Songs like De Do Do Do, De Da Da Da by The Police
Based on a tempo of (+/- 10%) and a similar genre
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Dire Straits
Lady Writer
148 bpm • C# min • 03:44 • -8.6db
69% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
69% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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The Cars
Shake It Up - 2017 Remaster
148 bpm • C Maj • 03:31 • -6db
50% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Police
De Do Do Do, De Da Da Da
148 bpm • A Maj • 04:07 • -8.88db
64% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
64% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
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Bryan Ferry
Slave To Love
148 bpm • D Maj • 04:26 • -5.9db
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Doors
Love Her Madly
147 bpm • E min • 03:18 • -7.39db
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Dire Straits
Sultans Of Swing
148 bpm • F Maj • 05:48 • -10.02db
80% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
80% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
81% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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The Police
Hole In My Life
148 bpm • G Maj • 04:50 • -7.51db
45% Popularity • 64% Danceability • 61% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
45% Popularity • 64% Danceability • 61% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
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Billy Idol
White Wedding - Pt. 1
147 bpm • A Maj • 04:12 • -5.41db
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Eagles
Hotel California - 2013 Remaster
147 bpm • D Maj • 06:31 • -9.48db
83% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
83% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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George Harrison
Got My Mind Set on You
149 bpm • E Maj • 03:54 • -7.16db
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Glenn Frey
The Heat Is On
150 bpm • G Maj • 03:47 • -6.37db
63% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Bruce Springsteen
Born to Run
146 bpm • E Maj • 04:29 • -4.2db
71% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
71% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Police
Walking On The Moon
146 bpm • C Maj • 05:00 • -12.78db
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Robert Palmer
Bad Case Of Loving You (Doctor, Doctor)
146 bpm • E Maj • 03:15 • -9db
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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George Harrison
Got My Mind Set on You (Extended Version...
149 bpm • B Maj • 05:17 • -7.43db
51% Popularity • 80% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 80% Danceability • 81% Energy • 59% Liveness
0% Instrumentalness • 88% Positiveness
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A Flock Of Seagulls
I Ran (So Far Away) - Single Edit
146 bpm • D Maj • 03:41 • -7db
62% Popularity • 51% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
62% Popularity • 51% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
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Joe Cocker
With A Little Help From My Friends
145 bpm • D Maj • 05:12 • -11.33db
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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INXS
Devil Inside
151 bpm • C Maj • 05:13 • -7.53db
54% Popularity • 59% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 54% Positiveness
54% Popularity • 59% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 54% Positiveness
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Billy Joel
We Didn't Start the Fire
145 bpm • G Maj • 04:47 • -5.21db
78% Popularity • 71% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
78% Popularity • 71% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
75% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
75% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The Cure
Just Like Heaven
151 bpm • A Maj • 03:32 • -6.95db
73% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
80% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
80% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Styx
Mr. Roboto
144 bpm • C# Maj • 05:28 • -12.09db
59% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Robert Palmer
Looking For Clues
144 bpm • A min • 04:52 • -8.66db
43% Popularity • 84% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 95% Positiveness
43% Popularity • 84% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 95% Positiveness
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The Police
Murder By Numbers
145 bpm • B min • 04:36 • -11.24db
45% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
69% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
69% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Spandau Ballet
Gold - 2003 Remaster
143 bpm • A# min • 04:50 • -6.12db
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Pretenders
Back on the Chain Gang - 2007 Remaster
153 bpm • D Maj • 03:51 • -6.08db
63% Popularity • 60% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 81% Positiveness
63% Popularity • 60% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 81% Positiveness
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Robert Palmer
Johnny And Mary
153 bpm • D Maj • 03:59 • -10.95db
59% Popularity • 66% Danceability • 60% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
59% Popularity • 66% Danceability • 60% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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R.E.M.
Drive
143 bpm • G Maj • 04:31 • -12db
64% Popularity • 47% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 47% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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The Police
Masoko Tanga
144 bpm • F# min • 05:42 • -9.3db
38% Popularity • 68% Danceability • 87% Energy • 28% Liveness
77% Instrumentalness • 90% Positiveness
38% Popularity • 68% Danceability • 87% Energy • 28% Liveness
77% Instrumentalness • 90% Positiveness
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The Cure
Inbetween Days
143 bpm • A Maj • 02:57 • -6.32db
69% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
69% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
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Wings
Live And Let Die - 2018 Remaster
154 bpm • G Maj • 03:12 • -12.57db
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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The Cars
Tonight She Comes - 2017 Remaster
142 bpm • F Maj • 03:57 • -5.57db
44% Popularity • 63% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 95% Positiveness
44% Popularity • 63% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 95% Positiveness
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Robert Palmer
Simply Irresistible
143 bpm • A Maj • 04:14 • -6.96db
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The Police
Canary In A Coalmine
144 bpm • B min • 02:26 • -9.14db
53% Popularity • 81% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
53% Popularity • 81% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Billy Joel
It's Still Rock and Roll to Me
141 bpm • C Maj • 02:56 • -7.6db
71% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Duran Duran
Rio - 2009 Remaster
141 bpm • A Maj • 05:37 • -7.43db
61% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Collins
Two Hearts
156 bpm • G Maj • 03:24 • -2.48db
63% Popularity • 58% Danceability • 91% Energy • 6% Liveness
3% Instrumentalness • 71% Positiveness
63% Popularity • 58% Danceability • 91% Energy • 6% Liveness
3% Instrumentalness • 71% Positiveness
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Huey Lewis & The News
Hip To Be Square
141 bpm • A Maj • 04:05 • -11.09db
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:48 • -12.07db
55% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Queen
Don't Stop Me Now - Remastered 2011
156 bpm • F Maj • 03:29 • -5.28db
83% Popularity • 56% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
83% Popularity • 56% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Idol
Sweet Sixteen
156 bpm • A min • 04:17 • -12.68db
54% Popularity • 60% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
54% Popularity • 60% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
73% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
73% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Police
Demolition Man
154 bpm • E min • 05:57 • -10db
42% Popularity • 43% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
42% Popularity • 43% Danceability • 73% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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The Cult
She Sells Sanctuary
139 bpm • D Maj • 04:12 • -8.68db
69% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
69% Popularity • 55% Danceability • 76% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bryan Adams
Summer Of '69
139 bpm • D Maj • 03:36 • -6.21db
83% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
83% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Hollies
Long Cool Woman (In a Black Dress) - 199...
139 bpm • A Maj • 03:19 • -9.33db
73% Popularity • 76% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
73% Popularity • 76% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Sembello
Maniac
158 bpm • D# min • 04:06 • -5.9db
74% Popularity • 60% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
74% Popularity • 60% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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The Police
Can't Stand Losing You/Reggatta De Blanc...
154 bpm • D Maj • 06:30 • -4.4db
36% Popularity • 29% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 29% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
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DEVO
Whip It
158 bpm • A Maj • 02:41 • -7.26db
63% Popularity • 78% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 78% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Blondie
Maria
160 bpm • A Maj • 04:09 • -6.93db
68% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Kim Wilde
Kids In America
160 bpm • E Maj • 03:25 • -3.9db
69% Popularity • 56% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 56% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lenny Kravitz
It Ain't Over 'Til It's Over
160 bpm • F# Maj • 04:02 • -10.74db
77% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
77% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:58 • -5.3db
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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The Romantics
What I Like About You
160 bpm • A Maj • 02:55 • -8.43db
66% Popularity • 51% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 51% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
71% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Paul McCartney
Hope Of Deliverance
160 bpm • A min • 03:22 • -10.92db
57% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Jackson
Steppin' Out
160 bpm • B Maj • 04:22 • -9.43db
55% Popularity • 58% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 58% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Lenny Kravitz
Fly Away
160 bpm • G Maj • 03:41 • -5.07db
74% Popularity • 59% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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The Police
Born In The 50's
142 bpm • D# Maj • 03:42 • -8db
38% Popularity • 51% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 51% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Asia
Heat Of The Moment
136 bpm • C# Maj • 03:47 • -7.37db
69% Popularity • 31% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 31% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Rod Stewart
Young Turks - 2008 Remaster
161 bpm • F min • 05:02 • -9db
61% Popularity • 64% Danceability • 82% Energy • 14% Liveness
49% Instrumentalness • 70% Positiveness
61% Popularity • 64% Danceability • 82% Energy • 14% Liveness
49% Instrumentalness • 70% Positiveness
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Rush
The Spirit Of Radio
136 bpm • E Maj • 04:56 • -7.07db
63% Popularity • 36% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 36% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
79% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
79% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
60% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
60% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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ZZ Top
La Grange (2005 Remaster)
162 bpm • E min • 03:50 • -9.94db
77% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
77% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
60% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
60% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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The Who
Won't Get Fooled Again - Original Album ...
135 bpm • D Maj • 08:31 • -6.23db
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
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Aerosmith
Crazy
162 bpm • F# min • 05:16 • -4.67db
75% Popularity • 35% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
75% Popularity • 35% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Idol
Mony Mony - Downtown Mix / Remastered 20...
135 bpm • A# min • 05:01 • -6.29db
59% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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The Police
Message In A Bottle - Live From River Pl...
155 bpm • A Maj • 05:00 • -4db
43% Popularity • 32% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 32% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Blondie
One Way Or Another - Remastered 2001
162 bpm • D Maj • 03:35 • -5.4db
68% Popularity • 45% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 45% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Dire Straits
Money For Nothing
134 bpm • D min • 08:24 • -6.82db
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Led Zeppelin
D'yer Mak'er - Remaster
164 bpm • A min • 04:22 • -8.56db
64% Popularity • 52% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 52% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Cars
You Might Think
134 bpm • D Maj • 03:04 • -6db
65% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
65% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Young
Every Time You Go Away - Radio Edit
164 bpm • F Maj • 04:27 • -9db
69% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
69% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The Police
Hungry For You
140 bpm • C Maj • 02:52 • -6.79db
45% Popularity • 73% Danceability • 76% Energy • 4% Liveness
28% Instrumentalness • 93% Positiveness
45% Popularity • 73% Danceability • 76% Energy • 4% Liveness
28% Instrumentalness • 93% Positiveness
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Electric Light Orchestra
Shine a Little Love
133 bpm • G Maj • 04:41 • -8.95db
50% Popularity • 69% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
50% Popularity • 69% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
