Songs like Deacon Blues (feat. Bill MacKay) by Bill Callahan
Based on a tempo of (+/- 10%) and a similar genre
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Sibylle Baier
Tonight
120 bpm • F min • 02:26 • -14.71db
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Steve Gunn
Stonehurst Cowboy
120 bpm • G min • 03:41 • -7.15db
18% Popularity • 59% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
18% Popularity • 59% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Papa M
Many Splendored Thing
120 bpm • A Maj • 03:53 • -13.07db
21% Popularity • 46% Danceability • 18% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
21% Popularity • 46% Danceability • 18% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Bill Callahan
Winter Road
120 bpm • F Maj • 05:29 • -13.05db
18% Popularity • 38% Danceability • 21% Energy • 36% Liveness
2% Instrumentalness • 11% Positiveness
18% Popularity • 38% Danceability • 21% Energy • 36% Liveness
2% Instrumentalness • 11% Positiveness
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Joan As Police Woman
Out of Time
120 bpm • G Maj • 02:23 • -13db
24% Popularity • 41% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Old Fire
Corpus
120 bpm • F# min • 04:15 • -8.74db
3% Popularity • 28% Danceability • 46% Energy • 35% Liveness
79% Instrumentalness • 14% Positiveness
3% Popularity • 28% Danceability • 46% Energy • 35% Liveness
79% Instrumentalness • 14% Positiveness
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Bill Patton
Alchemy
120 bpm • C# min • 03:37 • -12.48db
18% Popularity • 67% Danceability • 41% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
18% Popularity • 67% Danceability • 41% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
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Magnolia Electric Co.
Leave The City
120 bpm • G Maj • 04:28 • -12db
27% Popularity • 50% Danceability • 41% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Bill Callahan
One Fine Morning
120 bpm • G Maj • 08:45 • -17db
32% Popularity • 51% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
32% Popularity • 51% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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This Is The Kit
Solid Grease
120 bpm • C Maj • 03:48 • -8.67db
22% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 44% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Damien Jurado
1973
119 bpm • G# min • 02:52 • -12.9db
24% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Buckley
Once I Was
121 bpm • C# Maj • 03:23 • -10db
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
47% Popularity • 34% Danceability • 43% Energy • 12% Liveness
62% Instrumentalness • 40% Positiveness
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Sam Amidon
Sugar Baby
119 bpm • F# Maj • 05:24 • -15.87db
33% Popularity • 69% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
35% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Bill Callahan
Sycamore
120 bpm • B Maj • 05:35 • -6.07db
41% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Smog
Cold Blooded Old Times
121 bpm • B Maj • 04:14 • -10db
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Pete Molinari
I Don't Like The Man I Am
121 bpm • F# min • 03:34 • -8db
35% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Buckley
Buzzin' Fly
121 bpm • F Maj • 06:04 • -13db
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
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Nicolai Dunger
Last Night I Dreamt Of Mississippi
121 bpm • C Maj • 06:27 • -12.91db
26% Popularity • 61% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 63% Positiveness
26% Popularity • 61% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 63% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bill Callahan
Watch Me Get Married
120 bpm • C Maj • 03:10 • -14.82db
7% Popularity • 67% Danceability • 32% Energy • 9% Liveness
57% Instrumentalness • 47% Positiveness
7% Popularity • 67% Danceability • 32% Energy • 9% Liveness
57% Instrumentalness • 47% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
37% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
37% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
23% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
23% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Akron/Family
I'll Be On The Water
119 bpm • E min • 03:25 • -8db
31% Popularity • 42% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
31% Popularity • 42% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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Sam Amidon
Cuckoo
122 bpm • C# min • 05:16 • -13.59db
14% Popularity • 62% Danceability • 64% Energy • 12% Liveness
49% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 64% Energy • 12% Liveness
49% Instrumentalness • 79% Positiveness
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Bill Callahan
Morning Is My Godmother
119 bpm • G Maj • 02:10 • -15.93db
13% Popularity • 61% Danceability • 19% Energy • 10% Liveness
47% Instrumentalness • 16% Positiveness
13% Popularity • 61% Danceability • 19% Energy • 10% Liveness
47% Instrumentalness • 16% Positiveness
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Timber Timbre
Hot Dreams
122 bpm • A Maj • 04:53 • -8.77db
39% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
39% Popularity • 55% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 33% Positiveness
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Red House Painters
Cruiser
122 bpm • D# Maj • 08:39 • -10.95db
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
35% Popularity • 52% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Jennifer Castle
Texas
118 bpm • A Maj • 03:18 • -12.87db
18% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Karen Dalton
Katie Cruel
118 bpm • A# Maj • 02:22 • -10db
18% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Bill Callahan
Eid Ma Clack Shaw
118 bpm • C# min • 04:19 • -11.11db
35% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Purple Mountains
That's Just The Way That I Feel
123 bpm • C Maj • 03:23 • -6.53db
16% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Neko Case
Greens of June
123 bpm • C# min • 04:13 • -11.41db
29% Popularity • 63% Danceability • 55% Energy • 42% Liveness
4% Instrumentalness • 57% Positiveness
29% Popularity • 63% Danceability • 55% Energy • 42% Liveness
4% Instrumentalness • 57% Positiveness
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Vic Chesnutt
You Are Never Alone
123 bpm • A Maj • 05:45 • -12db
14% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Amen Dunes
Time
123 bpm • C Maj • 04:50 • -9.08db
11% Popularity • 61% Danceability • 72% Energy • 11% Liveness
28% Instrumentalness • 75% Positiveness
11% Popularity • 61% Danceability • 72% Energy • 11% Liveness
28% Instrumentalness • 75% Positiveness
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Richard Swift
The Novelist
117 bpm • F Maj • 02:54 • -11.86db
11% Popularity • 24% Danceability • 32% Energy • 12% Liveness
20% Instrumentalness • 20% Positiveness
11% Popularity • 24% Danceability • 32% Energy • 12% Liveness
20% Instrumentalness • 20% Positiveness
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Bill Callahan
Javelin Unlanding
118 bpm • C min • 03:48 • -11.4db
35% Popularity • 59% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
35% Popularity • 59% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
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Sparklehorse
Spirit Ditch
116 bpm • B Maj • 03:23 • -18db
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
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Arthur Russell
Close My Eyes
124 bpm • G Maj • 02:33 • -13.82db
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Palace Music
New Partner
124 bpm • B Maj • 03:54 • -14db
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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Songs: Ohia
Captain Badass
124 bpm • G# min • 07:40 • -9.52db
32% Popularity • 67% Danceability • 38% Energy • 8% Liveness
11% Instrumentalness • 63% Positiveness
32% Popularity • 67% Danceability • 38% Energy • 8% Liveness
11% Instrumentalness • 63% Positiveness
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Bill Callahan
Lonesome Valley
123 bpm • G Maj • 04:16 • -14.52db
4% Popularity • 61% Danceability • 30% Energy • 10% Liveness
22% Instrumentalness • 37% Positiveness
4% Popularity • 61% Danceability • 30% Energy • 10% Liveness
22% Instrumentalness • 37% Positiveness
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Jolie Holland
Wandering Angus
116 bpm • A Maj • 03:59 • -24.98db
14% Popularity • 42% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 22% Positiveness
14% Popularity • 42% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 22% Positiveness
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Sam Amidon
Light Rain Blues
124 bpm • B Maj • 03:57 • -15.7db
20% Popularity • 57% Danceability • 34% Energy • 19% Liveness
55% Instrumentalness • 40% Positiveness
20% Popularity • 57% Danceability • 34% Energy • 19% Liveness
55% Instrumentalness • 40% Positiveness
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Vic Chesnutt
Bug
116 bpm • A# Maj • 03:17 • -10.51db
8% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Baxter Dury
Oscar Brown
124 bpm • F Maj • 05:35 • -11.5db
26% Popularity • 46% Danceability • 39% Energy • 37% Liveness
68% Instrumentalness • 31% Positiveness
26% Popularity • 46% Danceability • 39% Energy • 37% Liveness
68% Instrumentalness • 31% Positiveness
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John Cale
Buffalo Ballet
124 bpm • D Maj • 03:28 • -14.89db
34% Popularity • 50% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 50% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Bill Callahan
747
123 bpm • D Maj • 03:26 • -13db
6% Popularity • 72% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 54% Positiveness
6% Popularity • 72% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 54% Positiveness
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Kacy & Clayton
High Holiday
124 bpm • G min • 04:17 • -9.22db
9% Popularity • 71% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 40% Positiveness
9% Popularity • 71% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 40% Positiveness
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Damien Jurado
Rachel & Cali
116 bpm • D# min • 03:00 • -11.83db
37% Popularity • 66% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Little Wings
Hill Hidden Nog
116 bpm • B min • 02:39 • -12.98db
13% Popularity • 60% Danceability • 27% Energy • 10% Liveness
10% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 27% Energy • 10% Liveness
10% Instrumentalness • 24% Positiveness
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Loudon Wainwright III
Lullaby
116 bpm • C Maj • 02:57 • -16.78db
39% Popularity • 57% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
39% Popularity • 57% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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![(David Bowie I Love You) Since I Was Six [feat. Dan Auerbach] cover art](https://i.scdn.co/image/ab67616d00001e024834d75b7930ceb44b0b4429)
Jessica Lea Mayfield
(David Bowie I Love You) Since I Was Six
116 bpm • E min • 04:04 • -10.68db
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
52% Instrumentalness • 17% Positiveness
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
52% Instrumentalness • 17% Positiveness
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Bill Callahan
My Friend
124 bpm • A# Maj • 05:12 • -12db
32% Popularity • 50% Danceability • 54% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
32% Popularity • 50% Danceability • 54% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Mary Margaret O'Hara
To Cry About
125 bpm • B Maj • 03:24 • -21.95db
22% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Vic Chesnutt
Chinaberry Tree
125 bpm • A# Maj • 04:10 • -8db
18% Popularity • 37% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
18% Popularity • 37% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Sam Burton
I Can Go With You
115 bpm • E min • 03:36 • -8.7db
29% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Arthur Russell
I Couldn't Say It To Your Face
125 bpm • F Maj • 02:36 • -8.08db
37% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Hurley
Are You Here For The Festival
115 bpm • A# Maj • 03:56 • -11db
28% Popularity • 74% Danceability • 31% Energy • 14% Liveness
20% Instrumentalness • 65% Positiveness
28% Popularity • 74% Danceability • 31% Energy • 14% Liveness
20% Instrumentalness • 65% Positiveness
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Bill Callahan
Writing
125 bpm • E Maj • 03:06 • -15.11db
5% Popularity • 54% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
5% Popularity • 54% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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Smog
Drinking At The Dam
126 bpm • F# Maj • 04:07 • -15db
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
48% Instrumentalness • 21% Positiveness
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Jonathan Wilson
Can We Really Party Today?
126 bpm • G Maj • 06:40 • -11.63db
29% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Silver Jews
Tennessee
114 bpm • G Maj • 04:10 • -11.26db
27% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 42% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Jolie Holland
Damn Shame
114 bpm • D Maj • 04:50 • -18.36db
29% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
29% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Karen Dalton
In My Own Dream
114 bpm • G Maj • 04:18 • -9.02db
12% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
12% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Purple Mountains
Margaritas At The Mall
127 bpm • A min • 03:54 • -7db
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
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Michael Hurley
I Paint a Design
114 bpm • A# Maj • 05:49 • -8db
35% Popularity • 83% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 83% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Bill Callahan
Son Of The Sea
127 bpm • G Maj • 04:13 • -14.18db
4% Popularity • 51% Danceability • 29% Energy • 29% Liveness
56% Instrumentalness • 36% Positiveness
4% Popularity • 51% Danceability • 29% Energy • 29% Liveness
56% Instrumentalness • 36% Positiveness
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The Feelies
When Company Comes
114 bpm • G Maj • 02:16 • -11db
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Amidon
Maggie
113 bpm • E Maj • 04:54 • -11db
23% Popularity • 61% Danceability • 69% Energy • 10% Liveness
40% Instrumentalness • 56% Positiveness
23% Popularity • 61% Danceability • 69% Energy • 10% Liveness
40% Instrumentalness • 56% Positiveness
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Cory Hanson
Paper Fog
113 bpm • C Maj • 04:29 • -11.22db
26% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
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Purple Mountains
Darkness And Cold
113 bpm • G Maj • 03:58 • -7.89db
14% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Kira Skov
Love is a Force
113 bpm • G Maj • 03:54 • -12.34db
7% Popularity • 33% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
7% Popularity • 33% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Myriam Gendron
Go Away From My Window
127 bpm • E Maj • 04:15 • -15.25db
15% Popularity • 58% Danceability • 18% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
15% Popularity • 58% Danceability • 18% Energy • 10% Liveness
18% Instrumentalness • 13% Positiveness
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Nick Lowe
Homewrecker
127 bpm • G Maj • 03:08 • -14.41db
28% Popularity • 51% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 29% Positiveness
28% Popularity • 51% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 29% Positiveness
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Palace Music
The Brute Choir
127 bpm • F# min • 02:43 • -16db
28% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jackson C. Frank
Marlene
128 bpm • G min • 04:57 • -14.33db
32% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Cory Hanson
Pale Horse Rider
113 bpm • G Maj • 04:05 • -8.73db
19% Popularity • 30% Danceability • 38% Energy • 7% Liveness
56% Instrumentalness • 29% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 7% Liveness
56% Instrumentalness • 29% Positiveness
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Steve Gunn
Protection
128 bpm • F min • 04:34 • -11.13db
32% Popularity • 75% Danceability • 50% Energy • 18% Liveness
52% Instrumentalness • 67% Positiveness
32% Popularity • 75% Danceability • 50% Energy • 18% Liveness
52% Instrumentalness • 67% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Scott Walker
Duchess
128 bpm • B Maj • 02:48 • -20db
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Karen Dalton
Ribbon Bow
113 bpm • D Maj • 03:01 • -27.97db
34% Popularity • 51% Danceability • 4% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
34% Popularity • 51% Danceability • 4% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Sam Amidon
Little Johnny Brown
128 bpm • E min • 04:30 • -11.04db
15% Popularity • 58% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 29% Positiveness
15% Popularity • 58% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 29% Positiveness
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William Tyler
The Great Unwind
128 bpm • E Maj • 08:25 • -13.8db
23% Popularity • 30% Danceability • 40% Energy • 6% Liveness
93% Instrumentalness • 13% Positiveness
23% Popularity • 30% Danceability • 40% Energy • 6% Liveness
93% Instrumentalness • 13% Positiveness
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Gena Rose Bruce
Deep Is The Way
128 bpm • F# min • 04:40 • -16db
15% Popularity • 76% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 25% Positiveness
15% Popularity • 76% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 25% Positiveness
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Golden Spine
Gayatri Mantra
128 bpm • D Maj • 06:24 • -10.21db
0% Popularity • 40% Danceability • 34% Energy • 50% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 40% Danceability • 34% Energy • 50% Liveness
87% Instrumentalness • 4% Positiveness
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Sharon Van Etten
Remembering Mountains
128 bpm • C Maj • 03:36 • -11.74db
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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Blake Mills
Like It's Something
112 bpm • F Maj • 03:27 • -10.2db
20% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
20% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
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Bill Callahan
Black Dog On The Beach
128 bpm • A Maj • 02:30 • -17.43db
8% Popularity • 46% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 29% Positiveness
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Jerry David DeCicca
Forty Years in the Wilderness
112 bpm • B Maj • 04:04 • -15.23db
24% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
