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Das Ganze Leben Ist Ein Roman
Songs like
Das Ganze Leben Ist Ein Roman
by
Erhard Bauschke Tanz-Orchester
Based on a tempo of (+/- 10%) and a similar genre
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Ben Selvin & His Orchestra
Broadway Melody
98 bpm • A# Maj • 02:33 • -9.81db
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
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Ivy Benson & Her Girls Band
The Home Coming Waltz
98 bpm • G# Maj • 03:14 • -13.59db
8% Popularity • 28% Danceability • 18% Energy • 21% Liveness
4% Instrumentalness • 20% Positiveness
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The Savoy Orchestra
Wait Till the Sun Shines, Nellie
98 bpm • F Maj • 01:54 • -6.22db
7% Popularity • 57% Danceability • 42% Energy • 25% Liveness
39% Instrumentalness • 77% Positiveness
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Victor Silvester
This Can't Be Love
98 bpm • C# Maj • 01:59 • -13.25db
13% Popularity • 65% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Henry Hall
Goody-Goody
98 bpm • G Maj • 02:51 • -13.53db
16% Popularity • 87% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Erhard Bauschke
Sag mir bloss, was ist los mit der Lilly...
98 bpm • C# Maj • 02:58 • -9.1db
11% Popularity • 88% Danceability • 48% Energy • 8% Liveness
13% Instrumentalness • 86% Positiveness
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Rudi Schuricke
Für eine Nacht voller Seligkeit
98 bpm • D# Maj • 02:38 • -20.62db
10% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
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Frederick George Charrosin
Oh What Fun
98 bpm • G Maj • 02:35 • -12db
9% Popularity • 71% Danceability • 34% Energy • 18% Liveness
92% Instrumentalness • 79% Positiveness
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Evelyn Künneke
Oh ja - oh nein
98 bpm • G min • 02:31 • -12db
22% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Victor Silvester
Shall We Dance
98 bpm • D# Maj • 02:09 • -12.36db
10% Popularity • 48% Danceability • 29% Energy • 23% Liveness
88% Instrumentalness • 78% Positiveness
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Marek Weber
Das Gibt Nur Einmal
98 bpm • G min • 03:29 • -7.56db
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
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Henry Hall
How Can You Say No?
98 bpm • A# Maj • 02:33 • -13.63db
16% Popularity • 72% Danceability • 36% Energy • 10% Liveness
50% Instrumentalness • 74% Positiveness
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Marlene Dietrich
He lied and I listened - Manpower, 1941
98 bpm • E min • 01:23 • -12.63db
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Erhard Bauschke Tanz-Orchester
Sing, Baby, Sing
98 bpm • F Maj • 02:54 • -10.85db
0% Popularity • 83% Danceability • 42% Energy • 9% Liveness
56% Instrumentalness • 83% Positiveness
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Harry James
Sonata Moderne
98 bpm • G Maj • 03:06 • -17.39db
10% Popularity • 41% Danceability • 18% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Rudi Schuricke
Mit Musik geht alles besser
99 bpm • C Maj • 02:44 • -11db
15% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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The BBC Dance Orchestra
Anything Goes
97 bpm • G Maj • 02:50 • -20.39db
15% Popularity • 81% Danceability • 18% Energy • 8% Liveness
26% Instrumentalness • 79% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Erhard Bauschke Tanz-Orchester
Alaska
97 bpm • G# Maj • 05:55 • -13.91db
0% Popularity • 40% Danceability • 17% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Manfred Zalden
Meine Lieblingsmelodie
99 bpm • C Maj • 02:50 • -14db
7% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Ilse Werner
Die Kleine Stadt Will Schlafen Geh\'n
99 bpm • D# Maj • 03:13 • -11.99db
8% Popularity • 57% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Victor Silvester
The Way You Look Tonight
97 bpm • G# Maj • 02:53 • -10.02db
13% Popularity • 56% Danceability • 39% Energy • 24% Liveness
91% Instrumentalness • 85% Positiveness
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Victor Silvester and His Ballroom Orchestra
Mister Sandman
97 bpm • A# min • 02:45 • -16.42db
13% Popularity • 65% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 80% Positiveness
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Glenn Miller & AAFTCO
I Sustain The Wings (Theme) - 1944 Recor...
99 bpm • A# Maj • 04:43 • -13.2db
16% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
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Rudi Schuricke
Schön, dass du wieder bei mir bist
99 bpm • G# Maj • 02:30 • -21db
9% Popularity • 75% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 92% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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Claire Waldoff
Warum liebt der Wladimir jrade mir
97 bpm • C Maj • 03:10 • -10db
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Raymond Scott
Nice Day in the Country - 1940
97 bpm • C Maj • 02:49 • -14.34db
11% Popularity • 77% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
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Victor Silvester
People Will Say We're In Love
97 bpm • G# Maj • 02:03 • -12.64db
13% Popularity • 41% Danceability • 32% Energy • 23% Liveness
91% Instrumentalness • 53% Positiveness
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Herman Finck
Dream Girl
97 bpm • D# Maj • 01:20 • -12.19db
15% Popularity • 39% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Marlene Dietrich
Ich Von Kopf Buss fuss Auf Liebe Eingest...
97 bpm • C# Maj • 03:04 • -14.84db
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Oldřich Nový
Políbit Ruku Vám A Říci Děkuji
99 bpm • D# Maj • 02:37 • -14.29db
13% Popularity • 69% Danceability • 26% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
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Erhard Bauschke Tanz-Orchester
It's a Long, Long Way to Your Heart
99 bpm • D# Maj • 02:19 • -8.62db
0% Popularity • 74% Danceability • 38% Energy • 11% Liveness
40% Instrumentalness • 59% Positiveness
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Originální pražský synkopický orchestr
Dívko V Modrém
99 bpm • C min • 03:16 • -13.11db
8% Popularity • 46% Danceability • 24% Energy • 20% Liveness
45% Instrumentalness • 51% Positiveness
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Koichi Sugii
Shasou (沙窓)
100 bpm • G# Maj • 03:10 • -15.3db
9% Popularity • 68% Danceability • 37% Energy • 3% Liveness
85% Instrumentalness • 92% Positiveness
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The London West End Orchestra
Doctor's Orders
96 bpm • F Maj • 02:51 • -12.8db
11% Popularity • 66% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Victor Silvester
The Lady Is A Tramp
100 bpm • D# Maj • 02:02 • -12db
21% Popularity • 59% Danceability • 29% Energy • 38% Liveness
89% Instrumentalness • 70% Positiveness
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Otto Harbach
Sympathy - Movie: Tarantella
96 bpm • G Maj • 02:57 • -16.3db
0% Popularity • 31% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Henry Hall
Never Hitch Your Wagon to a Star
96 bpm • A# Maj • 02:30 • -15.58db
15% Popularity • 55% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Marlene Dietrich
Ich Bin Von Kopf Bis Fuss Auf Liebe Eing...
100 bpm • C# Maj • 03:04 • -12db
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Erhard Bauschke Tanz-Orchester
Eine Braut in Shanghai
96 bpm • A min • 03:19 • -9.7db
1% Popularity • 80% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 75% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Koichi Sugii
Chinrai-Bushi (チンライ節)
96 bpm • C min • 02:59 • -12.65db
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Ipana Troubadours
Do You? That's All I Want to Know
96 bpm • G# Maj • 02:47 • -10.15db
10% Popularity • 80% Danceability • 32% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Die Goldene Sieben
Darf ich bitten
96 bpm • F Maj • 02:48 • -4db
9% Popularity • 65% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 82% Positiveness
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Nat King Cole
Three Blind Mice - 1938, Standard transc...
95 bpm • C# Maj • 02:08 • -19.1db
10% Popularity • 69% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Pee Wee Hunt
Hunt's Goulash
95 bpm • F Maj • 02:18 • -11.48db
21% Popularity • 75% Danceability • 36% Energy • 3% Liveness
27% Instrumentalness • 93% Positiveness
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Alondra Becerra
Sing For Me
101 bpm • C# Maj • 02:54 • -8.23db
25% Popularity • 68% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Gerhard Groitzsch
Busy Bertie
101 bpm • C Maj • 02:33 • -8.23db
12% Popularity • 76% Danceability • 51% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Die Goldene Sieben
Capriolen
95 bpm • F Maj • 02:56 • -13.14db
16% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
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Zarah Leander
Bei Mir Bist Du Schoen
95 bpm • D min • 02:46 • -16.82db
22% Popularity • 74% Danceability • 19% Energy • 9% Liveness
32% Instrumentalness • 62% Positiveness
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Greta Keller
I Believe in Miracles
101 bpm • D# Maj • 02:59 • -21db
8% Popularity • 37% Danceability • 8% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Erhard Bauschke Tanz-Orchester
At the Codfish Ball
95 bpm • F Maj • 03:03 • -11.19db
0% Popularity • 84% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 95% Positiveness
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The London West End Orchestra
Isn't It a Happy Day
95 bpm • G# Maj • 02:50 • -9db
11% Popularity • 83% Danceability • 46% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Gerhard Groitzsch
Fun at the Ritz
102 bpm • D# Maj • 02:33 • -9.36db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Peter Igelhoff
Qui Madame
94 bpm • F Maj • 02:53 • -9.22db
10% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Erhard Bauschke Tanz-Orchester
Blaue Mondnacht am Amazonas
95 bpm • G min • 02:46 • -12.01db
1% Popularity • 62% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 57% Positiveness
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Rosita Serrano
Bei dir war es immer so schön
102 bpm • G# Maj • 03:11 • -11db
9% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Matty Malneck
Goody Goody
94 bpm • C min • 02:34 • -13.96db
7% Popularity • 67% Danceability • 43% Energy • 22% Liveness
79% Instrumentalness • 92% Positiveness
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Willy Berking
Der kleine Klaus
94 bpm • G min • 02:22 • -4.37db
9% Popularity • 63% Danceability • 68% Energy • 9% Liveness
93% Instrumentalness • 80% Positiveness
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Rudi Schuricke
Sei lieb zu mir
102 bpm • F Maj • 03:20 • -6.21db
9% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:20 • -16.54db
9% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Erhard Bauschke Tanz-Orchester
Annabell
101 bpm • F Maj • 02:38 • -14.1db
0% Popularity • 84% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 78% Positiveness
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Peter Kreuder
Das gibt's nur einmal
94 bpm • D# Maj • 02:28 • -13.57db
15% Popularity • 69% Danceability • 27% Energy • 6% Liveness
82% Instrumentalness • 65% Positiveness
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Hans Carste
Guter Mond
94 bpm • F Maj • 03:19 • -12.54db
5% Popularity • 50% Danceability • 23% Energy • 20% Liveness
21% Instrumentalness • 73% Positiveness
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Hoagy Carmichael
Bessie Couldn't Help It
94 bpm • F Maj • 02:56 • -10.82db
7% Popularity • 83% Danceability • 43% Energy • 22% Liveness
5% Instrumentalness • 89% Positiveness
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Henry Hall
The Blue of the Night
103 bpm • G Maj • 03:18 • -20db
16% Popularity • 40% Danceability • 8% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Rudi Schuricke
Komm zurück
93 bpm • G Maj • 02:49 • -12.98db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Erhard Bauschke Tanz-Orchester
Sommer, See und Sonnenschein
102 bpm • A# Maj • 03:16 • -8db
8% Popularity • 81% Danceability • 53% Energy • 4% Liveness
79% Instrumentalness • 94% Positiveness
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Henry Hall and BBC Dance Orchestra
Humming to Myself
93 bpm • G Maj • 02:53 • -6.52db
8% Popularity • 75% Danceability • 49% Energy • 13% Liveness
6% Instrumentalness • 87% Positiveness
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Raymond Scott
Girlfriend of the Whirling Dervish - 193...
103 bpm • C Maj • 03:00 • -8.11db
9% Popularity • 63% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Hans Lang
Eins - Das ist arm - Movie: Spiegel des ...
103 bpm • D min • 03:10 • -15.51db
0% Popularity • 55% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Hamburger Radio-Tanz- und Unterhaltungs-Orchester
La Vie En Rose (Schau mich bitte nicht s...
93 bpm • A# Maj • 02:49 • -14.99db
11% Popularity • 26% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Rudi Schuricke
Komm Zurück
93 bpm • A min • 02:48 • -13.91db
9% Popularity • 52% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Erhard Bauschke Tanz-Orchester
Why Pretend
104 bpm • C Maj • 02:52 • -15.5db
0% Popularity • 58% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
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The London West End Orchestra
Hallo! Budapest
104 bpm • G min • 02:46 • -12.07db
10% Popularity • 80% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Kay Kyser & His Orchestra
Why don't we do this more often
104 bpm • D# Maj • 02:38 • -12.11db
2% Popularity • 59% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Isham Jones And His Orchestra
Out of Space - Remastered
104 bpm • C Maj • 03:08 • -8.51db
8% Popularity • 42% Danceability • 41% Energy • 57% Liveness
65% Instrumentalness • 36% Positiveness
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Ben Bernie and His Hotel Roosevelt Orchestra
Fallen Arches
104 bpm • C Maj • 03:06 • -12.15db
8% Popularity • 87% Danceability • 32% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Antonio Quintero
La rubia platina
104 bpm • B Maj • 02:22 • -11.46db
1% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Erhard Bauschke Tanz-Orchester
There's Something About an Old Love
102 bpm • C Maj • 02:54 • -14.47db
0% Popularity • 48% Danceability • 20% Energy • 18% Liveness
77% Instrumentalness • 36% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Raymond Scott
Key West - 1941
104 bpm • A# Maj • 02:11 • -9.68db
15% Popularity • 74% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
► Preview
Nacio Herb Brown
I've Got the Feelin' You're Foolin'
104 bpm • G# Maj • 02:29 • -16.18db
13% Popularity • 69% Danceability • 32% Energy • 10% Liveness
11% Instrumentalness • 38% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
11% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
► Preview
Erhard Bauschke Tanz-Orchester
Ich tanze mit Dir in den Himmel hinein
102 bpm • F min • 03:27 • -15.19db
0% Popularity • 59% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Die Goldene Sieben
Jawohl, meine Herrn
105 bpm • C Maj • 02:49 • -4db
8% Popularity • 82% Danceability • 70% Energy • 35% Liveness
86% Instrumentalness • 79% Positiveness
► Preview
Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
11% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Ondřej Havelka
Flašinetář
105 bpm • G min • 03:01 • -15.48db
12% Popularity • 68% Danceability • 20% Energy • 20% Liveness
19% Instrumentalness • 84% Positiveness
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Werner Eisbrenner
Grosse Freiheit No. 7: La Paloma
105 bpm • G Maj • 03:17 • -15.24db
10% Popularity • 50% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Rudi Schuricke
Küß Mich, Bitte Küß Mich
105 bpm • G# Maj • 02:51 • -9.3db
18% Popularity • 70% Danceability • 39% Energy • 30% Liveness
42% Instrumentalness • 56% Positiveness
► Preview
Erhard Bauschke Tanz-Orchester
Ach, ich hab' ja so viel Rhythmus
93 bpm • C min • 02:46 • -12.46db
0% Popularity • 84% Danceability • 42% Energy • 15% Liveness
72% Instrumentalness • 87% Positiveness
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Das Ganze Leben Ist Ein Roman