh Holle
My Vision
120 bpm • F min • 02:45 • -10.4db
16% Popularity • 81% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
16% Popularity • 81% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Spirit LoFi
Jazz Under the Starlit Sky
120 bpm • F# min • 02:54 • -23.21db
10% Popularity • 66% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
10% Popularity • 66% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Badin Cadmus
Issues
120 bpm • G Maj • 03:38 • -12.73db
10% Popularity • 55% Danceability • 37% Energy • 7% Liveness
71% Instrumentalness • 12% Positiveness
10% Popularity • 55% Danceability • 37% Energy • 7% Liveness
71% Instrumentalness • 12% Positiveness
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Melda Causey
Imagine My Friends KD
120 bpm • C# Maj • 03:30 • -20.27db
15% Popularity • 45% Danceability • 29% Energy • 13% Liveness
21% Instrumentalness • 40% Positiveness
15% Popularity • 45% Danceability • 29% Energy • 13% Liveness
21% Instrumentalness • 40% Positiveness
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Drumgold
Rhythmics Lession 26
120 bpm • C# Maj • 04:02 • -20.1db
28% Popularity • 56% Danceability • 40% Energy • 20% Liveness
97% Instrumentalness • 80% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 20% Liveness
97% Instrumentalness • 80% Positiveness
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Studiodsprecords
Try Thats My Job
120 bpm • D# Maj • 01:12 • -21.16db
15% Popularity • 52% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
15% Popularity • 52% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Ruma Yarus
Fletcher
120 bpm • B Maj • 02:37 • -27.51db
17% Popularity • 53% Danceability • 7% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
17% Popularity • 53% Danceability • 7% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Klaarson Reeicher
Martha
120 bpm • G# min • 02:28 • -26.44db
16% Popularity • 66% Danceability • 5% Energy • 22% Liveness
81% Instrumentalness • 40% Positiveness
16% Popularity • 66% Danceability • 5% Energy • 22% Liveness
81% Instrumentalness • 40% Positiveness
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Ruairi Bennett
Catch Twentythree
120 bpm • A min • 01:19 • -22.97db
20% Popularity • 53% Danceability • 50% Energy • 13% Liveness
80% Instrumentalness • 96% Positiveness
20% Popularity • 53% Danceability • 50% Energy • 13% Liveness
80% Instrumentalness • 96% Positiveness
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Drumorx
DRMX VIII
120 bpm • A# min • 01:24 • -6.29db
21% Popularity • 80% Danceability • 93% Energy • 3% Liveness
96% Instrumentalness • 70% Positiveness
21% Popularity • 80% Danceability • 93% Energy • 3% Liveness
96% Instrumentalness • 70% Positiveness
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Tangolicious Ya
Passionate Pleasures
120 bpm • C min • 01:15 • -24.76db
16% Popularity • 73% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 70% Positiveness
16% Popularity • 73% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 70% Positiveness
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Klugzone
Look Alive
120 bpm • A Maj • 01:27 • -17.37db
30% Popularity • 58% Danceability • 35% Energy • 7% Liveness
89% Instrumentalness • 70% Positiveness
30% Popularity • 58% Danceability • 35% Energy • 7% Liveness
89% Instrumentalness • 70% Positiveness
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Yawar Meliqov
Sick Kira
121 bpm • F Maj • 01:06 • -18.61db
31% Popularity • 41% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 85% Positiveness
31% Popularity • 41% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 85% Positiveness
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LofiCurl
Whispers of the Vinyl
116 bpm • D Maj • 01:08 • -17.53db
22% Popularity • 86% Danceability • 13% Energy • 8% Liveness
81% Instrumentalness • 29% Positiveness
22% Popularity • 86% Danceability • 13% Energy • 8% Liveness
81% Instrumentalness • 29% Positiveness
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Qocashir Narif
Yunanlar men anlamam
120 bpm • E Maj • 01:07 • -11.23db
34% Popularity • 47% Danceability • 67% Energy • 14% Liveness
54% Instrumentalness • 25% Positiveness
34% Popularity • 47% Danceability • 67% Energy • 14% Liveness
54% Instrumentalness • 25% Positiveness
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Yash Takodara
PROLOGUE
123 bpm • F# min • 02:12 • -15.65db
9% Popularity • 63% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
9% Popularity • 63% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Bossa Nova Island
Tropical Air
123 bpm • F# Maj • 02:05 • -22.32db
11% Popularity • 82% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 84% Positiveness
11% Popularity • 82% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 84% Positiveness
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Luisa Boswita
Remember That Day
115 bpm • E min • 02:05 • -14db
9% Popularity • 77% Danceability • 49% Energy • 14% Liveness
88% Instrumentalness • 21% Positiveness
9% Popularity • 77% Danceability • 49% Energy • 14% Liveness
88% Instrumentalness • 21% Positiveness
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Brand Alliance
Forgot Her Worries
115 bpm • B min • 02:11 • -22.54db
21% Popularity • 77% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 53% Positiveness
21% Popularity • 77% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 53% Positiveness
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Lofi Yolorii
Yellow Sky
124 bpm • F min • 01:05 • -22.63db
24% Popularity • 73% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 64% Positiveness
24% Popularity • 73% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 64% Positiveness
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LofiCurl
Quiet Reflections
124 bpm • E min • 01:07 • -24.47db
23% Popularity • 84% Danceability • 24% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
23% Popularity • 84% Danceability • 24% Energy • 11% Liveness
75% Instrumentalness • 73% Positiveness
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LazzariProject
Sisters Forever
114 bpm • F min • 01:57 • -17.75db
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Apollo Extra
Delta IV Heavy
124 bpm • F Maj • 01:59 • -17.3db
8% Popularity • 90% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
8% Popularity • 90% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Bishop Ash Trio
Mixed Signals
114 bpm • C Maj • 01:27 • -16.65db
13% Popularity • 58% Danceability • 47% Energy • 20% Liveness
88% Instrumentalness • 82% Positiveness
13% Popularity • 58% Danceability • 47% Energy • 20% Liveness
88% Instrumentalness • 82% Positiveness
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Diamond Red
Roead Clean
126 bpm • C# Maj • 02:19 • -21.15db
23% Popularity • 65% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
23% Popularity • 65% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
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Vell Jazz
Jazz Noise
126 bpm • C Maj • 02:19 • -22.04db
23% Popularity • 67% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
23% Popularity • 67% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Adventures Accepted
During Sunrise
126 bpm • C# Maj • 01:43 • -16.62db
7% Popularity • 85% Danceability • 31% Energy • 13% Liveness
78% Instrumentalness • 97% Positiveness
7% Popularity • 85% Danceability • 31% Energy • 13% Liveness
78% Instrumentalness • 97% Positiveness
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Altair's
First Love
126 bpm • G Maj • 01:01 • -16.28db
21% Popularity • 80% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
21% Popularity • 80% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
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Drumworld
Thommy Grooves 5
126 bpm • A Maj • 04:14 • -13.74db
40% Popularity • 80% Danceability • 100% Energy • 3% Liveness
97% Instrumentalness • 86% Positiveness
40% Popularity • 80% Danceability • 100% Energy • 3% Liveness
97% Instrumentalness • 86% Positiveness
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Drum Tracks
Funk Ballad 63 Bpm
126 bpm • E Maj • 04:07 • -8.32db
15% Popularity • 80% Danceability • 76% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
15% Popularity • 80% Danceability • 76% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
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Secrets Found
Cursed Legacy
126 bpm • G# min • 01:01 • -19.34db
13% Popularity • 64% Danceability • 19% Energy • 9% Liveness
50% Instrumentalness • 58% Positiveness
13% Popularity • 64% Danceability • 19% Energy • 9% Liveness
50% Instrumentalness • 58% Positiveness
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Jemima SD
Te extraño
127 bpm • C# Maj • 02:01 • -18.59db
23% Popularity • 69% Danceability • 50% Energy • 11% Liveness
84% Instrumentalness • 86% Positiveness
23% Popularity • 69% Danceability • 50% Energy • 11% Liveness
84% Instrumentalness • 86% Positiveness
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C.T.R.L.C
Ritz and Rizz
127 bpm • C# Maj • 05:16 • -19.21db
8% Popularity • 61% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
8% Popularity • 61% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Roman Jameson
You Are So Beautiful
112 bpm • A# Maj • 02:19 • -26.51db
32% Popularity • 86% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
32% Popularity • 86% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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Benjamin Carter
Lullaby for the Earth
127 bpm • C# Maj • 02:20 • -27.46db
27% Popularity • 66% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
27% Popularity • 66% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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CamiR
Only Changes
127 bpm • C# Maj • 02:17 • -21.65db
23% Popularity • 63% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
23% Popularity • 63% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
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Fyors naci
Where I want to
111 bpm • C Maj • 02:09 • -18.69db
17% Popularity • 45% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
17% Popularity • 45% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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The Running Pencils
Luck Of The World
128 bpm • C# min • 01:36 • -24.02db
14% Popularity • 67% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
14% Popularity • 67% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
