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Dead Already
Songs like
Dead Already
by
Thomas Newman
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Newman
Still Dead
128 bpm • C Maj • 02:46 • -10.6db
30% Popularity • 77% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
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Klaus Badelt
Reunion
128 bpm • F Maj • 01:14 • -27.45db
40% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
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James Horner
The bioluminescence of the night
128 bpm • C# min • 03:37 • -28.06db
51% Popularity • 19% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
43% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Searching for Home
128 bpm • C min • 02:16 • -21db
31% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Ennio Morricone
Nuovo Cinema Paradiso
127 bpm • A# Maj • 02:58 • -16.82db
50% Popularity • 27% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Thomas Newman
Dead Already
128 bpm • G min • 03:18 • -11.15db
42% Popularity • 81% Danceability • 33% Energy • 14% Liveness
85% Instrumentalness • 24% Positiveness
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Ry Cooder
Paris, Texas
129 bpm • G Maj • 02:54 • -20.96db
48% Popularity • 36% Danceability • 1% Energy • 6% Liveness
16% Instrumentalness • 20% Positiveness
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James Horner
Legends of the Fall
127 bpm • D Maj • 04:16 • -28.3db
43% Popularity • 17% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Mescaline
129 bpm • A min • 03:10 • -24.41db
23% Popularity • 31% Danceability • 12% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Nick Cave
Space Station
127 bpm • F Maj • 04:16 • -29db
40% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Thomas Newman
Walk Home
129 bpm • G min • 01:19 • -26.2db
35% Popularity • 30% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Rachel Portman
Boycott Immorality
126 bpm • D min • 04:38 • -28db
29% Popularity • 30% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
35% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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David Holmes
Yen on a Carousel
126 bpm • C min • 03:12 • -7.54db
33% Popularity • 30% Danceability • 70% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Newman
The Ripples Must Be Endless (End Title)
129 bpm • C Maj • 03:14 • -13.8db
20% Popularity • 47% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
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Clint Eastwood
Theme from Mystic River
131 bpm • F Maj • 05:03 • -25.89db
27% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Time Lapse
125 bpm • F min • 05:31 • -26db
53% Popularity • 59% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Mark Isham
Building A Family
124 bpm • A Maj • 01:57 • -20.71db
45% Popularity • 60% Danceability • 14% Energy • 37% Liveness
90% Instrumentalness • 44% Positiveness
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Theodore Shapiro
Eyjafjallajökull
124 bpm • F Maj • 03:58 • -18.19db
28% Popularity • 59% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Thomas Newman
Whisper Of A Thrill
126 bpm • C# Maj • 05:42 • -28.03db
41% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Trent Reznor and Atticus Ross
In Motion
124 bpm • G Maj • 04:56 • -12.24db
47% Popularity • 62% Danceability • 64% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
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Ludovico Einaudi
Nightbook
124 bpm • F# min • 05:50 • -16.3db
47% Popularity • 60% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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David Holmes
Hookers
133 bpm • D Maj • 01:06 • -11.33db
28% Popularity • 71% Danceability • 56% Energy • 21% Liveness
89% Instrumentalness • 32% Positiveness
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Ennio Morricone
Un violino
133 bpm • D Maj • 01:53 • -17.46db
27% Popularity • 48% Danceability • 24% Energy • 25% Liveness
92% Instrumentalness • 64% Positiveness
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Thomas Newman
Choking The Bishop
123 bpm • B Maj • 01:51 • -19.05db
29% Popularity • 70% Danceability • 30% Energy • 14% Liveness
72% Instrumentalness • 11% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Mychael Danna
Piscine Molitor Patel / Sous le Ciel de ...
134 bpm • E Maj • 03:39 • -19.4db
27% Popularity • 59% Danceability • 27% Energy • 14% Liveness
18% Instrumentalness • 35% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Thomas Newman
Weirdest Home Videos
134 bpm • C min • 02:02 • -15.18db
29% Popularity • 83% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
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Gustavo Santaolalla
Desert Bus Ride
135 bpm • C Maj • 01:55 • -19.68db
24% Popularity • 40% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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DeVotchKa
First Push
135 bpm • B Maj • 01:05 • -12.3db
35% Popularity • 65% Danceability • 61% Energy • 28% Liveness
55% Instrumentalness • 59% Positiveness
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Dustin O'Halloran
Arrival
135 bpm • C min • 04:26 • -22.27db
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Forgotten Overture - Finding Neverland/S...
135 bpm • A min • 03:31 • -19.03db
24% Popularity • 42% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Mark Isham
Sense of Touch
135 bpm • F Maj • 06:44 • -13.43db
24% Popularity • 19% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Mychael Danna
On Its Head
135 bpm • D# Maj • 01:34 • -18.36db
37% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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David Arnold
Aston Montenegro
136 bpm • E min • 01:03 • -17.87db
36% Popularity • 15% Danceability • 12% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
37% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
In the Hall of the Mountain King
136 bpm • A# min • 02:21 • -14.01db
39% Popularity • 23% Danceability • 14% Energy • 26% Liveness
91% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
37% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Russo
The Night Of - Main Title Screen Version...
120 bpm • B min • 01:24 • -16db
25% Popularity • 63% Danceability • 18% Energy • 16% Liveness
97% Instrumentalness • 55% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Steve Jablonsky
The Island Awaits You
120 bpm • A min • 02:21 • -19.1db
34% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
24% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Duchess Of Windsor
120 bpm • A# Maj • 03:09 • -18.55db
30% Popularity • 73% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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David Holmes
Boobytrappin
120 bpm • A Maj • 02:32 • -8db
31% Popularity • 66% Danceability • 90% Energy • 27% Liveness
89% Instrumentalness • 80% Positiveness
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Daniel Pemberton
The Vinciguerra Affair
120 bpm • D min • 03:22 • -13.23db
22% Popularity • 77% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 48% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
43% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Harry Escott
Brandon
120 bpm • G min • 08:27 • -24db
26% Popularity • 32% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Edward
120 bpm • G Maj • 02:38 • -16.24db
15% Popularity • 44% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Tom Tykwer
Meeting Schumer
120 bpm • C Maj • 01:12 • -22.08db
30% Popularity • 60% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
53% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Armand Amar
Life I
120 bpm • A min • 03:10 • -18db
33% Popularity • 54% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Abel Korzeniowski
Clock Tick
120 bpm • G min • 02:07 • -12.61db
19% Popularity • 77% Danceability • 39% Energy • 15% Liveness
89% Instrumentalness • 90% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Ennio Morricone
L'arena (Il Mercenario)
137 bpm • D Maj • 04:44 • -5db
34% Popularity • 28% Danceability • 67% Energy • 12% Liveness
81% Instrumentalness • 19% Positiveness
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Thomas Newman
Breadcrumbs
137 bpm • C Maj • 02:02 • -20.09db
31% Popularity • 28% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Éric Serra
Leeloo
137 bpm • C# Maj • 04:55 • -23.53db
26% Popularity • 15% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Michael Brook
Ultramarine
137 bpm • A# min • 04:34 • -22db
30% Popularity • 57% Danceability • 42% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Henry Mancini
Trail Of The Pink Panther (Main Theme)
119 bpm • F Maj • 05:04 • -14.39db
22% Popularity • 60% Danceability • 20% Energy • 13% Liveness
17% Instrumentalness • 35% Positiveness
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Abel Korzeniowski
Sunset
119 bpm • C Maj • 02:59 • -12.67db
19% Popularity • 28% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
46% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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John Beal
Basic Instinct Theme
138 bpm • E min • 02:22 • -10.09db
12% Popularity • 15% Danceability • 34% Energy • 25% Liveness
92% Instrumentalness • 9% Positiveness
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Angelo Badalamenti
The Straight Story: Rose's Theme
119 bpm • F Maj • 05:18 • -21.61db
26% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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John Murphy
Adagio in D Minor
119 bpm • G Maj • 04:09 • -8.42db
47% Popularity • 17% Danceability • 48% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Lion Theme
138 bpm • C min • 01:58 • -18.55db
48% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
The Park On Piano - Finding Neverland/So...
119 bpm • C Maj • 05:23 • -20.61db
33% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Tom Tykwer
The International - End Title
119 bpm • C Maj • 09:12 • -17db
22% Popularity • 20% Danceability • 33% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Crusaders
118 bpm • F min • 01:40 • -21.11db
47% Popularity • 44% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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James Horner
Creating "Governing Dynamics"
118 bpm • C Maj • 02:33 • -22db
36% Popularity • 18% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Out Of The Garage
118 bpm • E Maj • 03:47 • -13.7db
22% Popularity • 64% Danceability • 63% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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David Holmes
Not Their Fight
118 bpm • A min • 01:17 • -7.95db
32% Popularity • 53% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Thomas Newman
Possibility
139 bpm • E min • 02:33 • -15db
12% Popularity • 66% Danceability • 24% Energy • 36% Liveness
88% Instrumentalness • 38% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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James Horner
A Kaleidoscope Of Mathematics
140 bpm • C# min • 04:54 • -20.97db
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Max Richter
November
117 bpm • C Maj • 06:22 • -12.1db
41% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
33% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Patrick Doyle
Justice
140 bpm • D Maj • 09:29 • -15.69db
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Newman
Rock Island, 1931
140 bpm • E min • 03:22 • -15.54db
29% Popularity • 24% Danceability • 20% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Nicholas Britell
Succession (Main Title Theme)
140 bpm • G# Maj • 01:42 • -6.37db
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Danube
140 bpm • D Maj • 03:33 • -13.18db
15% Popularity • 59% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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L'Orchestre d'Academie
Suite Punta Del Este (12 Monkeys)
116 bpm • E min • 01:46 • -19db
30% Popularity • 77% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Rachel Portman
The Duchess
116 bpm • G Maj • 01:41 • -18db
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Thomas Newman
The Mouse on the Mile
117 bpm • F# Maj • 01:30 • -24.63db
20% Popularity • 87% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
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Dead Already