Songs like Dawn's lament [Music for "Buffy the Vampire Slayer"] by Michelle Trachtenberg
Based on a tempo of (+/- 10%) and a similar genre
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Devics
Key
126 bpm • C# min • 03:32 • -3.75db
26% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Anne Dudley
Copper and Tin
126 bpm • C Maj • 02:33 • -9db
16% Popularity • 23% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Sophia
Reprise
126 bpm • B min • 01:37 • -22.28db
22% Popularity • 17% Danceability • 3% Energy • 7% Liveness
18% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 7% Liveness
18% Instrumentalness • 6% Positiveness
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Fastball
Fire Escape
126 bpm • F# Maj • 03:21 • -6db
42% Popularity • 58% Danceability • 81% Energy • 7% Liveness
14% Instrumentalness • 86% Positiveness
42% Popularity • 58% Danceability • 81% Energy • 7% Liveness
14% Instrumentalness • 86% Positiveness
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Royal Philharmonic Orchestra
Hungarian Dance No.5 In G Minor
126 bpm • G min • 01:14 • -17.39db
25% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 45% Positiveness
25% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 45% Positiveness
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Tiny Island
Puakea
126 bpm • D Maj • 09:53 • -27.29db
8% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
8% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Gustavo Santaolalla
El Recuerdo
126 bpm • D min • 02:49 • -22.31db
21% Popularity • 36% Danceability • 3% Energy • 11% Liveness
45% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 3% Energy • 11% Liveness
45% Instrumentalness • 16% Positiveness
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The Who
Behind Blue Eyes
127 bpm • E min • 03:41 • -8.26db
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Asleep Wait
Equal Figure
126 bpm • D Maj • 02:19 • -13.96db
16% Popularity • 69% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
16% Popularity • 69% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Pawel Blaszczak
Tavern At The End Of World
125 bpm • E min • 01:25 • -11db
43% Popularity • 61% Danceability • 52% Energy • 12% Liveness
47% Instrumentalness • 71% Positiveness
43% Popularity • 61% Danceability • 52% Energy • 12% Liveness
47% Instrumentalness • 71% Positiveness
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L.U.C.
Cut-outs & Herbs
127 bpm • A min • 01:21 • -12.71db
26% Popularity • 42% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
26% Popularity • 42% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Darren Loveday
Brit Pop
127 bpm • C Maj • 01:50 • -15.28db
3% Popularity • 43% Danceability • 57% Energy • 13% Liveness
74% Instrumentalness • 40% Positiveness
3% Popularity • 43% Danceability • 57% Energy • 13% Liveness
74% Instrumentalness • 40% Positiveness
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Hexsystem
Official Business
125 bpm • A min • 02:06 • -7.63db
12% Popularity • 33% Danceability • 27% Energy • 17% Liveness
6% Instrumentalness • 22% Positiveness
12% Popularity • 33% Danceability • 27% Energy • 17% Liveness
6% Instrumentalness • 22% Positiveness
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2 Unlimited
Get Ready for This
125 bpm • A Maj • 03:45 • -13.51db
31% Popularity • 82% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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GusGus
David
125 bpm • A# min • 04:31 • -5db
34% Popularity • 67% Danceability • 88% Energy • 10% Liveness
32% Instrumentalness • 89% Positiveness
34% Popularity • 67% Danceability • 88% Energy • 10% Liveness
32% Instrumentalness • 89% Positiveness
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Gabriel Lee
Nature Cycles Variations - Part 1 - Edit
125 bpm • C min • 02:08 • -31db
38% Popularity • 32% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
38% Popularity • 32% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Four Star Mary
She Knows
127 bpm • A min • 04:08 • -9.41db
21% Popularity • 41% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 41% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Man Of The Year
Just as Nice
125 bpm • E Maj • 02:59 • -7.76db
5% Popularity • 41% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 41% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Windows to Sky
The Water (Karuna Mix)
128 bpm • G Maj • 04:55 • -15.82db
10% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Bif Naked
Anything (2023 Remastered Version)
124 bpm • B min • 04:43 • -5.91db
10% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 58% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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2 Unlimited
Twilight Zone
128 bpm • F# Maj • 04:06 • -12.41db
55% Popularity • 71% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 71% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Sue Richards
The Clergy's Lamentation
128 bpm • E min • 03:53 • -15.08db
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
29% Popularity • 49% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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USHER
Scream
128 bpm • G min • 03:54 • -5.18db
69% Popularity • 62% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 62% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Greg Joy
Breath of Life
124 bpm • G min • 03:45 • -16.56db
8% Popularity • 53% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Aberdeen
Handsome Drink
124 bpm • D Maj • 03:19 • -6.64db
12% Popularity • 60% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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ВІЙ
Троїцька пісня
128 bpm • D Maj • 04:10 • -14.46db
10% Popularity • 68% Danceability • 33% Energy • 18% Liveness
28% Instrumentalness • 50% Positiveness
10% Popularity • 68% Danceability • 33% Energy • 18% Liveness
28% Instrumentalness • 50% Positiveness
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Anthony Graham
Road in the Country
124 bpm • A min • 02:42 • -16.31db
15% Popularity • 50% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
15% Popularity • 50% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
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Sunny War
If It Wasn’t Broken
124 bpm • D# Maj • 03:49 • -12.77db
27% Popularity • 66% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 66% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Mathieu Fiset
Trilogie
124 bpm • A Maj • 05:41 • -12.24db
7% Popularity • 34% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
7% Popularity • 34% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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Harpers Hall Ensemble
Chanters Tune - La Rotta
124 bpm • G Maj • 03:30 • -5.42db
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
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Nickel
1000 Nights
128 bpm • B min • 02:27 • -8.22db
13% Popularity • 79% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 79% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Muffs
I Wish That Could Be You
128 bpm • E Maj • 01:46 • -3.84db
23% Popularity • 38% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 38% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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David Arkenstone
Slaughtered Lamb
129 bpm • C Maj • 02:32 • -12.67db
35% Popularity • 58% Danceability • 32% Energy • 34% Liveness
71% Instrumentalness • 64% Positiveness
35% Popularity • 58% Danceability • 32% Energy • 34% Liveness
71% Instrumentalness • 64% Positiveness
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Andrew Bird
Orpheo
129 bpm • G Maj • 04:25 • -13.08db
1% Popularity • 56% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 56% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Juan Martínez Pérez
Hidden Grace
123 bpm • E Maj • 02:32 • -14.19db
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
34% Popularity • 47% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Dua Lipa
Training Season
123 bpm • F min • 03:29 • -4.5db
91% Popularity • 82% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
91% Popularity • 82% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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CROONeR
Parker Posey
123 bpm • G Maj • 04:59 • -8.24db
3% Popularity • 45% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 45% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Wolf & Clover
Shanagolden
129 bpm • C# Maj • 05:31 • -15db
8% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Ingo Höricht
November
122 bpm • E min • 03:08 • -12.53db
10% Popularity • 30% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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Celestial Aeon Project
The Living Forest
130 bpm • A# Maj • 01:02 • -18.74db
31% Popularity • 44% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 42% Positiveness
31% Popularity • 44% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 42% Positiveness
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The Kingsmen
Louie Louie
122 bpm • C# min • 02:45 • -9.82db
63% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
63% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Heidevolk
Deemstering
130 bpm • G Maj • 03:13 • -11.63db
18% Popularity • 43% Danceability • 42% Energy • 19% Liveness
77% Instrumentalness • 23% Positiveness
18% Popularity • 43% Danceability • 42% Energy • 19% Liveness
77% Instrumentalness • 23% Positiveness
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Tavern Music
Mug & Melody
122 bpm • G Maj • 01:10 • -20.76db
26% Popularity • 45% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 17% Positiveness
26% Popularity • 45% Danceability • 6% Energy • 10% Liveness
63% Instrumentalness • 17% Positiveness
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Marcelo Cacilias
Rude Cruz
122 bpm • G# Maj • 05:06 • -15db
23% Popularity • 52% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
23% Popularity • 52% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
75% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Strange Radio
So High
130 bpm • D Maj • 03:34 • -9db
6% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Nickelback
Breathe
122 bpm • G# Maj • 03:58 • -3.43db
38% Popularity • 56% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 56% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Sangre de Muerdago
Unha Ofrenta de Ósos
130 bpm • B min • 06:31 • -11.19db
10% Popularity • 30% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
10% Popularity • 30% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Kool & The Gang
Celebration
122 bpm • C# Maj • 04:58 • -11.8db
71% Popularity • 88% Danceability • 66% Energy • 8% Liveness
5% Instrumentalness • 91% Positiveness
71% Popularity • 88% Danceability • 66% Energy • 8% Liveness
5% Instrumentalness • 91% Positiveness
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Solas
Homeless
122 bpm • D min • 03:42 • -12.4db
9% Popularity • 52% Danceability • 40% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 40% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
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Nick Cave & Warren Ellis
Martha's Dream
131 bpm • G Maj • 03:07 • -13.34db
33% Popularity • 24% Danceability • 18% Energy • 18% Liveness
74% Instrumentalness • 10% Positiveness
33% Popularity • 24% Danceability • 18% Energy • 18% Liveness
74% Instrumentalness • 10% Positiveness
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The Murder City Devils
Boom Swagger Boom
131 bpm • E Maj • 02:40 • -4db
33% Popularity • 52% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 52% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Trespassers William
I Know
121 bpm • G# min • 05:03 • -9.17db
16% Popularity • 65% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 65% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Mychael Danna
Mussels For Jumpin'
131 bpm • D min • 01:54 • -16.42db
21% Popularity • 31% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
21% Popularity • 31% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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Even
Seconds
121 bpm • A# Maj • 04:18 • -5.6db
3% Popularity • 43% Danceability • 82% Energy • 36% Liveness
72% Instrumentalness • 39% Positiveness
3% Popularity • 43% Danceability • 82% Energy • 36% Liveness
72% Instrumentalness • 39% Positiveness
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Naked
Drift Away
121 bpm • B Maj • 04:32 • -9.13db
12% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Seamus Egan
When Juniper Sleeps
121 bpm • B min • 04:55 • -17.18db
21% Popularity • 48% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Lucia Micarelli
She Is Like the Swallow
131 bpm • G min • 04:29 • -8.02db
13% Popularity • 28% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 28% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Jeff Beal
The Carnivàle Convoy
121 bpm • D Maj • 02:07 • -14db
15% Popularity • 51% Danceability • 14% Energy • 10% Liveness
27% Instrumentalness • 13% Positiveness
15% Popularity • 51% Danceability • 14% Energy • 10% Liveness
27% Instrumentalness • 13% Positiveness
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Lou Reed
Romeo Had Juliette
131 bpm • A Maj • 03:10 • -13.07db
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
44% Popularity • 55% Danceability • 71% Energy • 79% Liveness
15% Instrumentalness • 88% Positiveness
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David Bowie
Memory of a Free Festival - 2015 Remaste...
121 bpm • G Maj • 07:10 • -11.41db
35% Popularity • 29% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 29% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Alien Ant Farm
Stranded
132 bpm • G# Maj • 03:57 • -5.06db
34% Popularity • 50% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
34% Popularity • 50% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
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Furslide
Over My Head
120 bpm • G Maj • 03:04 • -6.72db
18% Popularity • 50% Danceability • 62% Energy • 10% Liveness
67% Instrumentalness • 10% Positiveness
18% Popularity • 50% Danceability • 62% Energy • 10% Liveness
67% Instrumentalness • 10% Positiveness
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Heidevolk
Veleda
120 bpm • A Maj • 02:30 • -10.35db
17% Popularity • 37% Danceability • 42% Energy • 9% Liveness
4% Instrumentalness • 29% Positiveness
17% Popularity • 37% Danceability • 42% Energy • 9% Liveness
4% Instrumentalness • 29% Positiveness
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Aberdeen
Clouds Like These
120 bpm • A Maj • 03:52 • -11.12db
4% Popularity • 72% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 51% Positiveness
4% Popularity • 72% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 51% Positiveness
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Unapologetically Melodic
A Wanderer's Song
120 bpm • D Maj • 01:46 • -11.89db
14% Popularity • 53% Danceability • 36% Energy • 20% Liveness
91% Instrumentalness • 21% Positiveness
14% Popularity • 53% Danceability • 36% Energy • 20% Liveness
91% Instrumentalness • 21% Positiveness
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The Vela
Dreaming to Travel
120 bpm • D min • 03:28 • -14.99db
15% Popularity • 50% Danceability • 19% Energy • 11% Liveness
34% Instrumentalness • 21% Positiveness
15% Popularity • 50% Danceability • 19% Energy • 11% Liveness
34% Instrumentalness • 21% Positiveness
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Guided By Voices
Teenage FBI
120 bpm • C# Maj • 01:38 • -4.6db
25% Popularity • 49% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 49% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Static-X
Permanence
120 bpm • C# min • 04:01 • -3.5db
36% Popularity • 51% Danceability • 100% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 51% Danceability • 100% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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OMNIA
Fairy Tale
120 bpm • E min • 05:04 • -12.91db
17% Popularity • 61% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 38% Positiveness
17% Popularity • 61% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 38% Positiveness
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Claude Ruelle
Leaves into Sand
120 bpm • G Maj • 10:54 • -14.38db
7% Popularity • 44% Danceability • 34% Energy • 29% Liveness
50% Instrumentalness • 32% Positiveness
7% Popularity • 44% Danceability • 34% Energy • 29% Liveness
50% Instrumentalness • 32% Positiveness
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Indie-us Games
Lobby
120 bpm • A Maj • 02:20 • -10.4db
20% Popularity • 48% Danceability • 36% Energy • 23% Liveness
83% Instrumentalness • 59% Positiveness
20% Popularity • 48% Danceability • 36% Energy • 23% Liveness
83% Instrumentalness • 59% Positiveness
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Anthony Stewart Head
I Didn't Know I'd Love You so Much
120 bpm • C# min • 02:05 • -7.91db
30% Popularity • 61% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 61% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Four Star Mary
Dilate
120 bpm • A Maj • 03:10 • -10.31db
15% Popularity • 41% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 41% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Taryn Harbridge
Celtic Hymn Medley: Be Thou My Vision / ...
120 bpm • D Maj • 04:09 • -14.66db
15% Popularity • 22% Danceability • 21% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 21% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
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DollsHead
It's Over, It's Under - Original Mix
120 bpm • A# min • 04:25 • -4.9db
15% Popularity • 56% Danceability • 99% Energy • 7% Liveness
14% Instrumentalness • 66% Positiveness
15% Popularity • 56% Danceability • 99% Energy • 7% Liveness
14% Instrumentalness • 66% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Adorned Brood
Munin
120 bpm • D min • 01:33 • -14.56db
16% Popularity • 32% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
16% Popularity • 32% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
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Fernando Ortega
Come Thou Fount of Every Blessing
133 bpm • F Maj • 04:29 • -17.47db
32% Popularity • 28% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 28% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gee Soo
No Other Way is Like Yours
133 bpm • G Maj • 05:48 • -7.42db
9% Popularity • 40% Danceability • 40% Energy • 19% Liveness
55% Instrumentalness • 9% Positiveness
9% Popularity • 40% Danceability • 40% Energy • 19% Liveness
55% Instrumentalness • 9% Positiveness
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Four Star Mary
Run
119 bpm • D Maj • 05:07 • -9.22db
10% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Johannes Nilsson
Feel Melancholy
119 bpm • D min • 01:58 • -16.52db
8% Popularity • 32% Danceability • 3% Energy • 24% Liveness
5% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 3% Energy • 24% Liveness
5% Instrumentalness • 21% Positiveness
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Hexperos
Winter Rhymes
133 bpm • D min • 02:15 • -14.01db
39% Popularity • 53% Danceability • 14% Energy • 9% Liveness
14% Instrumentalness • 38% Positiveness
39% Popularity • 53% Danceability • 14% Energy • 9% Liveness
14% Instrumentalness • 38% Positiveness
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Sirrus
Cuddle Party
119 bpm • G Maj • 02:58 • -15.16db
9% Popularity • 62% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
9% Popularity • 62% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Village People
Macho Man
133 bpm • F Maj • 05:21 • -9.1db
55% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Brian Jonestown Massacre
Going To Hell
134 bpm • D Maj • 02:58 • -4.34db
28% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Sister Sledge
We Are Family - 1995 Remaster
119 bpm • G min • 03:36 • -5.15db
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Prince
1999
119 bpm • F Maj • 06:19 • -8.2db
59% Popularity • 87% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 87% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Ken Kolodner
The Bornish Polka
134 bpm • A Maj • 01:45 • -15.44db
18% Popularity • 58% Danceability • 39% Energy • 11% Liveness
48% Instrumentalness • 6% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 11% Liveness
48% Instrumentalness • 6% Positiveness
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Jordan S. Mompo
Gaelic
134 bpm • F Maj • 02:27 • -20.25db
37% Popularity • 16% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
37% Popularity • 16% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Lynyrd Skynyrd
Free Bird
118 bpm • C Maj • 09:07 • -8.21db
78% Popularity • 25% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
78% Popularity • 25% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Roberto Dalla Vecchia
Whispering Grove
118 bpm • A Maj • 03:37 • -20.69db
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Azure Ray
Displaced
118 bpm • G Maj • 03:41 • -13.93db
4% Popularity • 38% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
4% Popularity • 38% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Oli Julian
The Trotters
135 bpm • G Maj • 01:02 • -20.48db
15% Popularity • 28% Danceability • 12% Energy • 41% Liveness
73% Instrumentalness • 14% Positiveness
15% Popularity • 28% Danceability • 12% Energy • 41% Liveness
73% Instrumentalness • 14% Positiveness
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Ken Kolodner
The Cuckoo's Nest
134 bpm • G Maj • 01:12 • -17.86db
22% Popularity • 47% Danceability • 37% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
22% Popularity • 47% Danceability • 37% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
