Songs like Dass wir so lang leben dürfen by Hannes Wader
Based on a tempo of (+/- 10%) and a similar genre
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Simon & Jan
Karnickelkotzen
80 bpm • D Maj • 05:01 • -16db
14% Popularity • 75% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 75% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hannes Wader
Dass wir so lang leben dürfen
80 bpm • C Maj • 04:08 • -7.14db
11% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Zupfgeigenhansel
Waldfest
80 bpm • D Maj • 04:23 • -11.63db
15% Popularity • 62% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 62% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Cochise
Was kann schöner sein
80 bpm • B Maj • 05:16 • -8.06db
9% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Bettina Wegner
Immer wieder eine Lanze werfen
80 bpm • D# min • 01:10 • -23.4db
22% Popularity • 45% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 45% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
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Nils Koppruch
Komm Küssen
81 bpm • C Maj • 02:04 • -7db
31% Popularity • 63% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
31% Popularity • 63% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
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Georg Kreisler
Weder noch
79 bpm • C min • 02:39 • -27.89db
11% Popularity • 64% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 64% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Hannes Wader
Der Tankerkönig
80 bpm • C# Maj • 11:48 • -13.36db
19% Popularity • 63% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 63% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Juliane Werding
Der letzte Kranich vom Angerburger Moor
81 bpm • E min • 03:30 • -10db
11% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Hans Söllner
Manchmoi wenn i aufwach
81 bpm • C Maj • 02:53 • -12.24db
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ulla Meinecke
Feuer unterm Eis
79 bpm • C Maj • 04:36 • -16db
23% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Gundermann & Seilschaft
vater
79 bpm • F Maj • 03:57 • -18.1db
16% Popularity • 45% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 45% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
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Miss Allie
Gelernt ham wir nicht viel
79 bpm • G min • 04:32 • -17db
15% Popularity • 43% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 43% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Gerhard Gundermann
An Vater
82 bpm • D Maj • 02:28 • -11.96db
15% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Konstantin Wecker
Was Keiner Wagt - 2010
78 bpm • C Maj • 02:35 • -8.03db
8% Popularity • 32% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 32% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Bettina Wegner
Man sagt (The Rose)
82 bpm • C Maj • 04:11 • -6.21db
14% Popularity • 45% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 45% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wolfgang Ambros
Heite drah i mi ham - Remastered
78 bpm • D# min • 03:57 • -9.69db
11% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Scheer und Band
Soll sein
82 bpm • A Maj • 04:31 • -9.48db
18% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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André Heller
Erhebet euch Geliebte
82 bpm • C# Maj • 04:17 • -8.08db
13% Popularity • 34% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 34% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 27% Positiveness
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Gerhard Gundermann
Männer und Frauen
78 bpm • E min • 03:09 • -10db
17% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Achim Reichel
Trutz Blanke Hans
82 bpm • B min • 04:45 • -7.37db
18% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Ramond
Das war doch gerade neulich
78 bpm • A min • 03:58 • -13db
33% Popularity • 53% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 53% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Dota Kehr
Auf eine Leierkastenmelodie
82 bpm • B Maj • 02:12 • -12.91db
39% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Martina Schwarzmann
So schee kons Leben sei
78 bpm • C Maj • 02:11 • -13.25db
36% Popularity • 69% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 69% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 80% Positiveness
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André Heller
Wean, du bist a Taschenfeitl
82 bpm • G Maj • 03:00 • -9.57db
6% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Keimzeit
Mama sag mir warum
82 bpm • D Maj • 04:45 • -12db
14% Popularity • 60% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 60% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Alexander Scheer und Band
Brigitta
82 bpm • G Maj • 04:04 • -11db
19% Popularity • 61% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 61% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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BAP
Wellenreiter
78 bpm • D Maj • 02:24 • -18.64db
36% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Stephan Zinner
Was bleibt
77 bpm • C Maj • 02:19 • -16.8db
29% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Franz Josef Degenhardt
Horsti Schmandhoff
77 bpm • C Maj • 06:17 • -16db
10% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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André Heller
Für immer jung
77 bpm • E Maj • 03:56 • -7.28db
40% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 46% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Hans Hartz
Joe noch einen
77 bpm • G Maj • 04:26 • -13.56db
18% Popularity • 48% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 48% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Scheer und Band
Männer und Frauen
77 bpm • B min • 02:26 • -8db
20% Popularity • 72% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 72% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Achim Reichel
Regenballade
77 bpm • A min • 06:44 • -7.45db
12% Popularity • 44% Danceability • 73% Energy • 10% Liveness
22% Instrumentalness • 69% Positiveness
12% Popularity • 44% Danceability • 73% Energy • 10% Liveness
22% Instrumentalness • 69% Positiveness
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Georg Kreisler
Als der Zirkus in Flammen stand
83 bpm • A Maj • 03:58 • -13.19db
16% Popularity • 56% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 56% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Ostbahn-Kurti & Die Chefpartie
Zuckagoschal
83 bpm • G Maj • 05:06 • -5.99db
22% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Hannes Wader
Gut, wieder hier zu sein
83 bpm • F# Maj • 03:09 • -10.75db
15% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Udo Jürgens
Lieb Vaterland
84 bpm • G Maj • 04:10 • -7db
9% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Funny Van Dannen
Gutes tun
77 bpm • C Maj • 02:31 • -10db
8% Popularity • 57% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 57% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
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André Heller
Die Abwesenheit
84 bpm • C Maj • 02:42 • -23.3db
8% Popularity • 32% Danceability • 10% Energy • 24% Liveness
17% Instrumentalness • 32% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 24% Liveness
17% Instrumentalness • 32% Positiveness
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Georg Kreisler
Mein Weib will mich verlassen
77 bpm • D# Maj • 02:01 • -16db
25% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Ostbahn-Kurti & Die Chefpartie
Schee, schee, schee
84 bpm • E Maj • 03:39 • -10.85db
25% Popularity • 62% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 62% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Wolfgang Ambros
A Mensch möcht i bleibn - Bonus Track R...
76 bpm • G Maj • 02:53 • -9db
39% Popularity • 47% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 47% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
Morgen
84 bpm • A Maj • 03:15 • -8.52db
3% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
3% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Max Richard Leßmann
Am Hafen brennt noch Licht
76 bpm • A Maj • 03:21 • -9db
27% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Alexander Scheer und Band
Keine Zeit mehr
76 bpm • A Maj • 04:34 • -7db
19% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Bettina Wegner
Gebote
84 bpm • A# min • 02:44 • -5.34db
19% Popularity • 49% Danceability • 46% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Olli Schulz
Koks & Nutten
85 bpm • A# Maj • 05:45 • -14.21db
38% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
Morgen
84 bpm • A Maj • 03:42 • -17.23db
29% Popularity • 56% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Stoppok
Wie tief kann man sehen
75 bpm • D Maj • 04:15 • -13.61db
15% Popularity • 48% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 48% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 68% Positiveness
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Pirron und Knapp
Im Tröpferlbad
75 bpm • B min • 02:15 • -15db
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Bettina Wegner
Kinder (Sind so kleine Hände)
85 bpm • B min • 01:46 • -18db
38% Popularity • 59% Danceability • 7% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 59% Danceability • 7% Energy • 84% Liveness
0% Instrumentalness • 36% Positiveness
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Ostbahn-Kurti & Die Chefpartie
Arbeit
75 bpm • D Maj • 03:02 • -9db
33% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Georg Ringsgwandl
Oberpfalz
75 bpm • D Maj • 03:35 • -11.32db
17% Popularity • 65% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 65% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Alexander Scheer und Band
Ich mache meinen Frieden
86 bpm • A min • 03:59 • -11.6db
22% Popularity • 47% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 47% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Liederjan
Die Moorsoldaten
74 bpm • D Maj • 05:05 • -14.88db
13% Popularity • 42% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 42% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
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Bettina Wegner
No Woman No Cry
86 bpm • D Maj • 04:42 • -5.67db
21% Popularity • 65% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
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Tamara Danz & Gerhard Gundermann
Einmal - Live
87 bpm • G Maj • 04:15 • -16db
15% Popularity • 54% Danceability • 47% Energy • 99% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 47% Energy • 99% Liveness
1% Instrumentalness • 52% Positiveness
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Keimzeit
Trauriges Kind
87 bpm • C min • 04:31 • -9.49db
17% Popularity • 79% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 79% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Hans Söllner
Schamts eich ruhig für mi
74 bpm • E Maj • 04:16 • -10.9db
24% Popularity • 52% Danceability • 40% Energy • 93% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 93% Liveness
0% Instrumentalness • 55% Positiveness
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Wolfgang Ambros
I werd mi bessern
87 bpm • A Maj • 02:51 • -10.87db
5% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
5% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Hans Hartz
Fünfundneunzig Tage
87 bpm • A Maj • 04:17 • -12.14db
29% Popularity • 57% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 57% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Hannes Wader
Schön ist die Jugend
87 bpm • F Maj • 04:38 • -13.03db
9% Popularity • 66% Danceability • 75% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 75% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
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Stoppok
Tage wie dieser
73 bpm • E Maj • 04:06 • -9.28db
21% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ostbahn-Kurti & Die Chefpartie
Ka Idee
73 bpm • D Maj • 03:45 • -6.93db
28% Popularity • 47% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 47% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Die Feisten
Ranjid
88 bpm • C# Maj • 03:55 • -12.31db
28% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Martina Schwarzmann
Mia glangt daß i woaß daß i kannt
73 bpm • A min • 02:29 • -12db
40% Popularity • 66% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 66% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 86% Positiveness
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Free Willy
Unter dem Pflaster
72 bpm • A min • 02:54 • -6.08db
23% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Keimzeit
Irrenhaus
89 bpm • G Maj • 03:10 • -10.16db
23% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Funny Van Dannen
Schilddrüsenunterfunktion
89 bpm • C Maj • 04:48 • -9.35db
23% Popularity • 43% Danceability • 38% Energy • 92% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 92% Liveness
0% Instrumentalness • 61% Positiveness
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Fortuna Ehrenfeld
Irgendwann der Sommer
71 bpm • F Maj • 01:36 • -11.02db
18% Popularity • 61% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 61% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Gundermann & Seilschaft
ich mache meinen frieden
90 bpm • G Maj • 04:12 • -11.9db
13% Popularity • 44% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 44% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Fredl Fesl
Schwedenlied
90 bpm • C# Maj • 04:34 • -15.5db
17% Popularity • 60% Danceability • 47% Energy • 77% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 60% Danceability • 47% Energy • 77% Liveness
0% Instrumentalness • 96% Positiveness
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Dreiviertelblut
Heiglkopf
91 bpm • E Maj • 04:23 • -16.1db
16% Popularity • 55% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Silly
Halloween in Ost Berlin
90 bpm • E min • 04:04 • -9.92db
13% Popularity • 50% Danceability • 81% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 50% Danceability • 81% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
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Die Ärzte
Ich weiss nicht, ob es Liebe ist
91 bpm • A min • 03:48 • -13.3db
30% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Haindling
Rote Haar
70 bpm • G min • 03:16 • -12.35db
7% Popularity • 60% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 21% Positiveness
7% Popularity • 60% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 21% Positiveness
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Wolf Biermann
Du laß' dich nicht verhärten
91 bpm • D min • 02:36 • -16db
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
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Ostbahn-Kurti & Die Chefpartie
A Schritt vire
70 bpm • E Maj • 03:49 • -7.22db
31% Popularity • 45% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 45% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Hans Söllner
Für meine Buam
91 bpm • D Maj • 05:16 • -7.65db
11% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Gerhard Gundermann
Lohntag
92 bpm • C Maj • 02:54 • -8.83db
14% Popularity • 71% Danceability • 58% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 71% Danceability • 58% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
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Hubert von Goisern
Meiner Seel
92 bpm • D Maj • 03:47 • -14.53db
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Dreiviertelblut
Wann I dann
92 bpm • D# Maj • 04:03 • -17.14db
18% Popularity • 64% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 64% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Simon & Jan
Leider geil - Live
92 bpm • G Maj • 02:47 • -13.91db
23% Popularity • 61% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 61% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Wiener Blond
Der letzte Kaiser
92 bpm • A# Maj • 03:57 • -8.25db
29% Popularity • 82% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 82% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stoppok
Viel zu schön
92 bpm • D Maj • 03:47 • -10.96db
15% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Wolf Biermann
Warte nicht auf beßre Zeiten
92 bpm • A min • 03:09 • -10.56db
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Franz Josef Degenhardt
Befragung eines Kriegsdienstverweigerers
93 bpm • D Maj • 04:04 • -17.83db
17% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Helge Schneider
Meisenmann
93 bpm • F Maj • 03:04 • -16.13db
31% Popularity • 72% Danceability • 16% Energy • 4% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 72% Danceability • 16% Energy • 4% Liveness
0% Instrumentalness • 28% Positiveness
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Georg Kreisler
Gelsenkirchen
93 bpm • C Maj • 07:38 • -10.36db
11% Popularity • 58% Danceability • 46% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 58% Danceability • 46% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
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Dreiviertelblut
As erschde moi
93 bpm • A Maj • 02:00 • -12.52db
32% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Faber
Sei ein Faber im Wind
93 bpm • A min • 04:06 • -15.01db
39% Popularity • 41% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 41% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Fortuna Ehrenfeld
Der Puff von Barcelona
69 bpm • E Maj • 02:31 • -12.83db
28% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Bettina Wegner
Wenn alle Menschen
93 bpm • B Maj • 02:16 • -5.55db
19% Popularity • 63% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 63% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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Gundermann & Seilschaft
So wird es Tag - Live
93 bpm • E min • 04:06 • -9db
15% Popularity • 35% Danceability • 71% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 35% Danceability • 71% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
20% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
