Songs like Date With The Night by Yeah Yeah Yeahs
Based on a tempo of (+/- 10%) and a similar genre
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The Strokes
Heart In a Cage
140 bpm • G# Maj • 03:26 • -5.13db
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
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CSS
Rat Is Dead (Rage)
140 bpm • B min • 03:18 • -3db
30% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Silversun Pickups
Substitution
140 bpm • D Maj • 04:41 • -5.58db
45% Popularity • 50% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
45% Popularity • 50% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Yeah Yeah Yeahs
Date With The Night
140 bpm • E Maj • 02:35 • -4.37db
48% Popularity • 47% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Sleater-Kinney
One More Hour
140 bpm • A Maj • 03:19 • -4.17db
40% Popularity • 36% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 36% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Metric
Succexy
140 bpm • B min • 03:05 • -7db
43% Popularity • 65% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 65% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Breeders
Wait in the Car
140 bpm • F# min • 02:03 • -6db
33% Popularity • 47% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 47% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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CSS
Patins
140 bpm • G Maj • 02:18 • -3db
25% Popularity • 63% Danceability • 88% Energy • 35% Liveness
88% Instrumentalness • 49% Positiveness
25% Popularity • 63% Danceability • 88% Energy • 35% Liveness
88% Instrumentalness • 49% Positiveness
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Clap Your Hands Say Yeah
Over and over Again (Lost and Found)
140 bpm • B Maj • 03:09 • -8db
42% Popularity • 57% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
42% Popularity • 57% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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The Horrors
Gloves
140 bpm • F Maj • 02:49 • -6db
14% Popularity • 38% Danceability • 90% Energy • 28% Liveness
13% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 90% Energy • 28% Liveness
13% Instrumentalness • 44% Positiveness
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The Killers
Bones
140 bpm • A Maj • 03:47 • -3.61db
57% Popularity • 47% Danceability • 90% Energy • 8% Liveness
12% Instrumentalness • 57% Positiveness
57% Popularity • 47% Danceability • 90% Energy • 8% Liveness
12% Instrumentalness • 57% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Metric
Combat Baby
139 bpm • A Maj • 03:29 • -6db
51% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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St. Vincent
Cheerleader
139 bpm • C Maj • 03:28 • -9db
41% Popularity • 45% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
41% Popularity • 45% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
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Yeah Yeah Yeahs
Black Tongue
139 bpm • F# Maj • 02:59 • -3db
42% Popularity • 52% Danceability • 92% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
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The Black Angels
Black Greese
139 bpm • G Maj • 04:32 • -7.85db
21% Popularity • 41% Danceability • 87% Energy • 12% Liveness
49% Instrumentalness • 25% Positiveness
21% Popularity • 41% Danceability • 87% Energy • 12% Liveness
49% Instrumentalness • 25% Positiveness
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Clap Your Hands Say Yeah
The Skin of My Yellow Country Teeth
142 bpm • C Maj • 05:43 • -5.16db
51% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Interpol
PDA
138 bpm • F# min • 04:59 • -5.83db
55% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
55% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Metric
Gimme Sympathy
139 bpm • A Maj • 03:54 • -6db
53% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
53% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Sonic Youth
Dirty Boots
142 bpm • B min • 05:28 • -13.87db
49% Popularity • 31% Danceability • 66% Energy • 8% Liveness
22% Instrumentalness • 18% Positiveness
49% Popularity • 31% Danceability • 66% Energy • 8% Liveness
22% Instrumentalness • 18% Positiveness
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The Faint
I Disappear
138 bpm • D Maj • 04:07 • -8db
44% Popularity • 63% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
44% Popularity • 63% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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The Raconteurs
Broken Boy Soldier
138 bpm • E min • 03:02 • -5db
42% Popularity • 40% Danceability • 85% Energy • 33% Liveness
21% Instrumentalness • 38% Positiveness
42% Popularity • 40% Danceability • 85% Energy • 33% Liveness
21% Instrumentalness • 38% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Bloc Party
Ratchet
138 bpm • C Maj • 03:18 • -5.66db
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Metric
Dead Disco
138 bpm • F min • 03:25 • -7db
49% Popularity • 52% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
49% Popularity • 52% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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LCD Soundsystem
North American Scum
138 bpm • A Maj • 05:28 • -4.53db
49% Popularity • 88% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
49% Popularity • 88% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
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The Long Blondes
Giddy Stratospheres
138 bpm • C# Maj • 05:06 • -5.64db
27% Popularity • 58% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 58% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Pixies
Tame
138 bpm • C Maj • 01:56 • -11.87db
54% Popularity • 57% Danceability • 59% Energy • 28% Liveness
79% Instrumentalness • 92% Positiveness
54% Popularity • 57% Danceability • 59% Energy • 28% Liveness
79% Instrumentalness • 92% Positiveness
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Yeah Yeah Yeahs
Modern Romance
137 bpm • A Maj • 03:11 • -9.11db
37% Popularity • 32% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 32% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Camera Obscura
French Navy
137 bpm • D Maj • 03:18 • -4.05db
47% Popularity • 43% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 43% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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Interpol
The Heinrich Maneuver
137 bpm • E min • 03:28 • -3.86db
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
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The White Stripes
Conquest
137 bpm • G Maj • 02:48 • -5db
43% Popularity • 47% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 47% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Breeders
Happiness Is A Warm Gun
143 bpm • G Maj • 02:46 • -17.42db
37% Popularity • 37% Danceability • 26% Energy • 10% Liveness
38% Instrumentalness • 16% Positiveness
37% Popularity • 37% Danceability • 26% Energy • 10% Liveness
38% Instrumentalness • 16% Positiveness
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Yeah Yeah Yeahs
Tick
144 bpm • G Maj • 01:49 • -2.84db
39% Popularity • 53% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 77% Positiveness
39% Popularity • 53% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 77% Positiveness
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The Dead 60s
Riot Radio
144 bpm • G min • 02:25 • -5.88db
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Julian Casablancas
Boy/Girl
136 bpm • A Maj • 02:41 • -4db
26% Popularity • 34% Danceability • 93% Energy • 91% Liveness
25% Instrumentalness • 30% Positiveness
26% Popularity • 34% Danceability • 93% Energy • 91% Liveness
25% Instrumentalness • 30% Positiveness
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Hot Hot Heat
No, Not Now
136 bpm • A Maj • 02:31 • -5db
38% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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The Raveonettes
Love In a Trashcan
136 bpm • E min • 02:51 • -2db
44% Popularity • 56% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 85% Positiveness
44% Popularity • 56% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 85% Positiveness
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The Breeders
Divine Hammer
144 bpm • D# Maj • 02:41 • -13.64db
47% Popularity • 34% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 63% Positiveness
47% Popularity • 34% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 63% Positiveness
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Spoon
Got Nuffin
144 bpm • C Maj • 03:58 • -7db
15% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
15% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
73% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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LCD Soundsystem
Drunk Girls
144 bpm • E Maj • 03:42 • -8db
44% Popularity • 60% Danceability • 88% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
44% Popularity • 60% Danceability • 88% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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The Raveonettes
That Great Love Sound
136 bpm • A# Maj • 03:15 • -4.25db
27% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Kills
Hook And Line
136 bpm • G# Maj • 02:05 • -1.67db
28% Popularity • 66% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 66% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Pixies
Debaser
136 bpm • F min • 02:51 • -9.15db
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
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Sleater-Kinney
Entertain
144 bpm • B min • 04:55 • -3.15db
34% Popularity • 38% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 38% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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LCD Soundsystem
Daft Punk Is Playing at My House
136 bpm • G Maj • 05:14 • -4.56db
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Secret Machines
Nowhere Again
145 bpm • E Maj • 04:13 • -6.35db
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
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Goldfrapp
Ooh La La
145 bpm • E min • 03:24 • -7.73db
60% Popularity • 48% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
60% Popularity • 48% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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The Strokes
12:51
145 bpm • E Maj • 02:33 • -3.84db
68% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
68% Popularity • 45% Danceability • 89% Energy • 56% Liveness
80% Instrumentalness • 59% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Sonic Youth
Sugar Kane
135 bpm • G Maj • 05:57 • -5.35db
48% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
48% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Bikini Kill
Rebel Girl
135 bpm • G# min • 02:37 • -3.85db
59% Popularity • 44% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 44% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Santigold
Lights Out
135 bpm • D Maj • 03:12 • -5.71db
47% Popularity • 76% Danceability • 83% Energy • 5% Liveness
30% Instrumentalness • 94% Positiveness
47% Popularity • 76% Danceability • 83% Energy • 5% Liveness
30% Instrumentalness • 94% Positiveness
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The Breeders
I Just Wanna Get Along
146 bpm • G# Maj • 01:44 • -10.1db
39% Popularity • 48% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 48% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Yeah Yeah Yeahs
Rich
135 bpm • G Maj • 03:36 • -6db
45% Popularity • 55% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
45% Popularity • 55% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
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Delta 5
Mind Your Own Business
135 bpm • G Maj • 03:13 • -7.57db
46% Popularity • 87% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 87% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Sleater-Kinney
Jumpers
146 bpm • D Maj • 04:24 • -2.41db
40% Popularity • 36% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 36% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Bikini Kill
Rebel Girl
135 bpm • G# min • 02:37 • -3.46db
43% Popularity • 49% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 53% Positiveness
43% Popularity • 49% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 53% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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The Breeders
Do You Love Me Now?
135 bpm • D Maj • 03:01 • -12db
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
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Yeah Yeah Yeahs
Turn Into
134 bpm • A min • 04:05 • -6db
37% Popularity • 49% Danceability • 92% Energy • 17% Liveness
2% Instrumentalness • 33% Positiveness
37% Popularity • 49% Danceability • 92% Energy • 17% Liveness
2% Instrumentalness • 33% Positiveness
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The Strokes
The Modern Age
146 bpm • D Maj • 03:28 • -6.04db
56% Popularity • 53% Danceability • 89% Energy • 14% Liveness
76% Instrumentalness • 87% Positiveness
56% Popularity • 53% Danceability • 89% Energy • 14% Liveness
76% Instrumentalness • 87% Positiveness
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Hole
Celebrity Skin
134 bpm • A Maj • 02:42 • -6.16db
71% Popularity • 44% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
71% Popularity • 44% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Interpol
If You Really Love Nothing
134 bpm • A Maj • 04:25 • -3.96db
52% Popularity • 42% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
52% Popularity • 42% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
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Black Rebel Motorcycle Club
Whatever Happened To My Rock 'N' Roll (P...
146 bpm • D Maj • 04:38 • -3db
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Siouxsie and the Banshees
Hong Kong Garden
147 bpm • C Maj • 02:55 • -8.96db
56% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
56% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
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The Breeders
Bang On
147 bpm • F# Maj • 02:03 • -15.34db
24% Popularity • 82% Danceability • 34% Energy • 11% Liveness
31% Instrumentalness • 57% Positiveness
24% Popularity • 82% Danceability • 34% Energy • 11% Liveness
31% Instrumentalness • 57% Positiveness
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Santigold
Creator (vs. Switch & Freq Nasty)
147 bpm • D min • 03:33 • -4.06db
39% Popularity • 41% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 41% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Joy Division
Love Will Tear Us Apart - 2020 Remaster
147 bpm • D Maj • 03:28 • -7.46db
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
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The Kills
Doing It To Death
133 bpm • A Maj • 04:07 • -8.03db
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
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Le Tigre
Hot Topic
133 bpm • F# min • 03:44 • -4db
47% Popularity • 73% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 73% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Pixies
Wave Of Mutilation
133 bpm • F Maj • 02:03 • -10.82db
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
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Elastica
Generator
148 bpm • A min • 01:50 • -4.25db
27% Popularity • 48% Danceability • 91% Energy • 29% Liveness
1% Instrumentalness • 83% Positiveness
27% Popularity • 48% Danceability • 91% Energy • 29% Liveness
1% Instrumentalness • 83% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Joy Division
No Love Lost - 2010 Remaster
133 bpm • A Maj • 03:42 • -11db
44% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Black Rebel Motorcycle Club
Berlin
132 bpm • C Maj • 03:10 • -2.32db
36% Popularity • 56% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 56% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Kills
Last Day Of Magic
148 bpm • C# Maj • 03:23 • -3db
37% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Yeah Yeah Yeahs
No No No
148 bpm • A Maj • 05:14 • -6.46db
32% Popularity • 35% Danceability • 89% Energy • 10% Liveness
68% Instrumentalness • 16% Positiveness
32% Popularity • 35% Danceability • 89% Energy • 10% Liveness
68% Instrumentalness • 16% Positiveness
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LCD Soundsystem
Us V Them
132 bpm • G Maj • 08:29 • -6db
41% Popularity • 72% Danceability • 91% Energy • 8% Liveness
69% Instrumentalness • 72% Positiveness
41% Popularity • 72% Danceability • 91% Energy • 8% Liveness
69% Instrumentalness • 72% Positiveness
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The Black Angels
Manipulation
132 bpm • G Maj • 05:49 • -8db
14% Popularity • 45% Danceability • 75% Energy • 26% Liveness
79% Instrumentalness • 24% Positiveness
14% Popularity • 45% Danceability • 75% Energy • 26% Liveness
79% Instrumentalness • 24% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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Clap Your Hands Say Yeah
Is This Love
149 bpm • A Maj • 03:11 • -4db
33% Popularity • 32% Danceability • 93% Energy • 18% Liveness
5% Instrumentalness • 13% Positiveness
33% Popularity • 32% Danceability • 93% Energy • 18% Liveness
5% Instrumentalness • 13% Positiveness
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The Vines
TV Pro
132 bpm • A min • 03:47 • -5.2db
20% Popularity • 29% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
20% Popularity • 29% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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LCD Soundsystem
Tribulations
132 bpm • F# min • 04:59 • -5.61db
50% Popularity • 69% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 90% Positiveness
50% Popularity • 69% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 90% Positiveness
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Jack White
Sixteen Saltines
132 bpm • B min • 02:35 • -7.88db
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Metric
Sick Muse
149 bpm • A Maj • 04:17 • -4db
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
