Songs like Daydream by Lily Meola
Based on a tempo of (+/- 10%) and a similar genre
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Mega
Chariot
92 bpm • A Maj • 03:36 • -7.93db
52% Popularity • 74% Danceability • 35% Energy • 12% Liveness
12% Instrumentalness • 23% Positiveness
52% Popularity • 74% Danceability • 35% Energy • 12% Liveness
12% Instrumentalness • 23% Positiveness
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Benson Boone
Work of Art
92 bpm • F# Maj • 02:49 • -6.94db
65% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Desiree Dawson
Meet You At The Light
92 bpm • C Maj • 03:57 • -11.11db
28% Popularity • 35% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 35% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis Capaldi
Forget Me - Spotify Singles
92 bpm • C min • 03:49 • -11.22db
47% Popularity • 53% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 53% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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RuthAnne
Safe Place
93 bpm • D# Maj • 02:36 • -8db
52% Popularity • 60% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 60% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Samuel Harness
How To Save A Life (medley)
93 bpm • B min • 02:17 • -10.15db
43% Popularity • 58% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 58% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Mega
Box of Regrets
92 bpm • C Maj • 03:16 • -8db
42% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Abby Anderson
Heart On Fire In Mexico
93 bpm • A min • 03:24 • -6.41db
55% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sam Fischer
High On You
93 bpm • A# Maj • 03:13 • -9.38db
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Jax
Like My Father
93 bpm • F Maj • 03:03 • -8.1db
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jonah Kagen
Made Up My Mind
94 bpm • C Maj • 02:50 • -7.07db
40% Popularity • 46% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 46% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Gallagher
Lost Without You
90 bpm • D Maj • 03:46 • -11db
40% Popularity • 55% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 55% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Harrison Storm
Be Slow
94 bpm • E Maj • 03:25 • -13db
64% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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MaRynn Taylor
Dads and Daughters
94 bpm • A Maj • 03:14 • -7db
47% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Brent Morgan
Best Day Of My Life
90 bpm • E Maj • 03:12 • -11.68db
50% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Liv Harland
Runaway
94 bpm • B Maj • 03:47 • -6.06db
31% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Grace Davies
roots
94 bpm • C Maj • 03:34 • -12db
49% Popularity • 40% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
49% Popularity • 40% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Patrick Droney
On Your Way Home
94 bpm • G Maj • 02:45 • -9.52db
50% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Caleb Hearn
1/2 as good as her
90 bpm • E Maj • 03:20 • -9db
48% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Wrabel
happier
89 bpm • C# Maj • 02:46 • -6.02db
44% Popularity • 49% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 49% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 42% Positiveness
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Brent Morgan
You'll Be in My Heart
94 bpm • D# Maj • 02:33 • -15.28db
60% Popularity • 35% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 35% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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LULLANAS
Bloom
95 bpm • D# Maj • 02:53 • -10.31db
54% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Amanda Mammana
Prove You Wrong
89 bpm • D# Maj • 05:16 • -15.42db
18% Popularity • 31% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Courtney Hadwin
Breakable
95 bpm • G Maj • 03:12 • -10db
35% Popularity • 69% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 69% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Benson Boone
Little Runaway
89 bpm • C Maj • 03:15 • -6.54db
67% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dermot Kennedy
Any Love
96 bpm • D min • 02:13 • -7.04db
52% Popularity • 46% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 46% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
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Zach Seabaugh
Girl in a Coffee Shop
96 bpm • E Maj • 02:15 • -12.41db
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Natalie Taylor
Loved You Before
96 bpm • C Maj • 03:22 • -8.21db
46% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Myles Smith
My Home
96 bpm • B Maj • 03:26 • -9.43db
71% Popularity • 75% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
71% Popularity • 75% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Wrabel
nothing but the love
96 bpm • A# Maj • 03:04 • -7.49db
52% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Benson Boone
NIGHTS LIKE THESE
96 bpm • G min • 02:52 • -6.02db
73% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
73% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Hansen
WHERE YOU BELONG
96 bpm • A min • 02:56 • -5.48db
67% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
67% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dermot Kennedy
Homeward
88 bpm • G Maj • 03:38 • -6.33db
51% Popularity • 63% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 63% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Grace Davies
iris
88 bpm • F Maj • 02:33 • -11db
58% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jessie Murph
Pray
97 bpm • G# Maj • 02:26 • -7.75db
71% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Nealon
Tell You About Her
97 bpm • G# Maj • 03:21 • -9.16db
34% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hazlett
Hesitate
97 bpm • E Maj • 04:09 • -15db
52% Popularity • 59% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 59% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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JERUB
There Till The End
97 bpm • D Maj • 02:23 • -8.07db
61% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
61% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dermot Kennedy
One Life
87 bpm • F# min • 03:57 • -4.45db
58% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Grey
Shouldn't Be Thinking About You
87 bpm • F# Maj • 02:51 • -8.7db
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nightbirde
The Story I'll Tell
97 bpm • C Maj • 05:35 • -11.84db
39% Popularity • 54% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 54% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Tompkins
lose it all
87 bpm • B Maj • 03:25 • -8.48db
60% Popularity • 45% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 45% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Trust Me Mate
98 bpm • C Maj • 02:58 • -4.22db
71% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mega
Be Good Be Kind
98 bpm • E Maj • 03:37 • -9.21db
38% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Combs
Fast Car
98 bpm • G# Maj • 04:25 • -5.52db
86% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
86% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Nicotine Dolls
Hate It // Fight It
98 bpm • G# Maj • 03:10 • -4.21db
49% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Luca Fogale
Every Colour
98 bpm • G# Maj • 03:56 • -9.24db
51% Popularity • 54% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
51% Popularity • 54% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Noelle Johnson
Hollywood Love
86 bpm • C Maj • 02:44 • -11.79db
33% Popularity • 43% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 43% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Louyah
Lover of Mine
86 bpm • F Maj • 03:07 • -10db
44% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Suriel Hess
Little Bit More
86 bpm • G Maj • 03:00 • -11.61db
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 56% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lily Meola
Don't Stop
99 bpm • D# Maj • 02:36 • -9db
47% Popularity • 64% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Luca Fogale
Evergreen
86 bpm • A Maj • 03:04 • -8db
36% Popularity • 36% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 36% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Liv Harland
My Girl
99 bpm • B Maj • 02:42 • -10.37db
33% Popularity • 55% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 55% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Mackenzy Mackay
The One That You Call
99 bpm • F# min • 01:50 • -12.13db
72% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Chandler Leighton
Curtain Call
85 bpm • D Maj • 03:13 • -13.52db
34% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Harrison Storm
Run
85 bpm • C# min • 03:16 • -8.94db
60% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Alexander Stewart
i wish you cheated
85 bpm • B Maj • 03:10 • -7.69db
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 35% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Liv Harland
Dancing in The Sky - Piano Version
100 bpm • C# Maj • 03:29 • -6.82db
39% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
74% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Abe Parker
Puppet On Your String
100 bpm • D Maj • 03:08 • -9.55db
33% Popularity • 64% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 64% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Emily James
Bird of Prey
85 bpm • F min • 02:48 • -12db
41% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Nolan
Dear The Old Me
85 bpm • D Maj • 03:09 • -11.39db
36% Popularity • 53% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 53% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Liv Harland
Dancing in the Sky
100 bpm • C# Maj • 03:34 • -6.07db
48% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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SYML
You and I
100 bpm • F Maj • 03:13 • -10db
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dermot Kennedy
Better Days
100 bpm • C Maj • 03:18 • -7.05db
67% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nightbirde
Fly
100 bpm • A min • 03:23 • -8db
37% Popularity • 67% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
37% Popularity • 67% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Louyah
You
100 bpm • B Maj • 03:53 • -10db
49% Popularity • 81% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 81% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Katelyn Tarver
The Only Exception
84 bpm • D# Maj • 04:22 • -11db
53% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Samuel Harness
Bruises
100 bpm • C# min • 02:25 • -13.07db
35% Popularity • 54% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Dermot Kennedy
Better Days - Acoustic
100 bpm • C Maj • 03:06 • -7.85db
48% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Grey
Single Part of You
84 bpm • C# Maj • 02:32 • -12db
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Bradley Marshall
Hurts The Most
84 bpm • B Maj • 03:22 • -9.01db
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ethan Hodges
You've Got The Love - Demo
84 bpm • A# Maj • 03:06 • -12.75db
34% Popularity • 59% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 59% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Trent Toney
Always and Lately
101 bpm • C Maj • 04:10 • -14.29db
37% Popularity • 70% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 70% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Nightbirde
Brave
84 bpm • C Maj • 03:36 • -10.13db
39% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sam Fischer
You Don't Call Me Anymore
84 bpm • C# Maj • 02:55 • -8.24db
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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ADMT
Prison - Acoustic
84 bpm • A Maj • 02:35 • -7.61db
39% Popularity • 79% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 79% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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RuthAnne
The Vow
101 bpm • D# Maj • 02:55 • -7db
50% Popularity • 39% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 39% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Dermot Kennedy
Sunday
84 bpm • B Maj • 02:58 • -5.6db
53% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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James Smith
My Oh My
101 bpm • A# min • 02:39 • -7db
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Platt
Grow as We Go
83 bpm • G# Maj • 04:09 • -9.76db
53% Popularity • 32% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 32% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Cat Burns
live more & love more
83 bpm • A Maj • 02:38 • -4.42db
64% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 60% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander Stewart
leave me in the dark
102 bpm • A Maj • 02:29 • -6.68db
61% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tim Gallagher
Growing Pains
83 bpm • E Maj • 03:21 • -7.71db
32% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Nolan
Maybe
102 bpm • C Maj • 03:06 • -15db
51% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lewis Capaldi
Forget Me - Piano Acoustic
102 bpm • E Maj • 03:27 • -5.11db
51% Popularity • 72% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 72% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
How to Be Alone
83 bpm • D Maj • 02:31 • -7.17db
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 75% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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James Smith
Got The Love - acoustic
102 bpm • B Maj • 02:29 • -9db
48% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sam James
The First Time (Explicit Version)
83 bpm • G Maj • 02:30 • -7db
37% Popularity • 56% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 56% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
